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Hand-Carved Decorative Art

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Technique: Hand-Carved
17th - 18th Century Portuguese Baroque Pine Wall Relief - Antique Décor Panel
Located in West Palm Beach, FL
An antique Portuguese wall relief or sopra porte made of Pinewood, in good condition. The Baroque wall panel was hand carved and is richly ornate wi...
Category

Late 17th Century Portuguese Baroque Antique Hand-Carved Decorative Art

Materials

Pine, Giltwood

Two Dice Set - Made in Olive Wood and Malachite
Located in Barranquilla, Atlántico
Our Two Dice Set features two 6cm wooden dice with delicate malachite inlays. Elevate your game nights with these stylish, handcrafted gems. Celebrating the exquisite art of woodwork...
Category

2010s Colombian Hand-Carved Decorative Art

Materials

Malachite

17th Century Italian Carved Panels
Located in Atlanta, GA
A distinguished 17th Century Italian carved wooden panel, showcasing the artistry and craftsmanship of the Baroque period. The panel is meticulously carved with an intricate design f...
Category

17th Century Italian Baroque Antique Hand-Carved Decorative Art

Materials

Walnut

20th Century Blue-Green Abstract Books, French Painting by Daniel Clesse
Located in West Palm Beach, FL
A French blue, green abstract portrait of books, oil on wood in canvas by Daniel Clesse, painted in France, signed and dated in 1964. Measures: Without the frame: 18" H x 21.5" W x ...
Category

Mid-20th Century French Mid-Century Modern Hand-Carved Decorative Art

Materials

Canvas, Wood, Paint

A Study of Thomas Gainsborough's Portrait Of The Welsh Actress Sarah Siddons
Located in New Orleans, LA
A charming later Victorian textured canvas applied to wood, study of Thomas Gainsborough's three-quarter portrait of the Welsh actress Sarah Siddons, presented in a period Ebonized c...
Category

1890s English Late Victorian Antique Hand-Carved Decorative Art

Materials

Canvas, Wood, Giltwood

Italian 17th Century Still Life Painting in Period Carved Gilt Frame
Located in Vero Beach, FL
Italian 17th century still life painting in period carved gilt frame Italian school still life painting from the workshop of a great master. The 17th century Baroque painting in oil...
Category

17th Century Italian Baroque Antique Hand-Carved Decorative Art

Materials

Canvas, Giltwood

Anglo-Indian Zoological Silkwork Embroidery in Original Ebony Frame, circa 1840
Located in Kinderhook, NY
An exquisite and rare large scale circa 1840 zoological silkwork embroidery picture of native Indian reptiles and amphibians feeding on butterflies in native flora and fungi, depicti...
Category

Mid-19th Century Indian Anglo-Indian Antique Hand-Carved Decorative Art

Materials

Silk, Blown Glass, Ebony

19th Century Oil on Canvas Bacchante Group Attributed to Leopold Schmutzler
Located in Los Angeles, CA
A large 19th century oil on canvas Bacchante group depicting two allegorical young semi-nude maidens dancing with pan, attributed to Leopold Schmutzler...
Category

Early 20th Century German Greco Roman Hand-Carved Decorative Art

Materials

Canvas, Giltwood

20th Century French Eagle with Spread Wings made of Bronze and Signed JP
Located in Sofia, BG
Bronze wall decoration representing an eagle with wide open wings made of bronze. There is signature JP at the back of both wings. France, circa 1900.
Category

Early 20th Century French Hand-Carved Decorative Art

Materials

Bronze

Vintage Ceramic Jeziorna Polish Pottery Plate Bolesławiec 1960s Poland
Located in Moreno Valley, CA
Vintage Ceramic Jeziorna Polish Pottery Plate Bolesławiec 1960s Poland. Vintage handcrafted ceramic pottery decorative wall plate. Gorgeous carved and hand-painted pottery plate with...
Category

Mid-20th Century Polish Scandinavian Modern Hand-Carved Decorative Art

Materials

Ceramic, Pottery

Pair of 18th Century Architectural Panels with Swags Hand Carved in Low-Relief
Located in Atlanta, GA
A pair of French hand carved wooden decorative panels from the 18th century, with ribbon-tied swags, flowers and fruits. Born in France during the Age of Enlightenment, each of this ...
Category

