Cold-Painted Furniture

An erotically charged early 20th century Art Deco cold painted bronze lamp modelled with a harem beauty relaxing on a rug in front of an Arab man with an architectural background with suspended lantern...

Magnificent example of a grandfather clock, England , last decade of the 19th century, late Victorian period, with influences from the coming Edwardian style. We are dealing with a true work of art, a block of flamed mahogany, completely inlaid with floral motifs in fruit woods. Impressive case but of a proportion that makes the cabinet slender and well-proportioned. In addition to the skillful craftsmanship of the cabinetmaker who made this wooden body that looks like a painting, we must dwell on the mechanism! Functioning, 8 reeds and three weights, it plays every quarter of an hour a part of the melody, at the stroke of the hour and after a minute ( it served as a reminder of the hour) the whole melody. It has two selectable melodies; Whittington Chime...

ABOUT SCULPTURE This great Austrian Jugenstil desk-size cold-painted and patinated bronze sculpture of English bulldog has all the necessary qualities to be loved by a new owner – it absolutely life-like and has very expressive eyes. DIMENSIONS Height 3.25 inches Width 2 7/16 inches Depth 5.5 inches MARKINGS Noted for his detailed and colorful work, Bergman was signing his creations with either a "B" in an urn-shaped cartouche, or "Nam Greb" - for "Bergman" in reverse (these marks used to disguise his identity on the erotic works). They are also often inscribed ‘Geschutzt’, which refers to the model/design being ‘registered’ or copyrighted; or not marked at all, especially if the pieces are miniatures. ABOUT ARTIST Franz Xavier Bergmann...

This antique decorative or jewelry box is unsigned, but presumed to have originated from Austria and dating to approximately 1920 and done in the period Art Deco style. The body of t...

This antique Bohemian opaline glass box is a work of art that has withstood the test of time. Because of the beautiful gold gilding that covers all four sides, this exquisite piece of milky white glass is a treasure for collectors and art lovers. This box, handcrafted in France between 1850 and 1920, is an excellent example of the country's ever-popular handicraft. Despite having lost some of its gilding, the glass is in excellent condition, with no apparent chips or cracks. The classic appearance of the box will give character to any environment, and it is ideal for storing valuables. Because of its exceptional beauty and elegance, this antique box is a must-have for every history buff or lover of great craftsmanship. We are selling this beautiful art piece on different platforms; please check availability before purchasing. More photos may be provided if necessary. Storyteller: A young American soldier called James served in France during World War Two. As he strolled down the street, he saw an antique shop with a stunning opaline glass box in the window. Even though the glass had lost its gold coating, it was still in fine condition. James wasted no time in entering the store to inquire about the mysterious box. Madame Dupont claims the box, which is flawless, was manufactured in France some time between 1850 and 1920. James bought the crate because he wanted a piece of French heritage in his home. James kept the box on his bunk and used it to pass the time in his leisure time while stationed in France. James found comfort in the box since it brought back memories of France's pre-war splendor and culture. James was tragically abducted while on duty. He reflected on the times when the box had helped him relax while he was locked up. It was something he desperately wanted to get his hands on again. James had all but given up hope of ever being released from the camp. And yet, as he was being led back to his cell, he recognized something: a milky white opaline glass box...

Magnificent late Art Nouveau from Giuseppe Citti / commissioned by Frères Paris. Period: ca. the 1920s Made of polychrome painted plaster, representing a charming youngster posing...

Elegance on the porch! This armchair is a statement of unique creative organic design, the wood structure is decorated with intertwined curved segments in a rattan / bamboo radial pa...

Large decorative Bacchus cast wall sculpture Bacchus, being the Roman god of agriculture, wine and fertility.

