Hand-Carved Decorative Art

Oversize and spectacular 19th century Black Forest carved wood trophy wall plaque with a large fish. Beautiful carved border with acanthus leaves. Measur...

American oil on canvas landscape with a flowing stream, trees and mountains, watering cows in the foreground, sun in the background, encompassed on the origi...

Highly stylish and marvelous design Art Deco wall barometer. This stylish antique from the early 1900s is a dream of anyone with an Art Deco (inspired) interior. This design could...

A fine vintage Pacific Northwest Native wooden carving. The carving in the form of an hawk with red, black, white, and yellow tones set on a brown wooden board. By William Wasden Jr. Wasden was trained from a very young age in numerous artistic practices of the Kwakwa̱ka̱’wakw peoples including carving, jewelrymaking, and printing. As a high schooler, he began focusing primarily on preserving traditional singing after hearing his grandfather perform. Wasden currently teaches singing in Alert Bay on Cormorant Island, British Columbia. He also heads the Gwa'wina Dancer's Cultural Society, whose mission is to spread authentic Kwakwa̱ka̱’wakw culture & teachings. In Kwakwaka'wakw art, human faces are placed strategically on animal carvings to indicate the creature's supernatural ability to transform into a human form. Kwakwaka'wakw origin myths say that their ancestors were originally animals of various kinds who discarded their animal forms and transformed into humans. Simply a wonderful piece of Pacific Northwest Native art...

An antique rectangular mirror inscribed in a Pinewwood frame, gilded, the pediment formed by an openwork flower basket spilling sinuous gar...

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. A retailer's label reads " Fred K/ Keer's Sons - Framers and Fine Art Dealers - 917 Broad St. Newark, N.J." - Another label from the gilder reads "Carlo Bartolini - Doratore e Verniciatori - Via Maggio 1924 - Firenze". Circa: 1890-1900. Subject: Religious painting Canvas diameter: 28 inches (71.1 cm) Frame height: 54 inches (137.2 cm) Frame width: 42 1/2 inches (108 cm) Frame depth: 5 1/2 inches (14 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

A rare and evocative example of Spanish Colonial art from the Cusco School, this 17th-century oil on wood panel captures the iconic biblical scene of Sain...

SUPERB ! MID-CENTURY MODERN ABSTRACT HANDCRAFTED TILE MOSAIC DIMENSIONS: Approx. 26" by 14" Dated 1953 This magnificent mosaic wall art work is...

19th Century French painted silk of mother of pearl fan, shadow-box framed antique ladies fan, made of mother of pearl with gold leaf on the outer ...

Optional Omniscience & Snake Got You, Diptych, 2019 by Alex Hodge Carved porcelain Overall size: Height: 10 in x Width: 19.5 in x Depth: 0.5 in Optional Omniscience: Height: 10 in x...

A dark-blue, black abstract interior with chairs and window surround, oil on wood in canvas on a blue frame by Daniel Clesse, painted in France, signed and dated circa in 1970. Dani...

A late 18th Century, antique Swedish Gustavian rectangular wall mirror with its original mirrored glass and blue color paint, made of hand crafted gilded Pinewood, in good condition....

A pair of 17th century medieval style carved oak panels, sourced from an ex private collection of a 17th century manor in East Anglia. The pair showcase handcarved knights standing ...

1950s Carved Wood African Mask Chip in the back as shown

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19th century French painted paper and mother of pearl fan, shadow-box framed antique ladies fan, made of mother of pearl with a hand embellished re...

A Large and Impressive Early 20th Century Oil on Canvas "Madonna and Child" After Bartolomé Esteban Murillo (Spanish, 1618-1682) depicting a seated Virgin Mary with a baby Jesus Chri...

Pair of 1700s Italian Wall Decorative Panels, a pair of blue laquer vertical frieze dating back to late 18th century, with a stunning  hand-carved gilded relief  candelabra decoratio...

Early 20th century, good size Art Nouveau wall clock. This antique weather station hand carved and stunning Art Nouveau clock has a beautiful...

