Norwegian Tables

This beautifully restored round teak table from the 1960s is a perfect representation of timeless Scandinavian design. Unknown designer. Works perfectly as a sofa table, side table...

Set of 4 Mid Century Totem dining chairs by Torstein Nilsen for Westnofa with Italian design dining table .Norway 1980s Beautiful vintage Set of 4 dining chairs, with table ,model Totem, by Torstein Nilsen for Westnofa, Norway. They are in black wooden fram with feathering slats back, between the slats red wooden balls. 2 chairs seats are black leather other 2 is in dark grey Leather furnishing. Dining Table is a very special and luxurious vintage Italian design piece. It’s from 1980s It’s the combination of Black metal hexagon-shaped legs. Spacers in copper and beveled glass panel complete its design. It will be the accent of any dining room. Dimensions Chairs width 55 cm Seat height 51 cm. Total depth 56 cm Total height 87 cm Height arm rests 65.2 cm. Table -120 cm x 120 cm Height 72.5 cm Year -1980's. In very good condition with minimal wear You can order 4 set chairs...

This gorgeous table was made in 1950s by Norwegian company Hiorth and Ostlyngen. Some suspect that famous Alf Sture might have been somehow involved in desig...

Rare coffee table model Falcon designed by Sigurd Resell. Produced by Vatne Möbler in Norway.

Rare side table with drawer in rosewood. Produced by O.P. Rykken & Co Møbelfabrikk in Norway.

Unique MOSI sculptural large sidetable by Marthine Spinnangr One of a Kind Dimensions: D 50 x W 28 x H 79 cm Materials: Ceramic Different glaze types available MOSI is inspired by a morf sketch process inspired by nature walks and human poses to capture an aliveness in the expression. The name MOSI is inspired by the moss that surrounded the trails on by the lakes, sea and mountain...

Unique MOSI sculptural sidetable by Marthine Spinnangr One of a Kind Dimensions: D 28 x W 24 x H 48 cm Materials: Ceramic Different glaze types available. MOSI is inspired by a morf sketch process inspired by nature walks and human poses to capture an aliveness in the expression. The name MOSI is inspired by the moss that surrounded the trails on by the lakes, sea and mountain...

Clean design and quality materials characterize this low console or coffee table. The jacaranda has a remarkable contrasting grain which gives warmth to this generously proportioned ...

Working intuitively with hands-on techniques and a wide range of materials, young Norwegian designer Sigve Knutson creates objects that question contemporary mass-produced design. After presenting the critically acclaimed solo project Drawn to Production with Carwan Gallery during Milan Design Week in 2017, Knutson presents a new solo show at the gallery with works created in the past five years — including new objects inspired by the local context of Piraeus and created specially for the exhibition. Entitled Assembly, the exhibition explores the freehand, improvisatory approach that is part of Knutson’s practice, which is often driven by the pure joy of putting things together without planning or designing anything in advance. Each object he creates is unique and results from a process led by experimentation and an intuitive use of tools, to create archetypal forms that, in the designer’s own words, display different “gradients of functionality”. Abstract wood columns thus coexist in his work with playfully stacked shelves...

Sigve Knutson (b. 1991, Norway) is an experimental designer based in between Oslo and Eindhoven. He obtained an MA in Contextual Design at Design Academy Eindhoven in 2016. His pract...

Working intuitively with hands-on techniques and a wide range of materials, young Norwegian designer Sigve Knutson creates objects that question contemporary mass-produced design. After presenting the critically acclaimed solo project Drawn to Production with Carwan Gallery during Milan Design Week in 2017, Knutson presents a new solo show at the gallery with works created in the past five years — including new objects inspired by the local context of Piraeus and created specially for the exhibition. Entitled Assembly, the exhibition explores the freehand, improvisatory approach that is part of Knutson’s practice, which is often driven by the pure joy of putting things together without planning or designing anything in advance. Each object he creates is unique and results from a process led by experimentation and an intuitive use of tools, to create archetypal forms that, in the designer’s own words, display different “gradients of functionality”. Abstract wood columns thus coexist in his work with playfully stacked shelves...