Giltwood Decorative Art

Heinz Pinggera (Italian, b 1900) "A Recital for the Cardinal" oil on canvas within a gilt-wood and gesso frame. The interior 18th century rococo scene depicting a seated Cardinal or ...

A French 19th century Louis XV style mirror, carved in Pinewood with Gesso finish and gilded, in good condition. The frame has the typical Rocaille décor. The antique mirror has its ...

A gold, antique Swedish Gustavian rectangular wall mirror with its original mirror glass and blue color paint, made of handcrafted gilded Pinewood, in good condition. The wall decor ...

Late 18th Century, an antique Louis Seize period mirror in carved wood with gilded accents and foliage motifs, consisting its original mirror glass in good condition. Created in Fran...

Pair of 19th century bronzed electrotype plaques French, late 19th century Frames: Height 61cm, width 71.5cm, depth 12cm Panels: Height 42cm, width 52cm, depth 6cm Hailing from the late 19th century, this remarkable duo of bronzed electrotype figural plaques stands as a testament to the creative prowess of the French sculptor Étienne Alexandre Stella...

An antique rectangular mirror inscribed in a Pinewood, gilded frame adorned with water leaves and pearl friezes, in good condition. The mirror is consisting its original mirror glass...

An exceptionally fine quality example of a pair of framed Still Life of fruits Oil Paintings on Artists board by well documented English Artist William Hughes, third quarter of the Nineteenth Century. Complete with good giltwood frames, one is signed lower left W. Hughes and dated 1863  Both paintings with similar views depicting Still Life of fruits to include Apples, Pears and Black Grapes  Condition: Good condition recently professionally cleaned and ready to hang. Old trade label CHAS H WEST Framemakers in Primrose Hill, London.  Height: (entire including frame) 13.75" (35cm). Width: (entire including frame) 17.5” (44.5cm).   Location: Dublin City, Ireland.  Affordable fixed charge Worldwide Store to door shipping offered.  Provenance: Burling Paintings Art Gallery, Burlington Gardens, Mayfair, London.   William Hughes (1842-1901) was a still life painter, father of Sir Herbert Hughes-Stanton. He was a pupil of George Lance and W.H. Hunt.  Hughes exhibited at the Royal Academy between 1866 and 1901 as well as at the British Institute, Suffolk Street and the Grosvenor Gallery.   Titles at the R.A. include “The Baron’s Dessert” and “For the Feast of the Tournament”. A major work, a set of large bird paintings...

A large modernist ceramic panel depicting a singing choir in an ecclesiastical setting, set in a gilt frame. Mid-20 Century.

An exceptionally fine quality example of a framed still life of fruits oil painting on Artists board by well documented English Artist Oliver Clare, first quarter of the 20th century...

A red-yellow, antique French still life oil on canvas painting depicting a working table with a dark-blue vase with flowers, painted by Eugène Henri Cauchois in a hand carved, origin...

A pretty oil on canvas by John Lochhead (1868-1921) a listed British artist born in 1868. The style of the painting is classic Victorian with a slightly naughty title on the back label "The Trysting Place". The piece depicts a well-dressed young woman seated on a bench in a charming bucolic garden setting with grazing sheep on a riverbank. The frame is a fine example of elaborate late 19th century carved giltwood with the label of a well-known carver and gilder...

An antique rectangular mirror inscribed in a Pinewwood frame, gilded, the pediment formed by an openwork flower basket spilling sinuous gar...

I will do my best to describe this beautiful set accurately! This is a set of 16th and 17th century framed engravings. The engravings are on paper. The plates were from, “Armamentari...

A gold, antique Swedish Gustavian pair of wall mirrors made of hand crafted gilded wood with its original mirrored glass, in good condition. The Scandinavian wall décor...

Henri Victor Lesur (Roubaix, France 1863-1900) a very fine French 19th century oil on panel titled "The Flower Seller by the River Seine" (Marchand de fleurs, par la Seine, Paris) Depicting an 18th century street scene of a flower stand by the river Seine in Paris, the young flower seller attending to an aristocrat couple buying flowers; within its original ornately carved giltwood carved frame. circa: Paris, 1890. Note: The artist is also known as Henry Victor Lesur. Like many of his contemporaries during the last quarter of the 19th Century, Lesur's works took inspiration from scenes of French 18th century life, romance and every day enjoyment. Victor Gabriel Gilbert, Louis Marie de Schryver, Vittorio Reggianini, Maurice Leloir, Charles Soulacroix...

