Canvas Paintings

A bright and airy oil painting of Paris on stretched canvas made by Romanian painter Mariana Elas. The artwork is signed and dated 1990 in the lower left corner (see photo). Mariana ...

Original oil on board; 5" x 7". Painting portrays a Native American teepee camp scene in a desert clearing. A stunning colorful sunset frames the scene, featuring colors of blue, pin...

A surrealist oil on canvas by listed artist Kurt Larisch, circa 1960. Scene depicts floating cone like shapes in blue and green with small figures that appear to be emerging from the...

This is a magnificent pair of antique Italian oil on canvas paintings by Ettore Ascenzi, 19th C, Italian, titled "Music Recitals" signed and inscribed 'Roma' . These beautiful paint...

A green-brown, vintage Art Deco French oil on canvas painting of a slightly cloudy, sunny day at the Longchamp horse racing track, painted by Eugène Pechaubes in the original wooden ...

Antique Oil on Canvas Painting of Cherub & Woman in Gilt Frame C1890 Measures- 13.75"H x 11"W x 1.5"D

This captivating oil on canvas, titled "A Berkshire Landscape," is a remarkable example of the work of John Bunyan Bristol, a distinguished 19th-century American artist known for his...

Lucia Lopez Cubist Nude, 1960s Cuban, Died 2011 Presenting "Lopez Abstract," a compelling oil painting on canvas by the Cuban American artist Lucia Lopez, reframed in a mid-century ...

19th century German oil painting on canvas, depicting an officer on a black horse. Dimensions: (unframed) 65 x 55cm; (framed) 69 x 59cm. Provena...

Ron Charles Mitchell of London (b.1960) Americas Cup 1934 Yacht Racing Measuring framed 29 x 38.5cm (11.4" x 15.2"). Oil on canvas, framed, signed and titled verso "Rainbow vs Ende...

Presenting a Peruvian Cusco School Revival painting from the mid 20th century, depicting the beloved figure of San Isidoro, the patron saint of farmers and laborers. This exquisite ...

A fine 18th century painting depicting the Virgin Mary holding baby Christ above four saints, painted in the artistic centers of Cuzco and the Altiplano re...

Oversized Lee Reynolds acrylic seashell painting with magnificent texture on canvas. Painting is signed in bottom right corner. Hanging hardware is a...

In good condition From a private collection Free international shipping 17th Century Old Master Oil Painting Crucifixion of St Pe...

A rare offering. This amazing vintage hand painted Thangka depicts the Tibetan female celestial goddess Dakinis, whose ferocious expression subdues negative and demonic forces. In Alidh Asana posture, she wears a garland of human skulls, with a Khartwanga wand resting against her shoulder. Her face wrathful in expression, her feet firmly pressing down on devils masqueraded in human form above lotus base. With her right hand the deity holds a blue Kartika symbolizing severance of all material. With her left hand she drinks blood from a skull cup...

Decorate an office or a study with this elegant antique painting on canvas. Created in Holland circa 1860 and set in the original carved gil...

Oil on canvas "Dackelwelpen Biem Spiel" (Dachshund Puppies at Play) by Simon Ludvig Ditlev Simonsen (Danish, 1841-1928) Education: Royal Danish Academy of Fine Arts Size (Unframed) 6...

An original unframed impressionist oil on canvas signed Cordet, circa 1960. The traditional European street scene depicts Place Du Tertre in Montmartre, Paris. Figures in colorful co...

School of Largillierre, Portrait of a Lady of the Verheyden Family. The original frame is black lacquered wood with gilt insert. Nicolas de Largilliere (1656-1746), was born in Paris...

Lovely atmospheric oil painting of tug boats on the River Thames with London Bridge in the background. This midcentury oil painting captures a dynamic and bustling scene of tugboats ...

California landscape painting signed Joseph Bennett. Oil on canvas in carved and painted wood frame. Joseph Hastings Bennett (b.1889 - d.1969) was a pa...

1681, Pair of Paintings signed Grechetto da Leone as Govaert G. VAN DER LEEUW Oil on Canvas Dimensions: cm W 91 x H 123 x D 6; canvas: cm W 72 x H 103.5 This pair of fine paintings,...

Oversized Mid Century Modern Abstract Impressionist Oil on Canvas Painting by Sharie Jones Unsigned C1968 Measures - 48.5"H x 32.25"W x 1"D An oversized abstract impressionist oil ...

Early to mid 20th century French oil painting on canvas of flowers in a vase. Really beautifully painted early 20th century still life signed by artist. Not framed just stretched ...

Abstract Mid Century on Canvas. This custom frame has been painted white since being photographed. Nice bright colors make up this abstract modern composit...

Original oil on canvas by Impressionist artist Lee Reynolds. Black cat walking on a window ledge of a stone house with three dimensional curtain blowing. Overall light crazing. Image...

This late 17th-century oil on canvas from Peru, depicting the Virgin Mary and baby Jesus, is a striking example of Spanish Colonial art. The work reflects the deep religiosity and de...

