AEO Armchairs by Paolo Deganello of Archizoom Associates for Cassina, Italy

For eight years, Italian architecture and design studio Archizoom Associati challenged modernism and aligned itself with what we now call Radical Design, an avant-garde art movement established largely in Florence that produced exuberant conceptual furnishings and objects that were neither practical nor very commercial. Through iconic works like the Sanremo floor lamp and the Mies lounge chair, Archizoom and other proponents of the movement protested functionalism and explored form, color and material in a way that countered the existing social order.

Founded in 1966 by University of Florence students Andrea Branzi, Gilberto Corretti, Massimo Morozzi and Paolo Deganello, Archizoom questioned mass consumerism and the validity of rapid postwar modernization in their native country. In their architecture initiatives, interiors, installations, furniture and more, Archizoom's members were pioneers of postmodernism — future Memphis Group cofounder Ettore Sottsass was also part of the Radical Design movement — and alongside likeminded collectives such as Superstudio, Ziggurat and UFO, Archizoom drew on Pop art, Minimalism and Arte Povera to expand upon the expressive potential of design. Branzi and his peers were also deeply influenced by the visionary work of London architecture collective Archigram — so much so that the group’s name is inclusive of Zoom, which is the name of a zine published by the British collective.

In Archizoom’s No-Stop City — an unbuilt architecture project — the urban area is stripped bare, a featureless monochromatic expanse that sees built structures meeting nothing more than the basic needs of human existence. The group’s Mies lounge chair — a tribute to early modernist architect Ludwig Mies van der Rohe — was developed for Poltronova and hardly resembles a chair at all. It is not until one sits down that the detached bench seat combines with the backrest and becomes a full seat. The human body bonds the pieces together to make a chair that is surprisingly functional — and even compact.

The Radical Design movement is experiencing something of a renaissance, and Archizoom Associati’s works featured prominently in 2020’s “Radical: Italian Design 1965-1985” at the Museum of Fine Arts, Houston. The collective’s designs were given a global stage in the classic 1972 exhibition “Italy : The New Domestic Landscape” at the Museum of Modern Art in New York City, but most of the groups associated with Radical Design dissolved by the mid-1970s. The Mies lounge chair is held in MoMA’s permanent collection. 

Find vintage Archizoom Associati seating, lighting and tables on 1stDibs.

Furniture manufacturer Cassina is a prolific design house for more reasons than one: It not only owns the licenses to an exquisite collection of iconic chairs, sofas, tables and other pieces from the 20th and 21st centuries but also produces original works that are characterized by innovation and the finest Italian craftsmanship.

Cassina’s illustrious legacy includes being one of the first companies to bring industrial design to Italy in the 1950s. Founded in 1927 in Meda, Italy, by brothers Cesare and Umberto Cassina, the Italian manufacturing giant originally specialized in bespoke woodworking. In nearly a century since its founding, the company has shown incredible foresight about design trends and the evolution of technology.

In 1964, Cassina signed an exclusive licensing agreement to manufacture furniture by Le Corbusier and his collaborators — such as the LC4 chaise longue made with trailblazing French modernist Charlotte Perriand and Pierre Jeanneret — a move that would shape the future of the company. Cassina’s I Maestri collection is an ongoing initiative to restyle landmark designs from the 20th century, such as pieces by Gerrit Rietveld (the Red and Blue armchair from 1918), Charles Rennie Mackintosh, Erik Gunnar Asplund, Franco Albini and Frank Lloyd Wright. The company preserves the intentions and original styles of their designs but adds updated techniques, materials and processes — rendering them the best possible combination of past, present and future. The brand has also worked with contemporary icons like Zaha Hadid, Gio Ponti and Philippe Starck.

Cassina’s original designs are cutting-edge as well. They include pieces for everyday use, the development of which is guided by comfort and the marriage of Italian craftsmanship with industrial technology.

Some of Cassina’s pieces, both from its contemporary and I Maestri collections, can be found in the collections of museums like the Museum of Modern Art and the Vitra Design Museum. In 2014, the company became part of Haworth in its acquisition of Italian furniture group Poltrona Frau, and in 2015, Spanish designer Patricia Urquiola joined Cassina as its art director, leading the brand into its next century of inventive style.

Find a collection of new and vintage Cassina furniture on 1stDibs.