Paintings

Is collecting a simple pleasure or an all consuming obsession? The collector is facinated and entranced with beauty. The secret is knowing when to let the fire fly go.

Large blue abstract Venetian plaster painting, Carol L.Post, 2019. In this soft blue textured painting by artist Carol Post subtle strokes of plaster blend with the background and gracefully dance...

abstract moonlit landscape in various tones of blue, purple and green. textured painting surface reveals brush marks and under-layers. mixed media on panel, signed by the artist. fra...

This listing is for a Modern Expressionist Abstract Painting. Featuring a vintage wood frame, original expressionist style abstract art with a mixture of colors, and a wire on the ba...

A fabulous vintage Boho original oil painting on canvas. A chic Abstract Expressionist composition in brilliant shades of blue. Signed by the artist. Acquired from an NJ estate.

This is a beautiful and playful oil on canvas by French artist Guy de Rougemont, signed Rougemont and dated 2006 on the back. It’s been framed with a royal blue shadow box matching t...

A fabulous vintage Boho original oil painting. A chic still life in bright clear colors. Signed and dated by the artist. Acquired from a Palm Beach estate.

"Colors of Morocco" is the name of this canvas, hand-painted by an Italian artist after a trip to Morocco: he loved the colors sunny and earthy of Africa! The sizes published are onl...

Jazza, (American, 20th /21st Century) Mona Lisa New Baby Acrylic on canvas/mixed Media, signed, titled, numbered NW-1995-21on the reverse 35.5 by 35.5 in. (90.17 by 90.17 cm.), Ove...

Large acrylic on canvas by Karl James Lubbering (b. 1969) features a dog with varying hues of purple and blues. Karl comes from a family of promin...

Lawrence Glickman (American, XX - XXI), The Window, acrylic on three canvases adhered together, unsigned, framed. 61.5" H x 54.75" W. Provenance: Fro...

A monumental acrylic painting on canvas by American artist Marc Ross, 2018. This minimal abstract painting features an impressive gradation of blue hues, giv...

Steven Colucci’s iconoclastic approach to performance and the visual arts have not only long blurred the boundaries between these disciplines, but have challenged its most basic assumptions. The title of this show references a most rudimentary dance move --the plié --and our assumptions of what to expect in relation to this. Also the suggestion that we can simply press a button and a preconceived outcome will be courteously delivered --a form of prefabricated belief in itself. Steven Colucci’s artwork turns such basic assumptions on their heads. Finding early inspiration in the New York school of abstract expressionists such as Jackson Pollock with his action painting, and then further by his professor --a then young Vito Acconci while studying at the School of Visual Arts, Steven Colucci went from exploring the raw existentialist experimentation of New York’s early painting and performance scenes, to investigating the other end of the spectrum --the rigorously measured and controlled disciplines of pantomime and ballet; studying in Paris under the tutelage of world-famous Marcelle Marceau, and engaging with the concepts of dramatic movement pioneer and intellectual Etienne Decroux. Colucci has explained the difference between the extremes of pantomime and dance as being that pantomime forces movement via an internal capacity --movement directed inward to the core of one’s self --a source requiring extreme mental and physical control. Dance by contrast is an external expression; likewise requiring great precision, although instead an extension of self or sentiment that projects outwardly. While such historical ‘movement’ disciplines serve as foundation blocks for Steven’s artistic explorations, it is the realm in between that he is best known for his contributions --an experimental movement and performance art that simultaneously honors, yet defiantly refutes tradition; rejecting a compartmentalization regarding art and movement, yet incorporating its elements into his own brand of experimental pastiche. Colucci’s performance works manifest as eerily candy-coated and familiar, yet incorporate unexpected jags of the uncanny throughout, exploiting a sort of coulrophobia in the viewer; an exploration of a cumulative artifice that binds human nature against its darker tendencies; highlighting traditions of artifice itself - the fabricated systemologies that necessitate compartmentalization in the first place. It is evident in Steven Colucci’s paintings that he has established a uniquely distinctive pictorial vocabulary; a strong allusion to --or moreso an extension of --his performance works. Colucci’s paintings depict a sort of kinetic spectrum, or as he refers to them “a technical expression of physicality and movement”. Whereas the French performance and visual artist Yves Klein used the human body as a “paint brush” to demarcate his paintings and thereby signify a residue of performance, Colucci’s utilization of nonsensical numbers and number sequences taken from dance scores, as well as heat- induced image abstraction depicting traces of movement likewise inform his vocabulary. In the strand of the choreographed, yet incorporating moments of chance, Colucci’s paintings represent an over arching structure; a rhythm of being and state, yet detail erratic moments --moments that denote a certain frailty --the edge of human stamina. Colucci’s paintings dually represent a form of gestural abstraction --and also the reverse of this --a unique anthropomorphization of varying states of movement – that sometimes present as a temperature induced color field, at others are juxtapositions of movement and depictions of physical gestural images themselves. Colucci’s use of vernacular and found materials such as cardboard evoke his mastery of set design, and also reference a sort of collective experience of urbanity and the ephemeral. Such contradictions seem to permeate not only Steven Colucci’s artwork, but also are reflected in his person – one who grew up in New York’s Bronx during a zeitgeist moment in visual and performing arts in the 1960s – one who shifts with ease from happenings and experiments in New York City, to his meticulously choreographed megaproductions at Lincoln Center or starring in the Paris ballet...