An exceptional and extremely decorative Italian early 19th century 1st Empire period giltwood eagle wall decor. The impressive wall decor depicts a beautiful wonderfully executed ope...

A framed textile collage by artist Raoul Morren, made in 2023. This dynamic composition combines graphic shapes in colorful tones and textures. Earthy greens and sandy beiges are ene...

A framed textile collage by artist Raoul Morren, made in 2023. This dynamic composition, revolving around an enigmatic central figure, combines abstract shapes in a warm neutral pale...

Framed Indonesian batik print by Winotosastro. Framed in gilded faux bamboo carved wood. Beautiful Southeast Asian artwork featuring an exotic bird of pa...

A pink-white, antique French still life oil on canvas painting depicting a working table with a yellow teapot vase with flowers, painted by Eugène Henri ...

Hans Zatzka (Austrian, 1859-1945) a very fine and charming oil on canvas "Spring Beauties", depicting three young maidens picking flowers by a lake. The three young girls sitting, kneeling and laying on a grassy area of the forest, her wicker basket filled with the freshly picked flowers, the middle one wearing a bonnet and a straw-hat laying on the ground behind with butterflies flying by, within a gilt-wood and gesso carved frame. Signed (l/r): H. Zatzka. Circa: 1890's. Hans Zatzka (Austrian, 1859-1945) was a well known and regarded Austrian fantasy artist whose most popular and valuable works depicted figures of young maidens with angels, floral and other cheerful and warm scenes, including Orientalist themes. In the past thirty years alone, the high quality and detail of his beautiful paintings has caught the attention of International collectors and art dealers alike, creating a highly sought after market and demand for his instantly recognizable body of work. In the late 19th and early 20th century, many of Zazka's charming works were photographed for commercial and collectable postcards. Though no information about his works being exhibited in museums is currently available, most of Zatzka's paintings are in private collections and, in the past century, very few of them have become available on the open market. At the young age of eighteen Zatzka joined Austria's Academy of Fine Arts under the leadership of Professor Blaas. For his fine early works, in 1880 he received The Golden Fügermedal award. Zatzka, like many other artists of the era, traveled around Europe working and selling his art and, in one of his many trips to Italy, he developed a special interest in Religious themes, decorating churches with frescos as well as painting several religious scenes of Madonna's and Child, Saints, Angels and others. In 1885 Zatzka was commissioned to paint "The Naiad of Baden" a ceiling fresco at Kurhaus Baden. Most of Zatzka's income came from his work in religious art and special church commissions. Numerous leading art dealers from around the world that specialize in late 19th and early 20th century European genre paintings have come to the conclusion that the painter signing his works Bernard Zatzka, Joseph Bernard or J. Bernard is almost certainly the artist Hans Zatzka. The consensus seems quite plausible when comparing works known to have been executed by Hans Zatzka together with similar works displaying the signature; Joseph Bernard, J. Bernard or Bernard Zatzka. Lohengrin refers to the knight of the swan, hero of German versions of a legend widely known in variant forms from the European Middle Ages onward. It seems to bear some relation to the northern European folktale of “The Seven Swans,” but its actual origin is uncertain. It is also a character in German Arthurian literature. The son of Parzival (Percival), he is a knight of the Holy Grail sent in a boat pulled by swans...

Framed French Louis Vuitton Art Print in an Italian 19th Century Frame Louis Vuitton Print from Paris, France, framed in a one of a kind circ...

Fine and rare pair of antique Dutch Verre Églomisé reverse oil paintings on glass panels - featuring moody landscapes with a castle and church, having ...

A beautiful set of four (4) Neoclassical wall art scenes, circa mid-20th century, Europe. Set includes four different scenes with dark blue and gold octagonal wood frame, matting, pr...

A striking and extremely decorative Italian 19th century Neo-Classical st. giltwood wall decor. The unique wall decor displays circular fluted spears with ball reserves and impressiv...