These exquisite French opaline glass lusters date to the 19th century and are now available for your house. Elegant goblet-shaped lusters, hand-made in France between 1850 and 1900 and gilded in pink and white color glass, are eye-catching. These gorgeous works measure 33 x 15 cm and are sure to capture the attention of anybody who sees them. Don't pass up the chance to bring a little bit of elegance into your house with these stunning Opaline glass lusters, which are a precious and collectible historical relic. We are selling this beautiful pair on different platforms; please check availability before purchasing. More photos may be provided if necessary. Please feel free to ask any questions. Storyteller: Mr. Anderson, a successful businessman, and his daughter, Lily, made their home in a stately rural manor. Over the years, Mr. Anderson amassed a collection of rare paintings and priceless vases, which he proudly displayed in his home. Mr. Anderson was perusing an antique shop one day when he stumbled upon a pair of gorgeous French opaline glass lusters. These goblet-shaped lusters were gilded in pink and white-hued glass and hand-made in France between 1850 and 1900. Mr. Anderson bought the lusters without hesitating and carried them home to add to his collection. The moment he set them on the mantel in the living room, they commanded everyone's attention. Pink and white opaline glass sparkled in the sunshine, creating a cozy atmosphere. Like a magnet, Lily was pulled to the lusters and stared at them in awe for hours. She was captivated by the way the light reflected off the glass and highlighted the fine features of the pattern. Seeing her interest, her father proceeded to educate her about the origins of opaline glass and the meaning of its lusters. They put their heads together and discovered that opaline glass was specially designed to create elaborate chandeliers...

This antique gilt bronze and cast iron jardinière is unsigned, but presumed to have been made in France in approximately 1900 This planter is done with a conical shaped cast iron pot...

Rare side table designed by Abraham Palatnik (1928-2020), produced by “Arteviva” in Rio de Janeiro (Brazil) around 1954. The table top is made out of black wood frame and painted glass, structure in solid iron. The painted glass has characteristic traces of Palatnik. The renowned kinetic artist founded together with his brother a furniture factory called "Arteviva" (1954-1964) with the desire to bring art into the interior of homes...

Multidisciplinary designer Irina Flore is embarking on a collaborative project entitled Remix Maison with purpose-led footwear brand, Native Shoes and its...

Multidisciplinary designer Irina Flore is embarking on a collaborative project entitled Remix Maison with purpose-led footwear brand, Native Shoes and its...

This pair of wall mounted sculptures are unsigned, but presumed to have originated from the United States and date to approximately 19...

Super nice and scarce set 6 Revolt chairs designed by Friso Kramer for Ahrend de Cirkel, Holland 1953. Though the Revolt chair was already designed in 1953, the production started in...

Kabyle au retour de la chasse By Arthur Waagen A rare example retaining its original cold-painted details in harmony with the patinated bronze; the impressive model of an Arab hu...

This antique lighted sculpture or accent lamp is unsigned, but presumed to have originated from Austria and date to approximately 1920 and done in the Bessarabian style. The light is...

This striking monumental bronze tiger was produced in Vienna around the turn of the twentieth century in the popular cold-painted bronze technique. Whereas most examples of this them...

Beautiful gilded wood frame wall mirror in Hollywood Regency style, vintage Italy, 1960s. Surrounded by cold painted metal leafs with glass Flowers. Nice addition to any room or hall...

Austrian Orientalist figurative bronze lamp by Franz Xaver Bergman Austrian, c. 1910 Measures: Height 36cm, width 16cm, depth 14cm This Bergm...

A beautiful and rare early to mid-20th century matte white and light periwinkle blue round metal box in the Neoclassical style. The Neoclassical raised relief design around box's ext...

This American Federal gilt-wood mirror dates Circa 1790, it’s lower rectangular antique mirror plate below A black, white & gold verre e...

Incredible Venetian lantern in blown glass perfectly and symmetrically in the golden wrought iron structure. This exceptional piece was designed in Italy in the 1940s. This chandelier is incredible for the accuracy in the decoration of the iron structure and for the exclusive Murano glass body, and it seems to be bound by the iron structure. The piece is in excellent vintage condition and the glass is very smooth. An iconic pendant light...

19th century terracotta bear figure from Austria. He is a wonderful mold and is hand painted with such expression! He has lovely detail and is certain to put a smile on your face.

Vienna bronze cold-painted of orientalist man on prayer rug w/bobbing head Offered is a Vienna cold-painted bronze of an Orientalist man with a bobbing head on a prayer rug.

Elegance on the porch! This armchair is a statement of unique creative organic design, the wood structure is decorated with intertwined curved segments in a rattan / bamboo radial pa...