Steven Colucci’s iconoclastic approach to performance and the visual arts have not only long blurred the boundaries between these disciplines, but have challenged its most basic assumptions. The title of this show references a most rudimentary dance move --the plié --and our assumptions of what to expect in relation to this. Also the suggestion that we can simply press a button and a preconceived outcome will be courteously delivered --a form of prefabricated belief in itself. Steven Colucci’s artwork turns such basic assumptions on their heads. Finding early inspiration in the New York school of abstract expressionists such as Jackson Pollock with his action painting, and then further by his professor --a then young Vito Acconci while studying at the School of Visual Arts, Steven Colucci went from exploring the raw existentialist experimentation of New York’s early painting and performance scenes, to investigating the other end of the spectrum --the rigorously measured and controlled disciplines of pantomime and ballet; studying in Paris under the tutelage of world-famous Marcelle Marceau, and engaging with the concepts of dramatic movement pioneer and intellectual Etienne Decroux. Colucci has explained the difference between the extremes of pantomime and dance as being that pantomime forces movement via an internal capacity --movement directed inward to the core of one’s self --a source requiring extreme mental and physical control. Dance by contrast is an external expression; likewise requiring great precision, although instead an extension of self or sentiment that projects outwardly. While such historical ‘movement’ disciplines serve as foundation blocks for Steven’s artistic explorations, it is the realm in between that he is best known for his contributions --an experimental movement and performance art that simultaneously honors, yet defiantly refutes tradition; rejecting a compartmentalization regarding art and movement, yet incorporating its elements into his own brand of experimental pastiche. Colucci’s performance works manifest as eerily candy-coated and familiar, yet incorporate unexpected jags of the uncanny throughout, exploiting a sort of coulrophobia in the viewer; an exploration of a cumulative artifice that binds human nature against its darker tendencies; highlighting traditions of artifice itself - the fabricated systemologies that necessitate compartmentalization in the first place. It is evident in Steven Colucci’s paintings that he has established a uniquely distinctive pictorial vocabulary; a strong allusion to --or moreso an extension of --his performance works. Colucci’s paintings depict a sort of kinetic spectrum, or as he refers to them “a technical expression of physicality and movement”. Whereas the French performance and visual artist Yves Klein used the human body as a “paint brush” to demarcate his paintings and thereby signify a residue of performance, Colucci’s utilization of nonsensical numbers and number sequences taken from dance scores, as well as heat- induced image abstraction depicting traces of movement likewise inform his vocabulary. In the strand of the choreographed, yet incorporating moments of chance, Colucci’s paintings represent an over arching structure; a rhythm of being and state, yet detail erratic moments --moments that denote a certain frailty --the edge of human stamina. Colucci’s paintings dually represent a form of gestural abstraction --and also the reverse of this --a unique anthropomorphization of varying states of movement – that sometimes present as a temperature induced color field, at others are juxtapositions of movement and depictions of physical gestural images themselves. Colucci’s use of vernacular and found materials such as cardboard evoke his mastery of set design, and also reference a sort of collective experience of urbanity and the ephemeral. Such contradictions seem to permeate not only Steven Colucci’s artwork, but also are reflected in his person – one who grew up in New York’s Bronx during a zeitgeist moment in visual and performing arts in the 1960s – one who shifts with ease from happenings and experiments in New York City, to his meticulously choreographed megaproductions at Lincoln Center or starring in the Paris ballet...

