Round Coffee Table in Ebonized Wood by Martin Eisler, Brazil, 1950s

Coffee table in ebonized wood. Designed by Oscar Niemeyer, Brazil. Produced in Brazil by Tendo Brasileira. Label on base reads: "Tendo Brasileira Industria e Comercio de Moveis Ltda ...

Sculptural coffee table base in solid wood designed by José Zanine Caldas and manufactured by his workshop, Brazil, c. 1988.

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Rectangular storage chest in jacaranda with detailing on the front. Designed by Joaquim Tenreiro, Brazil, 1950s.

"Costela" lounge chair in wood with wrought iron frame and upholstered cushion. Designed by Martin Eisler for Forma, Brazil, circa 1952. (Seat:...

Brazilian modern coffee table side table, Martin Eisler 1913-1977. This table has been carefully restored keeping the color original enhanced by hand pol...

This round coffee table in Rosewood was designed by Martin Eisler (1913-1977) and Susi Aczel (1931-) for Forma S.A. Móveis e Objetos de Arte. This piece ...

This coffee table in rosewood was designed by Martin Eisler (1913-1977) for Forma S.A. Móveis e Objetos de Arte. This piece refers to a furniture typology common at midcentury and ve...

Martin Eisler (1913-1977) & Carlo Hauner (1927-1997) Coffee table Manufactured by Forma Moveis Brazil, 1950s Ebonized wood, glass top Midcentury design Brazilian coffee table. Measurements 60 cm diameter x 49 height cm. 23.50 in diameter x 19.3 height in. Literature Brazil Modern, the rediscovery of 20th century Brazilian furniture – Aric Chen, 2016. Martin Eisler (Vienna, Austria, 1913 - São Paulo, Brazil, 1977), was an architect and furniture designer. He was part of a group of European architects and designers who left Europe during the chaos of the Second World War and went to live and work in Brazil. Eisler stood out amongst this group of creatives, his work was at the forefront of modern furniture design in Brazil which flourished through the 1950s and 1960s in the region. The work of Martin Eisler in partnership with Carlo Hauner (1927-1996) was of particular significance.  Eisler left Europe in 1938 due to the rise of fascist regimes. He first lived in Argentina, where he was settled and worked as an architect, set designer and interior designer, he opened up an interior design firm Interieur Forma. In 1940, he married Rosl Wolf, the daughter of German immigrants. Born in Brescia in 1927, Carlo Hauner studied technical drawing and drawing at the Brera Academy in Milan, Italy. In 1948 he successfully participated in the Venice Biennale after which he moved to Brazil, where he dedicated himself to the design of textile, ceramics, furniture and architecture. In only a very short time he founded a furniture production company and purchased a factory from Lina Bo Bardi and her husband Pietro Bardi, renaming it Móveis Artesanal. In 1953 Hauner met Martin Eisler, who was looking for help to produce furniture for the home of his brother-in-law, Ernesto Wolf. Eisler reached out to Hauner and the rest is history. The two men connected and with Wolf’s financial backing, they opened Galeria Artesanal (a store for their company Móveis Artesenal) on a busy street in São Paulo. Being highly ambitious and with an eye on the international market as well as the upcoming office market, Móvies Artesanal later changed into Forma. Along with Oca, Forma became one of the biggest names in Brazilian furniture production. Even managing to attract an exclusive license to sell Knoll furniture, bringing big names in international design such as Mies Van Der Rohe, Charles Eames and Harry Bertoia to the Brazilian furniture market. Hauner and Eisler’s designs are characterized by the use of Brazilian woods, thin tubular frames and a range from furniture, to ceramics and textiles. Some of their most famous designs are the “rib” lounge chair...

Martin Eisler created this original table in the 1950s to take advantage of space, assuming two positions: in the normal position, it serves as a dining table for up to six people; i...

This is the rare and extremely sought after dining table with cane top, by Austrian-Brazilian designer Martin Eisler in the early to mid 1950s. Eisler was seduced by the simplicity and results of using cane weaves...