Lounge Chair with Ottomans by Danish Cabinetmaker, Denmark, 1960s

This beautiful Danish lounge chair is an early example of Scandinavian Mid-Century Modern design as well as outstanding craftsmanship with a quality that honours the materials and th...

Danish Modern evolved from the craft traditions of cabinetmaking in Denmark, bolstered by the Copenhagen Cabinetmakers Guild Exhibitions from the 1920s onwards. It was further energi...

Danish Mid-Century Modern furniture reflected Scandinavian materials and craftsmanship and mixed them with a modern style, and the period from roughly 1940 through 1960 was a high point for Danish furniture makers. This set shows why. This particular chair silhouette has been popular since the 1930s, from around the time Flemming Lassen designed the overstuffed easy chair, the “Tired Man”, for The Copenhagen Cabinetmakers’ Guild Competition in 1935. The curved and organic lines of the design create an elegant silhouette for both the chair and ottoman. The design of this chair is characterized by organic, curved shapes that create a cosy and welcoming sensation. Since the enveloping back forms the arms as well but doesn’t reach all the way to the beginning of the seat, the design is very open and appears light. The gentle lines are highlighted by the soft wool blend upholstery that uniquely covers the entire bodies of the chair and footstool, including the legs as well. As a representation of early modernist seating...

This beautiful Danish cabinetmaker lounge chair recalls the peak of Danish Mid-Century Modern design. Thanks to its curved shape, this model is exceptionally cosy and elegant. Curved chairs like this are statement pieces in any space, but they can also adapt to a variety of styles thanks to their universal appeal. With its classic shape paired with modern design, the generous size, and fully upholstered body, this lounge chair is outstanding, even when measured to the many beautiful models created in Denmark during the mid-century era. The large, curved design is reminiscent of the Chesterfield style, with rolled arms and a curving back, short feet, and button tufting. While the impression may recall the historic style, it is its more streamlined, modern interpretation with fewer decorative elements and a much lighter colour palette. The stitches on the back create a scalloped look that sections the back, enhancing the voluptuous size. The Danish design idiom, among other things, was centred on gentle yet robust support for the spine - a quality that engender contentment and well-being, a defining characteristic of Danish culture. The visual appearance however, is not the only thing that echoes Danish design, but also the exquisite craftsmanship under the fully upholstered body. The short, mismatched stained beech legs add a modern, organic feel, balancing out the voluptuous profile of the sofa. The front legs differ in their angle and shape from the back ones, adding visual interest, while the masterful sense of proportions and the soft upholstery guarantee functionality and comfort. Condition: In good vintage condition. Wear consistent with age and use. The sofa has been reupholstered recently in a premium bouclé fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information. Dimensions: 37.2 in W x 40.55 in D x 35.03 in H; Seat height 16.33 in; Arm height 23.62 in 94.5 cm W x 103 cm D x 89 cm H; Seat height 41.5 cm; Arm height 60 cm About the Designer: This Danish-made sofa...

Danish cabinetmaker lounge chair and ottoman lambswool Legs of stained beech. Made in the 1940s.  

- Teak legs and part of the armrests - Fabric in good original condition with minor signs of use - Fabric has been cleaned - high of seat 41 cm

Danish cabinetmaker pair of lounge chairs with nails and legs of oiled teak. New upholstered with green wool, seat of green Eco leather. Made in Denmark in the 1960s

1960s sculpted Danish Lounge Chair. Teak dowel legs. Floating armrest. Rarely seen chair. We offer delivery to NYC for $425.