Art Deco Furniture

A white and orange-glazed earthenware vase produced by Upsala-Ekeby, Sweden, 1940s.

These Donna fit with elegance in a contemporary interior, refined in their lines. These small diameter wall lights diffuse an intimate light. They dress a bedroom, a living room or ...

Brass and white alabaster wall light, elegant, presence and class all in transparency. New item, never used.

This small bulbous shaped art pottery vase was done by William Moorcroft of England in approximately 1920 in a period amArt Deco style. The vase is done with a white salt glaze...

We are delighted to offer for sale this sublime pair of viscount David Linley, Ivory white leather Max Club armchairs with walnut frames and mirrored feet ...

A cream-colored, earthenware vase with green undertones and large handles, produced by Upsala-Ekeby, Sweden, 1940s.  

Bronze finish and white alabaster wall light, elegant, presence and class all in transparency. New item, never used.

Favouring a swaying floral pattern in cream, peach & green tones, a Chinese deco style rug in deep blue observing light-dark spots making an amicable ground for light to play on such...

Gorgeous French Limoges style fuchsia pink hand painted porcelain with exquisite floral arrangements, solid gilt brass and etched glass 5-light oil lamp chandelier. A pair available...

Hand-knotted in wool from Turkey circa 1960-1970, a vintage 4x6 distressed rug from Rug & Kilim’s growing Mid-Century Pasha Collection. A line celebrating the collected works of a mu...

A pair of Art Deco glass sphere pendants or lanterns with chrome mounts in Degue Style, France, 1950s. One Edison E27 light socket for a large sized bulb up to 100W both pendants ar...

A game between balance and light. Its shape is unexpected while built with geometric segments but organic as a whole and elegant Chandelier. Star III Pendant Lamp makes a statement i...

A beautifully artistic black and cream colored flat-woven vintage French Art Deco rug, country of origin / rug type: French rugs, circa date: vintage mid-20th century. Size: 8 ft 4 i...

A very impressive and large Danish Art Deco L Hjorth (Bornholm) art pottery elephant decorated in white glazes by Gertrud Kudielka (1896-1984) and dat...

This BIG (height: 62cm, 24in) lamp could be used as floor lamp or table lamp. It has brass base and opaline glass shade. Nice age patina on brass. 1x60W, E25-E27 bulb US plug ada...

Edouard Sankowski individually sculpts these pieces with Alabaster he selects. Along with the individually shaped Glass, they present unique traits due to the nature of the materia...

A beautiful rich pair of French Art Deco Modern marble stone vases, circa early 20th century, France. Marble stone is predominantly a dark espresso brown with red brick, light brown ...

This elegant 1930s Art Deco torchiere tabletop lamp has a beautiful ivory trumpet form with brass detailing. The desk lamp is in excellent condition and has been newly rewired. Ma...

2 Candle holders made of alpaca ( white metal ) around 1920s Polished.

Loop wall lamp evokes a sense of playfulness thanks to the juxtaposition of primary shapes. It can be used to create a modern yet timeless space and resembles a modern, elegant sculp...

Art Deco wardrobe, around 1920s Polished brass and stove enameled.

With a shimmering round and clear design, the Circus Pendant lamp brings a unique and alluring style any space. A poetic, round shape that expresses a feeling of light weight and mot...

