Paintings

Framed Print of Filomena, engraving on paper, circa 1930 Unknown artist In original condition, with some visible signs of previous use and age, preserving a beautiful patina. ...

Dutch 1940s unsigned abstract oil painting. Tempestuous and energetic, with a painterly quality related to Chagall and Der Blaue Reiter. A wonderful e...

Framed handapinted antique publicity from 'Cafes Tupinamba' Monkey with antique wood frame. Manufactured in Spain, circa 1930. In original condition with minor wear consistent ...

This classic example of Social Realist art was painted by Rollin Crampton as a study for a WPA mural -- perhaps never executed -- in the 1930s, when he was s...

Large Rare Vintage 1940’s Artist Ruben Kupur Oil painting of Art Deco Tropical scene with herons within a scene of lush tropical orchids. Ruben Kupur was born In the Russian Federation...

Great vintage wood sign from the 1940s. Hand-painted. Misspellings and grammatical errors. The owner Samuel Spilk lived in Long Beach in the 1940s. ...

19th Century portrait of a woman painted in oil on canvas with the frame dated in 1940 Measurements with frame: 69 x 69 x 3 cm.

Painted in a kaleidoscopic array of brilliant colors -- tangerine, emerald green, scarlet, deep sky blue and black -- this Cubist work depicts a nude female figure and a parrot sitting on a circular perch, surrounded by a crazy quilt of patterns. The artist -- Joseph Popczyk -- was known for his vivid palette and love of Cubism, and in this case the chevrons and wavy patterns of Art Deco can...

A charming oil painting by noted Washington DC artist Leonard Maurer, ca' 1948. Depicting children climbing trees. Wonderful sense of color and a real m...

Rare circular Art Deco scenes of the Smoky Mountains with date and details rendered behind the paintings. Beautifully hand painted in vivid hues and original circular gilt frames. Em...

Original Watercolor Ski Poster "Pontresina" by Herbert Leupin (Swiss: 1916 - 1999), a watercolor and gouache painting original for one of Leupin's celeb...

Italian painting of the mid-twentieth century. Work oil on masonite depicting Young gipsy with flowers and candle of good pictorial hand. Picture of beautiful measure, signed and dat...

This dramatic depiction of two boxers in the ring, with the winning boxer standing over his opponent after a knockout, was painted by Paul Daxhelet in 1936, possibly at the Berlin Olympics...

Maria Lagorio, who studied under the "World of Art" members Bilibin and Lanceray, fled Russia after the revolution, and spent most of her working life in France. Her early graphic wo...

A charming modernist painting by Leonard Maurer, ca' 1949. Influenced by Matisse, but clearly in his own style with a uniquely American mid-century feel.

Dreamy landscape picturing a view of a castle in France. Large original frame made of walnut. I love the soft and delightful pastel colors that are used. The colors add emotion to...

This portrait features a blonde lady in a red dress wearing a white beanie. The artwork is an oil painting by an unknown artist. The subject's expression ...

Framed Print of Divina Pastora. By unknown artist, circa 1940. In original condition, with some visible signs of previous use and age, preserving ...

Portrait of a woman, Art Deco, 1930 Portrait of a woman, painting on wood panel with its original frame, unsigned, Art Deco, 1930. Painting - h: 59 cm, w: 42 cm Frame - h: 70 cm, ...

Coastal landscape, Oil on canvas painting, circa 1930s, Ludwig Heinrich Jungnickel Ludwig Heinrich Jungnickel was an Austrian painter and...

Art Deco gouache painting woman with mirror signed by Louise Galand-Legendre. Dated 1942. Gouache and pastel on board with original frame. France. Louise Galand-Legendre France, 18...

Italian painting from the first half of the 20th century. Framework oil on board depicting a wooded landscape with a character of good pictorial quality. Modern frame in carved and g...

Oil painting on canvas depicting a mountain landscape in Divisionist technique, 1920s. It is unsigned; in style and subject it is close to the works of Brescian painter Edoardo Togni...

