Plastic Tables

For FULL item description click on CONTINUE READING at the bottom of this page. Offering One Of Our Recent Palm Beach Estate Fine Furniture Acquisitions Of A Charles Hollis Jones Style Lucite, Glass & 24 Karat Gold Plated Side Table by Regency House...

Office service trolley with compartments and pull-out drawers; Plastic material, ABS.

Pair of Acrylic or Lucite end or side tables, American, circa 1980s. They are a versatile size and can be used as end or side tables, or as night stands. They were made without a bot...

Italian space age white cream plastic and wood round dining table, 1970s Space Age dining table, with round wooden top and tulip-shaped leg in cream-whi...

This iconic seventies cocktail table is designed by Massimo Papiri and manufactured by Mario Sabot, Italy 1970. If you want to feel like James Bond, this table is what you need. This cocktail table is amongst the most prolific and therefore most wanted objects of this Italian architect, Massimo Papiri. The cocktail table immediately draws all the attention towards it, because of the classy and glamorous appearance. The black high gloss painted melamine top matches the clean stainless-steel sides in a harmonic way. The table has the appearance to be closed as all the parts fit perfectly together, however on the inside of this cocktail table, you will find an illuminated dry bar, making this table glamorous, sculptural, and architectural at the same time. The middle part is made of blinded plexiglass so when the light is off, you will think there is nothing behind, however when you lit the inside, you will see the bottles and glasses stored in there which is an amazing feature of this tables design. The big round part on the side provides a stainless-steel bucket...

This stylish, small scale black lucite pedestal with its beveled edges was a custom fabrication sometime in the 1990s.

Textural, organic, and terribly chic. This 70's dining table or desk is sheathed in tobacco leaves and given a acrylic finish to complement its sleek simplicity.

Offering One Of Our Recent Palm Beach Estate fine Furniture Acquisitions Of A Charles Hollis Jones Style lucite, Glass & 24 Karat Gold Plated Side Table by Regency House...

An elegant 1970s console table in the manner of Charles Hollis Jones. The hexagonal table top is supported by three curved legs, joined together wi...

Nanda Vigo design in years '70 low mirror table "four corners" by Driade Italy Perfect vintage condition, only four little natural stains inside the mirror glass, you see in the photo's particular please Measure: H 15.75 inches. x W 47.25 in. x D 23.63 in. = H 40 cm x 120 W cm x P 60...

This sexy and unique curved Lucite desk with a lower tier for storage. Chrome stretcher to base provides additional stability and heft. THIS ITEM IS LOC...

Beautiful Ron Seff Art Deco Style dining room table, can also be used as a desk. Shagreen top and lucite legs with brass accent.

Stunning rectangular lucite coffee table with canted corners by Charles Hollis Jones. In great condition. Dimensions: 17"H x 60"W x 4...

Mario Bellini design first edit two horse "scacchi" for C&B italy production years 1968 this is very rare set first edition from C&B Italy and not for the after b&b. auction ...

Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Ron Seff "Delta" lucite and goatskin lacquered cocktail table. Perfect condition, vintage but as new condition Beautiful table.

Karl Springer Style Coffee or Cocktail Table, Mid-Century Modern Organic Form Gold Metallic Fiberglass, 1980s Unique post modern coffee table in solid fiberglass. Having an organic...

This very elegant console table is made of lucite and gilt metal. This is a work by famous French designer Pierre Vandel. Circa 1970.

Modern Glass and Acrylic Cocktail Table. Original mid-century modern design, America, circa 1970’s. All original with thick acrylic legs and stainless-st...

- Measures: 27.5"H, 44"W, 44"D. - Lucite pedestal base dining table with octagonal glass top. - Condition: Excellent; two minor nicks to edge of glass.

Rarely seen and even more rarely available Space-Age molded plastic desk manufactured by L'atelier, São Paulo, Brazil. Design attributed to Jorge Z...

Elegant set of Lucite and Brass Nesting Tables with inset clear glass tops. Nice brass and lucite frames. Charles Hollis Jones style Excelle...

Vintage portable Gucci leather game case with chess, checkers and backgammon. Wood framed case wrapped in an elegant canvas with leather accents. Canvas features a repeating sequence of the Gucci interlocking "G" motif while the sides are wrapped in saddle leather. The face of the case is decorated with a red and green cotton strap across the front that is fastened in the middle by an iconic Gucci horse bit in brass. Case comes with a functioning key, black and white chess pieces, black and white checkers with Gucci logo on each, red and green backgammon chips...

A rare geometric side or nesting table combining a strong cubic architectural structure, 4 circular openings and a square transparent shelve in the center, forming a true kinetic pie...

Beautiful Italian bar cart made in Italy 1980s. The cart is composed from 2 glass shelves , iron base and wood tires. The shape is very elegant and present minor uses.  

Iconic Boby cart in very rare yellow color designed by Joe Colombo and produced by Bieffeplast 1970s . This “Boby” trolley or portable storage system was de...

Pair of two little table, very pratical to use in different ways: side or end tables, coffee tables when they are joined or nightstands. They also can be easily stored if you have a ...

