Bronze Cabinets

A fine 19th century Italian Louis XV style bronze mounted cabinet with vitrine. Made of solid walnut and pine as a secondary wood. Beautifully patterned book-matched veneers of walnu...

Fine 19th century English Regency bronze mounted rosewood chiffonier. Great quality bronze mounts and caryatids forming the stiles. Beveled glass doors and handsome turned feet.

An exquisite French Ormolu-mounted mahogany and glass vitrine cabinet, attributed to Francois Linke, circa 1880. Although unsigned, the jewel-like quality ormolu bronze mounts throughout, especially the corinthian columns, and the best mahogany and craftsmanship of the period, confirms our attribution to Francois Linke, who was almost certainly one of best furniture makers of the Belle Epoque period alongside Paul Sormani, Henry Dasson, Alexandre Chevrie...

A Fine French 19th Century Neo-Renaissance Style Gilt-Bronze Mounted Walnut and Mahogany Two-Door Bargueno or Cabinet on Stand, attributed to Paul Sormani (1817-1877), designed Édouard Lièvre (1828-1886) and retailed by Poujol - Paris. The spreading pediment Vitruvian scrolled fitted frieze centered by a crest and flanked by cartouches, the quarter paneled doors with pierced rinceaux reserves and centered by an ormolu portrait relief roundels of King Charles VII of France 'The Victorious' (1403-1461) and Agnès Sorel (1422-1450), flanking a gilt-bronze statuette of 'The Belvedere Hermes’, the base fronted by open arches centered by a pair of columns with Corinthian capitals, above a spreading platform, all raised on bun feet. Circa: Paris, 1870. Paul Sormani (1817-1877) was born in Venice, Paul Sormani set up in Paris in the middle of the 19th century. He specialized in creating furniture and works of art and was known for his high quality reproductions of Louis XV and XVI furniture...

Asian James Mont style pair of cabinets. Great chinoiserie details, good looking pulls. Ready for a new lacquer finish or a good wood polish. Flat surface is 27 inches high.  

French Empire flame mahogany 2 door bibliothèque cabinet with with wire mesh and tapered square column sides having gilt bronze trim with classical heads.

1960s Asian fruit-wood 6-door cabinet with bronze hardware.

A Fine French 19th Century Louis XVI Style Gilt-Bronze Mounted Meuble d'Appui Cabinet with Marble Top. The serpentine walnut and satinwood body with three front drawers and a rolled ...

An Exceptional Late 19th Century Gilt Bronze Mounted Louis XVI Style Vernis Martin, Marquetry and Parquetry Cabinet By Beurdeley Louis Auguste Alfred Beurdeley The serpentine shape...

A very fine French Belle Époque 19th century tulipwood and gilt bronze-mounted Vernis Martin decorated Vitrine by Louis Majorelle (French, 1859-1926). The single door case with a hand-painted board depicting a garden courting scene surmounted with ormolu wreaths and a banded frame. The top with a pierced gilt bronze gallery above an ormolu royal tassel trim flanked by a pair of female masks above crossed torches and flames, cross flutes, a tambourine, a pan flute, ribbons and a tassel. Raised of four cabriolet legs with corner ormolu wreaths and leaves ending with hooves, Paris, circa 1990. The back bears the original Majorelle label that reads: "Louis Majorelle, Fabrique a Nancy, 3 Rue Girardel. Depot. 56 Rue de Paradis, Paris." Louis-Jean-Sylvestre Majorelle, usually known simply as Louis Majorelle, (26 September 1859 – 15 January 1926) was a French decorator and furniture designer who manufactured his own designs, in the French tradition of the ébéniste. He was one of the outstanding designers of furniture in the Art Nouveau style, and after 1901 formally served as one of the vice-presidents of the École de Nancy. The Majorelle firm's factory was designed by famous École de Nancy architect Lucien Weissenburger (1860 – 1929) and located at 6, rue du Vieil-Aître in the western part of Nancy. In the 1880s Majorelle turned out pastiches of Louis XV furniture styles...

Crafted in France circa 1960, the elegant antique "Semainier" stands on cabriole legs ending with front bronze sabots, over a scalloped apron decorated with a center bronze mount. Th...

Louis XVI style marble and ormolu bronze mounted mahogany vitrine display table with mirrored interior , supported by four tapering legs . The vitrine is in great condition . Minor w...