Greek Architectura Oil on canvas Dimensions: 47.24’’ x 63’’ Signed and dated 2021. Vernon is a sculptor artist emerging from the French art scene. He began his training with the Fr...

Karin Elmlund, born in 1974, is from the tiny island of Tjörn on the west coast outside Gothenburg, Sweden. Tjörn has a rich arts and crafts culture; this, combined with being on an ...

Beautiful large abstract painting titled "Mykos" by American artist Rebecca Ruoff, acrylic and oil on canvas, 2021.

Introspective Canvas is one of the unique pieces of Sergio Prieto, a multidisciplinary Spanish artist and World Recognized Furniture Designer with Prizes like 2020 Young Talent by Interiores Design Magazine and Best of Spain 2020 by AD Magazine...

About the painting “Goodnight” 2016 About the artist: Cecilia’s is working with all geometrical forms, lines and shadows. Her style developed to be clean and sharp forms in different combinations. Often they are in juxtaposition to create a three dimensional effect. Since two decades she has only painted in acrylic on canvas. Her art characteristics are uniform geometrical shapes with pristine borders, often in bold colours. Born in Sweden in 1954, Cecilia Setterdahl has always been painting from Swedish inspiration. Studied ascetics in High School and then went on to the Technical University of Lulea and graduated as a teacher. Moved to Stockholm and studied at the “Konstskolan” First exhibition 1988. Through a move to Neuchatel, Switzerland Cecilia continued her studies at the M-Art and Accademie Maximilien de Meuron. “Art Studio Bv5”, together with 4 other artists, she continued to work until moving to Dubai in 2015. Several part exhibitions in Neuchatel, Lausanne, Geneva, Brussels, London, New York, Hong Kong and Sweden. In the United Arab Emirates she has exhibited both acrylic paintings and hand- made carpets at Downtown Design...

Gustavo Oviedo mixed media abstract painting on canvas, "Inside Wave" Offered for sale is a large mixed media painting on canvas by art...

Contemporary Art Work made by Yago Hortal in 2007 in Barcelona Spain. Acrylic on canvas 150 x 150cm Yago Hortal (Barcelona, 1983) studied Fine Arts b...

A large and striking Abstract painting by noted Artist Mary Nomecos. Signed and dated 2001 on verso with title "Gathered White". Gallery label and bio inf...

Artist VINC 4 CV Bibendum Acrylic on hood of 4CV from 1960 ( French car) Circa 2021 H 83 x W 100 X D 22 cms Signed by the artist Unique and original a...

Gerson Leiber "A Surge of Discombobulation" Oil on Linen, 2015 Born in Brooklyn in 1921, Gerson showed promise in his high school art classes. Later, while stationed in Hungary in...

Fantastic vintage Abstract original oil painting. Signed and dated by the artist Alvarez 08. A large and fantastic composition dominated with brilliant shades of blue and flashes of ...

"Final Curtain" by artist Kevin Paulsen. Created with a combination of pigment on horsehair plaster applied on polystyrene, framed in in a shadow box, giving the appearance of a "fr...

