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Kaare Klint for Rud Rasmussen Sofa Model 4118 in Cognac Leather

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Kaare Klint for Rud. Rasmussen Sofa Model 4118 in Leather and Mahogany
By Kaare Klint, Rud Rasmussen
Located in Waalwijk, NL
Kaare Klint for Rud.Rasmussen, sofa, model '4118', leather, mahogany, Denmark, design 1930, production 1981 Kaare Klint originally designed the present three-seat sofa, known as 411...
Category

Vintage 1930s Danish Scandinavian Modern Sofas

Materials

Leather, Mahogany

Kaare Klint for Rud Rasmussen Sofa '5011' in Cognac Leather and Mahogany
By Kaare Klint, Rud Rasmussen
Located in Waalwijk, NL
Kaare Klint for Rud Rasmussen, sofa model '5011', leather, mahogany, Denmark, design 1935, made 1960s Kaare Klint originally designed the present three-seat sofa, known as 5011, in ...
Category

Vintage 1930s Danish Scandinavian Modern Sofas

Materials

Leather, Mahogany

Kaare Klint for Rud Rasmussen Early Easy Chair in Cognac Leather Mahogany
By Rud Rasmussen, Kaare Klint
Located in Waalwijk, NL
Kaare Klint for Rud. Rasmussens Snedkerier, lounge chair, model ‘5313’, mahogany, original Niger leather, Denmark, design 1934, made 1930s In the mid-1930s, Kaare Klint submitted a ...
Category

Vintage 1930s Danish Scandinavian Modern Lounge Chairs

Materials

Leather, Mahogany

Kaare Klint for Rud. Rasmussens Snedkerier '4698' Sofa with Ottoman in Leather
By Kaare Klint, Rud Rasmussen
Located in Waalwijk, NL
Kaare Klint for Rud. Rasmussens Snedkerier, sofa, model ‘4698’, leather, mahogany, Denmark, design 1933, made late 1970s This sofa is designed by Kaare Klint for Rud Rasmussen and w...
Category

Vintage 1930s Danish Scandinavian Modern Lounge Chairs

Materials

Leather, Mahogany

Kaare Klint for Rud Rasmussen Set of Four 'Red Chairs' in Original Leather
By Rud Rasmussen, Kaare Klint
Located in Waalwijk, NL
Kaare Klint for Rud Rasmussen, set of four dining chairs 'The Red Chair', model 3949, original patinated leather, mahogany, Denmark, designed 1928, manufactured 1930s. These dining ...
Category

Vintage 1920s Danish Scandinavian Modern Dining Room Chairs

Materials

Leather, Mahogany

Kaare Klint for Rud Rasmussen Set of Four 'Red Chairs' in Original Leather
By Rud Rasmussen, Kaare Klint
Located in Waalwijk, NL
Kaare Klint for Rud Rasmussen, set of four dining chairs, 'The Red Chair', model 4751, original patinated leather, mahogany, brass, Denmark, designed 1933, manufactured 1930s. These...
Category

Vintage 1930s Danish Scandinavian Modern Dining Room Chairs

Materials

Brass

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Kaare Klint Model 4118 Box Sofa, Rud Rasmussen, Denmark, 1950s
By Rud Rasmussen, Kaare Klint
Located in LEWES, GB
Rare Kaare Klint Model 4118 two-seat box sofa with profiled cross legged mahogany frame. Made by Rud Rasmussen, Copenhagen, Denmark. Upholstered...
Category

Mid-20th Century Danish Mid-Century Modern Sofas

Materials

Mahogany, Leather

Kaare Klint Sofa Model 5011 Original Cognac Leather for Rud Rasmussen Denmark
By Kaare Klint, Rud Rasmussen
Located in WIJCKEL, NL
Three-seater sofa model 5011 in original leather and eight-legged ash base. Produced by Rud. Rasmussen Cabinetmakers, Denmark. Minor marks on the frame, patina to the leather. Shown at the Copenhagen Cabinetmakers’ Guild exhibition in 1935. Kaare Klint is widely recognized as the father of Danish modern design. It is hard to overstate his influence. He developed an entirely new analytical approach to furniture design that his students at the Danish Academy of Art would emulate for years to come, yet was also inspired by historic designs from various cultures, modernizing and re-interpreting classic pieces for new generations. Literature: Gorm Harkær, Klintiana: “Kaare Klint”, vol.2, pg 94. Kaare Klint (1888-1954) is regarded as the founding father of Danish Modernim. As an architect, furniture designer and leading professor at the Department of Furniture Design at the Royal Danish Academy of Fine Arts, Copenhagen, Klint established the principles of modern Danish furniture by combining a profound appreciation of traditional construction techniques with a modernist emphasis on function and a rejection of ornaments. Klint’s design was always based on relentless research; he never compromised. Every piece had to fulfill its purpose, be completely clear in its construction with dimensions and proportions corresponding to the human body and display materials and craftsmanship of the highest quality. Logic, often using a mathematical system of measures, and a constructive way of thinking were the foundation of Klint’s philosophy of furniture design. Like many of his contemporaries, counting Le Corbusier and Walter Gropius, he advocated standardization and functional requirements and dismissed the use of all ornamentation. But Klint realized his vision in wood and leather, using traditional craftsmen and working methods and often finding inspiration in historical models. In this way, he charted the course for an alternative Nordic Functionalism that idealized the workshop and the collaboration between furniture architects and cabinetmakers as opposed to the factory. Kaare Klint’s first major work was a collaboration with his mentor, the architect Carl Petersen. In 1914 they were commissioned to design furniture and fixtures for Faaborg Art Museum. One of the highlights to emerge from this commission was the Faaborg chair, a light and elegant chair with clear references to classical furniture. The construction and proportions of an 18th century English Chippendale...
Category

