Italian Sofas

Elegant and splendid three-seater sofa with high backrest attributed Gio Ponti, 1950s, for ISA Edizioni, Bergamo. Carved profile, refined lines, sensual and deep comfort. The ivory v...

Cornaro two-seater sofa, designed by Carlo Scarpa and manufactured by Studio Simon in 1974. Made of Iroko wood, foam, and azure chenille velvet. Excellent vintage condition. Born in Venice on June 2nd, 1906, Carlo Scarpa began working very early. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa was constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most incredible ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti Award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovating and restoring the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he worked on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began building a villa in Udine for the Veritti family. To shed some light on how much his work evolved over the years, it may be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, plenty of other episodes can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen in 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he carried out simultaneously on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, arising out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea,” followed by a cloister that ends by a small chapel, with an arcosolium bearing the family sarcophagi, the central pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways, teamed with the luminosity of these harmoniously blended spaces, shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all his many skills to come up with this truly magnificent space. As well as an outstanding commitment to architectural work, with the many projects we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added a couch and armchair, “Cornaro,” to the collection and the “Toledo” bed...

Midcentury two-seater sofa in the style of Paolo Buffa, featuring a wooden structure and cushions in texture. Made in Italy in the 1950.

An iconic ‘Stringa’ two-seat sofa designed by Gae Aulenti for Poltronova in the 1960s. This beautifully proportioned, sculptural loveseat is constructed of tubular chromed metal and ...

Poltronova 'Saratoga' sofa, black lacquered wood and black leather, Italy, 1964. This two-seater sofa named Saratoga is designed by Italian designer couple Lella & Massimo Vignelli....

Pianura Sofa, Mario Bellini, Cassina, 1970 Condition: Very Good Materials: Wood, Fabric Epoca: 1970 The Pianura Sofa, designed by Mario Bellini for Cassina in 1970, is an iconic ex...

Mid-century red curved sofa 1950s Italian design wood feet, restored.

Designed in 1965 - Paradisoterrestre Edition 2018 Materials: shaped polyurethane, polished aluminum brackets, removable wool fabric manufactured by Kvadrat or chenille velvet fabric...

In 1967, the French designer Pierre Paulin challenged the rationalism that was predominant at the time by envisaging a range of seats with naturally winding lines. Developed for Expo 1970 in the city after which it is named, the Osaka sofa...

Modular sofa designed by Patricia Urquiola in 2018. Manufactured by Cassina in Italy. An inventive modular sofa, with soft, inviting curves that bespeak comfort to the max and ext...

A stunning vintage 1960s Florence Knoll sofa that we had redone and reupholstered in a beautiful Kravet wool mohair. Color is called indigo blue. A rich navy color. We had 6 extra ba...

"Gimme More" is a three-seat sofa, designed by Diesel Creative Team and manufactured by Moroso, featuring elements in stress-resistant polyurethane foam in ...

On offer on this occasion is an ultra-rare, pristine suite of “Hyde Park” furniture, consisting of a huge 3-Seat Sofa and 2 identical complimenting Armchairs, all dressed in a high-g...

The Essentiel sofa presents itself with a clear purpose. A design without excess and friendly ergonomics, it represents a mix of Italian elegance and northern traits, merging harmoni...

Italian modern Three-seater sofa Cornaro by Carlo Scarpa for Simon Gavina, 1980s Iconic and vintage three-seater sofa mod. Cornaro with round section structure in black painted solid...

This sofa is a Space Age design piece created by the Italian designer, painter and sculptor Adriano Piazzesi in the 1970s. It consists of a three-seater sofa and two armchairs crafte...

This very rare three seat sofa was designed by Angelo Mangiarotti and produced by the Italian manufacturer La Sorgente dei Mobili in the early 1970s. The design is marked by the geom...

Found in Italy, this wicker and bentwood frame sofa dates from the 1940s. We had it reupholstered in a creamy, ivory colored leather. Unknown maker. Coordinating pair of chairs in sa...

Jonathan De Pas, Donato D'Urbino, Paolo Lomazzi "Ipercubo 200" modular sofa for Driade, original Cognac leather, Italy, 1970s, set of five. The most peculiar feature of the “Ipercub...

Afra and Tobia Scarpa mod. "920" brown leather two-seats sofa manufactured by Cassina, Italy '60. Vintage condition. References: G. Gramigna, Repertorio del design italiano 1950-2...

The iconic Lara sofa, designed by Noti Massari, Roberto Pamio & Renato Toso for Stilwood, Italy, in 1968, is a timeless masterpiece that captures the essence of 1960s design. This ex...

A fine, comfortable Italian sofa in the Modern style, featuring a stylish, bowed tubular chrome body with upholstered cushion back and sides of black leather, two fitted seat cushion...

Sicis is delighted to welcome you at ‘Home’. The classically inspired extent in contemporary plays an eclectic style, elegant and refined. Interiors express personality. A constant...

Zanotta Milano+ Large Sofa in Red Upholstery with Natural Nickel-Satin Frame by De Pas, D’Urbino, Lomazzi Aluminum alloy feet, with natural or black ...

Italy / 1960 / 2-seater sofa / Coronado / Tobia Scarpa / B&B Italia / leather / mid-century / vintage / Italian design This extremely comfortable Coronado two-seater sofa was desig...

Big sofa Vivai del Sud Italian design bamboo black flowers multi-color, 1970s.

Sofa/ Daybed ‘D70’, designed by Osvaldo Borsani and manufactured by Tecno, Italy 1954. This customizable D70 sofa has two pivoting wings, a very stable metal frame, and a beautiful f...