Very rare pair of sconces model 2108 designed and manufactured by Stilnovo, Italy 1960. These lamps have a polished aluminium tubular structure with perspex diffuser shades in green ...

Dutch painting 19th representing a cottage scene with moonlight figures.

Presented here is a 19th-century French opaline glass jar with a milky white hue. Adorned with intricate gold barrel decorations. Everyone who appreciates antiques would be pleased to add this treasure to their collection. The dimensions are an outstanding 32 by 21 cm. Do not miss this opportunity to acquire a historically significant artifact that has been carefully kept. We are selling this beautiful art piece on different platforms; please check availability before purchasing. More photos may be provided if necessary. Storyteller: The brewery employees waited as the crate containing the ancient Opaline decanter...

An excellent early 20th century Austrian Art Deco cold painted silver and enamel bronze figure of a beautiful young woman wrapped in a revealing shawl, with very fine colour and detail, raised on a stepped conical green onyx base, signed R Lor for Lorenzl Additional information Height: 34 cm Condition: Excellent Original Condition Circa: 1930 Materials: Cold Painted Bronze Book Ref Art Deco and Other Figures by Bryan Catley SKU: 8204 ABOUT Lorenzl Modesty Josef Lorenzl, Austrian 1892 ~ 1950 Lorenzl Freedom – When looking to the designs of the Art Deco period one talented sculptor and ceramist that cannot be ignored is Josef Lorenzl. A master designer, his bronze statuettes and ceramic figural work epitomise the era perfectly. As with Preiss, Chiparus and Colinet the other great sculptors from this period, Lorenzl was inspired by the female form and the new found freedom that women enjoyed, which he executed beautifully both in his bronze and ceramic designs. Pictured right: A Josef Lorenzl Cold-Painted Art Deco Bronze and Ivory Deco Lady with Decoration by Crejo – Circa 1930 – Modelled cast and carved as a young woman adopting a stylish pose, her costume decorated with enamelled flowers, onyx plinth, base signed Lorenzl, dress signed Crejo 10.5/8 in. (27 cm.) high. Sold for £6,250 at Christies, London (Feb 2014). Josef Lorenzl Cold-Painted Art Deco Bronze and Ivory Deco Lady with Decoration by Crejo – Circa 1930 Although very little is known about Lorenzl’s early life we are aware that he was born in Austria in 1892 and was soon to become one of the most talented sculptors of the Art Deco Period. He started by working for a bronze foundry in Vienna Arsenal where he produced stunning Art Deco bronze statuettes. The majority of his works in bronze and ivory were of singular slim female nudes with long legs which conveyed elegance. His preference was for dancing poses which were not only evident in his singular statuettes but also in those attached to marble clocks, lamp bases and bookends. Like his contemporaries Lorenzl work was created in bronze or by using “Chryselephantine”, a Greek word which refers to the combination of various materials such as bronze, ivory, gold and silver. He signed his pieces in various ways sometimes abbreviating his name to ” R Lor”, “Lor” or “Enzl” but on some of the statuettes you will find an additional signature by Crejo. A talented painter who worked alongside Lorenzl, Crejo would paint decoration onto the statuettes such as flowers and these are the figures which bear his signature. Far more desirable with Crejo’s painting these can command a premium at auction. Recently Bonhams sold an example of Lorenzl’s work with Crejo decoration for £10,500 but the pieces created by Lorenzl alone generally fetch in the region of £2,000 – £12,000 depending on the subject matter and size. A Josef Lorenzl (1892-1950) Cold-Painted Art Deco Bronze and Onyx Timepiece with Deco Lady ~ Circa 1920. Pictured left: A Josef Lorenzl (1892-1950) Cold-Painted Art Deco Bronze and Onyx Timepiece with Deco Lady ~ Circa 1920. Modelled and cast as a crouching nude female figure holding a dial with onyx face, on onyx plinth raised on slate base, apparently unsigned11½ in. (31.7 cm.) high. Sold for £4,700 at Christies, London (Nov 2013). From his designs in bronze and ivory Lorenzl went on to work for the Austrian ceramics company Goldscheider. Again creating stunning sculptures of the female form collector’s are more aware of this period and his sculptures in ceramic than they are of his earlier bronze and ivory statuettes. Inspired by shape and bold colours Lorenzl’s sculptures had clean lines and geometric shapes. Although each piece possess great movement there was no intricacy or attention to detail and most of his figures wore their hair in the boyish bob which was fashionable at the time, making these simplistic and stylish figurines the epitome of Art Deco Bronze design. One of Lorenzl’s friends Stephan Dakon who he had met whilst working at the bronze foundry had the same vision and style as Lorenzl so it was the obviously thing for Lorenzl to recommend Dakon to Goldscheider when he started to work for them. Taken on as a freelance designer Dakon was of the same mindset as Lorenzl and so much of their work was very similar. People at the time even believed that the two were in fact the same person. Both the artists had an interest in the female form, dance and theatrical costume. This was enhanced with Lorenzl when he took a trip to Paris and visited Folies Bergeres. Famous dancer Josephine Baker was on stage with her chorus dancers, all wearing extremely flamboyant costumes, Lorenzl was captivated by the glamour and outlandishness of the dancers and so on his return to Austria reproduced gorgeous figurines wearing vibrant coloured costumes and in various dance poses. He was also able to use his skill as an Art Deco bronze sculptor to use the earthenware to his advantage. Carving delicate fingers and enhancing the women’s female form Lorenzl set about producing some stunning sculptures. “Captured Bird” was one of his most popular and was created in many different colours and sizes. This particular piece is of a dancing girl with a gossamer winged dress which was inspired by a dance performed by Niddy Impekoven and was also captured onto a lamp base with three figures of this elegant lady dancing around the stand.. Other dancing Deco Lady girl figurines which were created by Lorenzl include “Butterfly Wings,” “Spider-Web Dress...

