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Hand-Carved Decorative Art

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Technique: Hand-Carved
Large Masterly Carved Swiss Black Forest Nutwood Chalet with Clock and Music Box
Located in Lisse, NL
Top quality, hand carved and truly impressive antique clock with 8 music melodies. Over the years we have had the pleasure of owning and selling a number of beautiful Black Forest antiques, but never did we come accross a 19th century Black Forest clock with musical box of this size and with such amazing natural details and patina AND with the original clock and music box inside. And if that was not enough, this finest of Black Forest clocks is top quality carved from top to bottom in the form of a detailed Swiss chalet. Mind you, this very rare antique clock is entirely hand carved out of nutwood only, which is another sign of the quality of the workmanship and the richness of materials. We have added a large variety of photos so that you can see the many incredibly detailed parts of this Swiss chalet, such as the roof and chimney, the many doors, the stacked lumber outside, the doghouse, the outhouse on the side, the striking balconies, the goose sticking its head out through the balcony, the picked fence, the ladder going up to the barn loft, the clock inside the facade of the house, the music box cilinder in the base etc etc. This antique clock from the 1800s really comes with the most realistically carved chalet house you will ever see. To us, that too is a sign that this Black Forest music box...
Category

Late 19th Century Swiss Black Forest Antique Hand-Carved Decorative Art

Materials

Brass, Iron, Enamel

Two Dice Set - Made in Wood and Malachite
Located in Barranquilla, Atlántico
Our Two Dice Set features two 6cm wooden dice with delicate malachite inlays. Elevate your game nights with these stylish, handcrafted gems. Celebrating the exquisite art of woodwork...
Category

2010s Colombian Hand-Carved Decorative Art

Materials

Malachite

Small and Delicately Carved and Lacquered Giltwood Panel from France, 19th C.
Located in Dallas, TX
More information coming soon… Dating to the 1800s, this small French panel has delicate carvings that have been lacquered with gilding. The gilded elements form a wonderful foliate...
Category

19th Century French Antique Hand-Carved Decorative Art

Materials

Wood, Giltwood, Lacquer

Large & Impressive Oil on Canvas "Madonna & Child" After Murillo - V. Bianchini
By Bartolomé Esteban Murillo
Located in Los Angeles, CA
A Large and Impressive Early 20th Century Oil on Canvas "Madonna and Child" After Bartolomé Esteban Murillo (Spanish, 1618-1682) depicting a seated Virgin Mary with a baby Jesus Chri...
Category

1910s Italian Baroque Vintage Hand-Carved Decorative Art

Materials

Canvas, Giltwood

Mid Century Modern Decorative Carved Teak Relief Wall Art, 1950’s Set of 2
Located in New Orleans, LA
An unusual pair of Mid-Century Modern framed base reliefs depicting a man and a woman dancing, dating from the 1950’s, the pair reflect the festive and happy mood after WWII. Carve...
Category

1950s American Mid-Century Modern Vintage Hand-Carved Decorative Art

Materials

Rattan, Wood

18th - 19th Century Italian Walnut Rococo Carved Wall - Antique Ceiling Panel
Located in West Palm Beach, FL
A large Italian ceiling panel made of hand crafted Walnut, enhanced with caryatid and acanthus scrolls, in good condition. The antique wall relief, décor represents the Rococo time period...
Category

Late 18th Century Italian Rococo Antique Hand-Carved Decorative Art

Materials

Walnut

19th Century French Antique Round Wooden Clock - Napoleon III Large Wall Décor
Located in West Palm Beach, FL
This impressive round antique French clock face dates to the Napoleon III period, circa 1890, and is a rare surviving example of 19th-century French craftsmanship. Beautifully hand-c...
Category

Late 19th Century French Napoleon III Antique Hand-Carved Decorative Art

Materials

Metal

Charming Bavarian Girl and Sunflower, Black Forest Nursery Wall Decoration
Located in Rothley, Leicestershire
Absolutely charming, large wood carving of a young Bavarian girl and sunflower wall decoration This substantial wall hanging is two feet in length, ...
Category

