Metal Cabinets

Bu Cabinet by objective OBJECT Studio Dimensions: D 86.5 x W 96.5 x H 63.5 cm Materials: Bronze, Brass. objective OBJECT an embodiment of our archit...

A petite Dutch walnut cabinet from the 19th century, with single drawer over door and bronze mounts. Created in the Netherlands during the 19th century, t...

"Ercole e Afrodite Composition 7" is a modular combinable box system on a base made of poplar chipboard, reinforced by an inserted tubular steel, with bleached oak or grey painted oa...

A fine quality late 19th Century French marble topped side cabinet, with radiating veneers, floral marquetry inlay, gilded ormolu mounts, two doors opening to reveal shelves within. ...

Gustavian, Louis XVI Style, Commode, Mahogany, Marble, Brass, Sweden, 1980s Gustavian chest of drawers designed and produced in Sweden in the later half of the 20th century. This ex...

Elizabeth Sideboard by De Castelli Dimensions: W 183 x D 45 x H 80 cm Materials: Polished Brass, Wood Copper and Stainless Steel versions are available. Two-door and six-door version...

Form TV stand is a high quality product by Mambo Unlimited Ideas, crafted in polished or matte wood veneer structure and feet, combining natural oak, natural walnut, dark walnut and ...

Dimensions- H: 84 1/4in W: 58 3/4in D: 18 1/4 inches This 19th century French Louis XVI Style cabinet signed Linke With Ormolu Mounts i...

Elegance and order, always at hand. Infinity represents an innovative and elegant solution for those who wish to organize their collection of shoes, bags and accessories with class. ...

Large sized cabinet in the style of Jean Prouve with industrial mint green steel base with fantastic patina and shape. Wonderfully constructed of cherry wood and oak Bypassing sl...

TV Cabinet is a defining presence and will change any room it is part of, creating a glorious atmosphere around it. A daring, yet elegant balance between the finest materials, Nero M...

The sideboard hero is a modern living room cabinet, perfect for organizing and storing all your belongings. Its features include two spacious drawers and a large shelve behind two do...

English Regency mahogany book case with an arched cornice, corner urn finials resting on oval floral satinwood inlaid plinths, centered satinwood in...

Beautiful antique Biedermeier Corner Cabinet in cherry veneer from South Germany around 1820.Cherry veneered on softwood. Partly ebo...

Unique and very elegant Italian Art Deco Mid-Century small cart ideal as dry bar cabinet with two glass tiers and highlighted by the great wooden structure design and overall shape c...

Illusion dresser mirror by Luis Pons. Dimensions: W 119 x D 53 x H 76 cm. Materials: glass, metal, wood, bronzed,hand-crafted, painted. Also available in different colors. The traditional french mirror cabinet...

Palisé - description: The surface of this beautiful, slim-legged home mini bar made of pearwood will charm and shock you at the same time. Kreatippci studio...

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

We are delighted to offer for sale this seriously cool pair of Antique original medical side cabinets with faux Rosewood style original paint Please note the delivery fee listed ...

Important 18th century secrétaire or writing cabinet elaborately made in the baroque period in West Germany around 1770. Different kinds of fine nutwood/ walnut were used to set up a...

Pair of bedside tables designed by Ico Parisi edited by MIM. Composed of solid walnut wood structure and metal legs. Interior lighting “mod. 222" designed by Gino Sarfatti for Artel...

Rare Escande cabinet manufactured by Marcel Yvroud for Cité Universitaire, Antony, France circa 1954. Oak frames with sliding doors and open niche bookshelves Signature perforated bl...

These elegant display cabinets (or vitrines) were crafted in the late 19th century by the leading ébéniste (cabinetmaker) of the period, François Linke (French, 1855-1946). Linke was...

Single Art Deco Cabinet by De Coene Frères. Red Lacquer with nickel trim and details.

Architects Karla Vázquez from KV and Caterina Moretti from Peca collaborated to create The Aurum Cabinets, which are sculptural works and unique pieces that aim to open honest dialog...

