Wood Sofas

Conchula Day Bed, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, the Conchula day bed is a room-d...

Twins sofa, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, the Twins cu...

Minho Day Bed, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, the Minho day bed with a wooden sid...

Twins Sofa Outdoors, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, the Twins outdoors couch...

Twins Day Bed, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, the Twins day bed and curved sofa s...

Twins Sofa Outdoors, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, the...

This Suelo modern wood sofa is beautifully constructed from solid wood in Ohio, USA. The sofa's silhouette is simple, modern, and sleek with com...

Twins Sofa, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, the Twins curved couch and day bed sha...

Uffo Sofa, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Uffo Sofa Material Codes FI007 Black lacquer; satin finish M105238 Fabric Nobilis Bouclé Handcra...

Caramulo Swivel Armchair, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. Experience the epitome of unparalleled comfort and unrivaled elegance with the Caramulo a...

Capelinhos Swivel Lounge Chair with foot rest, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Capelinhos lea...

Black leather sofa on rosewood legs, 3 seater. The sofa is attributed to Georg Thams and produced by Vejen møbelfabrik. A nice and stylish sofa with very good sitting comfort.

Twins sofa, contemporary collection, handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the contemporary collection, the Twins curved sofa and day bed shar...

Scandinavian sit-group "Minerva" by Peter Hvidt & Orla Mølgaard Nielsen, Denmark. Teak frame with newly upholstered petrol bouclé seat and back. This vintage pieces of furniture can...

Florence Knoll Mid-Century Modern manner linen upholstered couch, upon four gold-tone metal bracket feet. 31" H x 92" W x 35" D; seat: 19" H. D...

This classic camelback sofa with a dramatic, swept-out, flared arm and a flared solid oak leg. The solitary seat and back cushion create a seamless and clean look. The piece is const...

Twins Chaise Lounge, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, t...

Cornaro two-seater sofa, designed by Carlo Scarpa and manufactured by Studio Simon in 1974. Made of Iroko wood, foam, and azure chenille velvet. Excellent vintage condition. Born in Venice on June 2nd, 1906, Carlo Scarpa began working very early. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa was constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most incredible ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti Award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovating and restoring the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he worked on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began building a villa in Udine for the Veritti family. To shed some light on how much his work evolved over the years, it may be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, plenty of other episodes can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen in 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he carried out simultaneously on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, arising out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea,” followed by a cloister that ends by a small chapel, with an arcosolium bearing the family sarcophagi, the central pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways, teamed with the luminosity of these harmoniously blended spaces, shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all his many skills to come up with this truly magnificent space. As well as an outstanding commitment to architectural work, with the many projects we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added a couch and armchair, “Cornaro,” to the collection and the “Toledo” bed...

Minho Chaise Longue, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collec...

Twins Day Bed, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, the Twins day bed and curved sofa s...

19th-early 20th century settee / canape or loveseat in Rococo style having a fine Fabric. This is simply the finest find of wonderfully covered and carved oversized settee...

Halden armchair, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. The Halden armchair is inspired by the Norwegian border town of the same name at the mouth of the ...

Minho Day Bed, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, the Minho day bed with a wooden sid...

A timeless Mid-Century Modern style Sofa in the manner of Finn Juhl ( Danish 1912- 1989). The sofa features sculptural shape inspired by the Modern free art. The seat and back of the...

The geometric pattern is amazing! I love the different shades of greens and pinks mixed throughout! This sofa is in good vintage condition without any rips, tears, or stains. The fa...

Yngve Ekström was one of the most important figures in the evolution of the Scandinavian Modernism movement and co-founder of the furniture design company Swedese. This living room ...

Twins Sofa Outdoors, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, the...

Twins Sofa, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, the Twins cu...

19th-early 20th century settees / canapes or loveseats in Rococo style having a fine Fabric. This is simply the finest pair of wonderfully covered and carved oversized settees...

Capelinhos Swivel Lounge Chair with foot rest, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Capelinhos lea...

Capelinhos Swivel Lounge Chair, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Capelinhos leather lounge chair stands as a testament to timeless comfor...

Almourol Sofa, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Almourol leather sofa draws inspiration from the distinctive...

Settee, ash, cane, leatherette, metal, Spain, 1950s. Joyful Spanish two-seater sofa with soft organic lines. This settee features a stained ash frame of which a dynamic grain patte...

Kurt Olsen for A. Andersen & Bohm, love seat, wood, fabric, Denmark, 1951. Stunning Danish loveseat designed by Kurt Olsen. This settee has a sculptural quality and light feeling. T...

