Paintings

Chinese Pair of hand painted Posters of King and Queen Sitting on Throne.

"AKIKO" by André Ferrand Mixed media on paper 1987 Dimensions: h 100 cm x w 65 cm Signed lower right Price : 900 € (€).

"Tokyo 99, YUKI" by André Ferrand Mixed media on paper 1999 Dimensions: h 100 cm x w 65 cm Signed lower right Price : 900 € (€).

"Tokyo 01, YUKIKO" by André Ferrand Mixed media on paper 2001 Dimensions: h 100 cm x w 65 cm Signed lower right Price : 900 € (€).

Abstract Oil Painting on Canvas by Fausta Dossi (B 1936) This is an abstract oil painting on canvas created by Fausta Dossi, a renowned Italian artist from Milan, in 2007. The paint...

A large pair of paper and pastel nude paintings, drawings signed by the artist Robert J. Harding and dated. Robert is a visual artist. He received his BA in Philosophy from Rutgers...

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. A retailer's label reads " Fred K/ Keer's Sons - Framers and Fine Art Dealers - 917 Broad St. Newark, N.J." - Another label from the gilder reads "Carlo Bartolini - Doratore e Verniciatori - Via Maggio 1924 - Firenze". Circa: 1890-1900. Subject: Religious painting Canvas diameter: 28 inches (71.1 cm) Frame height: 54 inches (137.2 cm) Frame width: 42 1/2 inches (108 cm) Frame depth: 5 1/2 inches (14 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Gavin W. Sewell large mixed media / painting. Collage, drawing and paint make up this large canvas. Sewell was born in Maine and shows all over the w...

Monte Carlo - Jean Wallis - Jean Wallis 2004 Acrylic on canvas Signed lower right Certificate of authenticity from the artist Measures; 80x80x2cm Price : 1500 € for the art...

Gavin W. Sewell large mixed media collage painting. Measures: 48" x 58" tall. Painting is made up of heavily applied paint, collage and grasses. Sewell was born in Maine and has show...

English orientalist school; late 19th - early 20th century. "Slave market". Oil on canvas. Presents stamps on the back. Measurements: 26,5 x 36 cm; 27 x 37 cm (frame). The orien...

Métro Abbesses - Jean Wallis 2005 Acrylic on canvas Signed lower right Certificate of authenticity from the artist Size : 47x55x2cm Price : 900€ for the artist.

Very decorative painting of an unknown artist. "View of a North Italian Village by a Lake," oil on canvas. Measurements without frame: 11.5 x 19 inches.

Gavin W. Sewell "One Before Liberty" 2006 Mixed Media Painting/ Collage. Heavily applied paint and paper and drawings make up the surface of this painting. Nice Original condition.

Tranquil Setting by Thomas DeDecker Item Number: AG0736 1951-). Oil on board; 36" x 36". Thomas deDecker was born in Appleton, Wisconsin, and studied at Brigham Young University in Provo, Utah. His paintings of western landscapes and of the American Indian lifestyle are reminiscent of works by the masters of the Hudson River School. Thomas deDecker has won numerous state and national awards, including Artist of the Year 1986, and Outstanding Artist given by the CM Russell...

Modern impressionistic portrait of a woman with hat by Costain. Oil on canvas.

Modern impressionistic portrait of a smoking man by Costain. Oil on canvas.

Oil painting on canvas, Landscape, mountain lake, made and signed by Adolf Kaufmann, 19th century Bright painting made with skill, signed by Adolf Kaufmann (Austria 1848 - 1916), depicts a lake landscape surrounded by mountains. Adolf Kaufmann (15 May 1848, in Troppau – 25 November 1916, in Vienna) was an Austrian landscape and marine artist. He was initially self-taught, but completed his studies with the animal painter, Émile van Marcke...

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved two-tone gilt wood, gilt-patinated and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. Circa: 1890-1900. Subject: Religious painting Painting diameter: 28 inches (71.1 cm) Frame height: 55 1/8 inches (140 cm) Frame width: 46 inches (116.8 cm) Frame depth: 5 1/8 inches (13 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Monumental mixed media painting titled "Una Capa Para El Rey" which translates to "A Cape For The King". Expressionist painting by American artist Michelle Betancourt living in Barra...

Watercolors from around 1900 representing a French frigate and an English frigate.The two watercolors are signed: M.Alexander fecit. Dimensions: 79x64 cm with frame and 57x44 cm with...

Large and striking original landscape on canvas having a large fruit tree with turtles on each side and beautiful ethereal background, like something out of a fairytale. Signed and d...

