South American Armchairs

The set of 4 stools is upholstered in fabric like a linen, with champagne-colored metallic feet made of carbon steel. (as the photo in the environment). We can deliver the set with ...

Armchair with wooden structure and upholstered seat. The first sketches of the Coral Line, consisting of an armchair and a chair, start from the observation of marine life, shells an...

Pair of unique iron chairs in a “spaghetti” style seating by Zanine Caldas. Extremely rare. The seating structure was composed of a circular iron bar with pillow over the springs. Za...

Designed by Carlo Hauner and Martin Eisler for Forma S.A Móveis e Objetos de Arte in circa 1960. A modern Brazilian armchair made in the curved iron structure and recently upholster...

This early 1950's pair of armchairs by Hauner for Móveis Artesanal is amazing and super rare set of chair. The design for these armchairs resembles the Executive Armchair by Saarinen...

Pair of chrome and bronze armchairs.

Pair of armchairs with iron structure and cane covering, designed by the Brazilian modern designer Carlo Hauner in the 1950s.

The “Astral” armchair is Lattoog's latest release for Empório das Cadeiras and is the youngest of a family of furniture affectionately baptized by the designers of Série Viralatas. two pieces of furniture, in general modernist classics, are fused (or syncretized) to result in a third design of an original piece of furniture, completely different from the others, but with a strong “genetic load” of its generative matrices. A concept invented by Lattoog in 2005 that has been a great influence for designers from Brazil and abroad as well. Here, strong but subtle references to Brazilian roots and culture are presented: Miscegenation, syncretism and “viralism”. Astral is born from the fusion of the shapes of the Tank armchair...

Armchair with structure in solid wood and upholstered fiberglass. Armchair + stool The “Astral” armchair is Lattoog's latest release for Empório das Cadeiras and is the youngest ...

Immerse yourself in the enigmatic world of furniture artistry with this mesmerizing chair, crafted by the skilled hands of Nen Artesão. Blurring the boundaries between design art and...

These two lounge chairs are a stunning representation of midcentury Brazilian design, produced by the esteemed design collective Liceu de Artes e Ofícios. The chairs' frames are craf...

Developed for both outdoor and indoor areas, this armchair refers directly to a sport with great cultural identification with Brazil: surf. The first piece produced in order to present the concept had the backrest and chair seat shaped manually in expanded polyurethane, the same used in the manufacture of surfboards. Now, in the official release for the market as serial pieces, we offer both chair and armchair in two versions: upholstered or wooden chair seat.

Extremely rare armchair with an iron structure and molded upholstery, extremely comfortable. This chair is a good example of how avant-garde furniture design could be in the mid- 195...

Extremely rare armchair in white rattan (original painting from the fabric) in an elliptical format, made over an iron structure with cufflinks. This model was featured in several publications of the time, above it is in an "Casa Jardim...

Armchair with wooden structure and upholstered seat. The first sketches of the Coral Line, consisting of an armchair and a chair, start from the observation of marine life, shells an...

One of the project assumptions for this chair was the intense formal dialogue between different materials like wood and fabric. The designers came to a trace that fluidly and continu...

Móveis Ambiente, solid wood and leather armchair, Brasil, 1960s A rare and exquisite armchair made in solid hardwood with brass fixing parts. Presentin...

Black maple leaf chair to boconcept Ottawa chair (karim rashid by Estúdio Iludi) Unique piece Invited by BoConcept, Estúdio Iludi receives the mission of reimagining the Ottawa chair, from the homonymous collection by the prestigious designer Karim Rashid. In order to accomplish this task, Estúdio Iludi faces the double challenge of highlighting the Egyptian designer’s visionary esthesia and stamping its own mark on an international hit. The Ottawa chair, which in its original conception presents a leaf-shaped seat, structured on four open legs after the fashion of a tree root, is lifted off the ground in the Iludi rereading. Thus, placed on a framework that is suspended from the ceiling by a rope and a hook, the chair is made into a swing. Movement, the watchword of the creations by Estúdio Iludi, becomes a perfect way to potentiate Karin Rashid...

Immerse yourself in the enigmatic world of furniture artistry with this mesmerizing chair, crafted by the skilled hands of Nen Artesão. Blurring the boundaries between design art and...