Presenting a classic 19th-century French craftsmanship treasure: a gorgeous opaline glass box with a lovely flower design! Save your most prized...

The Belgium artist Georges van der Straaten (born 1856) designed the two bronze busts at the end of the 19th century. One is titled "Bergere" (shepherdess), the other one "Pierette"....

Pair of large translucent, trumpet-shaped, gilded, and painted turquoise opaline glass vases. These pair of opaline vases are decorated with gorgeous hand-painted parakeets and flowers on one side and butterflies and flowers on the other. The rim on top and bottom are gilded. This elegant pair was made in France from approximately 1850 to 1920. The pair is in perfect condition, with no chips or cracks detected. There is some gold lost due to age. We are selling this beautiful vases on different platforms; please check availability before purchasing. More photos may be provided if necessary. Storyteller: Once upon a time, there was a lovely couple who had recently relocated to their dream home in France. When organizing their attic, they discovered a pair of beautiful opaline glass vases that had been passed down from generation to generation. The vases were stunning, with intricate designs of parakeets and butterflies surrounded by flowers painted in the most beautiful blue colors. The vases had an antique enchantment that drew the two in, and their beauty captured them. They noticed something odd as they placed the vases on the coffee table. There had particular energy about them, almost as if they were alive. The vases radiated warmth and love, and the couple felt like they were being welcomed by an old, beloved friend. The couple couldn't help but sense a connection to the vases as they sat on the couch. These were more than just decorative items; they had a history of love and passion that had spanned generations. The vases served as a window into the couple's history, reminding them of the beauty and enchantment of love. As time passed, the pair would frequently sit by the vases, holding hands and telling stories about their own love journey. They'd talk about the highs and lows, and how their love had grown stronger with each passing day. They could feel the vases beaming back at them as they talked as if to say, "Love never dies." Years passed, and the couple grew old together, but their love remained constant. Throughout it all, the vases served as a continual reminder of love's undying strength. They were no longer just antiques; they were a symbol of the couple's personal love story, a memory of their shared journey. So the pair of blue opaline glass vases...