Western sunset by Thomas DeDecker Item Number: AG1733 (1951-). 30" x 40". Oil on panel. Well framed. Thomas DeDecker was born in Appleton, Wisconsin, and studied at Brigham Young University in Provo, Utah. His paintings of western landscapes and of the American Indian lifestyle are reminiscent of works by the masters of the Hudson River School. Thomas deDecker has won numerous state and national awards, including Artist of the Year 1986, and Outstanding Artist given by the CM Russell...

Immerse yourself in the extraordinary allure of our unique Expressionist painting on canvas, capturing a one-of-a-kind scene. This abstract artwork presents a captivating horse-like ...

Modernimpressionistic portrait of man and woman by Costain. Oil on canvas.

Oil on panel, inscribed on reverse and signed lower left front. Provenance: Fay Gold Gallery b.1956 Scott Duce is an international artist working in New York. Duce’s work is included in many corporate, museum, and private collections. Notable collections include Random House, General Electric, IBM, Pfizer, Inc., Capital Holding Corporation, McGraw-Hill Corporation, Petroplus Holdings, Switzerland, Seagrams-Montreal, Canada, and the U.S. Embassy in Stockholm, Sweden. Among his awards and honors he received a National Endowment for the Arts/SECCA artist grant. Duce’s work has been exhibited throughout the United States, with several solo exhibitions in New York City, Chicago, Boston, Atlanta, and internationally in Paris, France; Florence, Italy; and Lima, Peru. He has had many commissioned works, including Bell South...

Summer's day end by Thomas Dedecker Item Number: AG1732 (1951-). 40" x 30". Oil on panel. Well framed. Thomas deDecker was born in Appleton, Wisconsin, and studied at Brigham Young University in Provo, Utah. His paintings of western landscapes and of the American Indian lifestyle are reminiscent of works by the masters of the Hudson River School. Thomas deDecker has won numerous state and national awards, including Artist of the Year 1986, and Outstanding Artist given by the CM Russell...

Late Summer Afternoon By Thomas Dedecker Item Number: AG1121 (1951- ). Oil on board; 11" x 14". Thomas deDecker was born in Appleton, WI and studied at Bringham Young University in Provo, UT. His paintings of western landscapes and of the American Indian lifestyle are reminiscent of works by the masters of the Hudson River School. Thomas deDecker has won numerous state and national awards including Artist of the Year 1986, and Outstanding Artist given by the CM Russell...

Mountain Valley Encampment by Thomas Dedecker. Item Number: AG0718. (1951-). Oil on board; 10" x 12". Thomas deDecker was born in Appleton, Wisconsin, and studied at Brigham Young University in Provo, Utah. His paintings of western landscapes and of the American Indian lifestyle are reminiscent of works by the masters of the Hudson River School. Thomas deDecker has won numerous state and national awards, including Artist of the Year 1986, and Outstanding Artist given by the CM Russell...

Modern Impressionistic painting of people at table by. "Tea for Two" by Costain. Oil on canvas.

Large Vibrant Green, Pink, & White Abstract Acrylic and Alkyd Resin Painting on Canvas by John Link titled "Precession" 2007. Painting on canvas by the La...

raffigurazione napoletana di pescatori olio su tela inizio ventesimo secolo ottime condizioni generali dimensioni altezza 88 cm larghezza 127 cm.

Porcelain painting: Representation of Greek-antique architecture with playing nymphs and putti, partly on a swing, watched by a young woman who leans her elbows on a parapet and puts her head in her hands, on the right a tree and banana plants. Exquisite porcelain painting in a gilded wooden frame, after the painting 'L'escarpolette' by the Belgian painter Pierre Olivier Joseph Coomans...

Modern impressionistic portrait of a woman in pink by Costain. Oil on canvas.

Modern impressionistic portrait of man in suit by Costain. Oil on canvas.

JOSÉ FELIPE ABÁRZUZA RODRÍGUEZ DE ARIAS (Cádiz, 1871-Puerto Real, 1948). "Moors at Dusk". Oil on canvas. On the lower part there is a plaque with the artist's name and title. Frame f...

Pair of porcelain plaques in giltwood frames, after Old Master Madonnas Italian, 1901 Measures: Frames: height 28cm, width 23cm, depth 2cm ...

This is a unique facsimile reproduction limited to 987 copies of an atlas from the Renaissance, the Atlas Miller, devised as a present from Manuel I of Portugal to fool Emperor Charl...