Martin Eisler (1913-1977) & Carlo Hauner (1927-1997) Armchair model “Shell” Manufactured by Forma Moveis Brazil, 1950 Iron structure, fabric upholstery Measurements 70 cm x 78 cm x 74h cm. 28 in x 27,5 in x 31h in. Literature Brasilian modern: The rediscovery of twentieth-century Brazilian furniture. Aric Chen. Brasil, 2016. Pag 217,128 Martin Eisler (Vienna, Austria, 1913 - São Paulo, Brazil, 1977), was an architect and furniture designer. He was part of a group of European architects and designers who left Europe during the chaos of the Second World War and went to live and work in Brazil. Eisler stood out amongst this group of creatives, his work was at the forefront of modern furniture design in Brazil which flourished through the 50s and 60s in the region. The work of Martin Eisler in partnership with Carlo Hauner (1927-1996) was of particular significance. Eisler left Europe in 1938 due to the rise of fascist regimes. He first lived in Argentina, where he was settled and worked as an architect, set designer and interior designer, he opened up an interior design firm Interieur Forma. In 1940, he married Rosl Wolf, the daughter of German immigrants. Born in Brescia in 1927, Carlo Hauner studied technical drawing and drawing at the Brera Academy in Milan, Italy. In 1948 he successfully participated in the Venice Biennale after which he moved to Brazil, where he dedicated himself to the design of textile, ceramics, furniture and architecture. In only a very short time he founded a furniture production company and purchased a factory from Lina Bo Bardi and her husband Pietro Bardi, renaming it Móveis Artesanal. In 1953 Hauner met Martin Eisler, who was looking for help to produce furniture for the home of his brother-in-law, Ernesto Wolf. Eisler reached out to Hauner and the rest is history. The two men connected and with Wolf’s financial backing, they opened Galeria Artesanal (a store for their company Móveis Artesenal) on a busy street in São Paulo. Being highly ambitious and with an eye on the international market as well as the upcoming office market, Móvies Artesanal later changed into Forma. Along with Oca, Forma became one of the biggest names in Brazilian furniture production. Even managing to attract an exclusive license to sell Knoll furniture, bringing big names in international design such as Mies Van Der Rohe, Charles Eames and Harry Bertoia to the Brazilian furniture market. Hauner and Eisler’s designs are characterized by the use of Brazilian woods, thin tubular frames and a range from furniture, to ceramics and textiles. Some of their most famous designs are the “rib” lounge chair...

Armchair with wooden structure and upholstered seat. The first sketches of the Coral Line, consisting of an armchair and a chair, start from the observation of marine life, shells an...

We have a second unit available as of 2025! Brazilian Mid-Century Modern Iron and Caviúna hardwood armchair, designed by Carlo Hauner for Móveis Artesanal...

Martin Eisler (1913-1977) & Carlo Hauner (1927-1997) Set of armchair and footrest Manufactured by Forma Moveis,  Brazil, 1950 Iron structure, fabric upholstery Pair of purple velvet Mid-century modern velvet armchairs made in Brazil. Measurements: 100 cm x 60 cm x 70 H cm (armchair) 39.37 in x 23.62 in x 27.56 H in (armchair) Literature Brasilian modern: The rediscovery of 20th century Brazilian furniture. Aric Chen. Brasil, 2016. Pag 217,128 (similar model). Martin Eisler (Vienna, Austria, 1913 - São Paulo, Brazil, 1977), was an architect and furniture designer. He was part of a group of European architects and designers who left Europe during the chaos of the Second World War and went to live and work in Brazil. Eisler stood out amongst this group of creatives, his work was at the forefront of modern furniture design in Brazil which flourished through the 50s and 60s in the region. The work of Martin Eisler in partnership with Carlo Hauner (1927-1996) was of particular significance. Eisler left Europe in 1938 due to the rise of fascist regimes. He first lived in Argentina, where he was settled and worked as an architect, set designer and interior designer, he opened up an interior design firm Interieur Forma. In 1940, he married Rosl Wolf, the daughter of German immigrants. Born in Brescia in 1927, Carlo Hauner studied technical drawing and drawing at the Brera Academy in Milan, Italy. In 1948 he successfully participated in the Venice Biennale after which he moved to Brazil, where he dedicated himself to the design of textile, ceramics, furniture and architecture. In only a very short time he founded a furniture production company and purchased a factory from Lina Bo Bardi and her husband Pietro Bardi, renaming it Móveis Artesanal. In 1953 Hauner met Martin Eisler, who was looking for help to produce furniture for the home of his brother-in-law, Ernesto Wolf. Eisler reached out to Hauner and the rest is history. The two men connected and with Wolf’s financial backing, they opened Galeria Artesanal (a store for their company Móveis Artesenal) on a busy street in São Paulo. Being highly ambitious and with an eye on the international market as well as the upcoming office market, Móvies Artesanal later changed into Forma. Along with Oca, Forma became one of the biggest names in Brazilian furniture production. Even managing to attract an exclusive license to sell Knoll furniture, bringing big names in international design such as Mies Van Der Rohe, Charles Eames and Harry Bertoia to the Brazilian furniture market. Hauner and Eisler’s designs are characterized by the use of Brazilian woods, thin tubular frames and a range from furniture, to ceramics and textiles. Some of their most famous designs are the “rib” lounge chair...