19th century French Empire cabinet with bronze mounts and leather top. 2 drawers over 2 door cabinet.

An important pair of Louis XVI style gilt-bronze mounted vitrines with wedgwood Jasperware plaques, by Joseph-Emmanuel Zwiener. French, circa 1880. Stamped 'NZ', 'NZ.309' and 'ZJ' to the reverse of the bronze mounts. Signed to the reverse of the lockplate 'Mon THEAU THIEFFINE Succ./SERRURIER PARIS'. This rare pair of vitrines, each have a shaped Carrera marble top above a frieze centred by a round classical Jasperware plaque flanked by gilt-bronze putti figures and scrolling acanthus running pattern. Below is a gilt-bronze framed bevelled glass door above a panel centred by a finely modelled Jasperware plaque of a putto representing the seasons. The door is flanked to either side by gilt-bronze monnaie pattern and headed by a pair of exceptionally fine female canephor figures. The shaped sides have corresponding bevelled glass panels and the vitrine is raised on tapering fluted legs. The distinctive canephor figures, finely cast as female caryatids with ringlets in their hair and supporting baskets of fruit upon their heads, is a distinctive and celebrated model unique to Zwiener. Many of Zwieners bronzes are executed in the Louis XV style, with flowers and scrolling acanthus leaves and an emphasis on asymmetry, typical of the work of his bronze sculptor Léon Messagé. The mounts employed on this rare pair of vitrines however sees Zwiener creating his own up-to-date reinterpretation of the Louis XVI style, drawing inspiration from established Louis XVI models such as those designed by Weisweiler for Marie-Antoinette's Dressing table. [See Mestdagh, p.305]. A second distinctive feature of the vitrines is the finely modelled Wedgwood Jasperware plaques incorporated in the frieze of each vitrine and beneath the doors. Wedgwood exhibited at nearly all of the Universal Exhibitions held in 19th century France, displaying amongst other pieces, plaques specifically intended to be mounted on to furniture. The first vitrine displays to the frieze a finely modelled plaque in the classical style, depicting a group of putti at play, one being pushed on a swing, while another plays a trumpet and a small attentive dog watches from below. Beneath the glass panelled door a larger Jasperware plaque is incorporated depicting a putto figure with a garland of flowers, emblematic of spring. The second vitrine has a classical plaque...

Olive green steel cabinet Overall Dimensions: 26 1/2" x 92" x 38" high.

The Johansson has a skin of 3/8" lacquered aluminum encasing a cabinet constructed of highly polished wood veneer exteriors and solid wood interiors. Doors have solid metal pulls. Li...

Gorgeous Mid-century modern burl wood and travertine floating cabinet. Doors open to reveal open cabinets with adjustable shelves. Hanging bar is included with this sale. This pie...

This stunning desk and buffet table combination, originating from Mexico in the second half of the 18th century, is a remarkable example of colonial craftsmanship. Made of polychrome...

Large French antique brass vitrine with 2 glass shelves, mirrored top and bottom as well as back. The vitrine is made by renowned Parisian manufa...

Pair of vintage wooden cabinets entirely restored and customized with tainted mirrors and brass inlays. Italy, 1970s.

This sculptural lemon yellow metal cabinet is a fun, unique, and rare organic Modern Art Design cabinet, sculpted and signed AS - by the Italian artist, Anacleto Spazzapan (Luino, Italy - 1943). The handmade structure, consisting of hand-welded thin iron tubes, typical of Spazzapan creations, is cold painted in a happy gold canary color. The iron tubes create a 3-D Rococo design and the transparency brings this piece to life. Suitable for all types of environments, indoors and outdoors, thanks to the use of epoxy powder paint which protects the iron from rusting with a preparation base in zinc black paint. Door opening 12in H x 13.5in W Cosulich Interiors & Antiques Store Front...

quite rare to find a cabinet/enfilade in this beautiful ash wood, cabinetmaker used the best pieces of massive ash to create this gem, in very good condition, sturdy, clean, great li...

