Painted Chairs

This contemporary armchair is inspired by modern Brazilian design. With a square DNA, the aim is to create a geometric and essential chair. All structural elements constitutes its fu...

Polish production chairs from Plastics Factory 'Krywald' in Knurow have embossed signatures. They come from the 1960s. The author of this project is the Danish architect Steen Østerg...

A rare and collectible chair designed by Philippe Starck in 1982 for Disform. Black cotton canvas fabric is stretched over two vertical steel tubes and the tension creates the comfor...

Farmhouse chair in the style of Black Forest. Painted in green-blue with a white swan in the medaillon. Original painting, No restaurations. A second matching chair is available.

Set of 3 Vintage Swiveling chairs by Eames for Herman Miller. One black, one gray and one dark yellow.

Our Velvet collection has now the barstool version with the same comfort and perfect ergonomics in different colors and tapestries. Choose by cotton, linen, leather, velvet, and the ...

This hand-carved and blackened reclaimed oak chair, designed by Rooms Studio (from their 2018 Wild Minimalism collection), is inspired by the legacy of traditional Georgian craftsmanship. The Sculptural Chair is meticulously handcrafted of ancient wood, and features a diamond shape cut-out on the top rail, which is curved gently, cradling the back, with a round seat and circular cross stretcher. About the Design Studio: Works of Rooms Studio refers to the sculptural forms and abundant materials in juxtaposition with the feminine instincts. Born and raised in Tbilisi, Georgia, the duo behind the Rooms, Nata Janberidze and Keti Toloraia, lean towards preserving the inherited craftsmanship techniques unique to the region. Massive wood and stone objects are hand-crafted using traditional techniques to create raw and symbolic forms often rooted in the designers' childhood memories. Growing up in a culturally diverse environment, where the two worlds - Western and Eastern collide, remarkably influenced their design language. Over the years, Rooms has created eight independent collections and collaborations equally memorable and representative of the duo's perpetual mission to bring life to omitted elements of a former life. Through their series of works, Janberidze and Toloraia try to examine the boundaries between the public and private. Experiencing adolescent years in the 90s - a significant decade of cultural and societal shifts - their work is a narrative of personal experiences of womanhood. By contrasting the new feminine monumental shapes with architectural brutality, Rooms challenges the status quo and also bridges the conventional and contemporary design with a confluence of female energy. The work of Rooms Studio has concerned itself with questions of nomenclature since the Tbilisi-based design atelier was co-founded by Nata Janberidze and Keti Toloraia in 2007. Take, for instance, the studio’s name: in adopting the basic unit of interior space as the title of their practice, Janberidze and Toloraia also emphasized the emotional force of interiority and inner life in determining their creative output. The studio’s largest U.S. exhibition to date, "Distant Symphony," expands upon this impulse to focus inward. The title is again a chief concern—some of the objects included here were designed during the global pandemic, under a regime of forced isolation that made the studio’s typically collective work process untenable. The pieces shown here are the results of Rooms’ search for a way forward. The first room, an antechamber of sorts, evokes the intimate quality of a private home. Shown here are trinkets and personal effects chosen by Janberidze and Toloraia for their emotive qualities; a low background noise emphasizes the climate of urban domesticity. The ensuing gallery space features highlights of Rooms’ recent design output. Here, the subtle scent of organic materials provides a sensory indication of the atelier’s interest in dichotomies: natural and man-made, personal and collective, local and cosmopolitan.   In light of the global circumstances, Janberidze and Toloraia felt it was especially important to pursue collaborative work. Rooms invited three artists—Shotiko Aptsiauri, Salome Chigalashvili and Mariana Chkonia—to conduct a dialogue and shared design process. As such, this exhibition is a kind of polyphonic meditation on a need for solitude and desire for companionship. The practice of polyphonic singing, essential to Georgian folk culture, is reinterpreted here as a design endeavor. Chigilashvili, working with unprocessed yarn, interpreted folk motifs by adapting embroidery to the scale of furniture with expansive stitches applied to painted boards...