A very fine Napoleon III cabinet or bookcase in the Louis XVI style with original marble top, bronze doré ormolu, antique 18th century French book bindings on the end doors and a bra...

Rare pair of massive macassar side cabinets by Luciano Frigerio Desio, Milan 1970s Mounted with gilt bronze plaques Interior with one shelf.

Napoleon III period cabinet stamped "GROHE". Napoleon III period cabinet in rosewood and mahogany. Inlaid with marquetry. Gold-plated bronze fittings. Late 19th century Signed by Guillaume Grohe...

Mahogany bronze mounted detail parquetry / breakfront display cabinet / vitrine with four wooden shelves , supported by six tapering reeded leg...

A fantastic quality late 19th century Louis XVI style gilt bronze mounted Vernis Martin vitrine cabinet By François Linke A pierced bronze gallery above a bronze mount of a female ...

Albert-Lucien Guenot (1894-1993): A fine French Art Deco mottled mahogany cabinet with 1 central glass door in a bronze frame flanked by two wood doors; with bronze feet. Edited by ...

Gilt bronze mounted mahogany side cabinet by Mercier Frères French, late 19th century Dimensions: Height 98cm, width 132.5cm, depth 55cm This super...

A Chinese Qing Dynasty period red lacquer cabinet from the 19th century. Embrace the allure of antique Chinese craftsmanship with this Qing Dynasty period red lacquer cabinet, a quintessential 19th-century artifact. This antique storage unit...

The Connect Credenza is designed to express the process by which each piece is created, with visible construction and fastening details that are integ...

A Beautiful Late 19th Century Gilt Bronze Mounted Transitional Style Marquetry Cabinet by Durand Gervais-Maximilien-Eugene Durand The Brèche d' Alep marble top above two long inlai...

Vintage French Louis XVI figural bronze ormolu chest commode styled after Benneman. This is an impressive and exquisite large French Louis XVI style, beautifully detailed figural bronze ormolu mounted 2 drawer and 2 door commode...

Osvaldo Borsani Italian (1911-1985) unusual mahogany Burgundy red glass and decorative front Lighted mirrored interior, two hidden draws sideboard.

Arts & Crafts oak sideboard with dry bar top and cupboard in oak, bronze and brass Impressive buffet or sideboard, cabinet with beautiful hardware in brass and bronze. Very sturdy ...

Very fine French Cartonnier, late 19th Century, Attributed to Francois Linke. Bombe form, parquetry inlaid case with applied fine ormolu decoration. ...

Palatial Russian neoclassical style demilune console cabinet. A spectacular monumental cabinet in the demilune shape and Russian neoclassical ...

An extraordinary 19th-century French Louis XIV style cabinet by renowned Parisian ébéniste Henry Dasson, showcasing exquisite craftsmanship in ormolu-mounted bronze and intricate mar...

Shown in: various configurations and sizes in situ photo credit: Paul Dyer Photography in a project by Kendall Wilkinson Design The seamlessly weld...

Early 20th century Italian Art Nouveau nightstand in cherrywood and mahogany inlaid, restored and polished to wax Measures cm: H 81+34, W 40, D 32.

This elegant fruitwood cabinet, crafted in France circa 1860, exemplifies classic Empire style. The antique vanity is decorated with finely carved circular columns on both sides, eac...

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

A pair of Art Deco tall cabinets. Amboyna with patinated bronze and glass details. Each cabinet shelved with a single bottom drawer.

Designed by Carlo Colombo Town is an innovative and transforming project. A multifunctional cabinet that combines functionality and aesthetics, offering space to contain and furnish...

Bois-Satiné-veneer, all-round covering mirror veneer and marquetry on solid conifers. With finely chiselled, highly decorative, perforated rocaille, fire-gilded bronze fittings. Two-...

Rafael Triboli’s new collection synthesizes the foundational aspects of his practice, bringing together techniques and resources that have long inhabited his repertoire, but now achi...

Stunning large illuminated Neoclassical display cabinet in bronze and mahogany with black granite on front and antique glass on back wall ...

Early 19th century Louis XVI style ebonized fruitwood parquetry with inlaid porcelain and inserted guilloche gilt brass insert. The front of cabinet / sideboard has polychrome decora...

