Bronze Cabinets

Bitsafe is made of polished cast bronze sculptural structure imitating the silhouette of cocktail stirrer spoons for the down part; synonym of greediness, along with the esthetical c...

Stunning large illuminated Neoclassical display cabinet in bronze and mahogany with black granite on front and antique glass on back wall ...

A pair of early 20th century Chinese elmwood cabinets in a old lacquered finish. This pair of cabinets would be ideal bedside chest, or end tab...

An antique Chinese elmwood two-toned cabinet from the early 20th century, with cut bronze hardware and brushed yellow hued patina. Attracting our attention with its clean lines and t...

Asian James Mont style pair of cabinets. Great chinoiserie details, good looking pulls. Ready for a new lacquer finish or a good wood polish. Flat surface is 27 inches high.  

This solid bronze cabinet handle is a poetic fusion of art and nature, drawing inspiration from the timeless elegance of Italian masterpieces and the enchanting landscapes of Cyprus....

A Fine French 19th Century Louis XVI Style Gilt-Bronze Mounted Meuble d'Appui Cabinet with Marble Top. The serpentine walnut and satinwood body with three front drawers and a rolled ...

Rare pair of massive macassar side cabinets by Luciano Frigerio Desio, Milan 1970s Mounted with gilt bronze plaques Interior with one shelf.

Antique French 1910's Buffet topped with a marble grey marble. Two drawers, two doors and a height-adjustable interior shelf. Bronzes decorate the drawers...

A Lovely Late 19th Century Gilt Bronze Mounted English Cabinet / Server By Hampton & Sons By Hampton & Sons A reticulated bronze gallery above a single drawer, the upper structure ...

A French 19th-20th century Louis XV style tulipwood parquetry and mahogany gilt-bronze mounted three-door Meuble d' Appui (Side cabinet) with marble top, Paris, circa 1900. Measur...

A Marvelous Quality Louis XVI Style Dore Bronze and Sèvres Porcelain Mounted Parquetry Cabinet with a Hand-Carved Marble Top. The large centra...

18th century French transition Louis XVI small writing cabinet Meuble Ecritoire Rectangular cabinet with canted corners standing on four high cabriole legs with gilt bronze sabots; a sliding door underneath a frieze drawer revealing a removable writing slide with green leather lining and compartments for ink bottles opens to one large compartment. The bottom of the cabinet consists of another, hidden drawer which opens to the side. The cabinet is topped by a red marble slab...

Albert-Lucien Guenot (1894-1993): A fine French Art Deco mottled mahogany cabinet with 1 central glass door in a bronze frame flanked by two wood doors; with bronze feet. Edited by ...

Antique French marble topped vitrine in the Empire style French, 19th century Measures: Height 132cm, width 72cm, depth 47cm This antique mahogany vitrine was made in France and...

The Garmar is constructed of solid, quartered and rift cut wood. Rings of English Sycamore and Ebony pulls are incised into both the front and back of the piece. Custom milled Silico...

Pair of French Louis XV-style (19th Century) low corner cabinets with bronze trim and brown marble top with single inlaid front door. (PRICED AS Pair)

This elegant Louis XV-style commode is an exceptional example of 18th-century-inspired craftsmanship. Constructed from fine wood, likely mahogany, it features a luxurious white marbl...

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

A fine French, 19th-20th century Louis XV style mahogany and gilt bronze-mounted Vitrine by Haentges Freres. The single door cabinet surmounted with or...

Mastercraft, Mid-Century Modern, Dresser or Chest of Drawers, Four Chinese Dynasty's, Brass, Bronze Important cabinet designed and produced by Mastercraft in Grand Rapids, Michigan ...

A petite Dutch walnut cabinet from the 19th century, with single drawer over door and bronze mounts. Created in the Netherlands during the 19th century, t...

A great quality late 19th century louis xv style gilt bronze mounted kingwood vitrine. By François Linke - Varient of Index Number 38 and 1122. Surmounted by a Brèche d'Alep marble...

A Fine Louis XVI Style Gilt-Bronze Mounted Burr-Amboyna Side Cabinet, By Escalier de Cristal, Paris. After The Model By Adam Weisweiler. The breakfront outline with a gilt-bronze r...

A very unique two-drawer commode, circa 1940s, thoroughly creme peinte and parcel gilded, the rectangular beveled top over a conforming case of two drawers, elegantly carved medallio...

This finely made pair of Encoignures or Corner cabinets are fully labeled with the maker's mark of Bedel & Cie, La Garde Meuble Public, 18 Rue St Au...

This exquisite 19th-century chest of drawers is a remarkable example of the Napoleon III Boulle style, a fusion of French craftsmanship and opulence. Characterized by the intricate B...

This writing desk is fully clad in titanium, except for the storage space whose two small compartments are crafted from amaranth, a precious hardwood known for its purple hue. A removable top makes it easy to switch up the decor: the flip side is a small tableau composed of sheets of zinc and bronze that have been oxidized and weathered to a handsome patina. The top side is titanium. Dimensions : L 120 cm x H 80 cm x D 35 cm // L 39.37 in x H 31.49 in x D 13.78 in. One of a kind. Available now. Over nearly 20 years, French artist Frédérique Domergue...

"Elisir" credenza with stainless steel and bronze, Istanbul. Designed by Hasan Samet Bizimyer. Design, Art, Innovation. Bizimyer Furniture Presents. Bizimyer Art / Design. The wor...

