"Drifting in the Shadows" by Richard Chalfant

Sea meets land, waves roll to shore breaking in direction and size. This is a study in transparency, movement, and reflection.

Over looking abundant fields of wildflowers an old Quaker home stands quietly on a knoll simple but elegant.

One of my favorite views. Atmosphere transitions from dapled light in the foreground to the haze of distant hills.

Enveloped in darkness the night fisher listens to the sea pound the rocks and feels the ground shake with the weight of the surf. The ocean spray washes aw...

Chicago-based fine art painter Bruno A. Surdo is classically trained in drawing and oil painting in the tradition of Renaissance masters. With strong command of the human form, Surdo...

Oil on artist board signed and dated lower right featuring pool players playing a point match in the pool hall. Great WPA feel and texture impasto. Most likely the original frame measuring 15.25" x 19.25" overall. Born in New York in 1915, Campanella studied at the Leonardo Da Vinci Art School where the curriculum was based on the Naples Academy founded in the 1440s. He took this classical Renaissance training to the streets of New York, then-rural Astoria, Monhegan Island, and Wyoming. As an easel artist for the Works Progress Administration (WPA) in the 1930s he painted and taught in Rock Springs, Wyoming. There his style became Abstract and works of Classical Abstraction were recognized in art reviews and exhibitions. He was represented by the Rehn Gallery in New York until the death of Frank Rehn in 1956. His work has been shown at The Art Institute of Chicago, Carnegie Institute, Brooklyn Museum, Corcoran Art Gallery, Denver Museum, Metropolitan Museum of Art, Pennsylvania Academy of Fine Arts, San Diego Museum, San Francisco Museum, Seattle Museum, Toledo Museum, Whitney Museum of American Art, and the Universities of Nebraska, Tennessee and Wyoming. He was a Fellow at the MacDowell Colony in 1968. Retrospective shows of his work have been held at Hunter College (1995) and the Albrecht-Kemper Museum of Art (2007). Campanella taught at the University of Wyoming (1940), Columbia University (1946-49), the Kansas City Art Institute (1949-52) and Park College (1952-80). Notable students include Robert Morris, Wilbur Niewald...