1950s German Black Forest Vintage Hand-Carved Decorative Art

Materials

Wood

Large Arts & Crafts Hand-Carved Nutwood Barometer with Thermometer, Early 1900s
Located in Lisse, NL
This rare and decorative early 20th-century Arts & Crafts wall barometer and thermometer is a striking testament to Dutch craftsmanship. Hand-carved from a single solid piece of rich...
Category

Early 20th Century European Arts and Crafts Hand-Carved Decorative Art

Materials

Metal, Brass

Spanish Hand-Carved Walnut Wood Decorative Wall Panel with Foliage Motifs
Located in Barcelona, ES
Wall Panel / Headboard in Walnut, Spain, 1940s This architectural wall panel features beautifully handcarved foliage details thorough. To be used as wall decoration or headboard. Te...
Category

20th Century Spanish Neoclassical Revival Hand-Carved Decorative Art

Materials

Walnut

Pair of Antique French Carved Pine Panels
Located in Bridgeport, CT
Pair of very decorative Antique French Carved Pine Panels featuring center medallions with musical instruments, sheet music and floral/foliate motifs. Framed with raised moldings and carved leafy scrolls. Likely door insets from an Armoire...
Category

19th Century French French Provincial Antique Hand-Carved Decorative Art

Materials

Pine

Very Fine Carved Bird-Head Antique Walking Stick Cane
Located in Shippensburg, PA
CARVED WALKING STICK WITH AVIAN HANDLE Probably English or Continental, circa early 20th century 34 3/8" H x 1" D x 4 5/8" W This finely carved walking stick features a carefully d...
Category

Early 20th Century Victorian Hand-Carved Decorative Art

Materials

Hardwood

African Painted Wooden Masks
Located in Queens, NY
4 African style carved and painted wooden masks with straps for wall hanging (PRICED EACH)
Category

20th Century African Tribal Hand-Carved Decorative Art

Materials

Wood

Attributed to Giorgio Lucchesi, Oil on Canvas "Madonna & Child" After Murillo
By Bartolomé Esteban Murillo
Located in Los Angeles, CA
Attributed to Giorgio Lucchesi (1855-1941) A large and impressive early 20th century oil on canvas "Madonna and Child" after Bartolomé Esteban Murillo...
Category

1910s Italian Baroque Vintage Hand-Carved Decorative Art

Materials

Canvas, Giltwood

After Raffaello Sanzio 1483-1520 Raphael La Madonna Della Seggiola Oil on Canvas
Located in Los Angeles, CA
A fine Italian 19th century oil painting on canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Ma...
Category

Late 19th Century Italian Baroque Antique Hand-Carved Decorative Art

Materials

Canvas, Giltwood

African Vintage Shield, Tribal Wall Art, SONGYE SHIELD, Congo, Mid 20th Century
Located in Odense, DK
The Songye Shield is a striking example of African tribal art from the Congo, dating back to the mid-20th century. This shield, traditionally used by the Songye people for protection...
Category

Late 19th Century Congolese Primitive Antique Hand-Carved Decorative Art

Materials

Wood

Pair of Brass Etchings
Located in New York, NY
Pair of circa 1950s English Montgolfier etchings with wood frames. Measurements: Height: 18.75" Width: 14.5" Depth: 1.5".
Category

1950s English Vintage Hand-Carved Decorative Art

Materials

Brass

19th Century French Still Life Oil on Canvas Painting by Dominique Hubert Rozier
By Dominique Hubert Rozier
Located in West Palm Beach, FL
A pink-yellow, antique French still life oil on canvas painting, depicting a white ceramic vase with many roses, painted by Dominique Hubert Rozier in a handcrafted, original gilded ...
Category

Late 19th Century French Antique Hand-Carved Decorative Art

Materials

Canvas, Giltwood

Vintage Ceramic Jeziorna Polish Pottery Plate Bolesławiec 1960s Poland
Located in Moreno Valley, CA
Vintage Ceramic Jeziorna Polish Pottery Plate Bolesławiec 1960s Poland. Vintage handcrafted ceramic pottery decorative wall plate. Gorgeous carved and hand-painted pottery plate with...
Category

Mid-20th Century Polish Scandinavian Modern Hand-Carved Decorative Art

Materials

Ceramic, Pottery

Italian 17th Century Oil on Canvas Head of Christ Crowned with Thorns, Mignard
By (circle of) Pierre Mignard
Located in Los Angeles, CA
A very fine Italian 17th century oval oil on canvas "Head of Christ Crowned with Thorns" Circle of Pierre Mignard (French, 1612-1695) within...
Category

