Bronze Cabinets

Elegant Cabinet Napoleon III, One Door In Brass Boulle Marquetry Style, in a dark wood veneer background, with motifs of scrolls, interlacing, volutes, flowers and bouquets. Beautif...

Designed by Carlo Colombo Town is an innovative and transforming project. A multifunctional cabinet that combines functionality and aesthetics, offering space to contain and furnish...

Perfect for entertaining at home, the COSMO drink cabinet has everything you need for your dinner or party drinks. It can be also a perfect storage for dishes, your favorite glass se...

A fine 19th century Italian Louis XV style bronze mounted cabinet with vitrine. Made of solid walnut and pine as a secondary wood. Beautifully patterned book-matched veneers of walnu...

This solid bronze cabinet handle is a poetic fusion of art and nature, drawing inspiration from the timeless elegance of Italian masterpieces and the enchanting landscapes of Cyprus....

A sensational hight quality french 19th century Napoleon third peroid ,ebony and bronze cabinet a hauteur d appui inlaid with brass ,marble top the boulle cabinet have an important...

Wall hanging variant of the connect nightstand. This collection is designed to express the process by which each piece is created, with visible construction and fastening details that are integral to the final piece. Traditional joinery techniques are used in conjunction with mass manufacturing technology to create this unique metal cabinetry...

A fine French 19th-20th century Louis XV style Kingwood and ormolu-mounted single-door Vitrine, the demilune shaped cabinet with and arched bonnet, molded trim above a bombé glazed d...

19th century French Directoire period oak bookcase or cabinet t has two parts that can be separated for easier transport. the upper part has a height of 125 cm with two doors and th...

A Chinese Qing dynasty brown / dark red wooden side cabinet from the 19th century, with painted floral decor, bronze hardware and hidden drawers. T...

A beautiful 19th century pair of Louis XVI-style Gilt Bronze and Porcelain two door cabinets with marble tops.

French bronze-mounted Ebonized and Pietra Dura cabinet Empire style ormolu and Pietra dura cabinet from 19th c. Napoleon III ormolu veneered ebony...

Early 20th century Italian Art Nouveau nightstand in cherrywood and mahogany inlaid, restored and polished to wax Measures cm: H 81+34, W 40, D 32.

Crafted by the acclaimed cabinetmaker, Charles-Guillaume Diehl (1811-1885), this tobacco (humidor) cabinet is a truly exquisite piece of antique oak furniture...

Calamità Collection. "Calamità" Credenza with Walnut, Stainless Steel and Bronze Details, Istanbul. Designed by Hasan Samet Bizimyer. Design, Art, Innovation. Bizimyer Furniture Pre...

Shown in oxidized walnut and blackened steel with integrated Bocci 22system outlets (15amp double outlet linear configuration - wired 120v) The seamlessly welded and hand-detaile...

Column Cabinet In Boulle Marquetry Stamped by Diehl Beautiful Napoleon III period sideboard with two detached columns decorated with asparagus and ingot molds, rich gilt bronze orn...

Beautiful Napoleon III period sideboard in Louis XIV style, signed Diehl with two detached columns decorated with asparagus and ingot molds, rich ornamentation of gilded bronzes with...

A fine French 1930s small music cabinet in walnut with 2 tambour doors, 1 drawer and bronze details. Can also be used as a night stand or side table.

A fine vitrine in the manner of Francois Linke Constructed in kingwood, with gilt bronze mounts, in the Louis XVI Transitional style; rising from bronze foliate sabots, with gent...

The elm branch bedside tables are part of a group of pieces that Chris Lehrecke and his wife, jeweler Gabriella Kiss, collaborated on in 2013. The boxes...

This elegant cabinet is a striking example of the refined aesthetic that characterized the Napoleon III period in France. The cabinet showcases a masterful combination of materials a...

French antique Napoleon III cabinet. Wood is black color polished surface, decorated with inlaid brass decor and bronze details ourside. Inside the cabinet there are two shelves. ...

Maison Jansen inspired Louis XVI style Bookcase or Display Cabinet, that was created in our Old Plank woodworking department. This beautiful Ebonized Mahogany Bookcase...