Paintings by 19th century and Contemporary American Artists, from the Collection of The Late Samuel T. Shaw, NY: Parke-Bernet Galleries, Nov. 21, 1945. Softcover, 89 pp. 15 b&w plate...

Framed Print of Saint Anthony. By unknown artist, circa 1940. In original condition, with some visible signs of previous use and age, preserving a beautiful patina. Material...

Unsigned Original oil on canvas painting after Norman Mills Price. Canvas is a bit loose. Frame appears to be original. Canvas and Frame show age. See image of illustration of the same image signed in corner by Norman Mills Price "Norman Mills Price never fully received the popular recognition that his work deserved. Because he was so intently interested in historical subjects, he restricted his work to these almost exclusively. The dedication and artistry he brought to his work, however, was especially appreciated and respected by a select group – his fellow-illustrators. His painstaking research into every detail made each picture an authentic documentary, but the detail was never allowed to detract from the dramatic concept of the illustration itself. Although Price made effective use of tone and color, his pen-and-ink drawings were especially effective, exhibiting a full range of values and textural effects." "Price was born in Canada, studied art there and in London and Paris. By 1912, he had established himself in New York and had begun to work for American publications. Some of his most successful illustrations were done for a long series of historical novels by Robert W. Chambers for Liberty magazine. He was a charter member of the Society of Illustrators at the time of his death." "Illustrator, Norman Mills Price was born in Brampton, Ontario (1877) and began his studies at the Ontario School of Art. Around 1901 he spent time in London, studying at the Goldsmith's Institute; Westminster School of Art; and with Cruikshank. While in London, he was the founder of Carlton Studios. He later went on to Paris, studying at the Academie Julian, with J.P. Laurens and R.E. Miller. He did freelance work in Paris until an assignment in Belgium for Century brought him to the attention of other American publishers. In 1911, he had a studio in New York City, and worked for such publication as Harper's, Cosmopolitan, and Liberty. He illustrated the novels: "The Lamb's Tales from Shakespeare (1905), The Rogue's Moon (1929), Leif Erikson...

This Luigi Cagliani (1910-1987) oil on canvas of a Parisian Street Scene is in impressive condition. With a romantic movement, almost 19th Century sense, Cagliani presents a whimsical oil painting...

Art Deco pastel painting nudes in a landscape by Georges Lavergne. Signed and dated 1936. Ink, crayon and pastel on paper. France. Contemporary frame. Size: H. 68 cm. x L. 89.5 c...

Bilston Golf Club Watercolour, H.E. Lewis Driving. A charming golf watercolour of H. Lewis (the club professional at Bilston Golf Club) driving from th...

Dipinto Olio su Tavola Artista L.Bencini Descrizione: Dipinto olio su tavola del pittore italiano del XX secolo L.Bencini, il dipinto raffigura un...

Vintage 1945 modernist oil on masonite portrait painting of man. Signed L. Binon dated 1945 lower right corner. Unframed, edge and corner wear.

Signed Winter Church Scene by F. Michaels. Nice New England winter scene composition. Framed in a solid wooden frame. Signed lower right.

Original artwork Pink Daffodil Hawaiian Flowers with a bow (original airbrushed over a print) signed by Terone. In hardwood frame with carved details. A great example of the post-WWII Hawaiian and tropical art...

Parke-Bernet Galleries Inc., New York , “An Important Collection of Early American Miniatures and Silver. Property of Mrs Dorothy Draper Hamlen Removed from Her Home in Wayland, Mass...

Painted by Dunbar Beck, one of America's most accomplished and successful muralists, this painting of a half-nude man floating over a succession of dancing couples below was one of a...

Painting made in oil on panel, 91 x 55 cm, by artist Giuseppe Mincato around the 1930s. The work entitled "Salsedine" depicts a female figure with red hair, candied and luminous skin wearing a light blue...

This Impressionist painting, shows a landscape with a lake in Austria. On the lake are boats and in the background you can see the snow-covered mountains. A very beautiful and coher...

Antique framed oil painting on canvas by Walthere Jamar (1866-1950) is a panoramic landscape that captures the glory of nature in all her splendor! Jamar has used varying brush techn...