A fine unique wooden sculptural wall decoration. Hand Carved motifs, made by a Danish Cabinetmaker in the 1970s. Nice texture and dimensions in this vintage piece, it can be used as ...

Belgium / 16th century / wooden sculpted panel / oak / Gothic / Rustic / Antique A panel in oak wood enriched with Gothic graphic carvings. Hand carved in Belgium in the 16th centur...

Belgium / 16th century / wooden sculpted panel / oak / Gothic / Rustic / Antique A panel in oak wood enriched with Gothic graphic carvings. Hand carved in Belgium in the 16th centur...

This early 20th-century Flemish low-relief panel showcases the exquisite artistry of pyrography, a technique where designs are burned into wood using a heated tool. Here, two hunting spaniels adorned with studded collars and leashes are meticulously rendered, their lively expressions captured with remarkable detail. Surrounding them is an intricately carved Art Nouveau style frame, adding an extra layer of elegance to the composition. During the latter part of the 19th and early 20th centuries, pyrography experienced a surge in popularity, particularly in Europe and America. Its appeal lay in the ability to create intricate designs with depth and texture, resembling fine etchings or engravings. Pyrography was often employed to decorate furniture, household items, and decorative panels like this one, serving as both functional art and a testament to the skill of the craftsman. Today, pieces like this Flemish panel...

A French blue, green abstract portrait of books, oil on wood in canvas by Daniel Clesse, painted in France, signed and dated in 1964. Measures: Without the frame: 18" H x 21.5" W x ...

A group of five European paintings of the Virgin Mary over white bone. Each piece is mounted on a hand-painted black panel and framed individually with a gold gilded frame. The grouping is mounted on a Lucite panel, and framed with a coordinating gold gilded frame. Left top: 18th Century Italian painting of Virgin Mary...

A single, antique Portuguese Baroque architectural wall fragment or sconce made of hand carved partly gilded Pinewood, in good condition. Authentic and naturally aged patina. Minor f...

An antique pair of Portuguese Baroque hand carved Pinewood architectural wall reliefs with richly ornate detailed scrolls, Acanthus leaves and masks, in good condition. Original pain...

A large 19th century oil on canvas Bacchante group depicting two allegorical young semi-nude maidens dancing with pan, attributed to Leopold Schmutzler...

A very fine Italian 17th century oval oil on canvas "Head of Christ Crowned with Thorns" Circle of Pierre Mignard (French, 1612-1695) within...

Early 19th century Italian carved wood gold gilded Eagle. Its wings spread and clutching a set of white gold gilded lightning bolt arrows in its talons.  

Early Giovanni Battista Piranesi Castel Sant'Angelo Veduti Di Roma Wall Decor . Large 18th Century Etching / Engraving Of The Ruins Of Rome An Early Print Of Castle Saint Angelo By G...

Antique Handpainted Advertising Poster for a Hemoglobin Fabrication in Munich A large antique handpainted advertising poster for a hemoglobin fabrication in the 19th century in Muni...

Giuseppe Pitto (Italian 1857 - 1928) is often known for his paintings depicting pretty women in Italian street markets. This exuberantly painted scene i...

English oil on canvas horse portrait in burl walnut giltwood and beaded molded edge frame. Signed & Dated by Artist "J. Brown Coventry 1866"

Louise Gelderblom is a South African ceramic artist known for her distinctive, large-scale hand-built vessels and sculptural forms. Based in Cape Town, she combines traditional craft...

Pair of circa 1950s English Montgolfier etchings with wood frames. Measurements: Height: 18.75" Width: 14.5" Depth: 1.5".

19th century hand carved armorial. The plaque is shaped as a shield and carved upon it are a knight's head with plumes of feathers in his armor, over ...

Absolutely charming, large wood carving of a young Bavarian girl and sunflower wall decoration This substantial wall hanging is two feet in length, ...

Painted porcelain and hand carved, gold leaf wood frame, signed "Épanouissement", Vienna, circa 1890.

A distinguished 17th Century Italian carved wooden panel, showcasing the artistry and craftsmanship of the Baroque period. The panel is meticulously carved with an intricate design f...