A rare and beautiful curved sofa with a wooden frame and fabric upholstery, designed by Gio Ponti for "Casa e Giardino", manufactured in Italy in the 1940s. In Gio Ponti's ideal hom...

A pair “spirit” sofas by John Hutton for Dohghia. Covered in a deep rust colored velvet with decorative velvet rosettes across the back. Retains Donghia label. Condition: Very goo...

Midcentury sofa bed made in the former Czechoslovakia in the 1970s. It was made by Tatra nábytok company. The sofa has a wooden structure with ash wood veneer, overall it´s in good V...

1960s, Danish 3 seater sofa in original very good condition: no smells and no stains. Light green furniture cotton/wool fabric, brass springs in ...

As Capella, our job is to ensure the perfect harmony between materials and present them to you in the most accurate and harmonious way. We give them a soul and life. This is our first priority as a design company. The original line of Emerald Sofa...

Divano modello "920" di Afra & Tobia Scarpa per Cassina, 1964. Il modello è quello di un divano a due posti comodi. Cuscini e rivestimento rinnovato con tessuto lavabile e antimacc...

A sizeable organic black-painted wood and brown beige bouclé fabric sofa designed by Vladimir Kagan and produced by Vladimir Kagan Designs, Inc, US...

This large modular sofa is composed of a meridian, a lounge chair and an armchair on a light wood base. The color and the shape are very original an...

A high-quality Mid Century designer sofa by Danish maker Komfort, a superb piece in excellent original condition. A piece with great form a...

Mid-Century teak daybed and matching headboard with storage cabinets and shelves. The headboard is detached, bed can easily be pushed in as a sofa o...

Pine Striped 3 Seater Sofa Reupholstered with heavy duty midnight & off white fabric. Exceeds 100,000 double rubs, 60% Cotton, 30% Polyester, 10% Flax. Made in America. Not suitable...

Stunning Ralph Lauren sofa in thick, buttery, luxurious saddle leather. Lovely light patina. Sink in comfort with the softest down filled cushions. L...

Elegant and wide Italian three-seat curved sofa. Circa 1950/60. Soft and comfortable seat. Light beech waxed feet. Perfect condition. Original pieces from the 1950s newly re-upholstered in the traditional way by the best French craftsmen, we used a high quality velvet fabric from Kvadrat Raf Simons' collection and new foams. We can particularly appreciate the work and savoir-faire of our team of upholsterers respecting the original design, using the right proportions and lines as it was designed in the 50's. If needed for a project, we also have the pair of armchairs in stock...

A fine quality parcel gilt double shield back sofa, with two toned gilding the turned and fluted legs are gold leaf and the frame is white gold, this has 70% of original gilding and ...

Le Jeune Upholstery Gracie 2 Seat Sofa Showroom Model Offered for sale is a Gracie S1.923 two-seat sofa showroom model from Le Jeune Upholstery. This sofa is a medium-scaled armles...

Carl Malmsten 'Samspel' Sofa, circa 1950s First designed in 1956 and produced by AB Record in Bollnas, Sweden, the 'Samspel' sofa is one of the finest pieces to be drawn by Sweden...

Kaare Klint & Rud Rasmussen Snedkerier - Scandinavian Modern Rare 3-seater sofa model no 5011 designed by Kaare Klint and manufactured by cabinetmaker Rud Rasmussens Snedkerier in...

Marvelous, high end design, authentic 1920’s Art Deco Sofa with walnut wood display cabinets and a pair of matching Lounge Chairs originating from ...

Italian post modern Brown leather and dark wood sofa by Cappellini, 2000s Two seater sofa in brown leather. The square seat, backrest and armrest cushions are joined by a zip. The ex...

This stunning Modular sectional leather sofa is manufactured in Germany. It is a high quality manufactured seating group. The producer is yet unknown. It is a pure 70ties design w...

Carl Malmsten 'Cirkus' lounge chairs, circa 1950s. A pair of armchairs designed by Carl Malmsten in 1950s and produced in Sweden. This pair have been reupholstered in Rose Uniack...

Sergio Rodrigues, 'Sheriff' sofa, faux leather, imbuia wood, Brazil, 1960s Comfortable and large sofa by Brazilian designer Sergio Rodriques. This sofa breaths the characteristics o...

On offer on this occasion is one of the most stunning and rare, floral linen sofa you could hope to find. Outstanding design is exhibited throughout. The beautiful sofa is statement ...

Top-quality lounge sofa designed by Ingvar Stockum for Futura Möbler in 1965. The "Monte Carlo" series was only in production for two years because production costs were too high. ...