Benches

Pair of 1920's English benches with carved details. Sold individually. Measurements: Height :18.75" Length: 52.5" Depth: 12.5"

A lovely 18th century bench from the South of France. Soundly constructed from richly stained pine. Beautiful patina.

Coffer or chest French 18th century carved oak French Provincial Country House Very decorative and full of character Decorated with geometrical motifs This chest has the ideal si...

The base of this stool/ bench is a Bentwood production made around 1929- 1930. The base has the swivel mechanism. The upholstery has been newly done using a distressed style new lea...

A very handsome 18th century Spanish bench constructed from solid board planks of walnut. Sensational patina. The seat height is 18 5/8".

Mid-18th century chinoiserie textured Lacquer wood long bench Lovely lacquered look of brown and very dark brown colors. Great addition to a dining room table or any space that need...

Period 18th Century Rococo sofa from the area of Lindome, Sweden. It has exquisite carving, the whole standing on cabriolet legs tapering to the ball and...

Pair of antique Regency style ottomans or benches. These stunning large English Regency style benches or ottomans are beautifully carved on all sides with lovely dolphin feet. This p...

Italian painted neoclassical style bench in a green coloration with gold details throughout. The bench is newly upholstered in a washed Belgium linen with brass nailhead trim detail.

Rare double Cathedra made from walnut wood, sculpted, and inlaid, around 1500 Origin: Southern Germany Period: Late 15th Century - Early 16th Century Height: 221cm Width: 146,5cm Depth: 60,4cm Walnut wood and inlaid Good state of conservation Description: This double cathedra in walnut wood was probably intended for an abbey, according to the sculpted decor. This cathedra is made from a symmetrical aspect and is divided into three levels. The bottom level has a base sustained by six feet. In the front, the base is decorated by four sculpted elements flattened with a “napkin fold decoration”. Each of the seat rises, revealing a trunk. The intermediate level in divided by three straight and solid armrests. The lower part of the backrest has two inlaid panels with “tarsia certosina” for geometric patterns. This technique also called “inlay in the mass” consists in digging a cavity in the wood to inlay decorative elements. Those panels are framed with the “tarsia a toppo” technique. The top level is divided in two elements. The top part of the backrest has two panels, where parchment patterns frame two badges. Three pinnacles dominate the summit of the backrest. The center of the backrest is sculpted in a rectangular shape. Inside, there are two niches with biblical characters: Saint Anthony the Great and the Virgin Mary. Saint Anthony the Great: Or Antony the Ermit is a monk considered as the father of the Christian monasticism. Born around 251 in Egypt, he withdraws very early into a spirituel solitude. Divine powers are conferred to Saint Antony thanks to the exorcism of the king of Catalonia’s family. But also, the piglet’s episode, born blind. During the XI century, a hospital Order is founded under the invocation of the saint which makes him a holy thaumaturgist. His iconography appears during this period, often represented as an old man with a bear wearing a hooded bute dress, characteristic of the monks of his order, sign of poverty. Also, wearing a long coat. This bas-relief takes back all its usual attributes. - The tau: holding in his left hand, which serves as an abbot’s crook. Also embroidered on his coat. - The bell: hanging from his right hand, also known as hermits’ attribute, used to repel demons. - The book of “la règle des Antonins”: sign of the diffusion of the Faith and the precepts of the Order. - The pig: first, from the piglet’s episode. Then he often is linked to demons, and has another function here: he represents firefighting, coming from the fact that his meat could cure ill people from ergot poisoning. In Italie, he’s known as “Antonio del porco”. - Flames: are associated to the French name of the ergot poisoning (“le feu saint Antoine”: Saint Anthony fire). This attribute is emerging during the XVI century. Furthermore, a nimbus crowns the hermit. The two olive branches symbolize peace. We can see resilience and the pain of the saint who bares the disease of humanity. The Virgin of the Apocalypse: Saint Antony is looking at the Woman of the Apocalypse. This biblical character appears in the twelfth chapter, described by Saint John. Theologians have recognized the appearance of the Virgin even though there are differences for this identification. As a matter of facts, to some, this figure could be the New Eve holding the New Adam in her arms. Other iconographic representations, such as the Immaculate Conception or the Assumption, use the Woman of the Apocalypse attributes. In fact, the Virgin is crowned by angels, holding the Christ. This representation of the Virgin of the Apocalypse is being formed during the Middle Ages and the Renaissance. This iconography takes it rises during the XVI century. In our cathedra, the Virgin is standing up, wrapped in a long flowing drape falling down her feet. The collar of her tunic is decorated with embroidery and brocades. Mary is wearing her hair down, framing a calm and benevolent face, looking down. Two angels are crowning her, with gemstones. She seems to be holding a Christ gesticulating. The baby Jesus hangs on Mary’s neck. Finally, the Virgin is resting on a moon cross. The moon symbolizes the frontier between the incorruptible world and the corruptible one, which in the ancient tradition, used to be under the moon. And so, the Virgin seems incorruptible. Literature • RÉAU, Louis, Iconographie de l’Art Chrétien...

