Early Gae Aulenti Pair of 'Locus Solus' Tubular Armchairs
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Early Gae Aulenti Pair of 'Locus Solus' Tubular Armchairs
About the Item
- Creator:Zanotta (Manufacturer),Gae Aulenti (Designer)
- Dimensions:Height: 26.38 in (67 cm)Width: 21.66 in (55 cm)Depth: 20.87 in (53 cm)Seat Height: 16.93 in (43 cm)
- Sold As:Set of 2
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1964
- Condition:Refinished. Wear consistent with age and use. Every item Morentz offers is checked by our team of 30 craftsmen in our in-house workshop. Special restoration or reupholstery requests can be done. We guarantee a very high quality standard, ask our design specialists for detailed information.
- Seller Location:Waalwijk, NL
- Reference Number:Seller: 450159021stDibs: LU933123664532
Gae Aulenti
The Italian architect and designer Gae Aulenti will forever be best remembered for her work with museums, in particular her 1980–86 renovation of a Beaux Arts Paris train station to create the galleries of the Musée d’Orsay. Aulenti — whose first name, short for Gaetana, is pronounced “guy” — should also be recalled for her tough intellectual spirit and for working steadily when few women found successful architectural careers in postwar Italy.
After she graduated from the Milan Polytechic in 1954, Aulenti opened an architectural office. She also joined the staff of the progressive architectural magazine Casabella, whose editorial line was that the establishment, orthodox modernism of Le Corbusier and the Bauhaus, had outlived it usefulness. When their movement for fresh approaches to architecture and design received a sympathetic hearing, Aulenti found patrons — most prominently Gianni Agnelli, of Fiat, who later employed her to renovate the Palazzo Grassi in Venice for use as an arts exhibition space.
Commissions for showrooms and other corporate spaces brought Aulenti to furniture design. She felt that furniture should never dominate a room. Her chairs and sofas — low-slung, with rounded enameled metal frames and ample seats — and tables, particularly her 1972 marble Jumbo coffee table for Knoll, project solidity and sturdiness. In lighting design, however, Aulenti is bravura.
Each work has a marvelous sculptural presence. Pieces such as her Pipistrello table lamp and Quadrifoglio pendant are a perfect marriage of organically shaped glass and high-tech fixtures. Others have a futuristic elegance — and some even have a touch of personality. Aulenti’s Pileino and La Ruspa table lamps each look almost like little robots. Her lighting pieces are an artful grace note in the career of a woman who believed in strength.
Find vintage Gae Aulenti armchairs, coffee tables and other furniture on 1stDibs.
Zanotta
Entrepreneur Aurelio Zanotta founded Zanotta in 1954 in Nova Milanese, Italy. Originally called Zanotta Poltrona, it specialized in traditional furniture. By the early 1960s, however, Zanotta had established a reputation for edgy mid-century modern design. Today’s vintage furniture collectors know the brand well for its innovative and wholly sculptural chairs, coffee tables and more.
One of Zanotta’s earliest successes was the Mezzadro stool — better known as the Tractor stool — designed by Pier Giacomo Castiglioni and his brother Achille in the late 1950s. In 1965, Zanotta was among the first furniture companies to work with expanded polyurethane foam and frameless construction, such as for the Throw-Away sofas and armchairs designed by Willie Landels. Another popular design was the Blow chair — designed by Jonathan De Pas, Donato D’Urbino, Paolo Lomazzi and Carla Scolari — viewed by many as a physical expression of late '60s carefree culture.
In 1969, amid the provocative movement we now call Italian Radical Design, Zanotta’s Sacco chair garnered major attention. The boundary-pushing beanbag chair was the brainchild of designers Piero Gatti, Cesare Paolini and Franco Teodoro who presented it to Aurelio Zanotta as a transparent vinyl sack loosely filled with small polystyrene balls. He suggested its signature brightly colored leather.
The Sacco chair won the 1970 ADI Design Museum’s Compasso d’Oro award. In 1972, the Museum of Modern Art in New York included it in the landmark exhibition “Italy: The New Domestic Landscape” curated by designer Emilio Ambasz. In 2020, it received a Compasso d’Oro ADI Lifetime Achievement Award for 50 years of enduring popularity. It is now in museum collections around the world including the Triennale Design Museum of Milan, the Musée des Arts Décoratifs in Paris, and London’s Victoria & Albert Museum.
After Aurelio Zanotta died in 1991, the company remained in his family and has been run by his three children since 2002. Zanotta continues to set the bar high for furniture design with trend-setting pieces.
On 1stDibs, find a collection of vintage Zanotta seating, tables and other furniture.
Established in 2006, Morentz has a team of approximately 55 restorers, upholsterers, interior advisers and art historians, making it a gallery, workshop and upholstery studio, all in one. Every day, a carefully selected array of 20th-century furniture arrives from all over the world at the firm’s warehouse, where the team thoroughly examines each piece to determine what, if any, work needs to be done. Whether that means new upholstery or a complete restoration, Morentz's aim is always to honor the designer’s intention while fulfilling the wishes of the client. The team is up to any challenge, from restoring a single piece to its original glory to furnishing a large-scale hotel project.
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