James Siena etching 'Fletxes octogonals decreixents'. Made by the artist circa 2011. Edition of 35 Hand signed. Number of edition and signature from the artist might dif...

Oil on canvas Painting, "La sandía suspendida" by Paola Vega, Argentina, 2020 The painting was exhibited in her solo show "The life of paintings" at Calvaresi in Buenos Aires, 2020. Paola Vega bio: Paola Vega is an artist, researcher and curator. She graduated with a degree in History from the Universidad Nacional del Sur in 2003. In parallel, she began to study painting in Bahía Blanca at Espacio Vox with Gustavo López, and carried out work clinics with Jorge Gumier Maier and Diana Aisenberg between 2001 and 2002, and later in Buenos Aires with Pablo Siquier (2004) and Tulio de Sagastizábal (2005-2007). In 2003 she obtained a scholarship granted by the Antorchas Foundation to continue her training. She was selected to participate in the Artists Program of the Torcuato Di Tella University (2011) with tutoring from Jorge Macchi. In 2015 she did a residency in Madrid at El Prado...

‘Snake River ’ by Chicago Artist, Karen Parisian. Acrylic + mixed media on canvas. Karen Parisian is a Chicago based artist. Her work can be thought of ...

Canvas art created by conceptual art artist under the pseudonym BomberBax from 2020. The artist always elaborates in his paintings the strong concept of the artistic evolution of Cry...

Art Dimensions: 36 x 36 H inches and Framed Dimensions: 37 W x 37 H x 4.25 D inches. Silver leaf float frame. We are proud to be the exclusive gallery of John O'Hara (American, b. 1963). O'Hara is a self-taught artist from St. Louis and is known for his large-scale abstract decorative pieces. His medium of choice is encaustic—a mixture of pigments and beeswax and he allows the material to dictate color, line and texture. His works often feature natural and organic forms and incorporate both figural and abstract elements. O'Hara began his art career in 2018 and collectors and designers quickly took notice. His work is included in both public and private collections around the world. Michael Kors selected O'Hara's Tar series paintings for his Milan, Paris, and New York showrooms and his flagship store in London designed by Pamela Meech. O'Hara's Brands on Yellow is hanging in the lounge of Maison de Luz, the new luxury hotel by Atelier Ace and designed by AD100 design firm Studio Shamshiri...

Mid-century inspired, contemporary artwork entitled, "Interactive", Mixed Media on Canvas by Shahen Zarookian. Acclaimed American Armenian artist and designer, Shahen Zarookian, ties...

A striking abstract composition with gorgeous color palette of greens, blues, grey, black and white. The unpredictable arrangement of circles, ovals, lines and overlapping shapes ex...

Eva Navarro, her work offers a critique on the ubiquitous anonymity of modern city life. After studying Fine Art at the Complutense U...

Coussot Bex - Blue circle 2 2021 Acrylic on panel Measures: D78cm x P1cm Signed.

Abstract views of landscape are interpreted and painted by the artist. During travels around the world designs and notes are made, which are later abstractly interpreted into paintin...

Myriam Caumes, signed. Oil on canvas with a white textured background on which are drawn four large blue-colored pebbles. French contemporary work. Reference : LS4532901.

"New York Math" Acrylic on canvas painting by Nicholas Howey. Signed, dated and titled on back.

Eye catching large bold abstract painting in a gorgeous blend of colors and having a circle motife. Can be oriented vertically or horizontally. Painted around edges, so framing is optional. Signed on edge, Fay Sciarra.

For your consideration is a gorgeous, geometric painting on canvas, by Gunda Hass, circa the 2010s. In excellent condition. The dimensions are 35.5" W x 43.5" H.  

Artwork signed by Leonora Sisto "Confía", Mexico, 21st century.

A striking geometric abstract painting with squares, lines, triangles and rectangles, in a soothing composition and color palette of blues and greens. Painted on sides so not intende...