Exceptional Swedish 18th Century sofa with decorative carved detailing to the back and front stretcher. A fine example of a transitional sofa, betwe...

Late 18th century Swedish Folk Art bench in solid raw pine. Ca 1790.

Lovely antique wrought iron bench with a beautiful pattern throughout the body.

An Interesting Limed back settle, constructed with 18thc Coffer pieces with later pieces and all over decorated to panelled back and frame.

This is a wonderful antique Italian Renaissance Revival walnut, specimen wood and marquetry decorated cassapanca or hall bench, made in Lombardy Italy and Circa 1780 in date. It is smothered in the most wonderful carved panels with fabulous inlaid marquetry decoration with fruit wood and bone inlaid marquetry panels depicting communal and hunting scenes. It has a hinged seat allowing access to the storage box below, and is raised on wonderful scroll feet Condition: In excellent original condition having only been cleaned and waxed in our workshops, please see photos for confirmation. Dimensions in cm: Height 115 x Width 155 x Depth 60 Dimensions in inches: Height 3 foot, 9 inches x Width 5 feet, 1 inch x Depth 2 feet Marquetry is decorative artistry where pieces of material (such as wood, pewter or brass silver) of different colours are inserted into surface wood veneer to form intricate patterns such as scrolls or flowers. The technique of veneered marquetry had its inspiration in 16th century Florence. Marquetry elaborated upon Florentine techniques of inlaying solid marble slabs with designs formed of fitted marbles, jaspers and semi-precious stones. This work, called opere di commessi, has medieval parallels in Central Italian "Cosmati"-work of inlaid marble floors, altars and columns. The technique is known in English as pietra dura, for the "hardstones" used: onyx, jasper, cornelian, lapis lazuli and colored marbles. In Florence, the Chapel of the Medici at San Lorenzo is completely covered in a colored marble facing using this demanding jig-sawn technique. Techniques of wood marquetry were developed in Antwerp and other Flemish centers of luxury cabinet-making during the early 16th century. The craft was imported full-blown to France after the mid-seventeenth century, to create furniture of unprecedented luxury being made at the royal manufactory of the Gobelins, charged with providing furnishings to decorate Versailles and the other royal residences of Louis XIV. Early masters of French marquetry were the Fleming Pierre Golle and his son-in-law, André-Charles Boulle, who founded a dynasty of royal and Parisian cabinet...

Rectangular with octagonal sides, turned legs and detailed X form turned stretcher.

Measures: W27.25, D19.5, H18.5 Custom Made waterfall stool done in a velvet fabric. We make these custom in store with your choice of fabric, see fa...

A carved and gilded window seat in the English Regency style. The upholstered and gently curved moulded ends are decorated with carved paterae and rest on Greek key pattern carved ra...

Northern Swedish Folk Art bench from the late 1700s. The bench is Primitive and rustic and has a lot of character, especially given the original distressed paint and authentic patina...

18th Century Spanish pine rustic bench with a high back topped with a moulded cornice. Five fielded panels are decorated with geometrical diamond shapes, the patterns continue to the...

A very stunning and very elegant Louis XVI period banquette from the Provence region of France. Soundly constructed from painted wood with 5 fluted and tapered legs. The central leg ...

Bench, having generous rolled arms flanking its crown seat, its ivory painted base showing natural wear; raised on four, round, fluted, tapering legs, ending in touipe feet. Upholste...

18th century French Gothic Revival period chateau settle with double lift seat handcrafted of solid old growth French walnut by talented artisans in Lyon, circa 1760s. This intricate...

An exceptional and grand scale Cheese Making Board from the Catalan region of Spain - now as a table basse - coffee table. Soundly constructed from 2 very thick planks of naturally w...

Pair of English Chippendale style walnut benches with brown leather upholstery.

Sculptural Amsterdamse School Bench; The Netherlands; Pine; 1920s; This pine bench in Amsterdamse School style was created in the Netherlands in the 1920s. A rare piece that is a ...

A rare late 17th Century bench from Galicia with nearly 300 years of patination, creating a beautiful and inimitable texture. The construction is rudimentary but incredibly solid, an...

Rectangular brown leather top with brass tacking, raised on square section legs with box form stretcher. Estate of Douglas S Kramer. TV producer and art collector.

17th century English oak lift up top long trestle bench, circa 1700 This magnificent and impressive English trestle bench, made from heavy oak, stretches approximately 5 ½ feet long. The lift up top, with hand forged hinges...