An antique Chinese Peking long gallery carpet handmade during the early 20th century in shades of cream and blue. Measures: 5' 9" x 16' 3" The craft of the hand-knotted carpet in China, and the surrounding areas including Mongolia and Tibet, extends into the early centuries of the first millennium, C.E., but we really have a firm grasp only beginning in the later 16th century with large, very coarsely woven carpets, often depicting dragons, created for the Imperial Forbidden City palaces. Chinese carpets have always been commercial and there are no tribal groups responsible for any of the carpet weaving strains. When the Ming Dynasty fell in 1644, with no Imperial patrons, production moved to the city of Ningxia in north central China where several workshops turned out more finely woven pieces for the Mandarins of the administrative Ch’ing bureaucracy and well-to-do merchants. Ningxia was the major Chinese carpet center up through most of the 19th century, with first allover and then medallion designs on cotton foundations in medium weaves. Palettes were initially limited to yellows, dark blue and cream, but later widened to include reds, browns and even green. These antiques were the first Chinese carpets to be exported to the West and they fitted in well with the craze for Chinese blue-and-white porcelain in the second half of the 19th century. Ningxia also wove shaped and rectangular small rugs for saddle underlays, chair (“throne”) seats and shaped backs, pillar carpets with dragons or monks for Buddhist monasteries, and long divided runners for monastery meditation halls. These small rugs are among the most collectible of all Chinese weavings. Weavers from Ningxia set up workshops in the capital Peking (Beijing) in the 1860’s and began weaving Western room sizes for export, primarily to America. In blue – and – white and polychrome palettes, with round wreath medallions, precious objects, seasonal flowers, paeonies, lotuses, fretwork, clouds, butterflies and bats, all relatively spaciously drawn. The round “Shou” (Good Luck) character is also a prominent decorative motif. There are also a few Peking landscape pictorials with pagodas, houses, bridges, waterscapes and boats. Peking carpets were woven right up until WWII and production began again after the Cultural Revolution around 1970. They are moderately well-woven, on cotton foundations, exactingly executed and indisputably Chinese. Many are in the blue-and-white style. Nothing else looks like a Peking carpet and for a Chinese “look” in a room, they are absolutely indispensable. Sizes range from scatters and a few runners, through the popular 9’12’ size, to large carpets over 20’ which must have been special orders. The earliest Peking Revival carpets are pliable and fairly thin, but they became heavier and more compact in the 20th century, in competition with Art Deco carpets from Tientsin. The modern, post- 1970, pieces are in the traditional Peking style, but are a little too regular and neat. Exactitude has been favored over character, as hard to explain that as it is. There are a number of all-silk and silk-and –metal thread pieces, many with inscriptions purporting to link them with rooms in the Imperial palaces, bringing very substantial auction prices, but none are really antique. The genre emerged after WWI and the present demand comes from mainland Chinese. The silk piles often stand in pattern relief against flat woven gold metal thread grounds. The inscriptions are apocryphal, the rugs are flashily opulent, perfect for nouveaux riches. The Art Deco period between the two World Wars saw a distinctive carpet industry developing in Tientsin (Tianjin) in northeastern China. These are highly prized for their transitional design character, neither overtly Chinese, nor abstractly modern/contemporary. Woven exclusively for export, usually by and for American firms, such as Nichols and Elbrook, they are totally in the “Jazz Age Modern” style of the 1920’s, often without borders, with abstract or abstracted patterns, and only with, at best, a few Chinese-y pattern elements. Vases asymmetrically placed in the corners are features of some of the more Chinese-y carpets. Open fields with floral sprays and branches growing in from the edges are anther design innovation. Often, Chinese motives have been re-imagined in more sharp-edged, abstract manners. Some have no references whatsoever to natural elements. The patterns are sharp and the rugs are never subdued, soft or restrained. The rugs are heavily constructed, with crisp, unfading dyes and medium to medium coarse weaves on cotton foundations. All are extremely well-executed, with none of the vagaries, variations or twists found on even high-quality Persian rugs. The majority are in the 9’ by 12’ format and a surprising number can be found in top condition. There also was a substantial production in Peking from, especially from the Fette factory. Elliptical and round carpets, and lighter, often pastel colors, were a specialty. Nothing looks like an Art Deco Chinese and they work well with traditional Chinese furniture and the most modern decor as well. These is no substitute for a good Chinese Art Deco carpet. Chinese carpets also include small scatters from Tibet, with high quality wool, floating dragons and allover textile patterns. The colors of vintage and modern pieces are bright, but there are antique small rugs...

Art Deco sugar bowl with brass and cut glass around 1920s Brass parts polished and stove enamelled.

Pair of white painted pair of fiberglass torchères in the manner of Serge Roche.   

Beautiful colors with flowing black veins alabaster light fixture. If you are looking for a good quality and striking pendant to grace your interior then this early 20th century sp...

A very chic vintage pair of glamorous American Hollywood Regency table lamps. Exquisite high quality of execution in handcrafted shiny gold heavy solid brass, the streamline organic ...

The expertly crafted Gemini Weave features a luxe marled style wool paired with a twisted jute thread to create a tonal neutral base in any interior. This versatile rug features a co...

The expertly crafted Gemini Weave features a luxe marled style wool paired with a twisted jute thread to create a tonal neutral base in any interior. This versatile rug features a co...

These magnificent lamps are shipped as photographed and described in the narrative. They are professionally restored using materials of the highest quality and are shipped complete with the new shades, harps and finials shown in the photos. A remarkable pair of handmade plaster Art Deco sculptures, circa 1940, as newly restored lamps...