Craigmillar Park Golf Club Watercolour, John Blair. An atmospheric original watercolour of Craigmillar Park Golf Links in Edinburgh by the Scottish artist John Blair (1849-1934). Craigmillar Castle from which the club derives its name from is clearly seen in the background and the painting is signed to the lower left corner. Craigmillar Castle was a haunt of Mary Queen of Scots, the world's first recorded lady golfer. How ironic then, that since the golf club's inception equality of the sexes was the rule at Craigmillar Park. John Blair was a Scottish painter, predominantly of watercolour landscapes. Of humble beginnings in Berwickshire, he moved to Edinburgh to study and spent the rest of his life there. His paintings mainly reflect the landscapes around him, both of urban settings and also of the castles, sea and lochs of the Borders. As well as his original work, his paintings were viewed by a wide audience in the form of picture postcards, book endpapers and illustrations. Taken from Craigmillar Park Golf Club website:- Craigmillar Park Golf Club was constituted in 1895 and moved to its present location in 1907. It was extended to 18 holes (designed by James Braid) in 1927. On 12th of January 1895 the Scotsman newspaper carried the following "birth" announcement : "NEW GOLF COURSE IN THE SOUTH SIDE OF EDINBURGH. A nine-hole golf course is being formed at Craigmillar Park and is expected to be ready for play in February. A lease of the ground which extends from Crawfurd Road to Lady Road has been obtained from Captain Gordon Gilmour of Liberton and Craigmillar. The principal entrance will be from Crawfurd Road within three minutes' walk of the Craigmillar Park car terminus and Newington Suburban Station. The course is about a mile in length and has been laid out by Mr. Day of Musselburgh, who has given a very favourable report of the suitability of the ground for the purpose. Already about 150 ladies and gentlemen have been admitted as members of the club." Many, perhaps most, of the new clubs created about the same time as Craigmillar Park were (and some continue) as male preserves. It is clear that from the outset equality of the sexes was the rule at Craigmillar Park, although it was not until 1914 that the subscriptions were equalised. The course was situated in an area of land close to Newington Railway Station and the Newington Bus and Tram Terminus and was thus, easily accessible. In those days there was very little building development between the course and the iconic Craigmillar Castle from which the club derives its name. The castle was a haunt of Mary Queen of Scots, the world's first recorded lady golfer. How ironic then, that since the golf club's inception, ladies have had equal status with men and there was no gender barrier to any office. This was in an age when golf clubs were regarded as male preserves. In 1914, ladies started paying exactly the same subscription as their male counterparts and this has remained right up to the present day. When you consider that all women did not get the vote until 1928, Craigmillar Park Golf Club were indeed trendsetters! Despite the club's early success, with 400 members and a waiting list, they were dealt a blow when their course at Newington was taken over for housing development. They decided, rather than to disband, to relocate the golf course to the eastern slopes of the Blackford Hill in 1907. Once again the close proximity of Blackford Railway Station and Bus Terminus were factors in their decision making. Another factor in choosing Blackford Hill was the potential for increasing the length of the 9 holes that had been played for in the course at Newington and possibly even converting the new course to 18 holes at some future date. This is in fact what happened and James Braid designed a splendid 18 hole course which officially opened in 1927. The new course was a real test of golf with no two holes being the same. The course boasts marvellous views over Edinburgh and Fife and down the coast to the Berwick Law, Bass Rock...

Large Industrial oil on canvas titled ‘Pilkington Glass’ by exhibited, St Helens born artist, Tony Garner. Tony’s work has been exhibited in numerous...

Nathan Randall Green Nathan Randall Green was born in Houston, Texas, and received his B.F.A. from the University of Texas at Austin. He is a founding member and partner of Okay Mountain Gallery and Collective in Austin, Texas and was a Curator of Education at the Modern Art Museum of Fort Worth. Most recently his work has been exhibited at Qualia Contemporary in Palo Alto, Morgan Lehman Gallery in New York, Walter Storms Gallery in Munich, SPRING / BREAK in New York; The Pit Presents in Los Angeles; Barry Whistler Gallery in Dallas; and Left Field in San Luis Obispo, California. He has also participated in Artist-In-Residence programs in Connecticut, New York, Vermont, Michigan, Illinois, and Dallas, and has painted murals...

Very Vibrant Encaustic painting titled Swimming in Tokyo by world renowned artist Thomas Swanston. The painting was executed in 2003. The actual painting size is 18 by 18 inches. ...

Vivid Color Sydney AU Cityscape oil painting artwork by Mark Kasav Measures: 18 tall x 33 wide x .75 deep Oil on Canvas Canadian artist Mark Kazav Origi...

Abstract Expressionist acrylic painting on paper by Jerry Adams (20th -21st century) American. Signed and dated 2004 lower right. Unframed, mounted on foam core, painting size 18" x ...

