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Italian 17th Century Flowers Still Life Lombard School Oil on Canvas Painting

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Madonna With Child Italian Painting Late 17th Century
Located in Milano, MI
Madonna and Child late 1600s, oil painting on canvas from northern Italy, in good condition, within walnut frame, from a private collection in Milan. The work depicts the Virgin hol...
Category

Antique Late 17th Century Italian Baroque Paintings

Materials

Canvas, Nutwood

Still Life of Pink Peonies Italian Oil Painting on Canvas Signed Airoldi 1924
Located in Milano, MI
Still Life Of Peonies Airoldi 1924 oil painting on canvas depicting a composition of flowers, of pink peonies within a vase, signed and dated lower right B. Ajroldi 1924. A flashy ...
Category

Vintage 1920s Italian Art Deco Paintings

Materials

Canvas, Beech

17th Century English School Portrait of Young Lady as Widow Jane Bromley
Located in Milano, MI
Reputed Portrait of Jane Bromley, as a Young Widow by British, English School, oil on canvas painting circa 1640/1650, in good condition, set in a modern frame. It comes from a priva...
Category

Antique Mid-17th Century Italian Baroque Paintings

Materials

Canvas, Wood

18th Century, Venetian School Italian Landscape Oversize Painting
Located in Milano, MI
Early 18th century Italian Venetian inland painting, a large size oil on canvas Baroque mountain landscape with stream, bridge, waterfall, wayfarers and a village in the background. The woodland is animated by figures, a caravan with horsemen fishermen. This monumental Italian Baroque landscape painting has a strong impact and an excellent composition balance, as it depicts in the center the luminous perspective of a fortified village, whose side wings consist of two mountain rocks with dark wooded vegetation crowded by characters, horsemen, paths, streams.On the left side, with respect to the observer, there is a path that runs alongside a stream that flows into a waterfall in the center of the composition. from a caravan of travelers on foot and on horseback traveling along it in both directions: going up the slope on the mountainous coast you can see a church and a village near the top. The right part of the painting depicts a more sparse and dry vegetation, painted in the chromatic tones of ocher, inside of which there are dead plant, dry branches and a smaller number of figures on the rugged mountain. The iconographic inspiration of this wooded representation seems to be in the large trunk of the withered conifer in a central position, which represents a dead tree, as a? reminder of the transience of everything in life, whose phases are summarized in the two mountainous coasts. In the background a village painted in light and soft blue colors, in stark contrast to the previous scene, seems  to reassure and project us into a future season. With a suggestive theatrical effect, more than 250 cm wide, this Baroque Italian painting comes from a private collection of Milan, the canvas has been lined and shows minor painting retouches at a horizontal seam of the canvas. It is unframed, it has just a wooden profile covering the canvas edge. It is an antique Italian landscape, the perfect opportunity to make a statement. Get the perfect size painting for a great living room, to create that eye-catching focal point. You can make an impact with a single large work by hanging this early 18th century Italian Baroque painting...
Category

Antique Early 18th Century Italian Baroque Paintings

Materials

Canvas

18th Century Pair of Italian Still Life Trompe L'Oeil Vision Jokes after Munari
By Cristoforo Munari
Located in Milano, MI
A stunning pair of antique Italian trompe l’oeil still life paintings, a pair of 18th century oil on canvas vision jokes, false still life paintings known as deception paintings by a follower of Cristoforo Munari (Reggio Emilia 1667- Pisa 1720) of Italian origin, dating back to the first half of 1700s. These 18th century Italian Baroque trompe l'oeil paintings depict an abundance of objects are arranged on a table. The background of the disordered compositions consists of a wooden board wall with hanging sketches and other objects. Both still life compositions are painted in soft ocher tones and have the same unseen source illuminating the display from the left, creating a dark shadow on the right side of both paintings. Biscuits, a glass vase of flowers, earthenware pots, a wooden instrument...
Category

Antique Early 18th Century European Baroque Paintings

Materials

Wood, Canvas

19th Century Italian Pair of Cherub Paintings on Wood Baroque Syle Framed
Located in Milano, MI
19th century pair of Putti oil paintings on wood, set of two walnut panels depicting woodland landscapes with cherubs playing of Italian origin. Thi...
Category

Antique Mid-19th Century Italian Baroque Paintings

Materials

Walnut

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17th Century Still Life Painting Oil on Canvas Area of Ruoppolo
By Giovan Battista Ruoppolo
Located in Milan, IT
Area of ??Giovanni Battista Ruoppolo (Naples, 1629 - 1697) Still life with fruit and little bird Measures: Oil on canvas, 62 x 83 cm The still life in question shows juicy citrus fruits, among which we can recognize oranges and cedars, together with red berries scattered on the ground. A cheerful little bird rests on the edge of a terracotta pot in which some pink-mottled carnations grow. The landscape that can be observed all around is veiled by clouds and shaded by shrubs, while in the distance there is a green hill. Dominating the foreground and standing out from the dark background is the fruit which, lush and juicy, stands out in the vivacity of the colors in contrast with the dark background. The full-bodied brushstroke that delineates the wrinkled peel of citrus fruits to restore the realism of the fruit, just as the green leaves of the stems softly folded on themselves are sketched with extreme truthfulness, they ascribe the work to a painter working in the circle of Giovanni Battista Ruoppolo. Ruoppolo is a Neapolitan artist, specialized in the genre of still life, indeed De Dominici himself in his Lives of Neapolitan painters, sculptors and architects recognizes him a primary role in the Neapolitan school of the genre. He studied, together with Giuseppe Recco (1634 -?), In the workshop of Paolo Porpora (1617 - 1673). He painted almost exclusively fruit and flower paintings...
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