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Arts and Crafts Armchairs

ARTS AND CRAFTS STYLE

Emerging in reaction to industrialization and mass production, the Arts and Crafts movement celebrated handcrafted design as a part of daily life. The history of Arts and Crafts furniture has roots in 1860s England with an emphasis on natural motifs and simple flourishes like mosaics and carvings. This work is characterized by plain construction that showcases the hand of the artisan.

The earliest American Arts and Crafts furniture dates back to the start of the 20th century. Designers working in this style in the United States initially looked to ideas put forth by The Craftsman, a magazine published by Wisconsin native Gustav Stickley, a furniture maker and founder of the Craftsman style. Stickley’s furniture was practical and largely free of ornament. His Craftsman style drew on French Art Nouveau as well as the work he encountered on his travels in England. There, the leading designers of the Arts and Crafts movement included William Morris, who revived historical techniques such as embroidery and printed fabrics in his furnishings, and Charles Voysey, whose minimal approach was in contrast to the ornamentation favored in the Victorian era.

American Arts and Crafts work would come to involve a range of influences unified by an elevation of traditional craftsmanship. The furniture was often built from sturdy woods like oak and mahogany while featuring details such as inlaid metal, tooled leather and ceramic tiles. The style in the United States was led by Stickley, whose clean-lined chairs and benches showcased the grain of the wood, and furniture maker Charles Rohlfs, who was informed by international influences like East Asian and French Art Nouveau design.

Hubs in America included several utopian communities such as Rose Valley in Pennsylvania and the Byrdcliffe Arts and Crafts Colony in New York, where craftspeople made furniture that prioritized function over any decoration. Their work would influence designers and architects including Frank Lloyd Wright, who built some of the most elegant and iconic structures in the United States and likewise embraced a thoughtful use of materials in his furniture.

Find antique Arts and Crafts chairs, tables, cabinets and other authentic period furniture on 1stDibs.

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Style: Arts and Crafts
Period: 1930s
Fireside Chair, Adolf Loos for Thonet, Austria, 1930s
Located in London, GB
A fireside chair with woven leather designed by Adolf Loos and Heinrich Kulka and manufactured by Thonet in Austria during the early 1930s. As one of the leading advocates of Modern...
Category

1930s Austrian Vintage Arts and Crafts Armchairs

Materials

Leather, Oak

Heals. A good quality Arts and Crafts oak armchair with chamferred details
Located in London, GB
Heals. A good quality Arts and Crafts oak armchair with chamferred details to all the edges and a comfortable shaped seat.
Category

1930s English Vintage Arts and Crafts Armchairs

Materials

Oak

Amsterdam School Unusual Armchair with Purple Velours
Located in Antwerp, BE
Unusual Dutch Art Deco armchair, 1930s, Netherlands Stained oak sculptural armchair on five ebonized conic feet. The sides and the back are...
Category

1930s Dutch Vintage Arts and Crafts Armchairs

Materials

Velvet, Oak

Frank Brangwyn, Armchair for the Canadian Pacific Liner 'SS Empress of Britain'
Located in London, GB
Frank Brangwyn. An important armchair. Brangwyn's last interior designs were for the Canadian Pacific Liner; 'The SS Empress of Britain', which was launched in 1931 by the Prince of Wales, later to be King Edward VIII who renounced his throne to marry Wallis Simpson in 1930. These armchairs were designed for the 1st class dining room; 'The Salle Jacque Cartier' (see last image) and they were made by H.H. Martyn and Co. Cheltenham. The 1st class dining room was described in the Bulletin of The Decorative Arts Society 1890-1940 as 'In the fully fledge modern restaurant and cinema style of the 1930s'. The Studio in a long article on the liner, discusses and illustrates Brangwyn's Salle Jacques Cartier: 'So architectural it is, so true proportion, so devoid of Extraneous ornament. In contrast to this austerity of line, hue and colour, his great wall paintings are rich in colour; composed in the bold, yet intricate pattern of figure, fruit and flowers that characterizes Mr Brangwyn's decorative works'. Tragically the liner was sunk in 1940 by a U-boat. Brangwyn also designed marquetry panels for the private dining rooms and they were executed by the Rowley Gallery, he also designed a frieze carved in wood for their gallery façade in 1936. The armchair has a central under bar below the seat which still has the original bolt and eye to secure the chain to and then to the floor, that would prevent all the chairs from sliding around in stormy weather. It is lacking ivorene numbered disc which would have sat in the very top of the head rail. In October 1940 the most famous of the Canadian Pacific Railway liners and flagship of the company's Atlantic Fleet, the Empress of Britain, was attacked and sunk. She was travelling to Glasgow from Suez via South Africa, where she was bombed near the north-west coast of Ireland by a German Focke Wulf Condor plane. When the Condor attacked the Empress of Britain the ship's crew couldn't shoot the plane down and soon the Empress was burning out of control and the Captain C.H. Sapsworth gave the order to abandon ship. 45 people died and the remaining survivors including women and children, were later rescued that day by the British destroyer HMS Echo and the Polish destroyer Burza and 3 British naval trawlers Paynter, Cape Agona and Drangey. The Empress still burning managed to stay afloat and the day after 2 Royal Navy tugs, Marauder and Thames tried to tow her into port with many escort ships around her but in spite of the protection she was given from the escort ships on October 28th, a German U-boat, U-32, managed to get by the escorts un-noticed and torpedoed the crippled Empress. She sank within ten minutes. The Empress of Britain was the largest Allied passenger liner to be sunk and weighing 42,348-tons she was the biggest merchant ship loss of the war. King George VI and Queen Elizabeth had travelled aboard Empress of Britain after their 1939 Royal Tour...
Category

1930s English Vintage Arts and Crafts Armchairs

Materials

Oak

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American Arts & Crafts Oak Armchair Attributed to Gustav Stickley
Located in Petworth, GB
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By Edward Gardiner
Located in London, GB
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Pair of Arts & Crafts Armchairs
Pair of Arts & Crafts Armchairs
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Arts And Crafts armchairs for sale on 1stDibs.

Find a broad range of unique Arts and Crafts armchairs for sale on 1stDibs. Many of these items were first offered in the 21st Century and Contemporary, but contemporary artisans have continued to produce works inspired by this style. If you’re looking to add vintage armchairs created in this style to your space, the works available on 1stDibs include seating, more furniture and collectibles, asian art and furniture and other home furnishings, frequently crafted with wood, oak and other materials. If you’re shopping for used Arts and Crafts armchairs made in a specific country, there are Europe, United Kingdom, and England pieces for sale on 1stDibs. While there are many designers and brands associated with original armchairs, popular names associated with this style include Merve Kahraman, Liberty & Co., George Montague Ellwood, and William Birch. It’s true that these talented designers have at times inspired knockoffs, but our experienced specialists have partnered with only top vetted sellers to offer authentic pieces that come with a buyer protection guarantee. Prices for armchairs differ depending upon multiple factors, including designer, materials, construction methods, condition and provenance. On 1stDibs, the price for these items starts at $389 and tops out at $35,577 while the average work can sell for $3,304.

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