Jules I is all about a timeless, effortless sophistication. A perfect combination of polished brass or copper with fun lacquered metal colors and a soft and elegant linen shade that ...

SHADE Collection - A composition of small curved framed panels that create a luminous movement, also available in other finishes & fabrics, as well as sizes. All Officina Luce items ...

A vintage Chinese Peking throw rug handmade during the mid-20th century with a cream border and light blue field. Measures: 2' 6" x 4' 3" The craft of the hand-knotted carpet in China, and the surrounding areas including Mongolia and Tibet, extends into the early centuries of the first millennium, C.E., but we really have a firm grasp only beginning in the later 16th century with large, very coarsely woven carpets, often depicting dragons, created for the Imperial Forbidden City palaces. Chinese carpets have always been commercial and there are no tribal groups responsible for any of the carpet weaving strains. When the Ming Dynasty fell in 1644, with no Imperial patrons, production moved to the city of Ningxia in north central China where several workshops turned out more finely woven pieces for the Mandarins of the administrative Ch’ing bureaucracy and well-to-do merchants. Ningxia was the major Chinese carpet center up through most of the 19th century, with first allover and then medallion designs on cotton foundations in medium weaves. Palettes were initially limited to yellows, dark blue and cream, but later widened to include reds, browns and even green. These antiques were the first Chinese carpets to be exported to the West and they fitted in well with the craze for Chinese blue-and-white porcelain in the second half of the 19th century. Ningxia also wove shaped and rectangular small rugs for saddle underlays, chair (“throne”) seats and shaped backs, pillar carpets with dragons or monks for Buddhist monasteries, and long divided runners for monastery meditation halls. These small rugs are among the most collectible of all Chinese weavings. Weavers from Ningxia set up workshops in the capital Peking (Beijing) in the 1860’s and began weaving Western room sizes for export, primarily to America. In blue – and – white and polychrome palettes, with round wreath medallions, precious objects, seasonal flowers, paeonies, lotuses, fretwork, clouds, butterflies and bats, all relatively spaciously drawn. The round “Shou” (Good Luck) character is also a prominent decorative motif. There are also a few Peking landscape pictorials with pagodas, houses, bridges, waterscapes and boats. Peking carpets were woven right up until WWII and production began again after the Cultural Revolution around 1970. They are moderately well-woven, on cotton foundations, exactingly executed and indisputably Chinese. Many are in the blue-and-white style. Nothing else looks like a Peking carpet and for a Chinese “look” in a room, they are absolutely indispensable. Sizes range from scatters and a few runners, through the popular 9’12’ size, to large carpets over 20’ which must have been special orders. The earliest Peking Revival carpets are pliable and fairly thin, but they became heavier and more compact in the 20th century, in competition with Art Deco carpets from Tientsin. The modern, post- 1970, pieces are in the traditional Peking style, but are a little too regular and neat. Exactitude has been favored over character, as hard to explain that as it is. There are a number of all-silk and silk-and –metal thread pieces, many with inscriptions purporting to link them with rooms in the Imperial palaces, bringing very substantial auction prices, but none are really antique. The genre emerged after WWI and the present demand comes from mainland Chinese. The silk piles often stand in pattern relief against flat woven gold metal thread grounds. The inscriptions are apocryphal, the rugs are flashily opulent, perfect for nouveaux riches. The Art Deco period between the two World Wars saw a distinctive carpet industry developing in Tientsin (Tianjin) in northeastern China. These are highly prized for their transitional design character, neither overtly Chinese, nor abstractly modern/contemporary. Woven exclusively for export, usually by and for American firms, such as Nichols and Elbrook, they are totally in the “Jazz Age Modern” style of the 1920’s, often without borders, with abstract or abstracted patterns, and only with, at best, a few Chinese-y pattern elements. Vases asymmetrically placed in the corners are features of some of the more Chinese-y carpets. Open fields with floral sprays and branches growing in from the edges are anther design innovation. Often, Chinese motives have been re-imagined in more sharp-edged, abstract manners. Some have no references whatsoever to natural elements. The patterns are sharp and the rugs are never subdued, soft or restrained. The rugs are heavily constructed, with crisp, unfading dyes and medium to medium coarse weaves on cotton foundations. All are extremely well-executed, with none of the vagaries, variations or twists found on even high-quality Persian rugs. The majority are in the 9’ by 12’ format and a surprising number can be found in top condition. There also was a substantial production in Peking from, especially from the Fette factory. Elliptical and round carpets, and lighter, often pastel colors, were a specialty. Nothing looks like an Art Deco Chinese and they work well with traditional Chinese furniture and the most modern decor as well. These is no substitute for a good Chinese Art Deco carpet. Chinese carpets also include small scatters from Tibet, with high quality wool, floating dragons and allover textile patterns. The colors of vintage and modern pieces are bright, but there are antique small rugs...