Incredibly unique contemporary art piece. This mixed-media piece combines textile arts and painting. The painting appears to be a stylized seascape with the organic forms taking on a...

Painting by the Artist Timur Ernst AKHMEDOV Signed and Dated Year 2002 Measurements with frame: 106x106x3,5cm.

Oil on canvas, signed, inscribed, and dated on the reverse. American, b.1956 Scott Duce is an international artist working in New York. Duce’s work is included in many corporate, museum, and private collections. Notable collections include Random House, General Electric, IBM, Pfizer, Inc., Capital Holding Corporation, McGraw-Hill Corporation, Petroplus Holdings, Switzerland, Seagrams-Montreal, Canada, and the U.S. Embassy in Stockholm, Sweden. Among his awards and honors he received a National Endowment for the Arts / SECCA artist grant. Duce’s work has been exhibited throughout the United States, with several solo exhibitions in New York City, Chicago, Boston, Atlanta, and internationally in Paris, France; Florence, Italy; and Lima, Peru. He has had many commissioned works, including Bell South...

Variation (1714-02) - One of a Kind. Abstract painting created in 2002 by French contemporary artists Pascal & Annie LENIAU. Colorful composition and abstract matter. Mixed media on paper laminated on wood panel with its frame, dimension. 60 x 80 cm. Signed and dated on the back. --- Pascal & Annie LENIAU Since their meeting in 1978, Pascal and Annie...

Oil on panel, signed lower left and inscribed reverse. Provenance: Fay Gold Gallery b.1956 Scott Duce is an international artist working in New York. Duce’s work is included in many corporate, museum, and private collections. Notable collections include Random House, General Electric, IBM, Pfizer, Inc., Capital Holding Corporation, McGraw-Hill Corporation, Petroplus Holdings, Switzerland, Seagrams-Montreal, Canada, and the U.S. Embassy in Stockholm, Sweden. Among his awards and honors he received a National Endowment for the Arts/SECCA artist grant. Duce’s work has been exhibited throughout the United States, with several solo exhibitions in New York City, Chicago, Boston, Atlanta, and internationally in Paris, France; Florence, Italy; and Lima, Peru. He has had many commissioned works, including Bell South...

André Ferrand - "Bear on the ice floe Signed lower right Signed and dated on the back Oil on canvas / wooden frame Dimensions : 116x82x2cm 2004 Pric...

Kristin Rapp, listed Swedish artist, oil on panel. Composition with geometric forms. Dated 2001. Signed on the back. In excellent condition. Visible size: 32.5 x 41 cm. / Total ...

Oil on canvas, signed lower left and titled and inscribed on reverse. b.1956 Scott Duce is an international artist working in New York. Duce’s work is included in many corporate, museum, and private collections. Notable collections include Random House, General Electric, IBM, Pfizer, Inc., Capital Holding Corporation, McGraw-Hill Corporation, Petroplus Holdings, Switzerland, Seagrams-Montreal, Canada, and the U.S. Embassy in Stockholm, Sweden. Among his awards and honors he received a National Endowment for the Arts/SECCA artist grant. Duce’s work has been exhibited throughout the United States, with several solo exhibitions in New York City, Chicago, Boston, Atlanta, and internationally in Paris, France; Florence, Italy; and Lima, Peru. He has had many commissioned works, including Bell South...

Portrait of a woman with her face split between shadow and light titled Chilanga #1 done in encaustic and mixed media on canvas laid down on board. Signed and dated 07. Titled on a verso sticker Mark Gaskin is a Postmodern painter born in 1956 in Winnipeg Canada who blends the effects of ancient fresco and mural art with contemporary subject matter. His fascinating technique – in which his painting surfaces are purposefully distressed – conjures the textures of Prehistoric cave painting, ancient Roman painting, and Renaissance fresco...

Japan Abstract paintings Mixed media by S. Junichi, 2000s Fantastic and real decorative mixed media abstract painting on white canvas. This incredible painting is perfect in a moder...

John Belingheri is a notable artist of the late 20th Century and 21st Century, recognized for his Post-Modern original abstractions. Hailing from the San Francisco Bay Area, Belinghe...

Decorative old watercolor of a harbor view. The work is not signed, maker unknown. With beautiful fine lines and a surefire touch. With a wooden hand painted frame, frames behind gla...

Mixed media abstract flaming figural painting cut and reassembled by artist George Turner ( 1943-2014) Illinois. Signed dated 2001 in pencil lower right corner.

"Wilder Ranch" by Nancy Leigh Hillis, 2009 custom gold frame.