17th Century French Baroque Antique Hand-Carved Decorative Art

Materials

Canvas, Giltwood

20th Century Blue-Green Abstract Books, French Painting by Daniel Clesse
Located in West Palm Beach, FL
A French blue, green abstract portrait of books, oil on wood in canvas by Daniel Clesse, painted in France, signed and dated in 1964. Measures: Without the frame: 18" H x 21.5" W x ...
Category

Mid-20th Century French Mid-Century Modern Hand-Carved Decorative Art

Materials

Canvas, Wood, Paint

17th Century Spanish Colonial Cusco School Painting
Located in Middleburg, VA
A rare and evocative example of Spanish Colonial art from the Cusco School, this 17th-century oil on wood panel captures the iconic biblical scene of Sain...
Category

17th Century Peruvian Antique Hand-Carved Decorative Art

Materials

Wood, Paint, Giltwood

17th - 18th Century Portuguese Baroque Pine Wall Relief - Antique Décor Panel
Located in West Palm Beach, FL
An antique Portuguese wall relief or sopra porte made of Pinewood, in good condition. The Baroque wall panel was hand carved and is richly ornate wi...
Category

Late 17th Century Portuguese Baroque Antique Hand-Carved Decorative Art

Materials

Pine, Giltwood

20th Century Dark-Blue French Abstract Still Life Painting by Daniel Clesse
Located in West Palm Beach, FL
A 20th century dark-blue abstract still life by Daniel Clesse, painted in Montpellier, France in 1976. Daniel Clesse was a French painter born in 1932, in Paris, France and passed a...
Category

Late 20th Century French Mid-Century Modern Hand-Carved Decorative Art

Materials

Wood, Paint

18th Century Italian Rococo Carved Frieze Wall Panel - Antique Oakwood Door
Located in West Palm Beach, FL
An antique Italian frieze panel with flowers, vines and leaves, made of hand crafted Oakwood in good condition. The vertical door features two hand crafted round metal door pulls...
Category

Late 18th Century Italian Rococo Antique Hand-Carved Decorative Art

Materials

Oak

18th Century Swedish Gustavian Pair of Gilded Wood Wall Glass Mirrors
Located in West Palm Beach, FL
A gold, antique Swedish Gustavian pair of wall mirrors made of hand crafted gilded wood with its original mirrored glass, in good condition. The Scandinavian wall décor...
Category

18th Century Swedish Gustavian Antique Hand-Carved Decorative Art

Materials

Glass, Mirror, Giltwood

Evelyn Ackerman Carved Redwood Panel for Panelcarve, circa 1950s
By Evelyn Ackerman, Panelcarve
Located in Cathedral City, CA
Evelyn Ackerman Carved Redwood Panel for Panelcarve, circa 1950s. Features a bird, ram and frog in typical Ackerman style. Measures 36" wide, 12" high and 1" deep. Stamped "copyrig...
Category

Mid-20th Century American Mid-Century Modern Hand-Carved Decorative Art

Materials

Wood

After Raffaello Sanzio 1483-1520 Raphael La Madonna della Seggiola Oil on Canvas
Located in Los Angeles, CA
A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved two-tone gilt wood, gilt-patinated and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. Circa: 1890-1900. Subject: Religious painting Painting diameter: 28 inches (71.1 cm) Frame height: 55 1/8 inches (140 cm) Frame width: 46 inches (116.8 cm) Frame depth: 5 1/8 inches (13 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...
Category

Early 1900s Italian Baroque Antique Hand-Carved Decorative Art

Materials

Canvas, Giltwood

20th-Century Chinese Carved 8 Immortal Figures Wooden Panels -Wall Hanging set
Located in Pomona, CA
This is a set of 4 panels of Chinese open carved wooden panels. They were made from Camphor wood which has its unique fragrant and keep the bugs away, solid and sturdy. It features beautiful detailed open carved Chinese traditional...
Category