"FANTASY" by Thomas Hart Benton. Oil on canvas laid on wood with a gorgeous gold gilded frame. Price upon request.

Impressionist view of a interior cafe with a chef and patrons. Colorful palette with a Ashcan style in the Painting created about 1930. Unsigned. Framed in what appears to be the ori...

Beautiful flower still life by the Belgian painter Jan Verdoodt (1908-1980). He studied from 1926 at the Art Academy in Sint Jans Molenbeek. He developed his own artistic style, insp...

One of the most stunning and monumental depictions of male nude figures -- and male athletes -- ever accomplished in the Modern era, this large painting shows five nude rowers, relaxed and conversational, as they hold their oars and await the next round of competition. The figures are shown with flushed, ruddy complexions, contrasting with the fresh green of the grass and trees surrounding them. The artist, James Stroudley, presents his rowers as consummate modern British men...

This set of 2 1940s original airbrush artwork paintings of Hibiscus florals by Ted Mundorff. One is yellow and one is red. Both pieces have in their origi...

Oil on Canvas of German or Swiss Alps youth circa 1930's. This infectious youth is all smiles and happy to be outside near some mountaintop. Nice clean painting with great artistic t...

Bucolic Landscape in Primitive Barnwood frame. Nice square shape with a deep textural feel. The painting really draws you in . Floating clouds and green...

