Eileen Gray Transat Chair in Black Leather Black Lacquer by Ecart, circa 2000

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Eileen Gray Transat Chair in Black Leather Black Lacquer by Ecart, circa 2000

About the Item

Splendid antiques Eileen gray Transat chair in black leather black lacquer by Ecart, circa 2000 Splendid antiques is delighted to offer a stunning Eileen gray Transat chair circa 2000, finished in black leather with a black lacquered beech frame with exposed chrome joints and adjustable headrest, stamped Ecart International Provenance: From The Estate of MJ Long, Designer Of The British Library. ‘Eileen Gray’s story is remarkable no matter how many times you hear it, ’‘She’s an icon not just for women in the arts, but for women everywhere.’ The youngest of five children, Gray was born in 1878 in the Irish town of Enniscorthy. After studying at the Slade School of Art in London, she moved to Paris, where she joined the so-called ‘English colony of Montparnasse’ where many Fine arts students were gathered. It was in Paris that she’d embark on a successful career as a lacquer artist, creating several pieces for the famous collector and renowned couturier Jacques Doucet. Gray would eventually move on, becoming more and more interested in modernist art and architecture. ‘These were the early decades of the 20th century, and we are talking about fields that were completely dominated by men, ‘Being a woman and accomplishing what she did at the time wasn’t easy. Eventually, though, she was able to break through gender barriers and make her own path. She maintained an independent vision, and what she created was truly singular and special.’ The 'fauteuil transatlantique' takes as its starting point transatlantic steamship travel and the deckchairs used on such ships. It was designed for use on the terrace of Eileen's house E1027 at Roquebrune CAP Martin, between 1925 and 1927. It was also chosen by Ekart Muthesius to furnish the palace of the Maharajah of Indore during the same period. The wooden side frames are designed with rigorous geometry, tenon joints and chromed brackets. The seat is reminiscent of a deckchair's sling with a pivoting head section. Transat is short for Transatlantique- this chair was designed in 1927 by Eileen Gray in 1927 for the villa E 1027 in Roque brune CAP Martin, French Riviera and was based on the deckchairs used on steamships. It was originally used on the terrace of the designer's home and later was also chosen to furnish the palace of the Maharajah of Indore. This edition was produced by Andree Putman for Ecart International. Provenance: From The Estate of MJ Long, Designer Of The British Library, the architects Mary Jane (‘MJ’) Long (1939-2018) and Colin ‘Sandy’ St John Wilson (1922-2007), the husband and wife team that designed the British Library. The pair met at Yale University and began working together in 1965 after moving to London. Following their marriage in 1972, they began a commission for the new British Library, a task they would continue to work on for thirty years, it later became one of the youngest buildings ever given a grade I listing, for its outstanding architecture. The lots in the collection give a tantalising glimpse into the couple’s friendships with artists that informed some of their design choices for the Library, artists such as Eduardo Paolozzi (1924-2005), whose 12ft bronze ‘Newton After Blake’ sits in the piazza, and RB Kitaj (1932-2007), whose massive tapestry hangs in its entrance hall. At the time it was made by the Master Weavers of the Dovecot Tapestry Studio in 1993, the tapestry, based on Kitaj’s painting ‘If Not, Not’, was the largest in the world at around 23ft (7m) across. St John Wilson and Paolozzi had been friends since the pair both participated in the seminal ‘This is Tomorrow’ exhibition at the Whitechapel Gallery in 1956. Kitaj was one of the fourteen artists for which MJ Long had designed studios, typically accepting paintings and drawings as part payment for her work. She later wrote about the projects in a 2009 book ‘Artists’ Studios’. Long’s London home, built c.1926 as a studio for the sculptor Sir William Reid Dick, was adapted by the couple in 1974 into a family home. It housed post-war design classics, evident in the sixty-two lots within this sale, such as the chairs designed by Mies van der Rohe and the pair of Beehive pendant lamps by the Finnish architect Alvar Aalto. Long was a keen sailor and also included is a Canadian canoe from the home the couple shared in the West Sussex village of Bosham. One of their final projects together was to design a contemporary extension to the original Queen Anne townhouse of the nearby Pallant House Gallery. The new wing that opened in 2006, the year before St John Wilson died, had been a project particularly close to the couple’s heart; the space they created was used to house a collection of modern British art they had donated to the gallery a decade earlier. Condition: The chair is offered in excellent original condition, age related wear, the leather has no tears or rips, no odours or smells. Dimensions: Height 31.1” inches / 79 cm Width 21.6” inches / 55 cm Length 41.7” inches / 106 cm Seat height 16” inches / 40 cm.

Creator:
Ecart International (Manufacturer),Eileen Gray (Designer)
Design:
Transat Chair
Dimensions:
Height: 31.1 in (79 cm)Width: 41.7 in (105.92 cm)Depth: 21.6 in (54.87 cm)Seat Height: 16 in (40.64 cm)
Style:
Bauhaus (Of the Period)
Materials and Techniques:
Beech,Chrome,Leather
Place of Origin:
France
Period:
21st Century
Date of Manufacture:
2000s
Condition:
Wear consistent with age and use.
Seller Location:
Longdon, GB
Reference Number:
1stDibs: LU1832317777752

Shop All Eileen Gray

Eileen Gray

Designer, artist and architect Eileen Gray was one of the most fascinating creative figures of the 20th century. Her body of work includes lustrous lacquered pieces — her Dragons chair set an auction record for modern furniture ($28 million) at the 2009 sale of the Yves Saint Laurent estate — and sleek chrome furnishings that rival the work of Le Corbusier and the members of the Bauhaus as exemplars of pure, modernist design.

The independent and unconventional daughter of Irish landed gentry, Gray studied painting at London’s Slade School of Fine Art in her early twenties before moving to Paris in 1906 to pursue her artistic dreams. Gray had become captivated by lacquerware after seeing an exhibit in the Victoria & Albert Museum, and in Paris persuaded an expatriate Japanese master of the painstaking process, Seizo Sugawara, to teach her. Within a few years, Gray had become known among the cognoscenti for her sculptural lacquered furnishings, which she incorporated into the homes of interior design clients.

Gray was ever evolving as a designer. By the early 1920s she was creating geometric works that embodied the essence of Art Deco and the nascent modernist design movement. Some pieces — such as her Bricks screen, an assemblage of pivoting rectangular panels — employ the planar forms favored by Gerrit Rietveld and other De Stijl architects of the Netherlands. Others feature the tubular chrome framing used by Marcel Breuer and Ludwig Mies van der Rohe. These include the Bibendum chair — named for the resemblance of its semicircular back and armrest to the character known in English as the Michelin Man — and the adjustable E 1027 side table, conceived in 1927 for the interiors of a stark white villa she designed for herself in the South of France.

Never a self-promoter, Gray drifted out of the limelight in the 1930s. Interest in her work was revived in the early ’70s, however, when the estates of her early clients came to auction. Her original lacquer pieces are the most coveted, but, as the sale of the Dragons chair shows, are rare and extremely expensive.

None of Gray’s designs were made in large numbers until, a few years before her death, she granted a production license. These pieces range in price from $1,000 to $2,500, depending on furniture type and condition. Gray’s work has become iconic of practical and elegant modernist design. Yet, as you will see on 1stDibs, many of her creations have a simplicity that makes them welcome even in a traditional setting.