This piece is a brown oak French Renaissance sideboard that dates from the 1700s. It’s made from solid oak and the ornate designs have bee...

An Exceptional Cabinet-on-Stand In the manner of Adam Weisweiler By François Linke Model no. 684 Designed in the Louis XVI style, constructed from bois violette and cubed bois sati...

For FULL item description click on CONTINUE READING at the bottom of this page. Offering One Of Our Recent Palm Beach Estate Fine Furniture Acquisitions Of A French Louis XV Style O...

Design by Shiro Kuramata - Nikko Cabinets 2 of the first produced cabinets out of only 11 ever made impressive scale in excellent condition

Cabinet by Ryosuke Harashima. Name: Casa Do Walk Collection: STILLIFE A chest for ship with a key door. With four legs that imitate a stilt building structure, it looks like a house that going to walk. STILLIFE STILLIFE is not to redesign old Japanese folk tools but also to have a dialogue with the tools. Morphing "old folk tools" into a "more attractive still life" by giving it a modern interpretation. "Tsukumo God" which we Japanese...

OK whiskey cabinet, in cut, milled, and machined aluminum. Milled acrylic window inserts are set from the reverse and fastened with a custom washer. In...

This is a superb and imposing antique French serpentine ormolu mounted, purple heart, walnut, marquetry and marble topped side cabinet, C 1880 in date. The entire piece highlights t...

Two available. Unique and exclusive Italian grey lacquer and walnut veneer sideboard/cabinet by the Architect Paolo Pallucco. His work is distinguished by experimentation and innovat...

A Chinese Qing dynasty brown / dark red wooden side cabinet from the 19th century, with painted floral decor, bronze hardware and hidden drawers. T...

The quarter inch thick, metal strap which frames the Ingemar Cabinet, transforms into legs at the base while seamlessly marrying to the wood cabinet behind it. The back face of the u...

A wonderful Lorin Marsh three-drawer chest in stainless steel with hand-tooled leather top, with Russian gold bronze drawer pulls and acanthus leaves detail Called The "JANSEN CHEST ...

20th-Century Richly Inlaid Two-Leaf Cabinet With Marble Top A two-door cabinet styled after Louis XV, dated post-1945. The body of the furniture features beveled corners, set on a p...

This "highboy" features 4 deep drawers. The counter-top and base is cast concrete. The piece is wrapped and fully finished with steel that is employed as a veneer. The steel is black...

Cabinet, anonymous, Sweden, 1940s. Mahogany, beech, marble and brass. Dimensions: H: 70 cm / 2' 3 1/2'' W: 71 cm / 2' 4'' D: 42 cm / 16 1/2''

A Fine French 19th Century Neo-Renaissance Style Gilt-Bronze Mounted Walnut and Mahogany Two-Door Bargueno or Cabinet on Stand, attributed to Paul Sormani (1817-1877), designed Édouard Lièvre (1828-1886) and retailed by Poujol - Paris. The spreading pediment Vitruvian scrolled fitted frieze centered by a crest and flanked by cartouches, the quarter paneled doors with pierced rinceaux reserves and centered by an ormolu portrait relief roundels of King Charles VII of France 'The Victorious' (1403-1461) and Agnès Sorel (1422-1450), flanking a gilt-bronze statuette of 'The Belvedere Hermes’, the base fronted by open arches centered by a pair of columns with Corinthian capitals, above a spreading platform, all raised on bun feet. Circa: Paris, 1870. Paul Sormani (1817-1877) was born in Venice, Paul Sormani set up in Paris in the middle of the 19th century. He specialized in creating furniture and works of art and was known for his high quality reproductions of Louis XV and XVI furniture...

A sensational and extremely hight quality french 19th Napoleon third period Ebony ,and bronze cabinet a hauteur d appui inlaid with brass, marble top the boulle cabinet have an i...