18th Century French Antique Hand-Carved Decorative Art

Materials

Wood

Antique Hand Carved Black Forest Game Hunter's Bag with Woodcock, Rifle & Horn
Located in Rothley, Leicestershire
Black Forest antique hand carved miniature wall pocket of a fringed game hunter's bag with woodcock, rifle and horn Rich, dark patina and very we...
Category

Early 20th Century German Black Forest Hand-Carved Decorative Art

Materials

Oak

19th Century French Painted Paper Fan with Box
Located in Brea, CA
This ornate, antique paper hand fan was crafted in France, circa 1850. the one side showing a candlelit interior where Gallant scene on the reverse with a box but no glass of box. Se...
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1850s French French Provincial Antique Hand-Carved Decorative Art

Materials

Paper

Orientalist Painting Wall Art Arab Market Scene Dutch G. Huijsser Antique Frame
Located in West Hollywood, CA
Orientalist Painting Wall Art Arab Market Scene Dutch G. Huijsser Antique Frame. Very nice oil on cardboard by Gerard Huijsser, Dutch painter, depicting a gathering of people in a or...
Category

Early 20th Century Dutch Hand-Carved Decorative Art

Materials

Wood, Giltwood

18th Century Italian Gilded Tabernacle Door with Baroque Pearls
Located in Dublin, Dalkey
18th century Italian hand-carved and gilded tabernacle door adorned with baroque pearls. This door once belonged on a tabernacle which served the eucharist in a church. It has a heav...
Category

18th Century Italian Rococo Antique Hand-Carved Decorative Art

Materials

Gold Leaf

After Raffaello Sanzio 1483-1520 Raphael La Madonna della Seggiola Oil on Canvas
Located in Los Angeles, CA
A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved two-tone gilt wood, gilt-patinated and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. Circa: 1890-1900. Subject: Religious painting Painting diameter: 28 inches (71.1 cm) Frame height: 55 1/8 inches (140 cm) Frame width: 46 inches (116.8 cm) Frame depth: 5 1/8 inches (13 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...
Category

Early 1900s Italian Baroque Antique Hand-Carved Decorative Art

Materials

Canvas, Giltwood

17th - 18th Century Portuguese Pair of Antique Baroque Pinewood Wall Reliefs
Located in West Palm Beach, FL
An antique pair of Portuguese Baroque hand carved Pinewood architectural wall reliefs with richly ornate detailed scrolls, Acanthus leaves and masks, in good condition. Original pain...
Category

Late 17th Century Portuguese Baroque Antique Hand-Carved Decorative Art

Materials

Pine

Rarest Arts & Crafts Crafted Picture Frame with Litho, Christ Carrying His Cross
Located in Lisse, NL
Exceptionally hand-crafted picture frame with station of the cross lithograph by Eugene Jouy 'Editeur'. This handcrafted antique frame is in a style that we have never seen before a...
Category

Mid-19th Century French Gothic Antique Hand-Carved Decorative Art

Materials

Glass, Wood, Paper, Oak, Ash

Pair of 17th Century Medieval Style Carved Oak Panels
Located in Wormelow, Herefordshire
A pair of 17th century medieval style carved oak panels, sourced from an ex private collection of a 17th century manor in East Anglia. The pair showcase handcarved knights standing ...
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Mid-17th Century English Jacobean Antique Hand-Carved Decorative Art

Materials

Wood, Oak

19th century Gilded Wooden Barometer-thermometer By Benard In Provins France
By Benard 2
Located in RUEIL-MALMAISON, FR
Elegant Louis XVI style barometer by Bénard à Provins in gilded and green lacquered wood, carved, decorated with knotted ribbons, foliage and garlands. French work signed Bénard à P...
Category

19th Century French Louis XVI Antique Hand-Carved Decorative Art

Materials

Glass, Giltwood

Decorative Hand Carved Wood-Sculpture, Midcentury, Danish Cabinetmaker, 1970s
Located in Odense, DK
A fine unique wooden sculptural wall decoration. Hand Carved motifs, made by a Danish Cabinetmaker in the 1970s. Nice texture and dimensions in this vintage piece, it can be used as ...
Category