A spectacular collection of three painted and gilded blue opaline glass urns was created in Germany between 1845 and 1855. These stunning pieces have exceptional oval-shaped designs that are both elegant and captivating. These exquisite urns are hand-painted with white enamel floral motifs and illustrate themes from Hessian peasant life. The paintings are carefully captured on panels that are perfectly screwed to the urns, adding to their unique and exquisite beauty. The centerpiece urn measures 60 cm × 28 cm and the pair of urns measures 53 cm x 29 cm, making them a stunning and imposing presence in any environment. The three urns are in excellent shape, with no chips or cracks detected, increasing their rarity and value. The sumptuous opaline glass is opaque and has a distinct blue tone, which is heightened by the carefully applied gilding, making this set a visual delight. This limited-edition set is a tribute to 19th-century German workmanship, and it is certain to bring a touch of refinement and sophistication to any collection or interior design project. Don't pass up the chance to possess these exceptional pieces of history. We are selling this beautiful set on different platforms, please check availability before purchasing. More photos may be provided if necessary. With hope and love. Ash About the artist: MEYER, Johann Georg, commonly known as ‘Meyer von Bremen...

Charming painted metal chandelier in the Surrealist style with spirals of metal ribbons wrapped around the fixture. Finish is a pebbly enamel in a chalky ivory white. Measure: Widt...

Young Art Deco dancer made of gilded and cold-painted bronze in exotic costume, kneeling on one knee, holding a book in front of the other, upright leg, looking to the side with her ...

Large Orientalist bronze group by Bergman Austrian, c. 1910 Measures: Height 28cm, width 18cm, depth 27cm This exceptional bronze group is by Be...

Vintage French hand-made wrought iron and marble side table or end table and possibly could be used as a coffee table. What is so great about this vintage French round side table is ...

A fabulous early 20th Century Art Deco cold painted silver and enamel bronze figure of a dancer holding a garland of flowers in her arms, raised on a circular stepped onyx and marble...

Nice medium and rare sized Industrial 'Reform' table designed by Friso Kramer for Ahrend de Cirkel, Holland 1955. This dining table was a part of the Reform table program that was designed by Friso Kramer in 1955. The Reform series contained a lot of variety of tables in different sizes and editions to the client’s needs. One thing was always the same, the structure of the base, applied in several different sized and shaped tables. This base was a folded metal frame which was light but also very strong. The tops varied from hardcore, linoleum, Formica and wood. Whatever the client wanted. This has a rectangular shaped top, finished with dark grey linoleum and an aluminum edge. The table has a grey painted frame in good condition with normal wear and losses. This table comes from TH Delft...

Austrian Orientalist figurative lamp in cold painted bronze Austrian, c. 1910 Measures: Height 30cm, width 25cm, depth 15cm This charming bro...

ABOUT SCULPTURE This provocative and wonderful life-like sculpture depicts a semi-nude female dancer in elaborate attire and a beautiful headdress, coquettishly rising on one leg dur...

This charming little scene depicted here is so colorful and detailed that it could only have been executed by the premier maker of these bronzes, Franz Bergmann. It does bear his signature with the letter "B" inside an urn. What makes this so extra special is its diminutive size. Normally these smaller examples lack the quality of work that is seen here. The fact that it is a lamp is always a bonus and lit up at night in your home can only bring warmth and joy to the owner. The curtain is so crisply cast that it almost looks like fabric. It's all done with such attention to detail. A great example of an antique Vienna bronze lamp.