A very rare Regency period ebonised, brass inlaid and ormolu-mounted cabinet, with mirrored doors and Calacatta viola marble top, in the manner of James Newton. English, c. 1815. An outstanding opportunity to own a piece of history that will beautifully fit in both classical and modern interiors. Why we like it One of the most elegant designs from the early 19th century, inspired by the ancient Egyptian motifs. The brass ball-feet and ormolu mounted columns are rare and unusual features, and the beautifully oxidised mirror plates and antique marble tops add to their timeless elegance. Attribution Designed in the early 19th century ‘antique’ manner, popularised by Percier and Fontaine and relate to patterns for 'Chiffoniers' and 'Drawing Room' pier tables published in George Smith's Collection of Designs for Household Furniture, 1808, pls. 114 and 122. Ebonised in the Egyptian taste and with the stylised palm-flowered pillars, relating to those of tripod torcheres in Thomas Hope's Household Furniture and Interior Decoration, 1807, pl. 22. Identical columns and ball-feet are seen on a group of pier cabinets, including a pair, sold Sotheby’s London, 29 June 2005, Lot 125, which is traditionally associated with the output of the London firm of James Newton. He labelled a suite of very similar chiffoniers sold from the collection of Maureen, Marchioness of Dufferin and Ava, Christie's, London, 25 March 1999, lots 320-321. While stylistically these cabinets relate to the pieces ascribed to James Newton, their constructional features, such as the use of cedar linings for the secretaire fittings, is relevant to the practice of another highly esteemed London firm of the Regency period, John McLean and Son. James Newton (1773-1821) Upholder and cabinet maker, trained in the celebrated workshops of Lawrence Fell and William Turton - business rivals of the great Thomas Chippendale - and, in the tradition of ambitious men, married the daughter of the latter, which in part accounts for his meteoric rise to prominence; executing commissions, inter alia, for Matthew Boulton at Soho House, the Earl of Jersey at Osterley, and Sir Gilbert Heathcote; familiar with the fashions of the Regency period, he is listed as a subscriber to Thomas Sheraton’s 1803 ‘Cabinet Dictionary’; a pair of chairs with close concordances to a design of Thomas Hope’s Household Furniture’ (plate 22), and bearing his label may be viewed at the Royal Pavilion Brighton...

The Chelsea bar cabinet by Ercole Home has a 6-door front, with Espresso wood finish on oak. Handcut glass mosaics in dark and medium chocolate decorate the surface in Luis pattern. Hand-hammered metal framed doors...

Treasure Chest by Pierre De Valck. Dimensions: W 65 x D 43.5 x H 53 cm. Materials: Bronze, lapis lazuli. Each piece is unique. Pierre De Valck (1991) born in Brussels, is a Ghent-ba...

Milo Baughman for Thayer Coggin Mid Century 3 Drawer Chest The cabinet measures: 31 wide x 18 deep x 28.5 inches high All pieces of furniture can be had in what we call restored vi...

The Blossom serving buffet by Ercole Home has a 2-door front, with metal base in bronze finish. The metal shelf is 5” H off the floor. Handcut glass mosaic in variety shades of whit...

Step into the world of the early 19th century with our impeccably crafted Biedermeier cabinet, hailing from the Austro-Hungarian, German, or Northern European origins. This exceptio...

A stunning antique Louis XV Revival French Vernis Marten five panel display cabinet of extravagantly shaped serpentine form, Circa 1880 in date, with exquisite hand painted decoratio...

Paul McCobb for Calvin Linear midcentury vanity cabinet This vanity cabinet measures: 75 wide x 18 deep x 40 inches high All pieces of...

Let's bring inside some shimmering elegance! What is special about this piece, it's not only the functionality with 3 drawers and 3 doors (options for sizes) but the artistic impact with metallic hues (very difficult to photograph as they change from blue to aqua green) and the exceptional cast hardware, the choice of colors is yours! as this is a piece entirely customizable. This particular wardrobe / chest with Art...