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Set of Two Jorge Zalszupin Petalas Side Tables by L’Atelier, Brazil, 1959

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Minimalist Daybed by Jorge Zalszupin for L’atelier, Brazil, 1959 '2 Available'
By Jorge Zalszupin, L'Atelier San Paulo
Located in Echt, NL
Beautiful minimalist daybed in very good original condition. (Two available) Designed by Jorge Zalszupin in the the 1950s. Manufactured by L’atelier, Brazil (Marked) The minimalis...
Category

20th Century Brazilian Mid-Century Modern Daybeds

Materials

Fabric, Wood, Jacaranda

Set of Solid wooden Brutalist end tables, Brazil, 1960s
Located in Echt, NL
Set of beautiful rustic end tables in very good condition. These tables were produced in Brazil in the 1960s. They are made of solid tropical wood and are extremely heavy. These tables are a celebration of simplicity and unpretentious design. The straightforward shapes and basic carvings contribute to a relaxed and approachable aesthetic. Transform your living space with the unique fusion of Brutalist strength, rustic warmth, and Brazilian charm...
Category

Mid-20th Century Brazilian Brutalist End Tables

Materials

Wood

Table ’Traccia’ by Meret Oppenheim for Simon Gavina, Italy, 1972
By Meret Oppenheim, Studio Simon
Located in Echt, NL
Original ’Traccia’ table in very good condition. Designed by Meret Oppenheim Produced by Studio Simon’s Collezione Ultramobili, Milan, 1972 The tabletop is covered in gold leaf and has bird tracks embossed in the surface. The top rests on two brass feet in the form of bird legs. The original table was exhibited by the Surrealist artist Meret Oppenheim in 1939 for the Parisian gallery René Drouin...
Category

20th Century Italian Mid-Century Modern End Tables

Materials

Brass, Gold Leaf

Set of Two ‘Pantonova’ Wire Tables by Verner Panton for Fritz Hansen, 1971
By Verner Panton, Fritz Hansen
Located in Echt, NL
Set of 2 Pantonova end/coffee tables in very good condition. Designed by Verner Panton in 1971. Produced by Fritz Hansen, Denmark The tables consist of parallel chromed wire rods...
Category

20th Century Danish Space Age End Tables

Materials

Metal, Chrome

Pair of Italian Sunburst Veneered Consoles / Side Tables, 1960s
Located in Echt, NL
Very nice set of half-round Side Tables in very good condition. Manufactured in Italy in the 1960s The tables feature a beautiful sunburst veneer t...
Category

20th Century Italian Mid-Century Modern Console Tables

Materials

Metal

Set of Impressive Italian Lucite and Carrara Marble End Tables, 1970s
Located in Echt, NL
Set of Space Age end tables in excellent condition. These tables consist of a marble column which holds an oval lucite top. The heavy column is made of polished Carrara marble. The oval top is made from a thick olive green lucite. The top is held into place by a rubber ring...
Category

20th Century Italian Space Age End Tables

Materials

Marble, Carrara Marble

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Jorge Zalszupin side table L'Atelier Brazil 1960
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Amazing side table designed by Jorge Zalszupin and manufactures by his own company L’Atelier, Brazil 1960. This beautiful piece features a bend plywood ...
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Jorge Zalszupin Guaruja 140 Table L'Atelier Brazil, 1959
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Jorge Zalszupin Guaruja 140 table by L'Atelier Brazil, 1959
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Designed between 1959 and 1965 by the Brazilian-naturalized architect Jorge Zalszupin, the Guarujá dining table features a cement base covered in leather and a top made of parqueted ...
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Jorge Zalszupin Folding Desk by L'atelier Brazil 1959
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Folding desk designed by Jorge Zalszupin and manufactured by his own company L’Atelier, Brazil 1959. As Zalszupin gained more and more momentum with his practice during the early and...
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Jorge Zalszupin For L'atelier, Brazil, 1960s Imbuia Console
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An original 1960s L'atelier console table designed by Jorge Zalszupin, Brazil. This versatile console table also works as a small desk. It has his iconic patchwork pattern Imbuia wo...
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Jorge Zalszupin “Guaruja” Dining Table for L’Atelier, 1959
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Located in Lonigo, Veneto
Jorge Zalszupin “Guarujá” Dining Table for L’Atelier, Wood and Leather, Brazil, 1959. The Guarujá” dining table, designed by Jorge Zalszupin in 1959 for L’Atelier, exemplifies the t...
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