"Leg Out" by Josef Lorenzl A fabulous early 20th Century Art Deco cold painted bronze figure of a naked beauty in an energetic pose, with excellent colour and fine hand finished detail, raised on a shaped onyx & black marble base and signed Lorenzl ADDITIONAL INFORMATION Height: 48 cm Width: 30 cm Depth: 11 cm Condition: Excellent Original Condition Circa: 1925 Materials: Bronze and Onyx Book Ref Art Deco and Other Figures by Bryan Catley Page No: 214 SKU: 8716 ABOUT Lorenzl Leg Out Josef Lorenzl, Austrian 1892 ~ 1950 Lorenzl Leg Out – When looking to the designs of the Art Deco period one talented sculptor and ceramist that cannot be ignored is Josef Lorenzl. A master designer, his bronze statuettes and ceramic figural work epitomise the era perfectly. As with Preiss, Chiparus and Colinet the other great sculptors from this period, Lorenzl was inspired by the female form and the new found freedom that women enjoyed, which he executed beautifully both in his bronze and ceramic designs. Pictured right: A Josef Lorenzl Cold-Painted Art Deco Bronze and Ivory Deco Lady with Decoration by Crejo – Circa 1930 – Modelled cast and carved as a young woman adopting a stylish pose, her costume decorated with enamelled flowers, onyx plinth, base signed Lorenzl, dress signed Crejo 10.5/8 in. (27 cm.) high. Sold for £6,250 at Christies, London (Feb 2014). Josef Lorenzl Cold-Painted Art Deco Bronze and Ivory Deco Lady with Decoration by Crejo – Circa 1930 Although very little is known about Lorenzl’s early life we are aware that he was born in Austria in 1892 and was soon to become one of the most talented sculptors of the Art Deco Period. He started by working for a bronze foundry in Vienna Arsenal where he produced stunning Art Deco bronze statuettes. The majority of his works in bronze and ivory were of singular slim female nudes with long legs which conveyed elegance. His preference was for dancing poses which were not only evident in his singular statuettes but also in those attached to marble clocks, lamp bases and bookends. Like his contemporaries Lorenzl work was created in bronze or by using “Chryselephantine”, a Greek word which refers to the combination of various materials such as bronze, ivory, gold and silver. He signed his pieces in various ways sometimes abbreviating his name to ” R Lor”, “Lor” or “Enzl” but on some of the statuettes you will find an additional signature by Crejo. A talented painter who worked alongside Lorenzl, Crejo would paint decoration onto the statuettes such as flowers and these are the figures which bear his signature. Far more desirable with Crejo’s painting these can command a premium at auction. Recently Bonhams sold an example of Lorenzl’s work with Crejo decoration for £10,500 but the pieces created by Lorenzl alone generally fetch in the region of £2,000 – £12,000 depending on the subject matter and size. A Josef Lorenzl (1892-1950) Cold-Painted Art Deco Bronze and Onyx Timepiece with Deco Lady ~ Circa 1920. Pictured left: A Josef Lorenzl (1892-1950) Cold-Painted Art Deco Bronze and Onyx Timepiece with Deco Lady ~ Circa 1920. Modelled and cast as a crouching nude female figure holding a dial with onyx face, on onyx plinth raised on slate base, apparently unsigned11½ in. (31.7 cm.) high. Sold for £4,700 at Christies, London (Nov 2013). From his designs in bronze and ivory Lorenzl went on to work for the Austrian ceramics company Goldscheider. Again creating stunning sculptures of the female form collector’s are more aware of this period and his sculptures in ceramic than they are of his earlier bronze and ivory statuettes. Inspired by shape and bold colours Lorenzl’s sculptures had clean lines and geometric shapes. Although each piece possess great movement there was no intricacy or attention to detail and most of his figures wore their hair in the boyish bob which was fashionable at the time, making these simplistic and stylish figurines the epitome of Art Deco Bronze design. One of Lorenzl’s friends Stephan Dakon who he had met whilst working at the bronze foundry had the same vision and style as Lorenzl so it was the obviously thing for Lorenzl to recommend Dakon to Goldscheider when he started to work for them. Taken on as a freelance designer Dakon was of the same mindset as Lorenzl and so much of their work was very similar. People at the time even believed that the two were in fact the same person. Both the artists had an interest in the female form, dance and theatrical costume. This was enhanced with Lorenzl when he took a trip to Paris and visited Folies Bergeres. Famous dancer Josephine Baker was on stage with her chorus dancers, all wearing extremely flamboyant costumes, Lorenzl was captivated by the glamour and outlandishness of the dancers and so on his return to Austria reproduced gorgeous figurines wearing vibrant coloured costumes and in various dance poses. He was also able to use his skill as an Art Deco bronze sculptor to use the earthenware to his advantage. Carving delicate fingers and enhancing the women’s female form Lorenzl set about producing some stunning sculptures. “Captured Bird” was one of his most popular and was created in many different colours and sizes. This particular piece is of a dancing girl with a gossamer winged dress which was inspired by a dance performed by Niddy Impekoven and was also captured onto a lamp base with three figures of this elegant lady dancing around the stand.. Other dancing Deco Lady girl figurines which were created by Lorenzl include “Butterfly Wings,” “Spider-Web Dress...