Antique bench in precious Italian brown walnut, with 3 carved panels, 2 wavy, hand-sculpted in the 18th century, by a craftsman in Italy. From Piedmont, beautiful patinated wood and...

Unique antique carved oak French Renaissance Revival coffee table, bench or settee with black marble top~~c. 1920s Nicely carved "scroll" accents on sides and stretcher~~black ma...

An exceptional late George II mahogany settee, made for Anne Basset, daughter of Edmund Prideaux, 5th Baronet of Netherton, attributed to William Hallett...

Wonderful early Welsh pine country settle. Roomy storage, wonderful panels back and side, altogether charming.

With wonderful old painted surface with good lines. With scrolled arms and cabriole legs in the French taste. Upholstered in a silk fabric with bolster pillows. From a Florida estate.

Rare solid walnut chest with riser Rare chest with riser. The ashlars and lozenges are carved in solid walnut panels. Sixteenth-century line of th...

Antique chest in lacquered and painted poplar wood, richly decorated, with opening bench and shelf that can be raised (probably hiding a safe or something behind the wall against whi...

A beautiful pair of Italian 18th century Louis XVI period patinated wood and faux painted marble, storage benches. Each bench is raised by a straight base with a fine mottled border....

French Louis XV style walnut cane bench. This stunning French bench is a light shade of walnut and the cane seat is in very good tight condition. Our versatile French bench would wor...

Incredible 17th century American bench in carved pine with incredible patina and tongue and groove legs.

Attributed to Oscar Bach. The ends with brass finials over decorative bronze splat, loose cushion seat, H form stretcher with gothic quatrifoil and diamond decoration.

Deep black/brown color. Constructed in a combination of pine & elm. Fully restored. C.1750. - We offer free shipping to the USA/Canada through Fedex with this item.

This cathedra or chayère chair is conceived following rules of monumental architecture. The seat can be lift open to reveal a chest. Both curved arm-rests are supported by a baluster...

A very exceptional and very rare Gothic period tall back bench from France. Beautifully constructed from walnut and oak with stunning painted finish. W...

A terrific 17th century Arte Populaire bench from the Ardeche region of France. Soundly constructed from beautiful chestnut. Gorgeous patina. Perfect fo...

Pair of large scale antique English Regency style ottomans with dolphin feet. These stunning large Regency style benches or ottomans are beautifu...

Stunning 18th C Dutch original painted oak bench. 1780. Seat height is 17.5", seat depth is 25.5". Reference: 7381 Dimensions 81 inches (206 cms) Wide 28.5 inches (72 cms)...

Very decorative painted bench with a serpentine shaped high back, decorated with a scenic landscape and framed by leafy scrolls, foliate seat rail and remains of polychrome on the se...

Bench Swedish Baroque 18th century original paint Sweden. A bench made during the Baroque period in Sweden 18th century. Left overs of or...

A hand-carved, 18th c., Italian walnut bench on turned legs and stretchers, now upholstered in a vibrant, contemporary, silk velvet.

18th century, pair of Italian Baroque lacquered and gilt wood benches This particular pair of baroque benches was made in Rome, Italy, in the second half of the 18th century. Their wooden structure is entirely sculpted, lacquered and gilded in Mecca. It consists of a seat with a profile moved from which depart two armrests characterized by arched elements, moved and culminating in curls. The effect of great movement is enhanced by the decorations of rocaille taste with volutes and leaves that surround them creating dynamism. The band under the seat, quadrangular and move, is decorated with rocaille elements and framed with reserve that creates curls in some points of connection. The six curved legs, characteristic of the Baroque era, are decorated with phytomorphic elements and end with a curly...

17th century English oak joint stool / bench Jacobean style stool / bench Hand crafted English oak Measures: 18" wide x 12" deep x 16" high. The oak shows some distress...

18th century antique high back curved English pine wood pub sette hall storage bench. Item features tall curved form, remarkable patina, 3 lift off storage seats...

A sensational and large scale pair of Italian 18th century Baroque Cassapanca polychrome benches. Each beautiful and statement making bench is raised by elegant curved supports with ...

A most attractive and unusually wide French 18th century Louis XV period giltwood and Aubusson tapestry eight legged bench. The bench is elegantly raised by elongated 'S' scrolled ca...

One could be forgiven for thinking Claude Sené was a poor speller and dyslexic, since his stamp has a ‘G’ initial for Claude, and an inverted ‘N’ in Sené. ...

Late 18th century French bench cover with Aubusson tapestry.

Seventeenth century bench from central Italy (Umbria/Tuscany). This type of furniture was frequently seen in noble residences and often the decorations reproduced the coats of arms ...

Renaissance style giltwood bench, circa 1920. This bench has excellent quality gilding, carved cupid heads, gargoyle faces and paw feet.