Paintings

1960s oil on canvas abstract painting signed 'Reynolds'. This large scale artwork features a bright white ground with vivid yellow, orange, red and pink textured palette knife detail. See the obituary for Lee Reynolds Burr...

This is a beautiful, elegant and striking still life oil painting of a Lobster with fruit on an overflowing laid table with silverware, basket or fruit, foliage an upturned crab and ...

We are delighted to offer for sale this lovely pair of circa 1880-1900 Persian hand painted silk wall hangings depicting oriental scenes. A very...

A stunning oil painting on a canvas by the French artist Louis Cane, dated 1983. The painting is 130 x 104 cm and is namned "Picknick in the green". It is in excellent condition and ...

A large Japanese abstract painting, ca. 1960s, by the female artist Teruko Hiramatsu. Hiramatsu studied under Kazuo Sakata, who had immersed himself in the art of prewar Paris and wa...

Antique Vase with Wicker Basket – By Unknown Artist, Circa 1960 Add a touch of rustic elegance to your space with this antique vase, featuring a beautifully crafted wicker basket, c...

1960's Mid Century Modern Large Egyptian Themed Painting on Aged Parchment Paper. This painting would make a bold artistic move in any room. Framed.

Heron & Plovers Ink and silver leaf on paper Maekawa Bunrei (1837-1917) A pair of low six-panel Japanese screens by Maekawa Bunrei, a later master of the Kyoto based Shijo school of painting. On the right screen a solitary white heron stands motionless in a stream. On the left screen plovers play along a shoreline. The elegant forms are executed employing fluid, minimalistic ink brushstrokes. The soft brushstrokes and the sharp light of the silver leaf lend the scenes a sense of translucence. The sophisticated composition superbly exploits the long, horizontal pictorial surface of the pair of folding screens...

Nice and traditional work for the well known artist Marian Warzecha , in this Mix Media collage on canvas , signed and dated 63/9 in the back , also has stamp in blue ink and import...

3745 Oil on canvas board of a litter of kittens frolicking on a sofa Set in a black woof frame Signed F. Carson

A wonderful and quite engaging painting on board of the Santa Barbara California Mission - one of the more spectacular missions along the California coastline. The beautiful colors and hand painted detail (note the reflection of the mission in the fountain water) make this a special work. Signed by the artist (appears to be Blanche Sweger) and dated on verso (1967). Would be a great addition to any California art or artist collection or California Missions painting...

This is some of the largest paintings Bertil Berntsson executed with oil on canvas in 1962. Coming with a good provenance as I bought it from the family of the artist. It represents ...

Abstract painting by Jerry Pinsler, 1965 (American, 1928-1996) Oil on a found door. New walnut frame. Signed and dated. Absolutely stunning in real li...

This is some of the largest paintings Bertil Berntsson executed with oil on canvas in 1964. It was exhibited in the Liljevalchs konsthall in Stockholm. Coming with a good provenance ...

This is a large abstract oil painting on canvas by California-based artist Susan Maloney, circa the 1960s. The artist said the painting was a portrait of her cats, but you can see wh...

An authentic kinetic painting, a gouache on paper, Post-Modernist, Abstract Geometric, Op-Art, composition of interlocking geometric lines in shades of red, orange, gray and black, w...

A lovely portrait of an adolescent woman, by an unknown but highly skilled artist. This portrait captures the sensitivity, vulnerability and defiance of young womanhood. It reference...

Original pair of engravings by Alfred Charles Havell (British, 1855-1928). Two Fox Hunting scenes, hand-colored engravings Run to Earth and Gone Away. Printing date 1902. Framed and...

Original Portrait Oil On Canvas Painting By Rick Gonzalez , 1960s

An early Slavic folk school oil by the artist and farmer Martin Jonas (1924-1996), who is considered one of the founders of the world famous naive “peasan...

Offered is this floral beauty captured in oil paint in warm colors. Transform your space into an oasis of natural beauty and sophistication with this breathtaking oil painting of a g...

Peter Robert Keil was born to an artist blacksmith father whom he lost very early in his childhood during the Second World War. During the end phase of the war, Keil's mother, also a...

This early and ambitious watercolor painting by John B. Lear shows the growing scale and detail of his best work, here incorporating three nude and semi-nude male figures in a surrea...

Modernist abstract painting circa 1960s by Worcester, Mass, born artist Phillip Callahan, (1918-1991). Callahan was a student at Boston’s School of the Museum of Fine Arts and the es...

“Fra Kastrup” Signed Th. Philipsen Oil on canvas 44 × 60 cm (17.3 × 23.6 in) Provenance: Art dealer Axel Duckert (inventory no. 3369) A charming and atmospheric work by Danish arti...

Lars Bertle, Swedish artist. Oil on board. Abstract composition. ”Litet landskap” (Small landscape) Signed on the front and back. In perfect condition. Dim...

Oil on canvas "Dackelwelpen Biem Spiel" (Dachshund Puppies at Play) by Simon Ludvig Ditlev Simonsen (Danish, 1841-1928) Education: Royal Danish Academy of Fine Arts Size (Unframed) 6...