Martin Eisler (1913-1977) & Carlo Hauner (1927-1997) Pair of low armchairs Manufactured by Forma Moveis Brazil, 1950s Black painted metal, fabric upholstery. Measurements 70 cm x 53 cm x 71 H cm. 27.5 in x 21 in x 28 H in. Literature Brazil Modern, the rediscovery of 20th century Brazilian furniture – Aric Chen, 2016. Martin Eisler (Vienna, Austria, 1913 - São Paulo, Brazil, 1977), was an architect and furniture designer. He was part of a group of European architects and designers who left Europe during the chaos of the Second World War and went to live and work in Brazil. Eisler stood out amongst this group of creatives, his work was at the forefront of modern furniture design in Brazil which flourished through the 50s and 60s in the region. The work of Martin Eisler in partnership with Carlo Hauner (1927-1996) was of particular significance. Eisler left Europe in 1938 due to the rise of fascist regimes. He first lived in Argentina, where he was settled and worked as an architect, set designer and interior designer, he opened up an interior design firm Interieur Forma. In 1940, he married Rosl Wolf, the daughter of German immigrants. Born in Brescia in 1927, Carlo Hauner studied technical drawing and drawing at the Brera Academy in Milan, Italy. In 1948 he successfully participated in the Venice Biennale after which he moved to Brazil, where he dedicated himself to the design of textile, ceramics, furniture and architecture. In only a very short time he founded a furniture production company and purchased a factory from Lina Bo Bardi and her husband Pietro Bardi, renaming it Móveis Artesanal. In 1953 Hauner met Martin Eisler, who was looking for help to produce furniture for the home of his brother-in-law, Ernesto Wolf. Eisler reached out to Hauner and the rest is history. The two men connected and with Wolf’s financial backing, they opened Galeria Artesanal (a store for their company Móveis Artesenal) on a busy street in São Paulo. Being highly ambitious and with an eye on the international market as well as the upcoming office market, Móvies Artesanal later changed into Forma. Along with Oca, Forma became one of the biggest names in Brazilian furniture production. Even managing to attract an exclusive license to sell Knoll furniture, bringing big names in international design such as Mies Van Der Rohe, Charles Eames and Harry Bertoia to the Brazilian furniture market. Hauner and Eisler’s designs are characterized by the use of Brazilian woods, thin tubular frames and a range from furniture, to ceramics and textiles. Some of their most famous designs are the “rib” lounge chair...

Martin Eisler (1913-1977) & Carlo Hauner (1927-1997) Armchair, part of set with sofa Manufactured by Forma Moveis Brazil, 1950s Black painted metal, fabric upholstery Measur...

Stool, by Camilo Andres Rodriguez Marquez Dimensions: D 30 x W 30 x H 40 cm Material: Wood These stools are designed with the intention that ...

The set of 4 "Punto armchairs" has an elegant and versatile design. Easy to match, transitions into many interior decor styles. Its finishes are impeccable, with a harmonious mix of...

The punto armchair has an elegant and versatile design. Easy to match, transitions into many interior decor styles. Its finishes are impeccable, with a harmonious mix of high quality materials: Curve multilaminate wooden backrest, coated with cinnamon natural wood blade...

Developed for both outdoor and indoor areas, this armchair refers directly to a sport with great cultural identification with Brazil: surf. The first piece produced in order to present the concept had the backrest and chair seat shaped manually in expanded polyurethane, the same used in the manufacture of surfboards. Now, in the official release for the market as serial pieces, we offer both chair and armchair in two versions: upholstered or wooden chair seat.

The Nó armchair is one of the last creations by Rodrigo Ohtake. This is a piece that plays with concepts such as lightness and heaviness, geometrical forms and organicity. It makes s...

Radical in concept and precise in execution, the Manta Solta set embodies Joaquim Tenreiro’s disruptive vision for modern furniture design in mid-20th-century Brazil. Crafted in 1955...

Rare pair of armchairs by John Graz.

Produced in the 1960s by Wood Art Brazil.   Jean Gillon (1919–2007) was born in Lasi, Romania. In 1956, already possessing a consistent portfolio, he moved to São Paulo, where he dev...

Beautiful vintage iron and leather deckchairs by Brazilian icon Lina Bo Bardi. Original iron structure with a newly set distressed thick saddle leather seating. Pair available. Las...

Iconic armchairs designed by Joaquim Tenreiro in 1958. These armchairs have been sourced directly from a private collection in Rio de Janeiro. Photos of them in their original ...