The expertly crafted Gemini Weave features a luxe marled style wool paired with a twisted jute thread to create a tonal neutral base in any interior. This versatile rug features a co...

The expertly crafted Gemini Weave features a luxe marled style wool paired with a twisted jute thread to create a tonal neutral base in any interior. This versatile rug features a co...

A vintage Persian Mashad Art Deco scatter rug handmade during the mid-20th century with 2 red paisley (boteh) motifs on inverse corners over a cream-white Minimalist and borderless g...

Elegant Art Deco floor lamp, circa 1940, France. Bronze patinated metal, new ivory fabric shade. Rewired.One E27 bulb of 60W. Dimensions: 178 cm H, 53 cm diameter. All purchases are ...

Jules floor lamp is all about a timeless, effortless sophistication. A perfect combination of polished brass or copper with fun lacquered metal colors and a soft and elegant linen sh...

Art Deco ball lamp from 1940 Highly recommended item will be perfect complementation of the rooms in not only Classic style, but also Art Deco an...

When geometry meets beauty, we find Magnolia range of lamps. Magnolia's soft top sits upon a structured, gridded bottom. Pure lines and a delicate contrast of materials and opaque su...

Customizable Venetian Murano Glass Cocktail Table with Olive-Shaped Amber Stem and Ruby Core, 21st-Century Contemporary This exquisite Italian cocktail tabl...

Fine set of four Art Deco opal glass pendants- priced individually, sold per piece. Beautiful set of 4 opaline glass pendants with brass hardwa...

Loop Table Lamp evokes a sense of playfulness thanks to the juxtaposition of primary shapes. It can be used to create a modern yet timeless space and resembles a modern, elegant scul...

Maria Szantho (Hungarian, 1898-1984). "Woman with tambourine," oil on canvas, circa 1935, signed lower right. Measures: H 24” (61 cm.), W 20" (51 cm).

Note: This is full-swing suspension, for the standard version. Our colored limpid light size L is a pendant light, decorative light made in Europe. The Limpid Lights collection, ...

When geometry meets beauty, we find Magnolia range of lamps. Magnolia's soft top sits upon a structured, gridded bottom. Pure lines and a delicate contrast of materials and opaque su...

Lovely petite Art Deco swivel chair in white embroidered leather by Oxford Ltd. of Chicago. It is in wonderful vintage condition. The leather/leatherette ha...

Completely restored, surface made by piano lacquers to the high gloss. New upholstery and fabric.

Belgian gilt and silver leaf wood, Art Deco mirror with a richly detailed frieze of stylized flowers and two birds in flight. The mirror has gold and silver striped moldings with tap...

Frame lamp stands out for its strong shapes made of Terrazzo stone, with opal glass globes kindly wrapped by a smooth, curved lacquered metal structure. Other colors available see m...

Round perfection inspired by Art Deco's shapes, circus lamp will be a wonderful addition to any space. In several lacquered metal colors and 100% cotton la...

Round perfection inspired by Art Deco's shapes, circus lamp will be a wonderful addition to any space. In several lacquered metal colors and 100% cotton la...

Art Deco ashtray in brass with marble base. It is engraved A. C. in the top part of the ashtray, and the use of brass and white marble is a clear indication the item was made in ...

A game of balance and light. Its shape is unexpected while built with geometric segments but organic as a whole. Star Wall Sconce makes a statement ...

Pair of large modernist chandeliers, France 1950. Beveled glass and polished aluminum slab. Electrification restored, lampshades redone.

Selection of Glass Rod Floor Lamps, by Hansen, American, circa 1940s. These lamps are probably based on a Jean Michel Frank design, see last photo for the Frank design. These thick g...

A rare and monumental version of the Danish Heiberg table lamp. It has a fluted - ribbed bottom part, bronze details and delicate white glaze to the out- and inside. It was designed ...

A game between balance and light. Its shape is unexpected while built with geometric segments but organic as a wholei an elegant Chandelier. Star II Pendant Lamp makes a statement in...