20th Century Chinese Chinese Export Hand-Carved Decorative Art

Materials

Wood

20th Century French Eagle with Spread Wings made of Bronze and Signed JP
Located in Sofia, BG
Bronze wall decoration representing an eagle with wide open wings made of bronze. There is signature JP at the back of both wings. France, circa 1900.
Category

Early 20th Century French Hand-Carved Decorative Art

Materials

Bronze

French Louis XVI 18th Century Painted and Hand Carved Wooden Boiserie Panel
Located in Atlanta, GA
A French Louis XVI period painted and hand carved wooden boiseries panel from the late 18th century, with monogram, swag and fruit motifs. Born in France during the second half of the 18th century, this exquisite painted boiseries features a central monogram set inside an oval medallion, accented with a swag adorned with delicate fruits in its extremities. Ribbon-tied at the top, the carved panel charms us with its perfectly harmonious décor and soft color, framed with rais-de cœur motifs. Hung anywhere in a room, perhaps above a chest-of-drawers, side table or credenza, this Louis XVI 18th century painted...
Category

18th Century French Louis XVI Antique Hand-Carved Decorative Art

Materials

Wood

20th Century Grey-Brown French Landscape Painting by Daniel Clesse
Located in West Palm Beach, FL
A French painting, self-portrait on wood by Daniel Clesse, painted in Paris, France, signed and dated circa in 1963. Daniel Clesse was a French pain...
Category

Mid-20th Century French Mid-Century Modern Hand-Carved Decorative Art

Materials

Canvas, Wood, Paint

20th Century Dark-Blue Abstract Interior, French Painting by Daniel Clesse
Located in West Palm Beach, FL
A dark-blue, black abstract interior with chairs and window surround, oil on wood in canvas on a blue frame by Daniel Clesse, painted in France, signed and dated circa in 1970. Dani...
Category

Mid-20th Century French Mid-Century Modern Hand-Carved Decorative Art

Materials

Canvas, Wood, Paint

Large, Good Condition and Stylish Antique English Victorian Oak Wall Barometer
Located in Lisse, NL
Stunning design and top quality executed antique barometer. This late 19th-early 20th century, English manufactured wall barometer has everything that makes an antique worthwhile. F...
Category

Early 20th Century English Victorian Hand-Carved Decorative Art

Materials

Brass

Hand-Painted Tibetan Monastery Door Panel, 1890
Located in Brescia, Brescia
An extraordinary 19th-century Tibetan monastery door panel, dating to circa 1890, originally used as a chamber door for monks. This unique piece is a vibrant expression of Himalayan ...
Category

1890s Tibetan Tibetan Antique Hand-Carved Decorative Art

Materials

Wood

19th Century Oil on Canvas Bacchante Group Attributed to Leopold Schmutzler
Located in Los Angeles, CA
A large 19th century oil on canvas Bacchante group depicting two allegorical young semi-nude maidens dancing with pan, attributed to Leopold Schmutzler...
Category

Early 20th Century German Greco Roman Hand-Carved Decorative Art

Materials

Canvas, Giltwood

Bat Plaque
Located in Palm Beach, FL
Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...
Category

Early 1900s French Art Nouveau Antique Hand-Carved Decorative Art

Materials

Fruitwood

Pair of Tramp Art Frames With Botanical By Karl Blossfeldt
Located in Stamford, CT
A pair of botanical photogravures by Karl Blossfeldt (German, b. 1914 - d. 1932), "Urformen der Kunst", First Edition 1929, Berlin. Mounted in a wonderful pair of chip carved Tramp A...
Category

Early 20th Century German Folk Art Hand-Carved Decorative Art

Materials

Wood, Paper

Rare Abstract Mid Century Ceramic Mosaic Tile Wall Art! Teak Frame. 1950s Table
Located in Peoria, AZ
SUPERB ! MID-CENTURY MODERN ABSTRACT HANDCRAFTED TILE MOSAIC DIMENSIONS: Approx. 26" by 14" Dated 1953 This magnificent mosaic wall art work is...
Category

1950s American Mid-Century Modern Vintage Hand-Carved Decorative Art

Materials

Ceramic, Teak

Decorative Fine Carved Wood Wall Panel
Located in Germantown, MD
Decorative Fine Carved Wood Wall Panel Measures 45" in width, 20" in height
Category