This soothing original painting by Miami based artist, Johanna Boccardo, was created with the meticulous signature style of the artist. The painting boldly displays her chromatic mastery, resulting in a fresh and colorful piece of contemporary art. Layers of color of various media are applied to get a multi-layered and dynamic effect, where cryptic stories and drawings are disguised in the background. "Aura Quartz...

Jolly Rider is an original, one-of-a-kind, acrylic on canvas contemporary Fanciful Inuit painting. Vibrant pops of color work in harmony to create this unique, contemporary work of art by Floyd...

Evocative color-field abstract composition by contemporary American artist, Benjamin Casiano. Casiano is a lover of color and uses dramatic brushstrokes to bring color alive on his c...

Oil on canvas painting, "Los planetas frutales" by Paola Vega, Argentina, 2020 The painting was exhibited in her solo show "The life of paintings" at Calvaresi in Buenos Aires, 2020. Paola Vega bio: Paola Vega is an artist, researcher and curator. She graduated with a degree in History from the Universidad Nacional del Sur in 2003. In parallel, she began to study painting in Bahía Blanca at Espacio Vox with Gustavo López, and carried out work clinics with Jorge Gumier Maier and Diana Aisenberg between 2001 and 2002, and later in Buenos Aires with Pablo Siquier (2004) and Tulio de Sagastizábal (2005-2007). In 2003 she obtained a scholarship granted by the Antorchas Foundation to continue her training. She was selected to participate in the Artists Program of the Torcuato Di Tella University (2011) with tutoring from Jorge Macchi. In 2015 she did a residency in Madrid at El Prado...

Jordi Mollá, actor, artist, writer and filmmaker, 2021 "Flower Power" Marbella series oil painting.   

A striking abstract painting emphasizing a sensual unpredictable composition of squiggly forms having a delicious palette of fuschia, turquoise, acid green, blues and purples. By well known Princeton contemporary artist Fay Sciarra.

Decorative abstract painting by N. Golain.

A large oil on canvas Artist-signed John David O'Shaughnessy, 2010. Layered color and texture in a Jackson Pollack inspired abstract. This painting i...

Jens Ulrich Petersen (b. 1947), Danish listed artist. Oil on canvas. Men on a string. 21st century. The canvas measures: 80 x 60 cm. In ex...

Ivy Lysdal, b 1937. Danish ceramist and painter. Acrylic on canvas. Abstract modernist painting. Colorful palette. Dated 2005 Signed. Canvas measures: 30 x 30 cm. Provenance: T...

Modern abstract, oil on canvas painting, titled “Les Poissons 1/The Fish 1” by Michelle Hénault, a conceptual fine artist. Signed on front bottom right, also, signed, dated and titled on back, measuring approximate 24" H x 18" W x 1.5” D. Gallery wrapped, finished sides; circa dated 2014. Michelle Hénault is a Conceptual Fine Artist, born in Lachute, Quebec, living and working in Montreal since 1991. She completed a Bachelor degree in Fine Arts at UQAM in 1998. After exploring sculpture...

Ivy Lysdal, b 1937. Danish ceramist and painter. Acrylic on canvas. Abstract modernist painting. Colorful palette. Dated 2008 Signed. Canvas measures: 30 x 30 cm. Provenance:...

Ivy Lysdal, b 1937. Danish ceramist and painter. Acrylic on canvas. Abstract modernist painting. Colorful palette. Dated 2005 Signed. Canvas measures: 30 x 30 cm. Provenance:...

Ivy Lysdal, b 1937. Danish ceramist and painter. Acrylic on canvas. Abstract modernist painting. Colorful palette. Dated 2005 Signed. Canvas measures: 30 x 30 cm. Provenance: T...

Ivy Lysdal, b 1937. Danish ceramist and painter. Acrylic on canvas. Abstract modernist painting. Colourful palette. Dated 2005 Signed. Canvas measures: 30 x 30 cm. Provenance...

Ivy Lysdal, b 1937. Danish ceramist and painter. Acrylic on canvas. Abstract modernist painting. Colorful palette. Dated 2007 Signed. Canvas measures: 30 x 30 cm. Provenance: T...