Set of 6 unique folding chairs. Seat & back collapse in a unique way, folding towards each other part. Chairs have been painted and recovered but the vinyl on a few chairs is undone,...

A vintage circa 1970's pair of Mexican iron garden or side chairs done in the style of the well known Model 17 chair designed by Michael Thonet and produced by Gebruder Thonet in the early 1860's. This pair of iron chairs...

Set of six 605 Quinta chairs with a black steel rod frame seat and back in bent perforated sheet metal. Designed by Mario Botta for Alias in 1985 (This chair is no longer in production). The Quinta chair it's an architecture you can sit on, this design clearly shows the inspiration of iconic designer as Le Corbusier, Louis Kahn, and Carlo Scarpa, an exemplary of this iconic chair is also exhibited at the Museum of Modern Art. Mario Botta was born in 1943 in Mendrisio. After working as an apprentice draughtsman for the Lugano-based architect Tita Carloni, he moved first to Milan and then to Venice, where he enrolled at the department of Architecture at the IUAV. He completed his degree in 1969 with a thesis tutored by Carlo Scarpa – after having met Le Corbusier and Louis Kahn, who were later to be sources of inspiration – and returned to Switzerland to open his own professional firm, which at the time dealt mainly with detached family private homes. These included the villas in Riva San Vitale (1971-1973), Ligornetto (1975-1976) and Morbio Superiore (1982-1983), in which Botta treated the theme of the home as a refuge, which protects and reassures its inhabitants. These were buildings with a character that was ironic and, in a certain sense, monumental, obtained for example (in the case of Morbio) through rigorous symmetrical compositions and a particular use of raw concrete blocks set in a linear pattern and alternated with strips of silvered brick which, on the contrary, were set at 45 degrees. Partially dug into the hillside, the villa was also characterised by a theme which was particularly dear to Botta and which had already been explored in Riva San Vitale; the net distinction between solids and voids, the latter appearing to have been dug out of the building. Between 1980 and 1990, Botta associated with artists and intellectuals from all walks of life and took numerous long trips abroad. Together with Gabriele Basilico and Edoardo Sanguinetti, he published “La Casa Rotonda”, and he became friends with Max Huber, Nicki de Saint Phalle, Dante Isella, Harld Szeemann, Robert Frank and Alberto Flammer. In 1986, the MoMA in New York dedicated a solo exhibition to his work, and the Swiss architect received his first contracts for public buildings and from abroad, debuting with the Cultural Centre in Chambéry (1984-1987). In Japan, on a challenging triangular lot of only one hundred and sixty square metres, a space which remained from the opening of a new highway, Botta built a small building which, with its clarity and strength of image, attempted to stand out in the midst of the chaos that surrounded it, thanks to a thick masonry curtain raised on the main façade, in which slabs of grey marble are crossed with horizontal fissures which erode the angles and cancel the perception of the number of floors which make up the museum. The church of Mongo, on the other hand, was the first step in a long series of places of worship, including designs for the churches of Pordenone (1987-1992) and Sartiana (1987-1995), for the cathedral of Evry (1988-1995), for the basilica of Santa Maria degli Angeli on Mont Tamaro (1990-1996, for the Giovanni XXII church in Seriate (1994-2000) and for the Cymbalista synagogue in Tel Aviv (1996-1998). In each of these, light plays a predominant role as a prime generator of space and a measure for the definition of time that passes with the various phases of the day, the months and the seasons. Light is, however, the main symbolic element, representing through its variations the uneasiness of humankind in the face of divine perfection. In this same period, the scheduling for the construction of a new School of Architecture, the Mendrisio Academy, took place. Inaugurated in 1996, it offered an alternative approach to teaching in contrast to the Swiss University system, in which an important role is played by humanistic subjects and by a copious group of well-known international professors: from Rykwert to Benevolo, Burkhart, Campos Baeza, Dal Co, Frampton, Mendes da Rocha...