A simple matching pair of acrylic pedestals in 2 sizes. The taller measures 36 inches in height and the smaller measures 24 inches.

An elegant 1980s octagonal-square lucite and glass tiered coffee table by Curvasa Muebles, and very much in the style of Charles Hollis Jones. The thic...

This pair of thick (2 inch top) and heavy natural infilled travertine stone slabs on top of sturdy curved shape Lucite bases to create some wonderful and whimsical side tables. THIS...

Italian space age Plastic and metal round coffee table with tie dye effect, 1970s. Coffee table with round top in transparent plastic and me...

A very chic and impressive dining room octogonal table, on an octogonal base in black lacquered wood, with a top in black plexiglass hooped by a bronze or brass golden belt...

- very practical - rare type

For sale here is an extremely fun and Substantial pair of sculptural scroll end tables. Post Modern Designer's dream! Priced here for the PAIR. ...

Astarte Nerviano Italy rare typology of cart bar space age years 1970 in fiberglass with wheels Perfect vintage condition A, diameter 36 inches high 16" = 90 cm diameter 40 cm high

Italian modern Game table in green fabric, black leather and chromed steel, 1970s. Game table with square top with rounded corners: in the center it has a square of green fabric and black leather on the edges. At the four corners 4 round steel ashtrays inserted into the table. Below these there are 4 removable round shelves...

Beautiful round vintage coffee table designed in France in the 70s. A piece of high manufacturing quality with a stunning mixture of materials. Thanks to the use of acrylic, the desi...

A rare cube shaped side table in mirror polished black perspex with David Lange label. David Lange was an early exponent of perspex furniture designing ve...

For sale here is a stunner. Very cool table! This minimalist, post modern Miami Regency 1980's coffee / cocktail table attributed to the legendary Karl Springer would look great in a Modern or Mid-Century decor. It features classic chic brass and Lacquered surfaces with a wooden frame, and it makes a great statement! Details: Dimensions: 20ʺW × 24ʺD × 23ʺH Condition Notes: Very good vintage condition, less than normal wear and tear for a vintage piece of this age. Some small scratches here and there. Looks great! Shipping: We ship insured and to your door, using blanket...

A vintage Mid-Century Modern coffee table ( tavolo con route ) from Gae Aulenti, the original for Fontana Arte, with glass top and swivel wheels in good condition. The Italian indust...

Space Age vintage red orange plastic bar cart or serving table or side table 1970s Germany. A wonderful bar cart or serving table from plastic circu...

A two-tiered brass and smoked glass coffee table, believed to have originated in 1970s Italy. This prime example of Hollywood Regency design features two sheets of tempered smoked gl...

1970’s glamorous ‘Treillage’ cocktail table by renowned American designer Charles Hollis Jones. In original condition, so it shows minor wear consistent with age. New glass top. ...

Charles Hollis Jones Lucite, chrome and glass end table One very minor chip to the glass but hardly noticeable! Height 21” Table t...

Sculptural base lucite coffee table glass tabletop Measures: 47.88 diameter x 14.5 tall Glass is .38 thick Base 28.75 diameter x 14.13 tall In the style of Knut Hesterberg Propel...

This sophisticated Mid-Century Modern bar cart was realized in the United States circa 1970. Influenced by Art Deco- a design epoch that experienced a great resurgence in popularity ...

Glamorous 1970’s pair of “Regency” occasional side table by American renowned designer Charles Hollis Jones. This were acquire from the designer. Measurements: 22.5” High, T...

Rare Central Park cocktail table designed in 1983 by Ettore Sottsass for Knoll Studio, comprising a floating, Emperador Dark marble base and eight Nero Marquina marble columns with i...

Large 42.5" Maison Jansen attributed brass vitrine coffee table, 1970 France Elegant 1970s french glass table with brushed brass plated steel frame and brass accents and two heavy g...

We are very pleased to offer a modern coffee table by American designer Milo Baughman for Thayer Coggin, circa the 1970. Thayer Coggin is a staple for luxury home furnishings and the...

Glitzy Mid-Century Modern two tier lucite bar cart having mirrored surfaces and easily gliding casters. Measure: Top shelf 24" H.

Beautiful Lucite console table. New glass top. Very nice chunky console table. signed Fabianart Roma Italy. Normal wear and tear.

Vintage Mid-Century Modern Lucite Arches side table in the manner of Charles Hollis Jones. Circa 1970s Features a round glass top, three lucite arched panels connected with lucite b...

Italian lucite, brass and aluminum pedestal table base, ( ONLY) circa 1970s. Created by artist Romeo Rega. Base diameter measures 19".in diameter... Can hold desired glass top.. Han...

We can also ship the base only to save shipping costs and you can order a glass locally. Vintage Lucite and brass coffee table consisting of a nicely designed brass and Lucite bas...

Iconic mid century Spun fiberglass bar or tea cart. Two level shelving one with glass and rare speed rack.

Equal parts style and luxury this fabulous set of end tables is the epitome of 'Hollywood Regency'. Freshly powder coated in an opulent gold flake th...

An accent coffee table with a round glass table top with a leg on a gold stand is considered one of the most desirable central items of a glamorous house. The Plexiglas coffee table is located on a circular gold pedestal...