Mid-20th Century French Organic Modern Hand-Carved Decorative Art

Materials

Wood, Pine

17th Century Italian Architectural Fragment with Carnelian Pebbles and Raw Agate
Located in Dublin, Dalkey
17th century Italian hand-painted ecclesiastical architectural element adorned with carnelian pebbles, gold-plated crystals, blue and yellow raw agate, and b...
Category

17th Century Italian Baroque Antique Hand-Carved Decorative Art

Materials

Agate, Quartz, Rock Crystal, Metal, Gold Leaf

Carved Wood and Polychromed Gold Gilded Mirror, 18th Century, Rococo
Located in North Miami, FL
A Palatial and Museum quality Italian 18th century Florentine Rococo gilt wood carved mirror frame. The ornately carved frame with scrolls and a...
Category

18th Century Rococo Antique Hand-Carved Decorative Art

Materials

Gold Leaf

Pair of Antique French Carved Pine Panels
Located in Bridgeport, CT
Pair of very decorative Antique French Carved Pine Panels featuring center medallions with musical instruments, sheet music and floral/foliate motifs. Framed with raised moldings and carved leafy scrolls. Likely door insets from an Armoire...
Category

19th Century French French Provincial Antique Hand-Carved Decorative Art

Materials

Pine

Coppia di Decorazioni da Parete Italiane Rococò 1750 Intaglio Fogliato e Dorato
Located in Milano, MI
Coppia di Fregi Dorati Italiani 1750 circa Intaglio Rococò a Volute, dorate in foglia d'oro su una preparazione di bolo rosso armeno. Sono molto probabilmete cimase di specchiere a...
Category

Mid-18th Century Italian Rococo Antique Hand-Carved Decorative Art

Materials

Gold Leaf

Unique Art Nouveau L'ecole Nancy Style Carved Wall Clock Thermometer & Barometer
Located in Lisse, NL
Early 20th century, good size Art Nouveau wall clock. This antique weather station hand carved and stunning Art Nouveau clock has a beautiful...
Category

Early 20th Century French Art Nouveau Hand-Carved Decorative Art

Materials

Glass, Wood

Eugène Galien-Laloue "Theatre du Chatelet" Watercolor and Gouache
Located in Los Angeles, CA
Eugène Galien-Laloue (1854-1941) "Theatre du Chatelet" watercolor and gouache on paper signed 'E Galien Laloue' lower left, within a giltwood and gesso c...
Category

Early 1900s French Belle Époque Antique Hand-Carved Decorative Art

Materials

Glass, Giltwood, Paper

19th Century French Painted Silk of Mother of Pearl Fan with Frame Case
Located in Brea, CA
19th Century French painted silk of mother of pearl fan, shadow-box framed antique ladies fan, made of mother of pearl with gold leaf on the outer ...
Category

1850s French French Provincial Antique Hand-Carved Decorative Art

Materials

Mother-of-Pearl

Optional Omniscience & Snake Got Your Tongue, Carved Porcelain Wall Sculpture.
By Alex Hodge
Located in Miami Beach, FL
Optional Omniscience & Snake Got You, Diptych, 2019 by Alex Hodge Carved porcelain Overall size: Height: 10 in x Width: 19.5 in x Depth: 0.5 in Optional Omniscience: Height: 10 in x...
Category

2010s American Modern Hand-Carved Decorative Art

Materials

Porcelain, Paint

Earnest Eve, Portrait, Carved Porcelain Wall Sculpture.
By Alex Hodge
Located in Miami Beach, FL
Hodge poetic porcelain plates examine and reimagine the history of art in a way that values ​​women not only in body, but in wholeness, power, and love. Focusing on the narrative qua...
Category

2010s American Modern Hand-Carved Decorative Art

Materials

Porcelain, Paint

1950s Carved Wood African Mask
Located in Tarrytown, NY
1950s Carved Wood African Mask Chip in the back as shown
Category

1950s Vintage Hand-Carved Decorative Art

Materials

Wood

20th-Century Chinese Carved 8 Immortal Figures Wooden Panels -Wall Hanging set
Located in Pomona, CA
This is a set of 4 panels of Chinese open carved wooden panels. They were made from Camphor wood which has its unique fragrant and keep the bugs away, solid and sturdy. It features beautiful detailed open carved Chinese traditional...
Category