A fabulous early 20th Century cold painted bronze figure of a female Art Deco beauty in a running pose holding a large harvest of grapes under her arm, with fine colour and excellent...

Impressive sized wall lamp model 265 designed by Paolo Rizzatto and manufactured by Arteluce, Italy 1973. This is for the early Arteluce production with the Arteluce sticker on the s...

"Luce Scultura" Italian Work of Art, entirely handcrafted, a contemporary organic lighting fixture, an architectural statement piece that...

"Printemps" by Gauthier An excellent early 20th century Art Deco cold painted bronze figure of a naked dancer in an energetic pose standing on one leg and holding spring flowers i...

Chicchere is shaped like an oval resulting from the union of two symmetrical halves. It has two bent cane extensions that finish its silhouette. It bears the colours of nature and th...

Very rare piece of Viennese bronze art: Two barefoot Native American warriors with horned headdresses and loincloths, and feathers around the hips and legs, with shields affixed to the forearms and weapons raised, dancing around a campfire. On a flat rock...

An elegant pair of French 19th century Louis XVI Sèvres Style porcelain lamps. Each lamp is raised by a mottled base decorated with fine decorated brass wrap. Above the socle shaped ...

Two similar vases from the Walther factory in Germany, from their midcentury production. This matched set both have faceted sides so that they catch the light when you pass by, and are of sufficient weight to ensure stability. The eye-catching period color (amethyst) and contrast between glass and metallic, makes them instantly recognizable. Size: Ice bucket H 5.51 x D 5.9 inch The elegant classical...

Excellent early 20th century Vienna bronze study of a bird family, the mother nestling her chicks within her feathers. The surface of the bronze with good cold painted colours lightly worn and with very fine hand finished detail. Signed with the Bergman 'B' in an amphora Additional Information Height: 6 cm Depth: 10 cm Width: 8 cm Condition: Excellent Condition with light wear to colour Circa: 1900 Materials: Cold Painted Bronze Book Ref: Vienna Bronzes by Joseph Zobel SKU: 8501 ABOUT Bergman Bird...

Stunning sized symmetrical sculpture in stainless steel, designed and made by Rudolf Wolf in his own atelier in Amstelveen in 1975. The sculpture is made of 2 stainless steel tubes, cut, and welded perfectly into this abstract modern shape; it has a black painted wooden base which connects the 2 parts with each other. These sculptures were only made in very small numbers and are very hard to find. This sculpture is one of several we acquired from the former bookkeeper from Rudolf Wolf who bought these artworks in the 1980s. The sculpture has a nice size which you can easily put somewhere on a table/sideboard and look highly decorative. This work is unsigned, but we have several old pictures...

Vodo is a collection made up of folded sheet metal structures and solid wood shelves fixed by a joint. Whether it is our bench, stool, console or bookcase, VODO will be perfect for ...

Large custom pair of ceiling lamps with lacquered metal structure and plexiglass diffuser. Designed by Bruno Gatta for Stilnovo. Produced in I...

Pair of industrial themed cast aluminum bookends. Both pieces depict bare chested man in a forge setting pouring molten metal from crucible into a mold.