10 Mid-Century Modern Black Painted Bar Stools in Worn Patina Wood. The stools has signs of an earlier yellow paint that has be overpainted by ...

Mid-Century Modern style Banquet hall, meeting, conference chairs Dual leather colours available Material steel 1" x 1" thickness 3/16" Painted frame finish Seat cushion 2-3/8" Minim...

Pair available only. Fully adjustable in height from 30.5, 28.5, 26.5 and 24.5 seat heights. Swiveling freely bar stools are in amazing condition. Almost no wear. Made by the Admiral Chrome Corp from Detroit Michigan...

Rich dark brown/black painted bamboo accent chair with stretched canvas seat. Canvas is faded but sturdy.

Sedia Anonima Castelli, mod dsc 106. Sedile di legno riverniciato con smalto bicomponente molto resistente all'usura. Colore caffè, gambe e piedini riverniciat...

Armchair Swedish Gustavian 1790-1810 Greenish Frame with Black Upholstery Sweden. A single armchair made during the Gustavian period 1790-1810 in Sweden. Frame in original paint. Uph...

Mid-Century Modern Italian set of 6 shiny black painted bamboo chairs from Vivai del Sud with Original Cotton Fabric Cushions. 1970s The chairs a...

Conjunto de cuatro sillas de hierro apilables de origen francés. Divertida y ergonómica sillería lacada en amarillo y verde con patas horquilla negras. Se...

Zanotta Judy Armchair in Black Upholstery with Black Painted Steel Frame by Frank Rettenbacher Black or graphite painted steel legs. Stiff polyurethane seat with self-extinguishin...

Zanotta Judy Armchair in Grey Upholstery with Black Painted Steel Frame by Frank Rettenbacher Black or graphite painted steel legs. Stiff polyurethane seat with self-extinguishing...

Zanotta Judy Armchair in Red Upholstery with Black Painted Steel Frame by Frank Rettenbacher Black or graphite painted steel legs. Stiff polyurethane seat with self-extinguishing ...

Zanotta Club Armchair with Cushion in Purple Upholstery with Steel Structure by Prospero Rasulo Painted steel internal structure. Weave in PVC thread with nylon internal reinforce...

Zanotta Club Armchair in Painted Steel Internal Structure and PVC Thread Weave by Prospero Rasulo Painted steel internal structure. Weave in PVC thread with nylon internal reinforce...

Chairs Assembled Baroque Style Set of 10 Dining Chairs Black Sweden. An assembled set of 10 dining chairs in the baroque style made during the 18-19th Century. Refinished in our Lase...

The 'Velvet' chair in black was designed from clean and pure lines with the elimination of any kind of excesses so that your greater identity were the colors, in a range of 09 options chosen by the user. By its Minimalist appearance, the color of the structure always accompanies the color of the fabric, guaranteeing visual unity to the product. The backrest height does not exceed the top of tables which reflects its minimalism concept...

Joly Chairdrobe Design Lorenz + Kaz, 2019 Made of gold/black powder-coated metal with a top plate carved in solid natural walnut (the listed version) or with padded cushion seat. T...

Chairs dining room chairs Swedish Baroque black Sweden. An assembled set of six chairs made during the Baroque period in Sweden. Refinished in our Laserow Black and upholstered in a ...

This contemporary armchair is inspired by modern Brazilian design. With a square DNA, the aim is to create a geometric and essential chair. All structural elements constitutes its fu...

The 'Velvet' armchair in black was designed from clean and pure lines with the elimination of any kind of excesses so that your greater identity were the colors, in a range of 09 options chosen by the user. By its Minimalist appearance, the color of the structure always accompanies the color of the fabric, guaranteeing visual unity to the product. The backrest height does not exceed the top of tables which reflects its minimalism concept...

We at Old Plank, have been forever trying to locate a “comfortable, by American standards” Louis XVI side chair. The French Louis XVI style chair you see listed here, was copied from...

This contemporary armchair is inspired by modern Brazilian design. With a square DNA, the aim is to create a geometric and essential chair. All structural elements constitutes its fu...