Vintage 1970s Danish Scandinavian Modern Sofas

Materials

Leather, Ash

Kaare Klint Sofa for Rud. Rasmussen
By Kaare Klint, Rud Rasmussen
Located in Copenhagen, DK
Kaare Klint 2 persons sofa with legs of mahogany. Seat, sides and back upholstered with light fabric. Executed by Rud. Rasmussen.
Category

Mid-20th Century Danish Scandinavian Modern Sofas

Materials

Mahogany, Fabric

Kaare Klint Sofa # 5011 in Original Cognac Leather Rud Rasmussen, Denmark 1940s
By Rud Rasmussen, Kaare Klint
Located in WIJCKEL, NL
Two-seater sofa model 5011 in original cognac leather and six-legged mahogany base. Produced by Rud. Rasmussen Cabinetmakers, Denmark. Minor marks on the frame, patina to the leather. Back covered in original canvas. Shown at the Copenhagen Cabinetmakers’ Guild exhibition in 1935. Signed with manufacturer’s label to underside: (Rud. Rasmussens Snedkerier). Kaare Klint is widely recognized as the father of Danish modern design. It is hard to overstate his influence. He developed an entirely new analytical approach to furniture design that his students at the Danish Academy of Art would emulate for years to come, yet was also inspired by historic designs from various cultures, modernizing and re-interpreting classic pieces for new generations. Literature: Gorm Harkær, Klintiana: “Kaare Klint”, vol.2, pg 94. Kaare Klint (1888-1954) is regarded as the founding father of Danish Modernim. As an architect, furniture designer and leading professor at the Department of Furniture Design at the Royal Danish Academy of Fine Arts, Copenhagen, Klint established the principles of modern Danish furniture by combining a profound appreciation of traditional construction techniques with a modernist emphasis on function and a rejection of ornaments. Klint’s design was always based on relentless research; he never compromised. Every piece had to fulfill its purpose, be completely clear in its construction with dimensions and proportions corresponding to the human body and display materials and craftsmanship of the highest quality. Logic, often using a mathematical system of measures, and a constructive way of thinking were the foundation of Klint’s philosophy of furniture design. Like many of his contemporaries, counting Le Corbusier and Walter Gropius, he advocated standardization and functional requirements and dismissed the use of all ornamentation. But Klint realized his vision in wood and leather, using traditional craftsmen and working methods and often finding inspiration in historical models. In this way, he charted the course for an alternative Nordic Functionalism that idealized the workshop and the collaboration between furniture architects and cabinetmakers as opposed to the factory. Kaare Klint’s first major work was a collaboration with his mentor, the architect Carl Petersen. In 1914 they were commissioned to design furniture and fixtures for Faaborg Art Museum. One of the highlights to emerge from this commission was the Faaborg chair, a light and elegant chair with clear references to classical furniture. The construction and proportions of an 18th century English Chippendale chair was also clearly visible in the famous Red Chair, designed in 1927 for the lecture hall at The Museum of Arts and Crafts (now Design Museum Denmark), but with its straight back deprived of all unnecessary decoration and its beautiful Niger leather, the Red Chair was far from an imitation. Other important works include The Propeller Stool (1927), The ‘Mix Chair’ designed in collaboration with his pupil Edvard Kindt-Larsen in 1930, the Safari Chair (1930), The Deck Chair (1939 and The Church Chair designed in 1936 for the Bethlehem Church in Copenhagen. Also noteworthy are Klint’s well-proportioned cabinets and wardrobes...
Category

Vintage 1940s Danish Scandinavian Modern Sofas

Materials

Leather, Mahogany

Kaare Klint Addition Sofa for Rud Rasmussen
By Rud Rasmussen, Kaare Klint
Located in Copenhagen, DK
Kaare Klint Sectional sofa/stools in mahogany and leather. Executed by cabinetmakers Rud. Rasmussen, Denmark
Category

Vintage 1930s Danish Sofas

Materials

Mahogany

Kaare Klint Three-Seat Sofa for Rud. Rasmussen
By Rud Rasmussen, Kaare Klint
Located in Copenhagen, DK
Kaare Klint freestanding three-seat sofa on eight-legged, profiled mahogany cross-frame. Sides, seat and back upholstered with patinated red leather. Model 4118. Executed by Rud. Ras...
Category

Mid-20th Century Danish Scandinavian Modern Sofas

Materials

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