A very fine early 20th Century Art Deco cold painted bronze figure of a naked beauty in the midst of a graceful movement, with excellent colour and fine hand finished detail, raised on a shaped onyx base and signed Lorenzl ADDITIONAL INFORMATION Height: 21 cm Width: 15 cm Depth: 7 cm Condition: Excellent Original Condition Circa: 1925 Materials: Bronze and Onyx Book Ref Art Deco and Other Figures by Bryan Catley Page No: 214 SKU: 8698 ABOUT Lorenzl Veronica Josef Lorenzl, Austrian 1892 ~ 1950 Lorenzl Veronica – When looking to the designs of the Art Deco period one talented sculptor and ceramist that cannot be ignored is Josef Lorenzl. A master designer, his bronze statuettes and ceramic figural work epitomise the era perfectly. As with Preiss, Chiparus and Colinet the other great sculptors from this period, Lorenzl was inspired by the female form and the new found freedom that women enjoyed, which he executed beautifully both in his bronze and ceramic designs. Pictured right: A Josef Lorenzl Cold-Painted Art Deco Bronze and Ivory Deco Lady with Decoration by Crejo – Circa 1930 – Modelled cast and carved as a young woman adopting a stylish pose, her costume decorated with enamelled flowers, onyx plinth, base signed Lorenzl, dress signed Crejo 10.5/8 in. (27 cm.) high. Sold for £6,250 at Christies, London (Feb 2014). Josef Lorenzl Cold-Painted Art Deco Bronze and Ivory Deco Lady with Decoration by Crejo – Circa 1930 Although very little is known about Lorenzl’s early life we are aware that he was born in Austria in 1892 and was soon to become one of the most talented sculptors of the Art Deco Period. He started by working for a bronze foundry in Vienna Arsenal where he produced stunning Art Deco bronze statuettes. The majority of his works in bronze and ivory were of singular slim female nudes with long legs which conveyed elegance. His preference was for dancing poses which were not only evident in his singular statuettes but also in those attached to marble clocks, lamp bases and bookends. Like his contemporaries Lorenzl work was created in bronze or by using “Chryselephantine”, a Greek word which refers to the combination of various materials such as bronze, ivory, gold and silver. He signed his pieces in various ways sometimes abbreviating his name to ” R Lor”, “Lor” or “Enzl” but on some of the statuettes you will find an additional signature by Crejo. A talented painter who worked alongside Lorenzl, Crejo would paint decoration onto the statuettes such as flowers and these are the figures which bear his signature. Far more desirable with Crejo’s painting these can command a premium at auction. Recently Bonhams sold an example of Lorenzl’s work with Crejo decoration for £10,500 but the pieces created by Lorenzl alone generally fetch in the region of £2,000 – £12,000 depending on the subject matter and size. A Josef Lorenzl (1892-1950) Cold-Painted Art Deco Bronze and Onyx Timepiece with Deco Lady ~ Circa 1920. Pictured left: A Josef Lorenzl (1892-1950) Cold-Painted Art Deco Bronze and Onyx Timepiece with Deco Lady ~ Circa 1920. Modelled and cast as a crouching nude female figure holding a dial with onyx face, on onyx plinth raised on slate base, apparently unsigned11½ in. (31.7 cm.) high. Sold for £4,700 at Christies, London (Nov 2013). From his designs in bronze and ivory Lorenzl went on to work for the Austrian ceramics company Goldscheider. Again creating stunning sculptures of the female form collector’s are more aware of this period and his sculptures in ceramic than they are of his earlier bronze and ivory statuettes. Inspired by shape and bold colours Lorenzl’s sculptures had clean lines and geometric shapes. Although each piece possess great movement there was no intricacy or attention to detail and most of his figures wore their hair in the boyish bob which was fashionable at the time, making these simplistic and stylish figurines the epitome of Art Deco Bronze design. One of Lorenzl’s friends Stephan Dakon who he had met whilst working at the bronze foundry had the same vision and style as Lorenzl so it was the obviously thing for Lorenzl to recommend Dakon to Goldscheider when he started to work for them. Taken on as a freelance designer Dakon was of the same mindset as Lorenzl and so much of their work was very similar. People at the time even believed that the two were in fact the same person. Both the artists had an interest in the female form, dance and theatrical costume. This was enhanced with Lorenzl when he took a trip to Paris and visited Folies Bergeres. Famous dancer Josephine Baker was on stage with her chorus dancers, all wearing extremely flamboyant costumes, Lorenzl was captivated by the glamour and outlandishness of the dancers and so on his return to Austria reproduced gorgeous figurines wearing vibrant coloured costumes and in various dance poses. He was also able to use his skill as an Art Deco bronze sculptor to use the earthenware to his advantage. Carving delicate fingers and enhancing the women’s female form Lorenzl set about producing some stunning sculptures. “Captured Bird” was one of his most popular and was created in many different colours and sizes. This particular piece is of a dancing girl with a gossamer winged dress which was inspired by a dance performed by Niddy Impekoven and was also captured onto a lamp base with three figures of this elegant lady dancing around the stand.. Other dancing Deco Lady girl figurines which were created by Lorenzl include “Butterfly Wings,” “Spider-Web Dress...