Decorate a powder room, an entry or hallway with this elegant antique cabinet. Crafted in France circa 1880, the tall cabinet stands on cabriole legs. The piece is topped with a deli...

A Chinese Qing Dynasty period elm wood side cabinet from the 19th century, with two doors, bronze hardware, inner shelves and hidden drawers. Created in China during the Qing Dynasty period in the 19th century, this elm wood side cabinet features a linear silhouette perfectly complimented by a brown patina. The cabinet showcases a rectangular top sitting above two doors fitted with a large bronze medallion...

The Gotham credenza features clean lines that blend harmoniously with the beautiful mix of materials used in this collection. A delicate oxidized ambro...

A Chinese Qing Dynasty elmwood cabinet from the 19th century, with bronze medallion hardware and inner drawers. Crafted in China during the Qing Dynasty, this elm cabinet features two large doors marked in their center with a large bronze medallion...

Stunning and all handcrafted, single door corner cabinet for wall mounting. For the collectors of great looking and ready to use antiques we also...

A spectacular antique French Louis XVI style gilt bronze mounted mahogany Chinese lacquered double door cabinet embellished with C...

Mastercraft, Mid-Century Modern, Dresser or Chest of Drawers, Four Chinese Dynasty's, Brass, Bronze Important cabinet designed and produced by Mastercraft in Grand Rapids, Michigan ...

A very fine French 19th century Louis XV style Ormolu Mounted Kingwood, Satinwood and Vernis Martin Decorated Single-Door Vitrine, in the manner of François Linke (1855-1946). The wh...

The commode in the image is a Napoleon III commode from the mid-19th century. It is a beautiful and elegant piece of furniture that is characterized by its rich ornamentation and use...

A 19th C miniature Dutch mahogany display cabinet, 104 cm high A Dutch mahogany display cabinet made of 1 whole piece with 3 drawers and behind the glass door 2 shelves. The shelves are covered with velour. A piece of work by an apprentice furniture...

A fine French 19th-20th century Louis XV Style gilt bronze-mounted, Mahogany and Tulipwood Marquetry Side Cabinet/Secretaire in the style of François Linke (1855-1946). The slender s...

This 19th-century cabinet is a beautiful example of the Napoleon III style, characterized by elegance and refinement. It is crafted from black lacquered wood, likely ebony, and adorn...

A Fine Pair of French 19th-Century Louis XV-style Marquetry and Gilt-Bronze Mounted Meuble d'Appui Side-Cabinets with marble tops. Each single-door satinwood veneer side cabinet is c...

Cabinet made in mahogany and oak woods. The legs and handles are done in bronze, with its dark wood finish, creating the most elegant combination. It ´s named the Collector ´s Cabine...

This elegant cabinet is a striking example of the refined aesthetic that characterized the Napoleon III period in France. The cabinet showcases a masterful combination of materials a...

As with the rest of the collection, the Connect Nightstand is designed to express the processes by which each piece is created, with visible construction and fastening details that are integral to the final appearance. The series is a celebration of hot rolled steel and the beauty of the raw material as it is produced by the mill - elevating an industrial material into something to be treasured and preserved. Traditional joinery techniques are used in conjunction with mass manufacturing technology to make this unique metal cabinetry...

Early 19th century Louis XVI style ebonized fruitwood parquetry with inlaid porcelain and inserted guilloche gilt brass insert. The front of cabinet / sideboard has polychrome decora...

A magnificent rectangular black 2-door cabinet in Napoleon III style. Large and small details are gilt, bringing antique and luxurious looks. Brass medallions are centrally mounted on each door and also adorn the upper facade of the cabinet. The inside of the cabinet is divided into three horizontal shelves. At the bottom of the cabinet, there is a figure of a woman's mask, decorated with floral motifs, notably acanthus leaves and it is completed on the side with a rich ornamentation of gilded bronzes caryatides. The borders running along the cabinet are all gilt and engraved with beautiful patterns. On the two cabinet doors, there are two big figures encased in an oval border, representing Apollo, the god of music, and Hermes, the messenger of the gods. Both are the son of Zeus, and they are also frequently present in mythological tales about the other. When Hermes was just a toddler, he once left his cradle to steal the cattle of his half-brother Apollo. Apollo soon discovered that his flock was missing and began to search the surrounding area. Of course, Apollo was the god of prophecy, so he soon found out about the thief and furiously went to Mount Cyllene to find Hermes in his cave. He grabbed the infant and took him to Mount Olympus, to be judged by their master Zeus, the king of the gods. In front of Zeus, Hermes initially denied everything, but in the end, he had to confess. Zeus found the story quite amusing, so he did not punish Hermes, but only required him to return the flock. Hermes regretted what he had done and offered Apollo his lyre as a gift. The lyre was a musical instrument that Hermes had created all by himself from the shell of a turtle. To repay Hermes for his kindness, Apollo returned the gesture by giving Hermes a golden staff...