20th Century Chinese Chinese Export Hand-Carved Decorative Art

Materials

Wood

Large Italian Silver and Gold Giltwood Architectural Element, 19th Century
Located in San Francisco, CA
A large hand carved wood basket of fruit decorative element with silver and gold gilt. Early 19th century, possibly 18th century. The paint is older but not original.
Category

19th Century Italian Antique Hand-Carved Decorative Art

Materials

Wood

17th Century Portuguese Baroque Gilded Pinewood Wall fragment - Antique Décor
Located in West Palm Beach, FL
A single, antique Portuguese Baroque architectural wall fragment or sconce made of hand carved partly gilded Pinewood, in good condition. Authentic and naturally aged patina. Minor f...
Category

17th Century Portuguese Baroque Antique Hand-Carved Decorative Art

Materials

Pine, Giltwood

Gilt wood Framed Triumph of the Children relief plate, "Biggs & Sons, London"
Located in Nuernberg, DE
A beautiful, vintage alabaster handmade plate, framed with glass and gilt wood. Measuring 11.75" wide, 1.63" deep and 10" high. Displayed in a period giltwood frame. Image size, 4 1/...
Category

1950s German Arts and Crafts Vintage Hand-Carved Decorative Art

Materials

Metal

20th Century Dark-Blue French Abstract Still Life Painting by Daniel Clesse
Located in West Palm Beach, FL
A 20th century dark-blue abstract still life by Daniel Clesse, painted in Montpellier, France in 1976. Daniel Clesse was a French painter born in 1932, in Paris, France and passed a...
Category

Late 20th Century French Mid-Century Modern Hand-Carved Decorative Art

Materials

Wood, Paint

Art Nouveau Fruitwood Bat Plaque by Gabriel Viardot
Located in Chicago, US
Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...
Category

Early 1900s French Art Nouveau Antique Hand-Carved Decorative Art

Materials

Fruitwood

19th Century Dark-Grey French Antique Louis XV Style Pinewood Wall Glass Mirror
Located in West Palm Beach, FL
A French 19th Century Louis XV style mirror, carved in Pinewood with Gesso finish and gilded, in good condition. The frame has the typical Rocaille décor. The antique mirror has its ...
Category

Mid-19th Century French Louis XV Antique Hand-Carved Decorative Art

Materials

Mirror, Pine, Giltwood

French Three Panel Decorative Painted Canvas Screen with Musical Monkeys C. 1830
Located in Charleston, SC
French three panel decorative painted canvas folding screen with dogs playing in landscape scenes, perched musical monkeys, and foliage motif. Early 19th century.
Category

1830s French Louis Philippe Antique Hand-Carved Decorative Art

Materials

Canvas, Wood, Paint

Early Giovanni Battista Piranesi Castel Sant'Angelo Veduti Di Roma Wall Decor
Located in West Hollywood, CA
Early Giovanni Battista Piranesi Castel Sant'Angelo Veduti Di Roma Wall Décor . Large 18th Century Etching / Engraving Of The Views Of Rome An Early Print View...
Category

18th Century Italian Antique Hand-Carved Decorative Art

Materials

Wood, Paper

Vintage Pacific Northwest Coast Native Wooden Hawk Carving by William Wasden Jr
Located in Philadelphia, PA
A fine vintage Pacific Northwest Native wooden carving. The carving in the form of an hawk with red, black, white, and yellow tones set on a brown wooden board. By William Wasden Jr. Wasden was trained from a very young age in numerous artistic practices of the Kwakwa̱ka̱’wakw peoples including carving, jewelrymaking, and printing. As a high schooler, he began focusing primarily on preserving traditional singing after hearing his grandfather perform. Wasden currently teaches singing in Alert Bay on Cormorant Island, British Columbia. He also heads the Gwa'wina Dancer's Cultural Society, whose mission is to spread authentic Kwakwa̱ka̱’wakw culture & teachings. In Kwakwaka'wakw art, human faces are placed strategically on animal carvings to indicate the creature's supernatural ability to transform into a human form. Kwakwaka'wakw origin myths say that their ancestors were originally animals of various kinds who discarded their animal forms and transformed into humans. Simply a wonderful piece of Pacific Northwest Native art...
Category