Compact yet compelling, the Jasper end table contrasts smooth and textured surfaces, with resin-cast drawers set in an wood exterior. The simplicity and sleekness of the design belie...

A vintage side chest from the mid-20th century, with horse hoof feet and two-toned finish. This mid-century vintage side chest exemplifies a blend of functionality and aesthetic char...

Very fine late Georgian inlaid mahogany and bronze mounted chiffonier, having three tier waterfall bookshelf top supported by bronze columns, over ...

This absolutely stunning very gloriously restored Mastercraft white lacquered over mahogany wood long cabinet, buffet or console was a custom piece at the time of 1975. This magnificent piece has door knocker chrome plated over bronze dramatic hardware. They have been all re plated over the bronze as was before. The base is aluminum and has been polished to near perfection. The hinges also have been chrome plated to match. The dramatic and heavy hardware on the doors gives the cabinet a great modern look. The door knockers have been re-- chrome plated to match all the other areas. They are very heavy. While this cabinet has been attributed to the style and work of Tommi Parzinger it is a custom Mastercraft piece. This is now modern, fabulous and timeless. It is 101 inches long. There are 3 compartments; the one on the left has 3 drawers, the middle one has shelves and the end one has shelves and drawers. It becomes timeless and has drama with modernity to it. It is stellar! It is ready to be shipped and purchased. No wait in stock. Please note that this has had the highest level of restoration and is a very special cabinet that will transcend time. it is 101 inches wide and a monumental gorgeous cabinet...

Louis XVI style marble and ormolu bronze mounted mahogany side cabinet with mirrored interior and front drawers . The piece is in great condition . Minor wear consistent with age / u...

A vintage natural elmwood console cabinet from the mid-20th century, with removable top, open shelf, double doors and bronze hardware. This vintage natural elmwood console cabinet fr...

Late 19th Century French Louis XV Transition Tall Boy or Shelf Rectangular slight bow front Tall Boy or shelf standing on four small cabriole feet. The lower part opening with two...

A Marvelous Quality Louis XVI Style Dore Bronze and Sèvres Porcelain Mounted Parquetry Cabinet with a Hand-Carved Marble Top. The large centra...

A French Regence style Commode with a black blue and white lacquered finish with a parquetry design. This fabulous commode - chest of drawers is ...

Lovely little Louis XV style sideboard in marquetry of violet wood trellis and Rio rosewood frames, rich ornamentation of very finely chiseled gilded bron...

Pair of French Late 19th Century Empire Louis XV style display vitrine cabinets with floral inlay and bronze mounts. *Available to add shelving Dimensions: 45"H x 34.5"W x 15"D

A wonderful Kingwood bonheur du jour or writing desk, with double doors to the top with book shelves behind, two smaller drawers and a larger ...

Finest rosewood and ormolu-mounted bookcase/breakfront with a beautifully carved ribbon-form medallion atop four glass doors with bronze trims, over four enclosed cabinet doors with ...

Informed by the refined craftsmanship of mid-century Italian design, the Serge Cabinet features sculptural two-legged brackets, with a gently tapered silhouette and articulated edge....

Antique French 1910's Buffet topped with a marble grey marble. Two drawers, two doors and a height-adjustable interior shelf. Bronzes decorate the drawers...

19th century, French center cabinet with marble top This central cabinet was made in France, during the Directoire period, between the late eighteenth and the beginning of the ninet...

These gorgeous cabinet measure 44.75 tall x 35 wide x 14.5 inches deep and closely relate to a sideboard by and signed Druce & Co of England. They are fitted with gorgeous porcelain ...

The Garmar is constructed of solid, quartered and rift cut wood. Rings of English Sycamore and Ebony pulls are incised into both the front and back of the piece. Custom milled Silico...

Inspired by the most famous of cubes, these volumes can be juxtaposed or stacked endlessly. Its rigid and essential appearance is inversely proportional to its compositional flexibil...

A fine French, 19th-20th century Louis XV style mahogany and gilt bronze-mounted Vitrine by Haentges Freres. The single door cabinet surmounted with or...

A ladies' piece of furniture in Boulle marquetry, richly ornamented with bronze and brass inlays. This ebonized pearwood piece features a lower section with a table opening into a la...

A pair of early 20th century Chinese elmwood cabinets in a old lacquered finish. This pair of cabinets would be ideal bedside chest, or end tab...