Corrado Mezzana (Italian 1890-1952) well known painter Oil in canvas, museum quality piece Title: "Georgica" (official archive) Artwork dimensions: 132 x 102cm Period: 1931 Signed: C. Mezzana (Lower left corner) Decipting a late 1800s country scene (Sardegna) with 5 figures in the period fashion induments. The boy is playing his "Zampogna" (Tipical Sardinia ancient instrument as a Highlands pipe - Uilleann Bag pipe) meantime the four "georgica's" carefully are lessoning him Conditions: Absolutely beatiful with extensive conservative work done including; deep cleaning (old varnish/dirt removed), wax method partial (border) relining, minor retouching and a fresh coat of Damar Offered unframed I will consider fair offers from serious buyers only. Note: Available circa 45 high-resolution images regarding this gorgeous piece. Feel free to message me if you wanna see even more details and other frames of it. Provenance - Mezzana archive Last ownership (Monti Family - Milano) bought in 1953 Original title and production year (1931) received directly from his grandson which after attested his originality, send me a picture of a antique previous "study" regarding a left couple of "Georgiche" (or Contadine Aka: countrygirls) before this original painting were produced - SEE LAST PICTURE ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ Research and Sources The Sacred Heart of CM, in Christian Art , XI (1923), 6, pp. 161 s .; CM, in Revue moderne , 15 apr. 1925, pp. 13 s .; Il Glauco by C. M. , In Corriere d'Italia , 28 May 1927; The new chapel of the relics in S. Croce, in L'Osservatore Romano, 18th apr. 1930; M. Mirabella, The Virgil stamps , in Fiamma viva , XI (1931), pp. 229-235; P. Scarpa, The monumental crypt to the military chaplains in the church of S. Caterina in Magnanapoli , in Il Messaggero , 1st November. 1933; N. Pende, Art and Typological Science in the Sacred Heart of CM , in Roman Rassegna , IX (1937), pp. 31-35; MG Franci, The Vatican issues of the war years , in the philatelic yearbook , Rome 1945, pp. 29-34; E. Diena, Parla CM, the artist of our stamps , in Italy philatelic , IV (1946), 22-23, pp. 245-251; Est-ce vraiment possible ?, in L'Observateur de Genève , XX (1951), 1, p. 6; Artisan candidates in Rome. C. M. , In Italian Craftsmanship , V (1952), 9, p. 4; E. Amadei, Memory of CM The man and the artist , in Il Quotidiano , 24 w. 1952; L. Palermo, Philately. Memory of CM , in Il Giornale , Oct. 17. 1952; R. Michetti, E. Martire and C. M., Rome 1953, pp. 11-15; CM Exhibition postuma (catal.), Rome 1953 (with extensive bibliography); R. Michetti, C. M. , In Faith and Art , 1953, n. 4, pp. 107-114; Vice, C. M. , In Il Giornale d'Italia , 12 April 1953; F. Zeri, Italian stamps ... , History of Italian art , IX, 1, Torino 1980, pp. 315-318; O. Orsini, The stamp in history and art , Rome 1981, pp. 117, 142, 144, 147, 150; F. Filanci - L. Mezzana Zilli, The art of the stamp: CM , Bologna 1990; H. Waga, Known and Unknown Life of the Virtues at the Pantheon, Rome 1992, pp. 51, 80; P. Mezzana, The Popes in the stamps of C. M. , In Il Dialogo , II (2005), 4, p. 18. ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ Buy with confidence. Your experience is really important to me. Please note: To maintain the integrity of these valuable pieces this lot will be shipped fully insured, professionally boxed, and offered with a traceable shipping freight worldwide WHICH is already included in the freight cost presented for your location. 100% satisfaction guaranteed or your money back Have a look for more original art pieces in my shop. Photographs in this listing are image quotations from the work that is offered for sale. © Copyright holder. ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ BIO He was born in Rome on 7 June 1890 by Giuseppe, an official of the Post Office, and Rosa Morelli. In 1906, at the same time as his high school studies, he attended the studio of the landscape painter P. Joris. The training then continued at the free school of the nude at the Institute of Fine Arts (1908-10) and at the University of Rome, where he graduated in jurisprudence in 1912 with the thesis Legislation of Fine Arts and Antiquities published the following year in Rome. Starting from 1906, the first charcoal portraits are also documented ( CM , 1953, p.11) and from 1911 the works with a social subject such as Port unloaders ( ibid. , Table 1). In 1914 Mezzana got in touch with G. Giovannoni and F. Hermanin, through which he developed a keen interest in architecture. In the same year he participated with naked Man in the painting competition of the Regia Accademia di S. Luca (Rome, Accademia di S. Luca, inv. 957) and obtained the qualification to teach drawing in technical schools and artistic institutes. Moreover, he exhibited the oil painting Rinascita at the exhibition of the Society of amateurs and lovers of fine arts in Rome, which saw him annually present until 1928 with the Consecration of Chinese bishops (1927, reprinted in CM ... , 1983, pl. 9). In the same period, in tune with the widespread taste in the capital of those years, Mezzana matured a predilection for the crepuscular atmospheres ( Dante al Monastero del Corvo , 1914, Rome, Mezzana collection), represented with a connatural sentimental vein and a spelling dry and sharp. In 1915 he was invited to the San Francisco International Exposition, where he presented the Antoninian Baths and began to teach drawing in the Michelangelo Buonarroti circle and in the ornamental arts school of the Municipality of Rome. During the war period Mezzana suspended the activity of scholar and artist to devote himself to the organization of the military hospital De Merode of Rome (1916-17) and was then an artillery officer (1917-18). In 1919 he married Albertina Giorelli, with whom he had six children, and began working as a production designer in the production company Tespi film in Rome (1919-22). In 1922 he created the first framework of social engagement, Glauco (1922; Rome, Mezzana collection), with a clear symbolist imprint, in the wake of the masonry works of A. De Carolis and A. Calcagnodoro. The evocative and didactic approach is characteristic of the works of Mezzana, especially in this period ( Elegi abiectus esse in Domo Dei , 1926, CM ... , 1953, plate 7), with the exception of landscapes, where he expressed his best artistic qualities, painting with scrupulous respect for the truth ( Dogliani , 1928, ibid ., plate 11). In the same years, he carried on the work of a publicist and from the pages of the Catholic magazine Gioventù nuova (1914-24) he came to the heart of the issues of historical-artistic philology. He also continued his exhibition activity by participating in the second and third Rome Biennial in 1923 and 1925. In the latter he exhibited a collection of decorations and the sketch for the altarpiece, Christ between s. Catherine of Siena and s. Margherita Alaquoque (1922), realized for the chapel of the Sacred Heart in the Basilica of S. Maria sopra Minerva. At the same climate and in the same period belong the tempera dedicated to the life of s. Giovanni Bosco (1929, Turin, Institute of the Salesians) and the cartoons for the stained glass and mosaics of the chapel of the relics in S. Croce in Gerusalemme in Rome ( CM ... , 1953, plate 13), pervaded by a pictorialism and expressive sentimentality pathetic tones. From the beginning of the Thirties, the main focus of interest was the commitment to artistic issues as a scholar and conservative. Designed, assisted by A. Muñoz, the crypt under the church of S. Caterina Magnanapoli (1933) and obtained the setting up of the hall of industry and craftsmanship at the Augustan Show of Rome (Rome, 1937). Especially after 1930 Mezzana devoted himself to the study of a series of great figures: Leonardo da Vinci, GL Bernini, Giotto di Bondone...

