Leda, Salvador Dalí

The Sacco is comfort made stylish, available in red and filled with Styrofoam beans, make this a durable yet welcoming seat.  

Reinterpreting the traditional two rear legs, Ketch chair displays a refined sculptural brass support. Its presence completes the table with notes of irresistible glamor and sumptuou...

Born in 1963 from the visionary creativity of Joe Colombo, Bell Chair is a swivel armchair with wrapping shapes. Due to the manufacturing limitations of that period, it was only repr...

Leather Chair

Play of light and see-through for this chair that has seat and back formed by a single thread that makes a precious handmade embroidery in polycarbonate. Each piece is unique and la...

A Black Leather armchair Designed by Massimo and Lella Vignelli for Bernini. Both seat and backrest are covered in Black Leather.

Leda armchair designed by Dali manufactured by BD. Structure in polished cast brass varnish. Measures: 47 x 60 x 92 H. cm Year: 1935-1937 Taken from ...

Leda armchair designed by Dali manufactured by BD. Structure in polished cast brass varnish. Measures: 47 x 60 x 92 H.cm Year: 1935-1937 Taken from “Femme á la téte rose” 1935 (W...

Leda armchair, Salvador Dalí Design inspired on an artwork by Salvador Dalí Dimensions: 47 x 60 x 92 H cm Materials: structure in cast polished and varnished brass. Design inspired on an artwork by Salvador Dalí: Femme à tête de roses...

Armchairm model "Leda" by Salvador Dali Black edition MATERIALS AND FINISHES Structure in black patina cast brass without varnish. MEASUREMENTS 60 x 47 x h.92 cm Taken from Dalí’s painting “Femme...

Taken from “Femme à tête de roses" (1935)” 1935 (Woman with a head of roses). It was sufficient for this sculpture to be made as a three dimensional piece, remaining faithful to ever...

Armchair model "Leda" Structure in polished cast brass varnish. Salvador Dali Taken from “Femme à tête de roses" (1935)” 1935 (Woman with a head of roses). It was sufficient for this sculpture to be made as a three dimensional piece, remaining faithful to every detail in Dalí’s painting. Dalí affirmed: “A chair can be used even to sit on, but only on one condition: That we sit uncomfortably.” We can sit on the Leda, but due to the fact that it only has three legs and that the chair is heavy, it being made of solid brass, is more a work of art than a functional piece of furniture. © Salvador Dalí, Fundació Gala-Salvador Dalí, Figueres, 2022 Artworks by Salvador Dalí: © Salvador Dalí, Fundació Gala-Salvador Dalí, VEGAP, Barcelona, 2022 Salvador Dalí is the most versatile and prolific artists of the 20th century and the most famous Surrealist. Though chiefly remembered for his painterly output, in the course of his long career he successfully turned to sculpture, printmaking, fashion, advertising, writing, filmmaking and design. Born in Figueres, Catalonia, Dalí received his formal education in fine arts in Madrid. Influenced by Impressionism and the Renaissance masters from a young age, he became increasingly attracted to Cubism and avant-garde movements. He moved closer to Surrealism in the late 1920s and joined the Surrealist group in 1929, soon becoming one of its leading exponents. In the Paris of the 1930s, Dalí surrounded himself with a circle of friends working in the application of art to a number of varied disciplines, beyond the study of purely pictorial art. One of these, Jean-Michel Frank, an acclaimed furniture designer and decorator in Paris at that time, got on extremely well with Dalí, and together they developed a number of ideas. One example of this is the Bracelli lamp, a classic design in Jean-Michel’s manner of designing and working that Dalí adopted for his home in Portlligat. Among Dalí’s projects, which add to his CV as a designer, are the garden furniture for his home in Portlligat, the complete architecture of the Night Club (in the shape of a hedgehog) for the Hotel Presidente in Acapulco (1957) and a project for a bar in California in the 1940s. His creations were not limited to traditional furniture elements, but included taps, handles, knobs, prints and objects of indeterminate use. In 1933, Dalí even registered the patent for the design of a bench as an outdoor seat. In the 1990s, a team of experts led by Oscar Tusquets set out to bring to life the furniture that Dalí had sketched for Jean-Michel Frank, including the Leda chair and low table taken from the 1935 painting “Femme...