Sofa designed by Ron Arad for One/Off in 1985. The sofa consists of a rigid lacquered steel Kee-Klamps frame on which the seat cushion is placed, made of PVC filled with unfoamed pol...

Mid-Century Four Seater Sofa by Saporiti, Italy, 1960s - New Upholstery

Soriana Limited Edition Denim Armchair by Afra & Tobia Scarpa for Cassina. A design armchair with soft, generous contours, designed by Afra and Tobia...

Beautifully carved sofa with original cream and yellow paint finish. Rococo detailing. New upholstery.

Raro divano 3 posti modello Maja disegnato da Emilio Guarnacci e Felix Padovano per 1p industria chimica per l' arredamento nel 1971. Struttura in acciaio, poliuretano espanso indefo...

Zanotta William Modular Sofa in Vins Fabric and Steel Frame by Damian Williamson These modular elements allow many corner or straight compositions. Aluminum alloy feet, either...

Il divano 2 posti proposto è un esemplare del celebre modello “Saratoga” progettato da Massimo e Lella Vignelli nel 1964. Questo pezzo iconico di desig...

Louis Philippe style sofa upholstered with fabric and wooden frame. H 40cm seat. Normal signs of wear from age and use as pictured.

Mid-Century Modern Italian B&B "Alanda" two-and-a-half-seat white leather sofa by Paolo Piva with adjustable back pillows and armrests, 1970s. The sofa shows wear due to age and use...

Sofa designed by Marco Zanuso in 1951, relaunched in 2016. Manufactured by Cassina in Italy. Prices vary dependent on the chosen color/fabric.

A line of furniture that includes seats with clean and essential shapes, which maintain the essence of classic style by reinterpreting it in a current and contemporary key. The artisanal passion and attention to detail that distinguish Jumbo Collection are always present, but the style is more delicate, perfect for giving life to light, refined and bright environments. Pleasure round sofa with structure in beechwood. Padding in foam. Upholstery in fabric MIL.16.016. N° 4 pillows...

Contemporary Sofa 'Isola' by Amura Lab Designer: Lucy Kurrein Model shown: Textile - Galba 110 Dimensions : - Sofa : H. 67 x W. 220 x D. 99 cm “Isola:...

Elegant two-seat loveseat designed by Gianfranco Frattini for Cassina in 1987 and is covered in beautiful terracotta alcantara. The integrated headrests curve around to envelop the sitter. Designed with individually zippered upholstery panels to allow for different fabrics or leathers to be combined. Sits on four black lacquered turned wood feet. This model is no longer in production and was only produced for 1 year. They are documented in the famous Italian Reportorio book. The inside is a metal tubular structure completely covered with foam for super comfortable seating pleasure. The sofa has a high comfort level and is not on the market often. Designer: Gianfranco Frattini Manufacturer: Cassina Country: Italy Model: Bull sofa...

Characterized by a modest and elegant design in vintage leather, the Placido sofa is soft and inviting. The raw-cut seams create a bond between beauty, si...

Sectional sofa Palmo by Amura Lab Designer: Emanuel Gargano Model shown: textile - Brera 850 Ref. 13 Inspired by the natural gesture of an openin...

The Lounge Seymour Sofa by Rodolfo Dordoni for Minotti epitomizes contemporary elegance and comfort. Its sinuous, inviting curves are meticulously upholstered in premium fabric, offe...

Flow, adapt, create void, rearrange space, receive and renew indefinitely. The new Avant-Après seating is able to do it all. Rigid yet lightweight, the sofa comes in fascinating conf...

Channeling a seductive feminine flair, this sofa strikes with its soft curves and glamorous aesthetic. Its embracing shape pairs well with the comfortable velvet upholstery in pastel...

"Anfibio" sofa bed designed by Alessandro Becchi for Giovannetti Collezioni in 1970 in original Leather . The sofa can be unfolded or opened flat revealing its luxuriously soft sheep...

Italian Modular Leather Sofa by Lev & Lev, 1970s Designed and produced by Lev & Lev in Italy during the 1970s, this exquisite modular sofa is a true example of Italian craftsmanship...

Saint-germain sofa, available in 2 or 3-seater versions, is composed of a matt black wood panel, covered in the external part with a metal plating, with a padded border in the same u...

A mid century Italian sofa attributed to Maurizio Tempestini. Sculptural wingback silhouette. Original upholstery as found. Sourced in Northern Italy.

Magnificent rope and tasseled gilded loveseat sofa in the style of Dorothy Draper. This piece retains it's original fabric in presentable condition-we ...

A modular sofa with enveloping and sinuous shapes: Erasmo is a perfect synthesis of classic and modern lines, elegantly highlighted by the creasing of the armrest that discreetly fol...

Italian modern brown fabric modular sofa Compor S 72 by Gero for Mussi, 1970s Modular sofa mod. Compor S 72 in brown fabric and leather. The sofa is composed of five modules, two of ...

Ico Parisi for Cassina, Italian midcentury, "Model 865" sofa, 1955.

Pair of large righand left curved sofas in the style of Ico Parisi, 1950-1959 Italy.

Gorgeous Italian modern curved sofa attributed to Federico Munari. Offered is a stunning mid century Italian curved sofa with splayed brass legs attributed to Federico Munari, circa....

A very nice black leather Postmodern loveseat by I4 Mariani for the Pace Collection, circa late 1980s. The piece is in great condition with super h...

This clean-lined sofa will make for an impeccable addition to a contemporary private study or light-toned lounge area thanks to its ethereal, almost aseptic flair. Entirely covered i...

Postmodern Camaleonda seating elements by Mario Bellini for B&B Italia, 1970s. set of two C&B Camaleonda sofas in the original iconic orange fabric.The set is in fair vintage condit...