Osvaldo Borsani for Arredamenti Borsani Varedo Highboard in Cherry

Osvaldo Borsani for Arredamenti Borsani Varedo, wardrobe, cherry, maple, glass, Italy, circa 1955. This elegant wardrobe, designed by the Italian designer Osvaldo Borsani for ABV A...

Osvaldo Borsani for Arredamenti Borsani Varedo, dressing table, model '6142', maple, brass, mirrored glass, lacquered wood, Italy, 1943 An exquisite and truly exceptional vanity table designed by the Italian Osvaldo Borsani, dating back to around 1943. This rare gem encapsulates the quintessence of Borsani's design ethos: elegant and graceful proportions, fine materials, and unique constellations. Crafted from warm-toned maple, every detail speaks of refinement, from the intricately carved legs adorned with graphic white lines to the kidney-shaped top embellished with a mirrored surface, reflecting one's cherished objects with finesse. An outstanding element is the trio of individual rectangular mirrors with softly rounded contours, equipped with built-in lamps executed within a brass framework, their crown sockets gracefully encircling the lightbulbs. These mirrors are affixed to a maple panel punctuated by three characteristic holes, a signature touch of Borsani. A discreet drawer offers practical storage while maintaining the table's sleek aesthetic. In every aspect, this table attests to Borsani's masterful ability to strike the perfect balance between the orante elegance of Art Deco and the daring approach towards materiality and streamlined functionality of Modernism. Osvaldo Borsani (1911-1985) was an Italian designer and architect, raised by a family of fine furniture makers in Varedo. At the age of 16, he joined his father’s furniture shop, the Atelier di Varedo, which was fully engaged in designing and furnishing homes inspired by the Italian Art Deco movement. The designer of the atelier was the Italian architect Gino Maggioni (1898-1955) who was known for his Viennese Jugendstil orientation of the early 20th century. In the 1930s, he graduated from the Accademia di Belle Arti di Brera and Politecnico di Milano, where he studied Fine Arts and Architecture respectively. In 1932, the family company was renamed ‘Arredamenti Borsani’ and opened its first studio in Milan. During this period, he encountered Avant-Garde artists of various artistic disciplines like Lucio Fontana (1899-1968), Agenore Fabbri (1911-1998), Aligi Sassu (1912-2000), Roberto Crippa (1921-1972), Fausto Melotti (1901-1986), Arnaldo Pomodoro (1926-) and Giò Pomodoro (1930-2002). These collaborations resulted in the creation of furniture and interior design projects with a high-level of craftsmanship and artistry. In 1953, Borsani founded together with his twin brother Fulgenzio Borsani ‘Tecno’, a design and manufacturing company that produced items based on mechanical innovations and refined technicality. The ‘P40’ adjustable lounge chair (1953) has become the ideological manifesto of Borsani's Tecno program, and still remains the best known, exemplary piece in the Tecno catalogue. Other iconic works that were produced by Tecno were created by Gio Ponti (1891-1979), Vico cham...

Wooden wardrobe in the style of Arredamenti Borsani Varedo from the 1950s Product details Wooden cabinet with tempera decoration. Dimensions: cm 194H×221L×62D.

Majestic and elegant chest of drawers attributed Osvaldo Borsani designer, produced in the Varedo Atelier , original in every part, with bakelite handles, 1930s Art Deco chest of drawers, commode , in burl walnut with mirror, polished to wax. Excellent condition. Measures cm: D 53, W 120, H 100. mirror cm: W 90 H 75. About Osvaldo Borsani Osvaldo Borsani (born 1911, Varedo, Italy–died 1985, Milano, Italy) was an Italian designer and architect, born into a family of furniture makers with along and well established artisanal tradition. His father, Gaetano Borsani, owned his own furniture shop, the Atelier di Varedo, where the 16-year-old Osvaldo received his first training. At that time, the designer of the atelier was the architect Gino Maggioni, who brought with him influences of the early 20th century Jugendstil movement from Vienna and who instilled in the young Borsani an appreciation for the arts and crafts and furniture making. Osvaldo Borsani first studied fine arts at Accademia di Belle Arti di Brera in Milan, graduating in 1931, and then pursued studies in architecture at Politecnico di Milano, where he graduated in 1936. In 1933, two years before graduating as an architect, Borsani designed the Casa Minima project for the V Triennale di Milano (Milan Triennial), along with architects Cairoli and Varisco. This project earned him a silver medal for its Rationalist code and geometries, and he received positive reviews from the critic Edoardo Persico of Casabella magazine. Villa Borsani And Other Prominent Architectural Work In 1937, Osvaldo Borsani designed Villa Presenti in Forte dei Marmi, a sea town in Tuscany where the Italian aristocracy and industrial elite would build their houses, a project that displayed the same rationalistic rigor displayed in Casa Minima, but softened by the use of mediterranean finishes and materials. Villa Borsani designed by Osvaldo Borsani. Varedo, Italy Villa Borsani. Varedo, Italy In 1943, Osvaldo designed and built his own house, the Villa Borsani, in Varedo, which, despite being conceptualized under strict Rationalist principles, incorporated objects and art of younger artists that communicate a freer approach to the human expression. The Villa Borsani project involved artists such as Adriano Spilimbergo, Fausto Melotti, Lucio Fontana (who made the ceramic fireplace and the ceramic Madonna), and Agenore Fabbri (who made the bronze statue in the staircase). To this day, Villa Borsani has been preserved with most of its original furniture and it remains with Osvaldo Borsani’s family along with the extensive archives of his work. Osvaldo Borsani As a Successful Product and Furniture Designer After Villa Borsani, Osvaldo continued to develop many projects for the Milanese bourgeoisie, frequently with many of the same artists whom he employed for his villa. A particularly strong relationship was the one that Osvaldo developed with artist Lucio Fontana, a close friend since the time of the Accademia de Belle Arti di Brera, and whom Borsani assigned to make a large metal balcony for the Tecno company in 1956. Osvaldo Borsani’s design work, just as his larger architectural projects, which he also considered design work, very often incorporated elements created by other artists and designers such as: Roberto Crippa, Arnaldo and Giò Pomodoro, Agenore Fabbri, Fausto Melotti, Andrea Cascella...