20th Century American Native American Hand-Carved Decorative Art

Materials

Wood

Lovely Bakery Pie Hand Carved Folk Art Sign
Located in Buenos Aires, Olivos
Lovely Bakery Pie Hand Carved Folk Art Sign. The Age of it is not certain, it was a barn find. It´s a hand carved and painted sign. This pie-shaped sign is such a charming piece—it r...
Category

20th Century American Country Hand-Carved Decorative Art

Materials

Wood

Medieval Style Bas Relief in Polychrome Carved Wood, Spain, 1950s
Located in Barcelona, ES
Mid-Century Modern Medieval Inspired Bas Relief Wall Decoration in Polychromed Carved Wood. Spain, 1950s. Beautifully hand-carved bas relief depicting genre scene. Two standing men f...
Category

20th Century Spanish Mid-Century Modern Hand-Carved Decorative Art

Materials

Wood

Early Giovanni Battista Piranesi Castel Sant'Angelo Veduti Di Roma Wall Decor
Located in West Hollywood, CA
Early Giovanni Battista Piranesi Castel Sant'Angelo Veduti Di Roma Wall Decor . Large 18th Century Etching / Engraving Of The Ruins Of Rome An Early Print Of Castle Saint Angelo By G...
Category

18th Century Italian Antique Hand-Carved Decorative Art

Materials

Paper, Wood

Chinese Carved Wood Wall Art from a Hunting Tiger
Located in Antwerp, BE
A large 19th century Chinese carved wall plaque in wood features a hunting tiger on rocks with bamboo trees and the sun in the background. ...
Category

Mid-20th Century Chinese Chinese Export Hand-Carved Decorative Art

Materials

Wood

Antique Carved Wooden Angel Bracket Console from France, circa 1880
Located in Dallas, TX
Hand-carved in France, circa 1880, this wooden bracket console features a wonderfully executed winged angel beneath an angular entablature. The innocent visage of the cherub is augme...
Category

1880s French Antique Hand-Carved Decorative Art

Materials

Wood

Early 20th Century Flemish Spaniel Pyrography Panel
Located in Chicago, IL
This early 20th-century Flemish low-relief panel showcases the exquisite artistry of pyrography, a technique where designs are burned into wood using a heated tool. Here, two hunting spaniels adorned with studded collars and leashes are meticulously rendered, their lively expressions captured with remarkable detail. Surrounding them is an intricately carved Art Nouveau style frame, adding an extra layer of elegance to the composition. During the latter part of the 19th and early 20th centuries, pyrography experienced a surge in popularity, particularly in Europe and America. Its appeal lay in the ability to create intricate designs with depth and texture, resembling fine etchings or engravings. Pyrography was often employed to decorate furniture, household items, and decorative panels like this one, serving as both functional art and a testament to the skill of the craftsman. Today, pieces like this Flemish panel...
Category

Early 20th Century Belgian Art Nouveau Hand-Carved Decorative Art

Materials

Wood

Pair of Pyrographed Panels, The Seasons: Autumn & Winter, Art Nouveau, France
Located in VÉZELAY, FR
Pair of Pyrographed Panels – The Seasons: Autumn & Winter – Art Nouveau, France, circa 1900 An elegant Belle Époque diptych, this pair of pyrographed panels delicately embodies the...
Category

Early 1900s French Art Nouveau Antique Hand-Carved Decorative Art

Materials

Wood

20th Century Asian Oversized Tropical Wood Buddha Head - Vintage Wall Sculpture
Located in West Palm Beach, FL
An oversized antique Asian Buddha head made of hand crafted tropical Hardwood and finished with gilded detailing, in good condition. This large scale wall mounted decorative sculptur...
Category

Early 20th Century Burmese Art Deco Hand-Carved Decorative Art

Materials

Wood, Giltwood

Hand-Carved & Painted Wooden Tribal Mask
Located in Miami, FL
A hand-carved, hand-painted wooden tribal mask. Hand-carved and painted this decorative mask that would look great in a western or country themed ...
Category

20th Century American Tribal Hand-Carved Decorative Art

Materials

Wood, Paint

Self Portrait of Peter Paul Rubens, 18th Century Dutch, Oil on Canvas
Located in North Miami, FL
18th Centruy Dutch replica of the Self Portrait of Sir Peter Pail Reubens, original painted by Reubens in 1623, oil on canvas. With original hand carved and gold gilded frame. It has...
Category

