Felipe Gil Gallango, Spanish 1868 - 1938, Pair of Landscapes

'Summer Landscape' by Beverly Myers Modern Painter, School of Wolf Kahn  USA, Post 2015 "Summer Landscape" is a stunning example of Beverly Myers' maste...

American folk art painting of chickens in a farm landscape, signed 'Horiz' USA, 20th century  A captivating American folk art painting depicting chickens in a picturesque farm lands...

Modern Egg Tempera Portrait of a Lady in Landscape by Louis Wolchonok Louis Wolchonok American (1898-1973) A rare example (Egg Temp...

20th century Indian Mughal School painting of figures in landscape India, Circa 1960s A fine example in subtle earth-tone organic colors of two beauties in landscape with a seate...

Landscapes, Xalapa, Mexico. Pair of oils on canvas. Spanish school, around 1840. Provenance: Conde de la Cortina collection, Jalapa, Mexico. Couple of landscapes framed within the Spanish school of the first half of the 19th century, with a clear romantic affiliation. Both evidence the knowledge of the Dutch classicist landscape, one of the main influences on the Spanish romantic landscape. Thus, we see compositions in "V", closed on the sides and open in the center, very low horizons that allow a wide development of the sky, spaces built in depth based on successive planes subtly differentiated by light and color, and small figures perfectly integrated into the natural setting. In addition, the skies are scenographic and dramatic, with low clouds behind which the golden light characteristic of the classicist landscape filters. One of the most radical aspects of romantic painting was the attempt to replace large canvases with historical or religious themes with landscapes. They wanted the pure landscape, almost figureless or totally devoid of them, to achieve the heroic significance of history painting. They were based on the idea that human feeling and nature should be complementary, one reflected in the other. In other words, the landscape should arouse emotion and transmit ideas. Thus, landscapers like the author of these canvases tried to express their feelings through the landscape, instead of imitating it. The romantic landscape had two main aspects: the dramatic one, with turbulent and fantastic views, and the naturalistic one, which emphasized images of a peaceful and serene nature. This second conception is what we see embodied in these works; the painter tries to communicate a religious reverence for the landscape, nature in its fullness. In fact, the author's own use of light here conveys a foggy, cloudy, dreamlike atmosphere that invites the viewer to meditate and contemplate himself in the landscape. The romantic landscape is constituted, however, by manifestations of very different types and not comparable to each other; it does not affect all national schools equally, staying more faithful to tradition in schools such as the French or the Dutch. Thus, in this canvas we do not find the grandiose scenery of the British and Germans, the steep mountains or the monumental Gothic ruin...

A pair of circa 1950's Spanish archangel paintings with giltwood frames. Measurements: Height: 58.5" Width: 40" Depth: 3".

Two landscape oil paintings on canvas by J R Wallace Orr, 1938, both showing Scottish coastal scenes with labels on the reverse from ‘Pearson and Westergaard Ltd, Fine Art Dealers, 28 West Nile Street, Glasgow, CI’ one titled ‘Ocharton Bay’ and the other’ Auchencairn Bay’, both signed ‘J R Wallace Orr 1938’. Scottish. Can be purchased individually or as a pair. James Robert Wallace Orr (1907 – 1992) attended the Glasgow School of Art and gained a diploma from the Royal College of Art in 1933. He became a well-known painter, printmaker and teacher at the Glasgow Academy until his retirement in 1967. During the war he served in the London Fire Brigade...

Michael Upton, British 1938-2002, oil on card, Cornish landscape with helicopter is a great example of Upton's work painted in the last couple of decades...