RICHARD HENNESSY AMERICAN, b. 1941 "THE SUMMER OF OUR CONTENT" "Large" Oil on canvas Signed and dated 1980 on verso 60 by 72 ½ in. Provenance: From the estate of Christopher Scott, acquired from the artist. Note: Christopher Scott was a painter who was best known as curator/gadfly Henry, Geldzahler's partner. This relationship was immortalized in one of David Hockney's best portraits of 1969. EDUCATION: EASTMAN SCHOOL OF MUSIC, 1954-59 COLUMBIA COLLEGE, B.A., 1963 INSTITUTE OF FINE ARTS, NEW YORK UNIVERSITY, 1963-66 PUBLIC COLLECTIONS ALBRIGHT KNOX ART GALLERY, BUFFALO, NEW YORK AMERICAN TELEPHONE AND TELEGRAPH BROOKLYN MUSEUM, BROOKLYN, NEW YORK CARNEGIE MUSEUM, PITTSBURGH, PENNSYLVANIA CENTRO CULTURAL, MUSEO CONTEMPORANEO, MEXICO CITY COPLAND HOUSE, CORTLANDT MANOR, NEW YORK DAYTON ART INSTITUTE, DAYTON, OHIO DOW JONES HEALTH SCIENCE CENTER, UNIVERSITY OF TEXAS, SAN ANTONIO HECKSHER MUSEUM OF ART, HUNTINGTON, NEW YORK I. T. & T. ITALIAN RELIEF FUND J.P.MORGAN CHASE JACK S. BLANTON MUSEUM,UNIVERSITY OF TEXAS, AUSTIN METROPOLITAN MUSEUM OF ART, NEW YORK MOMA/P.S.1, STAIRWELL MURAL NEW YORK UNIVERSITY, NEW YORK PHILADELPHIA MUSEUM OF ART, PENNSYLVANIA PHOENIX ART MUSEUM, PHOENIX, ARIZONA READER'S DIGEST SAMUEL P. HARN MUSEUM, UNIVERSITY OF FLORIDA AT GAINESVILLE SAN FRANCISCO MUSEUM OF MODERN ART SHEPHERD SCHOOL OF MUSIC, RICE UNIVERSITY, HOUSTON SHIMIZU CONSTRUCTION, TOKYO SOLOMON R. GUGGENHEIM MUSEUM, NEW YORK THE COMMODITIES CORPORATION, TRINITY UNIVERSITY, SAN ANTONIO, TX THE LANNAN FOUNDATION, LOS ANGELES, CALIFORNIA THE WADSWORTH ATHENEUM, HARTFORD, CONNECTICUT WESTINGHOUSE CORPORATION WHITNEY MUSEUM OF AMERICAN ART, NEW YORK AWARDS 2008 THE POLLOCK-KRASNER FOUNDATION 1988 THE POLLOCK-KRASNER FOUNDATION 1987 THE ANN AND ERLO VAN WAVEREN FOUNDATION 1983 INGRAM MERRILL FOUNDATION SOLO EXHIBITIONS 2008 CARRIE HADDAD GALLERY HUDSON, NY 1991 MARGULIES/TAPLIN GALLERY BAY HARBOR ISLANDS, FL 1989 BALL STATE UNIVERSITY MUNCIE, IN 1986 NINA FREUDENHEIM GALLERY BUFFALO 1986 JOHN GOOD GALLERY NEW YORK 1985 GETLER/PALL/SAPER GALLERY NEW YORK 1983 HAMILTON GALLERY NEW YORK 1982 HAMILTON GALLERY NEW YORK 1981 IVORY KIMPTON GALLERY SAN FRANCISCO 1980 HAMILTON GALLERY NEW YORK 1978 ROBERT MILLER GALLERY NEW YORK 1976 OLIVER BERNIER, INC. NEW YORK 1976 GREY ART GALLERY, NYU NEW YORK RETROSPECTIVE EXHIBITION 1976 OLIVIER BERNIER, INC. NEW YORK 1970 TIBOR DE NAGY GALLERY NEW YORK 1969 OLIVIER BERNIER, INC. NEW YORK GROUP EXHIBITIONS 2007 VILLE DE REIMS GLOBAL BOOKS: LES LIVRES D'ARTISTE DE GERVAIS JASSAUD 2006 WEBER FINE ART GREENWICH, CT MY FRIENDS-THEIR VISION 2006 SNUG HARBOR CULTURAL CENTER STATEN ISLAND, NY ABSTRACT LANDSCAPES 2000 THE HECKSCHER MUSEUM OF ART HUNTINGTON, NY AARON COPLAND’S AMERICA 1997 ESPACE CULTUREL DE TINQUEUX FRANCE LA TENTATION DU LIVRE 1992 COLUMBIA UNIVERSITY NEW YORK THE ARTIST, THE WRITER AND THE BOOK DESIGN (ARTISTS'S BOOKS FROM COLLECTIF GÉNÉRATION) 1992 MARGULIES/TAPLIN GALLERY MIAMI GROUP SHOW 1991 NINA FREUDENHEIM GALLERY BUFFALO RICHARD HENNESSY AND JEFFREY WASSERMAN 1991 ANDRE EMMERICH GALLERY NEW YORK ABSTRACT PAINTING: THE 90'S 1991 FRENCH CULTURAL SERVICES NEW YORK LIVRES D'ARTISTES OF COLLECTIF GÉNÉRATION 1991 SAMUEL P. HARN MUSEUM, UNIVERSITY OF FLORIDA AT GAINESVILLE GAINESVILLE, FL CONTEMPORARY ART 1990 MARTA CERVERA GALLERY NEW YORK THE PAINTER AND HIS OCCASION, CURATED BY ALAN JONES...

Through a layering of hand-dyed sand, the mirror consists of gradient tones and textures suggesting Patagonian glaciers breaking over water. The granules are stratified with nuance a...