A Lovely Late 19th Century Louis XV Style Gilt Bronze Mounted Marquetry Cabinet By Francois Linke Item # CC1528 The fleur de pecher marble top above four doors, each with beautifu...

Moustique Cocktail Cabinet by Redeco Dimensions: W 120 x D 55 x H 150 cm Materials: Lightened mdf and mdf structure. Two outer curved doors with magnetic closing, one central bronze ...

"Micra" Credenza & Console with Bronze, Istanbul. Designed by Hasan Samet Bizimyer. Design, Art, Innovation. Bizimyer Furniture Presents. Bizimyer Art / Design. The world needs ic...

Rafael Triboli’s new collection synthesizes the foundational aspects of his practice, bringing together techniques and resources that have long inhabited his repertoire, but now achi...

Finest rosewood and ormolu-mounted bookcase/breakfront with a beautifully carved ribbon-form medallion atop four glass doors with bronze trims, over four enclosed cabinet doors with ...

An extraordinarily beautiful masterpiece in Rococo from 1754, created by Mathias Tiberg (Master Cabinetmaker in Stockholm, 1755-1775). The cabinet is veneered in walnut and burl waln...

Elegant mahogany cabinet by Jules Leleu, beautifully fitted with gilt bronze mounts designed by Debarre and Perret, the central cameo featuring a representation of " The Birth of V...

Superb support or sideboard in marquetry decorated with chiseled gilded bronzes in Louis XV style. The door is painted with a gallant scene in Vernis Martin. This piece of furniture ...

Louis XVI style marble and ormolu bronze mounted mahogany side cabinet with mirrored interior and front drawers . The piece is in great condition . Minor wear consistent with age / u...

A sensational and most impressive Italian 18th century Neo-Classical st. Walnut, Verdigris Bronze, Giltwood and and Gris St. Anne marble cabinet. This handsome demi lune shaped cabin...

Bois-Satiné-veneer, all-round covering mirror veneer and marquetry on solid conifers. With finely chiselled, highly decorative, perforated rocaille, fire-gilded bronze fittings. Two-...

This elegant cabinet is a striking example of the refined aesthetic that characterized the Napoleon III period in France. The cabinet showcases a masterful combination of materials a...

Designed by Carlo Colombo Town is an innovative and transforming project. A multifunctional cabinet that combines functionality and aesthetics, offering space to contain and furnish...

Pair of Louis XVI kingwood parquetry ormolu mounted cabinets white marble top, over a pair of cupboard doors. French, circa 18th century Measures: H 44 in.; W 51 in.; D 19 in. P...

Inspired by the most famous of cubes, these volumes can be juxtaposed or stacked endlessly. Its rigid and essential appearance is inversely proportional to its compositional flexibil...

This cabinet is a stunning example of Boulle marquetry, a technique renowned for its intricate and visually striking patterns. The cabinet features a combination of brass and ebony v...

French Empire-style cabinet with bronze mounts made in the c. 1900's by Bardie Bordeaux Ebeniste. Emanating opulence and sophistication, this cabinet seamlessly blends the neoclassic...

A fine Pair of Louis XVI Style Gilt Bronze Mounted Mahogany Cabinets by Paul Sormani. Paris, circa 1870. Signed to the lock...

Impressive 19th century French Napoleon III stone overlay ormolu mounted ebonized cabinet with black marble top. The shaped black marble top is over a gilt bronze mounted frieze in an leaf-tip motif with an egg and dart border, above a large single door...

Inspired by the most famous of cubes, these volumes can be juxtaposed or stacked endlessly. Its rigid and essential appearance is inversely proportional to its compositional flexibil...

A rare and highly important pair of neoclassical style gilt-bronze and biscuit porcelain mounted mahogany side cabinets, by Jules Piret. French, circa 1...

An Interesting Late 19th Century Gilt Bronze Mounted Transitional Style Chinoiserie Cabinet by L. Bontemps L. Bontemps The rectangular breakfront pink quartz top above three high d...

19th century, French center cabinet with marble top This central cabinet was made in France, during the Directoire period, between the late eighteenth and the beginning of the ninet...

An incredibly crafted drop front secretary desk by Karel Mikolas. Made from various solid hardwoods with carved panels and a cast bronze key escutcheon.

This beautiful display cabinet was crafted by the prestigious furniture company, Maison Krieger. The firm was founded in 1826 by Antoine Krieger. Over the course of the 19th century,...

An Exceptional Early 20th Century Louis XVI Style Gilt Bronze Mounted Parquetry Vitrine By François Linke François Linke – Index no. 458 The fleur de pêcher marble top above a scro...

Elegant French late 19th Century Louis XVI style cabinet with white marble top and bronze mount details surrounding the piece. The cabriole legs are finely decorated with bronze moun...

Gilt bronze mounted mahogany side cabinet by Mercier Frères French, late 19th century Dimensions: Height 98cm, width 132.5cm, depth 55cm This super...

Wood, glass, mirror and bronze cabinet and vitrine by Englander & Bonta, Argentina, circa 1950. It comes with glass shelves for the vitrine side.   

Moustique Cocktail Cabinet by Redeco Dimensions: W 120 x D 55 x H 150 cm Materials: Lightened mdf and mdf structure. Two outer curved doors with magnetic closing, one central bronze ...

The commode in the image is a Napoleon III commode from the mid-19th century. It is a beautiful and elegant piece of furniture that is characterized by its rich ornamentation and use...