A large, luminous, and captivating 2004 en plein air impressionist oil painting on masonite board in giltwood frame titled “Spring Thaw – Lake Tahoe” by award-winning Northern California landscape artist Silvio Silvestri. Strikingly beautiful and vibrant depiction of a tree-lined, turquoise-toned, snow melt stream in Lake Tahoe, California. Dotted by pops of colorful wildflowers, with a majestic lavender-hued mountain range and bright blue cloud-dappled sky in the distance. Excellent technique and eye for detail and atmosphere on display throughout. Signed at lower right, and titled and signed on verso. In original giltwood frame with hand-carved details. Dimensions listed are overall; sight is H 23.38 inches x W 29.38 inches. Silvio Silvestri (b. 1948) is a celebrated Northern California-based plein air artist who paints on location throughout the western United States and Europe, and whose work is influenced by French, American, Spanish, and Russian Impressionists. He studied with Kenn Backhaus, Ron Rencher, George Strickland, T.M. Nicholas, and Robert Sandidge. Silvestri began painting in the mid-1970s as a hobby, and embarked upon a professional art career in the early 1990s. His awards include 2nd place, Napa Museum Plein Air Exhibition, 2003; 1st place, Catalina Art Festival...

An impressive and extremely decorative French early 19th century 1st Empire period giltwood and polychrome eagle wall decor. The unique wall decor depicts and a striking wonderfully ...

A rare antique finely worked French barometer with lyre shaped crest thermometer above a large hexagonal framed barometer. The Parisian décor piece is m...

A blue-brown, antique Swedish oil on canvas painting of a sunny day at the Piazza Barberini, in Rome, Italy painted by Gustaf Wilhelm Palm in a hand carved original gilded wooden fra...

Wenzel Ulrik Tornøe (Danish, 1844-1907) A very fine and large oil on canvas titled "Systue" ("The Sewing Room"). The finely executed artwork depicting the interior of a sewing room w...

A gold, large antique French Louis XVI period barometer, signed by Torricelli in gilded wood and of oval shape with original scientific illustrations, in good condition. The detailed wall décor piece is consisting its original glass. Framed with gilt foliate trim and important pediment. Minor fading, due to age. Wear consistent with age and use, circa 1750, France. The Italian scientist Evangelista Torricelli...

A striking and extremely decorative Italian 19th century Neoclassical st. patinated and giltwood wall decor. The unique wall decor displays circular fluted spears with ball reserves ...

"The Mules" Oil on Canvas Painting. Oil painting of a rural scene in a parcel-gilt wooden frame.

Etching Mark Catesby, Anas Bahamensis (The Ilathera Duck) Chrysanthemum &c T93. Wonderful print by the “Founder of American Ornithology”, Mark Catesby, from his 18th century monumental Natural History, the first natural history of American flora and fauna. A later small edition etching original hand coloring. Plate imprint on the paper. Later frame, back unopened. This is one of the finest natural science prints...

Manner of Titian (Tiziano Vecelli - Italian, 1485-1576) An Oil on Canvas "Sleeping Cupid" within a gilt and black decorated gesso frame. A label on reve...

Giuseppe Pitto (Italian 1857 - 1928) is often known for his paintings depicting pretty women in Italian street markets. This exuberantly painted scene i...

A fine embroidered silk civil rank badge panel (known in Chinese as Buzi) in giltwood frame originally from the Annette Martin Collection and exhibite...

Decorate a music room, den or office with this elegant and colorful antique wall mounted lyre. Crafted in Italy circa 1780, the large Classical Roman musical instrument featured two ...

A set of two Japanese paintings, each with a hand gilt background depicting a Japanese Magnolia painted sans traverse across the two panels. The originals Japanese, circa 1900. Di...

A very fine Italian 17th century oval oil on canvas "Head of Christ Crowned with Thorns" Circle of Pierre Mignard (French, 1612-1695) within...

A finely embroidered silk civil rank badge panel matted and framed in an elaborate giltwood frame circa mid-late 19th century. The square rank badge is know...

A fine French Impressionist style oil on canvas painting of a French village. This multi-colored oil on canvas painting is beaming with life. Viewing this painting transports us ...

A light-blue, red still life oil on canvas painting, portraying a sunny day in a dining room with colorful flowers in vases, decorated by detailed wallpaper, painted by Vladimir Naïditch in a hand carved original gilded wooden frame, in good condition. The room depicts a console, small side table and a black French armchair...

A stunning and extremely decorative complete set of four Italian 19th century Florentine st. Pietra Dura marble and giltwood wall plaques. Each w...