Large Baroque two-door cabinet standing on baluster legs, with two drawers in the tall base section. The front is structured by three undulating half-column pilasters and features ar...

A Dutch Empire mahogany dressing table, ca. 1840 A Dutch Empire mahogany dressing table with mahogany wood gilt bronze columns, an oval mirror in betwe...

This solid bronze cabinet handle is a poetic fusion of art and nature, drawing inspiration from the timeless elegance of Italian masterpieces and the enchanting landscapes of Cyprus....

Rene Drouet attributed, Art Deco walnut and thuya burr cabinet. Ivory and interior in sycamore veneer. Secret drawers, original bronzes. Fully restored. F...

Materials Image 1, 2 and 3: White Oak, White Marble + Bronze Resin, Patina Bronze Banding, Steel Shelves, Blackened Steel Base with Patina Bronze Feet Materials Image 3 through 8: C...

Beginning 20th century low Venetian Baroque console in carved gold walnut, veneer walnut and burl walnut with inlay thread. Cabinet color fuch...

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

An important side cabinet By Henry Dasson Constructed in amboyna and purpleheart, with ebony and boxwood stringing, dressed with fine ormolu mounts. Rising from tapering and bron...

Early 18th Century French Louis XIV / Régence Marquetry Armoire or Wardrobe The rectangular Louis XIV Régence armoire or wardrobe with rounded corners standing on a short base with bracket feet and curved apron with gilt-bronze Apollo head mount; the two doors can be opened by a Pasquil lock to reveal the inside with four removable shelves. The doors decorated with gilt-bronze framed rectangular cartouches displaying elaborate trellis pattern marquetry and gilt-bronze paterea mounts at the corners; the inner sides of the doors each with a large marqueted rhomb motif; the sides of the armoire with quatre-foil mirrored marquetry. Rich gilt-bronze banding, the upper corners and the bracket feet at the front with Louis XIV style gilt- bronze foliage appliques. Although this exceptional Louis XIV / Régence armoire or wardrobe does not bear a stamp (stamping furniture only became commonplace after 1745), its shape, its quality of manufacture and its luxurious yet well-balanced use of Louis XIV/Régence gilt-bronze mounts on an elaborate geometrical marquetry all lead to the workshop of the important cabinet maker Etienne Doirat (1675-1732). Étienne Doirat came from a family of cabinet makers that had been established in Paris from the beginning of the 1600s. Doirat only began to stamp his furniture at the end of his career, and accordingly only few pieces bear his stamp and can serve as comparison pieces for newly discovered pieces of furniture. He constructed various furniture forms, including commodes, armoires, corner cupboards, and tables, often veneered with simple marquetry in exotic woods. Although he did not do the casting, chasing and gilding, Doirat tried to keep exclusive control over the models for his bronze furniture mounts...

An antique French tambour door bookcase, made of solid mahogany wood. It's made in France, at the the end of the Napoleon III period, 1860-1870. ...

French Louis XV-style (19th Century) kingwood 2 door vitrine display cabinet with bronze trim and shaped glass sides

A Truly Magnificent 19th century Secre´taire a` Abattant by Maison Rogie´ of Paris After the original in the Wallace Collection, London, made in 1777 by Pierre-Antoine Foullet Con...

A very fine Louis XV Style cabinet in the manner of Paul Sormani. This exquisite and very well proportioned cabinet is made of bois violette or kingwood, with well executed floral i...