20th Century Unknown Primitive Hand-Carved Decorative Art

Materials

Wood

Art Nouveau Fruitwood Bat Plaque by Gabriel Viardot
Located in Palm Beach, FL
Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...
Category

Early 1900s French Art Nouveau Antique Hand-Carved Decorative Art

Materials

Fruitwood

Gothic hand sculpted oak panel in oak, Belgium 17th century
Located in Meulebeke, BE
Belgium / 17th century / wooden sculpted panel / oak / Gothic / Rustic / Antique A panel in oak wood enriched with Gothic carvings. Hand carved in Belgium in the 17th century. This ...
Category

17th Century Belgian Gothic Antique Hand-Carved Decorative Art

Materials

Oak

Anglo-Indian Zoological Silkwork Embroidery in Original Ebony Frame, circa 1840
Located in Kinderhook, NY
An exquisite and rare large scale circa 1840 zoological silkwork embroidery picture of native Indian reptiles and amphibians feeding on butterflies in native flora and fungi, depicti...
Category

Mid-19th Century Indian Anglo-Indian Antique Hand-Carved Decorative Art

Materials

Silk, Blown Glass, Ebony

Large Starck Andersen 1950s Black, White Ceramic Wall Plate Centerpiece
Located in Copenhagen, DK
Danish modernist decorative plate / wall decoration / centerpiece with strong graphic decor from the Tribal Harlekin series by ceramic artist Marianne Starck (1931-2007). Shiny bone white glaze with hand-carved sgraffito graphic lines and patterns in raw anthracite colored clay...
Category

Mid-20th Century Danish Scandinavian Modern Hand-Carved Decorative Art

Materials

Pottery, Ceramic, Stoneware

19th Century Carved Armorial Plaque
Located in High Point, NC
19th century hand carved armorial. The plaque is shaped as a shield and carved upon it are a knight's head with plumes of feathers in his armor, over ...
Category

19th Century English Antique Hand-Carved Decorative Art

Materials

Oak

18th - 19th Century Swedish Gustavian Antique Gilded Pine Wall Glass Mirror
Located in West Palm Beach, FL
A late 18th Century, antique Swedish Gustavian rectangular wall mirror with its original mirrored glass and blue color paint, made of hand crafted gilded Pinewood, in good condition....
Category

Late 18th Century Swedish Gustavian Antique Hand-Carved Decorative Art

Materials

Mirror, Pine, Giltwood

19th Century French Still Life Oil Painting of Flowers by Eugène Henri Cauchois
Located in West Palm Beach, FL
A pink-white, antique French still life oil on canvas painting depicting a working table with a yellow teapot vase with flowers, painted by Eugène Henri ...
Category

Late 19th Century French Antique Hand-Carved Decorative Art

Materials

Canvas, Giltwood

17th - 18th Century Portuguese Pair of Antique Baroque Pinewood Wall Reliefs
Located in West Palm Beach, FL
An antique pair of Portuguese Baroque hand carved Pinewood architectural wall reliefs with richly ornate detailed scrolls, Acanthus leaves and masks, in good condition. Original pain...
Category

Late 17th Century Portuguese Baroque Antique Hand-Carved Decorative Art

Materials

Pine

Oceanic Vintage Shield, Tribal Wall Art, Papua New Guinea, Late 19th Century
Located in Odense, DK
A large decorative and rare hand carved tribal war shield in traditional colors, made in Papua New Guinea in the late 19th century. Functional as beautiful ...
Category

Late 19th Century Papua New Guinean Primitive Antique Hand-Carved Decorative Art

Materials

Wood, Paint

After Raffaello Sanzio 1483-1520 Raphael La Madonna della Seggiola Oil on Canvas
Located in Los Angeles, CA
A fine Italian 19th century oil painting on canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520) The circular canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame (all high quality gilt is original) which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting, circa 1890-1900. Subject: Religious painting Measures: Canvas height: 29 1/4 inches (74.3 cm) Canvas width: 29 1/4 inches (74.3 cm) Painting diameter: 28 1/4 inches (71.8 cm) Frame height: 57 7/8 inches (147 cm) Frame width: 45 1/2 inches (115.6 cm) Frame depth: 5 1/8 inches (13 cm).   Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...
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