Belgium / 17th century / wooden sculpted panel / oak / Gothic / Rustic / Antique A panel in oak wood enriched with Gothic carvings. Hand carved in Belgium in the 17th century. This ...

This beautifully handcrafted wall piece pays tribute to the splendor of Andalusian architecture, echoing the intricate arches and decorative flourishes of the Alhambra in Granada. Made in early 20th-century Spain, it captures the spirit of Islamic Revival style with striking detail and artisan precision. At its center are three classic horseshoe arches, richly adorned with arabesques and supported by slender columns topped with finely worked capitals. A palette of soft reds, blues, and golds brings depth and warmth, further elevated by a rich burgundy velvet background. Surrounding the scene is a remarkable inlaid wooden frame, featuring delicate geometric patterns and flowing Arabic calligraphy — hallmarks of Neo-Mudejar design. This is not only a decorative object but a conversation piece, a rare combination of cultural history, architectural beauty, and fine craftsmanship. There are signs of restorations and some chipping to the plasterwork, mostly along the edges, but nothing that takes away from the overall beauty or structural integrity of the piece. Whether you're a lover of Islamic art, architectural miniatures, or simply looking for something rich in history and charm to add to your space, this piece brings timeless character and a story with it. A rare find with true soul. The large frame may have some minor losses and but this antique art work...

A generously sized wooden tribal mask. Hand-carved and painted this decorative mask that would look great in a western or country themed setting. Measures: 39" High x 5 1/2" Wide...

An antique Portuguese wall relief or sopra porte made of Pinewood, in good condition. The Baroque wall panel was hand carved and is richly ornate wi...

Leaves with berries in gilt wood. Hung or used as a paper clip. Very elegant even if it's a fragment. ref. SN

19th century oak hand carved framed armorial from England. The central design is of a shield with two wheat shafts, flanked by decorative scrolls, and topped with a regal standing li...

Hand-carved in France, circa 1880, this wooden bracket console features a wonderfully executed winged angel beneath an angular entablature. The innocent visage of the cherub is augme...

Hand carved during the reign of Louis XVI, this linden wood and oak plaque was originally a boiserie panel that would have adorned the wall of a French manor...

Four rectangular wooden molds, carved and framed. The molds show signs of wormholes, with some dated 1836.

Good size and highly decorative, Dagobert Peche or style mirror. Looking for a unique and attractive timless wall mirror for your hallway or above your fireplace? This all handcraft...

An antique rectangular mirror inscribed in a Pinewood, gilded frame adorned with water leaves and pearl friezes, in good condition. The mirror is consisting its original mirror glass...

A striking Japonist wall clock crafted in dark carved wood, adorned with inlaid panels of deep green hardstone. The radiating fan-shaped structure is enriched with fantastical and my...

This ornate, antique paper hand fan was crafted in France, circa 1850. the one side showing a candlelit interior where Gallant scene on the reverse with a box but no glass of box. Se...

Early Giovanni Battista Piranesi Castel Sant'Angelo Veduti Di Roma Wall Décor . Large 18th Century Etching / Engraving Of The Views Of Rome An Early Print View...

A pair of French hand carved wooden decorative panels from the 18th century, with ribbon-tied swags, flowers and fruits. Born in France during the Age of Enlightenment, each of this ...

On a road trip from LA to Seattle, while passing through a small village on the Oregon coast, my fiance and I decided to stop by the Salishan Lodge to view the architecture and the a...

Eugène Galien-Laloue (1854-1941) "Theatre du Chatelet" watercolor and gouache on paper signed 'E Galien Laloue' lower left, within a giltwood and gesso c...

Three whimsical American folk carved wood art trade signs in the form of straight edge razors. Used by barbers as interior advertisements. Two have...

17th century Italian hand-painted ecclesiastical architectural element adorned with carnelian pebbles, gold-plated crystals, blue and yellow raw agate, and b...

19th C. Swedish Carved Pine Wood Clock Grandmother Grandfather Long Case Antique . Freestanding hand carved pine wood clock with all the original mechanics and hardware , weights rack...