Gold Leaf Office Chairs and Desk Chairs
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Material: Gold Leaf
'Dundas' Library Armchairs after a model by Robert Adam and Thomas Chippendale
Located in Sturminster Marshall, Dorset
A fine pair of carved and water gilded library armchairs designed by Robert Adam and made by Thomas Chippendale for the great room at Arlington Street London. The serpentine scrolled...
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21st Century and Contemporary English George III Gold Leaf Office Chairs and Desk Chairs
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Armchair Art Deco, France, 1920, Materials, Leather and Golden Iron
Located in Ciudad Autónoma Buenos Aires, C
Armchairs Art Deco
Year 1920
Materials :Leather and golden iron
Country: French
Elegant and sophisticated armchairs.
You want to live in the golden years, these are the armchairs yo...
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1920s French Art Deco Vintage Gold Leaf Office Chairs and Desk Chairs
Materials
Iron, Gold Leaf
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Kaare Klint is widely recognized as the father of Danish modern design. It is hard to overstate his influence. He developed an entirely new analytical approach to furniture design that his students at the Danish Academy of Art would emulate for years to come, yet was also inspired by historic designs from various cultures, modernizing and re-interpreting classic pieces for new generations.
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Klint’s design was always based on relentless research; he never compromised. Every piece had to fulfill its purpose, be completely clear in its construction with dimensions and proportions corresponding to the human body and display materials and craftsmanship of the highest quality. Logic, often using a mathematical system of measures, and a constructive way of thinking were the foundation of Klint’s philosophy of furniture design. Like many of his contemporaries, counting Le Corbusier and Walter Gropius, he advocated standardization and functional requirements and dismissed the use of all ornamentation. But Klint realized his vision in wood and leather, using traditional craftsmen and working methods and often finding inspiration in historical models. In this way, he charted the course for an alternative Nordic Functionalism that idealized the workshop and the collaboration between furniture architects and cabinetmakers as opposed to the factory.
Kaare Klint’s first major work was a collaboration with his mentor, the architect Carl Petersen. In 1914 they were commissioned to design furniture and fixtures for Faaborg Art Museum. One of the highlights to emerge from this commission was the Faaborg chair, a light and elegant chair with clear references to classical furniture. The construction and proportions of an 18th century English Chippendale...
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