Great WPA period painting featuring visitors to the zoo with aviaries in the background, possibly NYC. Some of the visitors have a very Botero feel. Oil on canvas, unframed measuring...

Le Pont Neuf, the oldest existing bridge to span the Seine in Paris, is the subject of this painted board in giltwood frame, signed and dated in the lower left corner by the artist, ...

Beautiful oil painting on canvas 1910s. A splendid italian mountain landscape with river. Signed by Cesare Bentivoglio important italian artist. Per...

A painting of a woman riding on a carousel horse while holding out her white handkerchief to flow in the wind. This piece is reminiscent of a week...

Strikingly and vividly painted in watery tones of blue, green, tan and rose, this watercolor painting by Jean Paul Slusser depicts three nude male bathers...

This original watercolor by Depression Era New York artist William Gropper relates to two of Gropper's most important Depression Era prints: “Refugees” and “Uprooted.” Signed lower right and dedicated to: Bob & Helen Garelick. Garelick was Gropper’s Detroit dealer in the 1960's and ‘70's. Painting measures: 21 1/2" H x 15" W. Frame measures: 28" H x 21" W In excellent condition. Created circa 1932. New-York born artist William Gropper (1897-1977) was a painter and cartoonist who, with caricature style, focused on social concerns. During the 1930s, working as a part of the Federal Arts Project, he produced some of the most gripping social protest works of the Great Depression. He was born to a poor immigrant family on the Lower East Side fueling his subject interest in the downtrodden. His subjects included industrial strikes, especially in the coal mining and steel-production centers. He did much illustration-cartoon work for the New York Tribune newspaper, Vanity Fair magazine and the politically 'left-wing' publication, "New Masses." Some of his other pieces focused on the hypocrisy of government figures, especially members of the United States Senate...

"Ce qu'évoquent les Livres" Allegory of the Literature Oil on canvas Signed on the lower part beside parchment 111 x 133 x 2 cm Framed 125 x 146 x 7 cm Provenance: Collection Georges AUBRY, brother of the artist Bibliography: Illustrated in catalogue «Regards de peintre» , Suzanne AUBRY-CASANOVA, 1997, p.104 After trying years of forced confinement due to the war, he composed this allegorical fresco on the theme of Literature, Science and Arts was painted by Émile Aubry for his younger brother Georges Aubry, who had intended it for his library. This work, composed on the theme of the book it symbolizes, in its diversity by allegorical characters, he cannot help ordering the painting around Art, which he places at the top of the scale of human...

Vintage Original Oil Painting Depicting a Fish Depicting a slumped skate on the kitchen worktop ready for the chop with a slightly anthropomorphic smi...

In a white Frame, an original oil Painting. Representing a child's bust. It has been made in France circa 1930. Art deco period.

Small vintage 1930's gouache on paper abstract painting by Lewis J. Miller (1912-2007) New York/Florida. Signed and dated upper left corner....

Monument valley oil on canvas, circa 1930. Signed J. J. Moreno.

Jean Charlot Fresco style painting in plaster on board in the original artist made frame. Titled on a label on the verso: "Bed Time.” In excelle...