This painting is from a French artist :It has been made circa 1960. It is signed The material isoil painting and it is in good condition. Main color is green, in a gilt wood frame. I...

Painted icon depicting Notre Dame du Perpétuel Secours, oil on jute canvas, 1960s. Beautiful representation of the Madonna of Perpetual Help, taken from the Byzantine icon preserved ...

Signed vintage Seriagraph by Hermann Dietrich Grunewald Hermann Dietrich Grunewald. (1916-2003). Born in Oskarstm, Sweden. He was an impressionist...

Oil on Canvas Still Life by Claude Venard. Signed: "C. Venard" With gallery Sticker The Esplorer Art Gallery NYC Provenance: Collection White Plains NY. France: circa 1960

Original watercolors with meticulous detail by Peter Mark Schouten, born 1957, an Australian artist and illustrator of publications in the field of zoology and palaeontology. David A...

A 1960 oil on canvas by Mexican artist Carlos Orozco Romero depicting a violet human figure seated by a clear table with the Moon on her right. The painting is signed and dated on th...

Mid-Century Modernist painting of a Greek village. Reminiscent of Greece or Eastern Europe. Nice modernist or cubist feel. Signed illegibly C. Man.

1960s Textured Oil Painting on Board of Christian Cross Religious, Religion, bold painting in Red, Cream, and Black Signed Meyers Wood framed

Inge Franz-Claussen is a Canadian Postwar & Contemporary artist who was born in 1939. Inge Claussen was born in Hamburg Germany, where she spent her chi...

A beautiful cubic abstract in rich greens and yellows of all tones. Gallery framing.

Wonderful abstract oil painting on board by listed San Diego Allied Craftsmen artist Jane Fletcher and dates from 1963. Very extensive bio online about the artist and her rich San Di...

This beautifully vibrant and custom framed oil painting by Havers is impressive. Professional framing selected by Gustavo Olivieri Antiques.

the lushly painted still life depicting a woven basket full of finely painted bearded irises, parrot tulips, hydrangeas and peonies with discreetly painted bees and a snail; all rest...

French 19th Century, Oil on Canvas, Wall Panels or Trumeau Paintings Set of 4 large 19th century oil on canvas wall panels Trumeau paintings. These finely painted panels are simply ...

Two abstract oil paintings on masonite boards by Pascal "Pat" Cucaro including the Cory Gallery of San Francisco pamphlet where the works were originally purchased (ca. 1968, USA). T...

A Navajo sand painting mosaic art wall panel of the Navajo mythological Yei Dancers Rainbow Guardians created in the 1960s in a non traditional fo...

A large Martin Sumers painting.

Danish oil painting - stilleben, painting on canvas - approx. The 1960s. The style is modernistic and the motive is a vase with red flowers in it, a yellow bowl and some coconuts on...

Oil on canvas nautical painting showing a gaff-rigged sailing yacht with a full suit of sails cruising through moderate seas with people on deck. Wood frame. Signed D. Tayler, lower ...

Antique Victorian pastel on paper of a fine quality still life with game by American Artist, William Henry Chandler (1854-1928). Chandler was a ...

1960s abstract modern painting original oil on canvas art. In the style of Francis Bacon. Dominant colors red and black. Unframed. Unsigned. 43.5 l x 29.75 x 1.75 Original unrestored...

The Complete Work of Raphael, (1483-1520). Published in New York, Reynal & Company in association with William Morrow and Company, 1969. Raphael Sanzio, usually known by his first na...

Bright and colorful vintage modern oil painting on canvas. Please confirm item location (NY or NJ).

Oil on Canvas by Maria Polo Signed MARIA POLO and dated 1968 Maria Polo (Venice, Italy, 1937 – Rio de Janeiro, Brazil, 1983). Painter, designer, engraver and vitralista. Studied at...

Italian 1970s mixed-media art by Roffi (Roberto Fraschetti). Accompanied by Artist authentication and signature. In excellent vintage condition.   

A charming mid century bullfight painting by Epifanio Ortega, A Mexican artist, ca' 1969. Born in 1947, Ortega's paintings have a very modern, Cub...

Nice artwork of a 1960's cabin cruiser by Meredith A. Scott. Very bright and crisp. The vessel has a mast with sail, bow flag, wheelhouse, and stern rail with canvas. Matted and fram...

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. A retailer's label reads " Fred K/ Keer's Sons - Framers and Fine Art Dealers - 917 Broad St. Newark, N.J." - Another label from the gilder reads "Carlo Bartolini - Doratore e Verniciatori - Via Maggio 1924 - Firenze". Circa: 1890-1900. Subject: Religious painting Canvas diameter: 28 inches (71.1 cm) Frame height: 54 inches (137.2 cm) Frame width: 42 1/2 inches (108 cm) Frame depth: 5 1/2 inches (14 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Oil Painting on Canvas signed Maurice Braun, 1902 Listed Artist A very lifelike rendering of a European street scene with houses. This early 20th Century painting features houses ...

Unknown Swedish artist. Oil on canvas. Modernist landscape. Dated 1963. The canvas measures: 67 x 38 cm. The frame measures: 5.5 cm. Signed. ...

Midcentury abstract oil painting framed in simple wood frame.