A pair of very fine, large Italian Pietra Dura marquetry panels Italian, 19th century Measures: Panels: height 64cm, width 53cm, depth 2cm Frames: height 88cm, width 77cm, depth 6cm Comprising black marble panels of oval form, set with semi precious stones, these exceptional panels are inlaid to depict a bouquet of flowers in antique vases...

A vintage French oil on canvas painting of Napoleon Bonaparte as Emperor in a hand carved original gilded wooden frame, painted by S. Chapin in good condition. The wall décor art pie...

A gold, antique Swedish Gustavian wall mirror made of hand carved gilded Pinewood with its original mirrored glass, in good condition. Th...

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. A retailer's label reads " Fred K/ Keer's Sons - Framers and Fine Art Dealers - 917 Broad St. Newark, N.J." - Another label from the gilder reads "Carlo Bartolini - Doratore e Verniciatori - Via Maggio 1924 - Firenze". Circa: 1890-1900. Subject: Religious painting Canvas diameter: 28 inches (71.1 cm) Frame height: 54 inches (137.2 cm) Frame width: 42 1/2 inches (108 cm) Frame depth: 5 1/2 inches (14 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Henry Joseph Campotosto (Belgium, 1833-1910) A Very Fine Oil on Canvas "Walking the Baby Goat", depicting two young dutch girls by the grassy shore of a river bank, one standing holding a wicker basket and a leash to a resting baby goat, the youngest sitting next to her on a pile of branches tucking her pants, a pair of ducks and ducklings swimming by the tree lined river; within a later giltwood carved frame. Signed (l/r): Campotosto Henry. Circa: Brussels, 1870. Note: The artist is also known as Henri Campotosto Henry or Henri Campotosto was born in Brussels in 1833. He studied in Brussels at the Royal Academy des Beaux-Arts and painted some artworks with Eugène Verboeckhoven (Belgium, 1798-1881). He received a 1st Class Medal at the Academy of Brussels and an honorable mention at the Paris Exhibition of 1860. In 1871 he moved to London with his family and remained there for life. He exhibited his work at the Royal Academy Exhibition until 1874 and at the Suffolk Street Gallery from 1878. In 1880 he took part in the Berlin Academy Exhibition. His daughter Octavia also became a painter, visited Italy, and showed her paintings at the Royal Academy from 1871 to 1874. Henri Campotosto died in London in 1910. High Sales: Christie's New York - Property from an American Collection, "The Bird's Nest" - Lot 247 on October 22, 2008, Sold for $37,500 Bonhams London - 19th Century European, Victorian and British Impressionist Art on 28 September 2016 - Lot 33 "Gathering flowers" Sold for £25,000 ($33,750 USD) Museums: The British Museum - Print of two girls and a lamb and print of two girls by a river bank Literature • E. Benezit Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs by Librairie Gründ - 1976 Edition - Volume 2, Page 488. • Maurice W...

Stunning continental view possibly venice, Italy. Watercolour on Artists board, last quarter of the 19th century. Depicting Mountainous and Landscape views with three ladies...

An eye catching classic Hermes silk scarf shown in an elegant custom gilt wood frame. Makes a graphic luxurious piece of art. The scarf is i...

An exceptional and very high quality pair of French 19th century Louis XVI st. Belle Époque period giltwood and patinated bronze decorative wall plaques. Each impressive plaque is fr...

Mesmerizing French still life oil painting on board. The midcentury painting depicts a pheasant on a tablecloth with green cabbage. Amazing detail and brushwork set in a distressed g...

A beautiful pair of antique Victorian gilt framed oil paintings. These are signed by the well known artist George Jennings, they date from around the l...

A black-yellow, dark green antique Austrian still life oil on canvas painting depicting a clear glass vase with many flowers painted by Franz Xaver Pieler in a hand carved, original gilded wood frame, in good condition. The colorful painting depicts a dining table in a DIM room, representing the 19th...

A very handsome Italian 18th century white Carrara marble and giltwood plaque. This finely carved white Carrara marble plaqu...

Mid-century modern portrait painting of a bearded man on board by Pascal Cucaro. Beautifully painted on textured masonite board with oil. Site measuring 3.5 inches wide and 7.5 inche...

Fireplace in gilded wood of the 19th century Elegant gilded wooden fireplace from the 19th century in the gothic style. Measures: 150x135x50 cm.