Impressive pair of French 19th century Louis XV style gilt bronze-mounted Kingwood and mahogany marquetry Encoigneurs, corner cabinets or vitrines, attributed to Paul Sormani. The upper section with molded cornice and shell cresting and enclosed by a bowed glazed panel door, the lower section surmounted by a marble top of arc-en-arbalète outline above two frieze drawers and cupboards below enclosed by tambour shutters, raised on short cabriole legs ending in foliate sabots, lock plates engraved 'Sormani PARIS.' Circa: Paris, 1875. Height: 90 1/2 inches (230 cm). Width: 44 inches (112 cm). Depth: 29 inches (74 cm). Sormani, Paul (1817-1877): Born in Venice, Paul Sormani set up in Paris in the middle of the 19th century. He specialized in creating furniture and works of art and was known for his high quality reproductions of Louis XV and XVI furniture...

Elevate your living space with this Pair of Antique Napoleon III Ebonized Demilune Shaped Side Cabinets, a remarkable display of opulence and craftsmanship. These cabinets are more t...

French Louis XV-Style cabinet with an ornate design invented by the Martin brothers in France in the 19 th century. This technique was A special lacquer technique. The cabinet has ...

A Chinese Qing Dynasty period cabinet from the 19th century, with large bronze etched medallion. Created in China during the Qing Dynasty, this 19th century cabinet features a rectangular top overhanging two doors flanked with rounded side posts and fitted with a large bronze medallion...

Compact yet compelling, the Jasper end table contrasts smooth and textured surfaces, with resin-cast drawers set in an wood exterior. The simplicity and sleekness of the design belie...

This is a beautifully inlaid French-made bronze mounted and inlaid cabinet or commode. The commode has exotic wood inlays and a nice piece of white carrara marble on top. The bronze ...

An exceptional late 19th century gilt bronze-mounted Louis XVI style commode. By Henry Dasson A marble top above a frieze set with three drawers with pierced laurel decoration, over three garland-hung cupboard doors each with shelves, the sides similarly decorated, on toupie feet. Signed Henry Dasson 1879 to the bronze mount on the side and stamped Henry Dasson 1879 twice to the back of the carcass. After the very famous 18th century model by Martin Carlin. Henry Dasson was considered one of the finest makers of gilt bronze-mounted furniture in the 19th century. He established a workshop at 106 rue Vieille-du-Temple, Paris, and specialised in the production of Louis XIV, Louis XV and Louis XVI style furniture using the very finest ormolu mounts with the highest quality mercury gilding. In 1871, Dasson purchase Charles-Guillaume Winckelsen business and remaining stock. Dasson exhibited at the 1878 and 1889 Paris Exhibition. He displayed Louis XV and XVI styles as well as pieces of his own modified eighteenth century design. The exhibits in 1878 included a table entirely in gilt bronze, purchased by Lord Dudley. Martin Carlin (ca 1730 – 1785) was a Parisian ébéniste, born at Freiburg, who was received master at Paris in 1766. Carlin worked at first in the shop of Jean-François Oeben, whose sister he married. He set up independently in the Faubourg Saint-Antoine, an unfashionable quarter of Paris, where few of his wealthy clientele would have penetrated. Carlin sold his works exclusively to marchands-merciers such as Simon-Philippe Poirier and his partner Dominique Daguerre, who acted as decorator-designers. It was only through these entrepreneurs that Carlin could acquire the Sèvres Porcelain plaques that decorate many of his pieces. His earliest such pieces are datable by the marks on their porcelain to 1766; they followed designs supplied by the dealer Poirier. Although Martin Carlin made some larger pieces— secrétaires à abattant (drop-front secretary desks), tables, and commodes— he is best known for refined small furnishings...

Step into the world of the early 19th century with our impeccably crafted Biedermeier cabinet, hailing from the Austro-Hungarian, German, or Northern European origins. This exceptio...

Set of 2 Polished Blackened Bronze PSL Handles by Henry Wilson Dimensions: W 2 x D 3 x H 9 cm Materials: Bronze, polished, heat treated Also available in XL dimensions 20.5 x 2.6 x 1.6 cm This versatile handle can be used for cabinetry, sliding doors and sash windows...