Have a seat on this wonderfully upholstered empire side chair by Modenese Gastone Interiors featuring a wood frame gold leaf applied in details, upholstered with a premium floreal sa...

A fabulous set of ten Marge Carson dining chairs. These sturdy and comfortable oak chairs are white painted and gold gilded, rebuilt and restyled in a Rubelli Matora Smeraldo green v...

Sama high stool is part of the Sama collection, which provides functionality through simple, yet striking and sculptural forms that add a unique and elegant touch to its environment. Inspired by the poetry of whirling costumes worn...

Industrial Galvanitas S22 Compass / Pyramid School chairs from the 1960s. The chair has a light gray coated metal frame, a plastic molded seat with closed shell in a red color. This legs are very easy stack able on each other. In this way you create a fixed row of seats...

Sama high stool is part of the Sama collection, which provides functionality through simple, yet striking and sculptural forms that add a unique and elegant touch to its environment....

Sama high stool is part of the Sama collection, which provides functionality through simple, yet striking and sculptural forms that add a unique and elegant touch to its environment. Inspired by the poetry of whirling costumes worn...

The room for Irregularities collection focus on highlighting unconventional shapes and promoting irregularities. The side chair, a six-legged industrial animal with bent horns often ...

Helsinki collection. Helsinki chair: simple, elegant, comfortable. Available in oak and walnut base or in custom materials, may be upholstered with variety of fabrics and colors. Nat...

Polish production chairs from Plastics Factory 'Krywald' in Knurow have embossed signatures. They come from the 1970s. The author of this project is the Danish architect Steen Østerg...

Armchair Captain's chair black Swedish 19th century Sweden. An armchair made during the end of 19th century. Painted in our signature Laserow Black.

Bokken upholstered chair in walnut stained beechwood, golden leaf backrest and padded seat covered with a top quality Rubelli velvet. Pure Italian quality. An essential chair in the...

Polish production chairs from Plastics Factory 'Krywald' in Knurow have embossed signatures. They come from the 1960s. The author of this project is the Danish architect Steen Østerg...

France, circa 1940 A set of 6 modernist tole cafe chairs decorated on a brown ground with the stylized decoration of a military drum, the back and fee...

Pair of English Regency black lacquered arm chairs with a carved spiral ringed bulbous crest, flanking filigree splat backs, sweeping carved scrolled arms, cane hole seats, and termi...

Ogdens of Manchester, in the style Dr Christopher Dresser. Aesthetic Movement ebonized and parcel gilt walnut nursing chair, with a carved lotus f...

"Meridiana" is an iconic chair, designed by Christophe Pillet and manufactured by Driade, with a chromed or matte black painted steel structure and with a shell in polycarbonate comp...

Set of 3 Vintage Swiveling Chairs by Eames for Herman Miller. One black, one gray and one dark yellow.

An armchair made during the late Gustavian period and early part of the 19th century. Most likely later added blackened ball feet. Repainted in our custom paint "Laserow Black".   

"Time, this ultimate modern luxury! It uses the same objects belonging to everyday life and that we can turn into art objects. Luxury is owning one's own time and making good use of...

Hand-carved Swedish Baroque Captain's chair in black with gold trim and Swedish flag. Arms are covered in distressed leather with nail head trim. The chair is covered in gold design with motifs including leaves and shells. Exact provenance and meaning of symbols and letters is unknown. It is believed that this chair was created for the captain of a ship, making it a unique conversation piece for your space. Could be recovered or reupholstered with new leather or left distressed to highlight the age, patina, and history of the chair. This captain's chair would work well as an accent chair, side chair, or a statement dining room head chair...

Chic and sturdy yet lightweight set of eight black-painted metal chairs attributed to French designer Colette Gueden. The backs are curved, the seats wide and generous, upholstered i...

Pair of French Modern Jean Prouvé style metal chairs upholstered in blue sheepskin. These French midcentury chairs or side chairs have a great distresse...