Minerva seating group by Peter Hvidt and Orla Mølgaard Nielsen for France & Dave

One half of the influential Danish furniture duo Hvidt and Mølgaard, architect and designer Peter Hvidt created shapely works in teak and rosewood that could be mass-produced and transported at a scale rarely seen before his time. Alongside his business partner, Aalborg-born designer Orla Mølgaard-Nielsen, the pair crafted furniture which stands today as a masterclass in the combination of elegance and practicality that is typical of Scandinavian modernism.

Hvidt was born in Copenhagen in 1916. He studied architecture and cabinetry, and graduated from the School of Arts and Crafts in Copenhagen. Hvidt established his own design firm in 1940 and taught for three years at his former school, during which he designed the teak Portex chair — Denmark’s first stacking chair (this design has alternatively been attributed to Hvidt’s partnership with Mølgaard-Nielsen over the years).

The exceptional collaboration between Hvidt and Mølgaard-Nielsen took shape in 1944. A student of pioneering Danish modernist designer and architect Kaare Klint and fellow graduate of the School of Arts and Crafts, Mølgaard brought his technical prowess and eye for practical design to the partnership. Together, for more than three decades, Hvidt and Mølgaard would produce over 250 furniture designs, a legacy that included the iconic AX chair.

A masterpiece of technical expertise and innovative woodworking, the sculptural AX armchair was designed in collaboration with manufacturer Fritz Hansen during the late 1940s. It features double-curved laminated wood in the seat and back, and is an early example of knock-down furniture. This meant that it could be easily dismantled and assembled at its destination, which rendered the chair economical for transport on cargo ships and therefore could reach a worldwide audience. The AX went into production in 1950 and eventually gave way to a series that featured tables and other seating.

Hvidt’s proclivity for forward-looking design was typical of the venturesome furniture makers of the mid-century modern era. This extended to textures and materials, too — he believed that a tasteful combination of materials could add character and visual intrigue. With Mølgaard-Nielsen, Hvidt designed streamlined coffee tables, rosewood chairs upholstered with sumptuous black leather and teak side tables with cane shelves (teak was a sought-after material for designers at the time).

The duo’s work with celebrated manufacturers Fritz Hansen, France & Søn and Søborg Møbelfabrik has been a part of exhibitions at New York’s Museum of Modern Art, Copenhagen’s Design Museum and the National Gallery of Victoria in Melbourne.

On 1stDibs, find vintage Peter Hvidt seating, tables and case pieces.

Warm, exceptionally versatile and crafted with a range of appealing materials, vintage Peter Hvidt and Orla Mølgaard-Nielsen furniture showcases the Danish duo’s penchant for innovation and durable design. For decades, the pair created sleek coffee tables, seductive lounge chairs and other pieces that are characterized by the practicality and elegance commonly attributed to Scandinavian modernism.

Both Hvidt and Mølgaard-Nielsen attended what is now the Royal Danish Academy of Fine Arts, with Mølgaard-Nielsen having completed his studies under the Danish furniture design pioneer and architect Kaare Klint. Trained as an architect and cabinetmaker, Hvidt established his own firm in 1940 and taught at his alma mater for a few years. After they won a design competition held in Stockholm, Hvidt partnered with Mølgaard-Nielsen in 1944 to establish their firm in Copenhagen.

The collaboration between Hvidt and Mølgaard-Nielsen yielded more than 250 designs and lasted over 30 years. Aside from having created a wardrobe for the Queen of Denmark as well as numerous architectural structures, the pair’s flagship achievements include 1944’s teak Portex chair, which is Denmark’s first-ever stacking chair (and is occasionally attributed to Hvidt alone), and the AX chair.

A masterpiece of technical expertise and innovative woodworking, the sculptural AX armchair shares commonalities with the work of legendary Finnish designer Alvar Aalto — whose output included similarly curvaceous seating such as the Paimio armchair, often designed in partnership with his wife, Aino. It features double-curved laminated wood in the seat and back — which could be mass-produced — and is an early example of knock-down furniture. This meant that it could be easily dismantled and assembled at its destination, which rendered the chair economical for transport on cargo ships and therefore could reach a worldwide audience.

While vintage Hvidt & Mølgaard furniture isn’t as popular as the work of Finn Juhl, a like-minded Danish modernist who helped popularize Scandinavian design in America as well as the use of teak in furniture, the innovative AX chair is similarly as expressive and inviting as Juhl’s seating. The AX was designed in collaboration with manufacturer Fritz Hansen during the late 1940s and went into production in 1950. It gave way to a series that includes tables and other types of seating.

Hvidt and Mølgaard-Nielsen collaborated regularly with Fritz Hansen, France & Søn and Søborg Møbelfabrik. Their work can be found in New York’s Museum of Modern Art, Copenhagen’s Design Museum and the National Gallery of Victoria in Melbourne.

Find vintage Hvidt & Mølgaard dining tables, coffee tables, modular sofas, storage cabinets and more on 1stDibs.