18th Century Dutch Dutch Colonial Antique Hand-Carved Decorative Art

Materials

Gold Leaf

Evelyn Ackerman Carved Redwood Panel for Panelcarve, circa 1950s
By Evelyn Ackerman, Panelcarve
Located in Cathedral City, CA
Evelyn Ackerman Carved Redwood Panel for Panelcarve, circa 1950s. Features a bird, ram and frog in typical Ackerman style. Measures 36" wide, 12" high and 1" deep. Stamped "copyrig...
Category

Mid-20th Century American Mid-Century Modern Hand-Carved Decorative Art

Materials

Wood

Swedish Wooden Hook, circa 1880s
Located in Farsta, SE
Swedish Wooden Hook, circa 1880s Most likely used for hanging hay and has a beautiful smooth patina. Made out of pine wood. Heigth: 33 cm/12.9 inch Depth: 5 cm/1.9 inch Width: 14....
Category

1880s Swedish Scandinavian Modern Antique Hand-Carved Decorative Art

Materials

Iron

18th Century French Louis XVI Musical Trophy Boiserie Panel in Carved Oak Frame
Located in Dallas, TX
Hand carved during the reign of Louis XVI, this linden wood and oak plaque was originally a boiserie panel that would have adorned the wall of a French manor...
Category

18th Century French Louis XVI Antique Hand-Carved Decorative Art

Materials

Wood, Oak

18th Century Italian Gilt Tabernacle Door with Baroque Pearls & Tangerine Quartz
Located in Dublin, Dalkey
18th century Italian gilded and hand-carved wood tabernacle door with natural forming baroque pearls and tangerine quartz crystal points. This door onc...
Category

18th Century Italian Rococo Antique Hand-Carved Decorative Art

Materials

Rock Crystal, Gold Leaf

Sculptural 18th Century Italian Fragment with Phantom Quartz and Raw Agate
Located in Dublin, Dalkey
Sculptural 18th century Italian gilded fragment artifact with phantom quartz and mounted on raw agate. The piece originally comes from a historical church ...
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18th Century Italian Rococo Antique Hand-Carved Decorative Art

Materials

Rock Crystal, Agate, Quartz, Gold Leaf, Metal

19th C. Swedish Carved Pine Wood Clock Grandmother Grandfather Long Case Antique
Located in West Hollywood, CA
19th C. Swedish Carved Pine Wood Clock Grandmother Grandfather Long Case Antique . Freestanding hand carved pine wood clock with all the original mechanics and hardware , weights rack...
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Early 19th Century Swedish Antique Hand-Carved Decorative Art

Materials

Metal

Large Marble Figurative Relief Panel by Pegram
Located in London, GB
Large marble figurative relief panel by Pegram English, Early 20th Century Plaque: Height 102cm, width 70cm, depth 9cm Frame: Height 109cm, width 89cm, depth 2cm This bright white...
Category

Early 20th Century English Art Deco Hand-Carved Decorative Art

Materials

Marble, Iron

Large Painted Antique Tuscan Cartouche Panel, 18th Century
Located in Dallas, TX
This large cartouche panel was carved from wood and hand-painted with a central coat of arms in Italy during the 1700’s. Inspired by a 16th century Fr...
Category

18th Century Italian Baroque Antique Hand-Carved Decorative Art

Materials

Wood

After Raffaello Sanzio 1483-1520 Raphael La Madonna della Seggiola Oil on Canvas
Located in Los Angeles, CA
A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. A retailer's label reads " Fred K/ Keer's Sons - Framers and Fine Art Dealers - 917 Broad St. Newark, N.J." - Another label from the gilder reads "Carlo Bartolini - Doratore e Verniciatori - Via Maggio 1924 - Firenze". Circa: 1890-1900. Subject: Religious painting Canvas diameter: 28 inches (71.1 cm) Frame height: 54 inches (137.2 cm) Frame width: 42 1/2 inches (108 cm) Frame depth: 5 1/2 inches (14 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...
Category

Early 1900s Italian Baroque Antique Hand-Carved Decorative Art

Materials

Canvas, Giltwood

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