American School, (19th century) Jesus Christ as a baby child, oil painting, circa 1860. A truly exceptional quality oil on canvas painting of Baby Jesus...

Stunning Norwegian National Romance Style Portrait Painting - "Fisherman with Pipe" by Øyvind August Olsen Heggtveit (Norway 1884-1961) A magnificent original oil on canvas by the f...

"Luz" Mario Arlati, 2007. Mixed technique on canvas. Dimensions: cm 170 x H 140 in 66.30 x H 55.12. Mario Arlati biography b.1947. Mario Arlati was born in Milan in 1947. ...

Bohemian woman Budapest, Hungary 1925 by Bertha De Hellebranth. Fabulous period painting brings to life the bohemian intelligentsia of Europe in the 1920's. I believe the painting is...

Description Susanna and the Oldies Oil on canvas cm 62x80 Biblical subject taken from the Book of Daniel (chapter 13). It is a scene often depicted in Western art, particularly duri...

A beautiful Post-Impressionist oil painting depicting La Seine in Paris with Notre Dame in the background. Indistinctly signed. Gilt frame. French c.1960’s.

Mid-Century floral still life oil painting on canvas by Jules De Corte (1918-1999). This vibrant floral still life featuring vase with roses was painted ...

Classical standing nude by American artist Jane White. Painted in the 1950s and once owned by the Estate of Eva Gabor. There is no provenance.

A Timeless Depiction of the English Fox Hunt The early 19th-century fox hunting scene, attributed to Dean Wolstenholme Elder, is a stunning representation of the aristocratic traditi...

Wonderful English oil painting of a vivid display of flowers in a vase Such a bright work full of energy, just look at the colours Signed H Magfarlane in bottom right corner, please ...

Extremely rare, vividly hued, oversized Lee Reynolds Vanguard Studios Mid Century Modern Abstract Still Life Oil Painting Framed and Signed Very exciting Reynolds find as we have n...

A fine Italian 19th century oil painting on canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520) The circular canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame (all high quality gilt is original) which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting, circa 1890-1900. Subject: Religious painting Measures: Canvas height: 29 1/4 inches (74.3 cm) Canvas width: 29 1/4 inches (74.3 cm) Painting diameter: 28 1/4 inches (71.8 cm) Frame height: 57 7/8 inches (147 cm) Frame width: 45 1/2 inches (115.6 cm) Frame depth: 5 1/8 inches (13 cm).   Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

This rare large painted unframed canvas from the mid 18th century portrays the image of an idyllic pastoral scene in Southern France. Featuring a group of herons and swans in the di...

"NO. 829 DER NEAPLE" - LANDSCAPE BY GEORGE FISCHHOF (AUSTRIAN, 1849-1914) Executed in oil on canvas, signed "A.L. Terni" lower right (known pseudonym of George Fischhof) Stretchers and frame titled verso "No. 829" and "No. 829 Der Neaple" Item # 011GSR19Q An extraordinary landscape view of Naples, identified as such on the stretchers with a title of "No. 829 Der Neaple", this intricate scene is executed in the most bright and vibrant of palettes. Brilliant blues and luscious greens dance across this quaint Italianate landscape, the wild arid landscape domesticated by a worn path flanked with walls of stone gathered from the nearby fields before a small cafe. Stone Pines and three Italian Cypress...

Swedish artist, oil on canvas. Abstract composition. Colouristic palette. In excellent condition with minimal wear. Indistinctly signed and dated '55. Visible dimensions: 67.5 cm x 5...

1946 Vintage Ray Martinez oil on canvas rendering of the girl before a mirror. 1946 oil on canvas rendering by artist Ray Martinez during Picas...

Decorate an office or study with this large antique oil on canvas painting. Created in France circa 1890, and signed by French artist, E. Laval, the artwork is set in the original ca...

Antique 19th century Austrian painting. Oil on canvas artwork depicting a female portrait, a young noblewoman in a pose of good pictorial quality. Pai...

Vintage Coastal Frank Walcutt Tropical Parrots Oil Painting on Canvas Offered for sale is a Vintage oil painting of a group of parrots on canvas b...

Mid-Century Danish Abstract Landscape Painting Signed With dimensions of 33 1/2 inches in width and 19 1/2 inches in height, this artwork beautifully melds cool blue and green hues...

A French framed oil on canvas still-life painting from the 19th century depicting fruits. Born in France during the 19th century, this exquisite still-life painting depicts an abunda...

1972 Abstract oil on canvas massive artwork Abstract oil on canvas in verso signed B. T. Kim 72 Wood frame around canvas has vintage patina. Large for...

19th Century "Composition with shrimps and eggs" Oil on canvas board, signed lower left L. DUPUIS Canvas size: 29 x 40 cm. Framed in a plain fruit wood frame contemporaneous with t...

A very large Art Deco style full length portrait of an elegantly dressed beautiful young woman. The woman in this painting is Millie Stokes. Oil on canvas in original silver gilt wood frame. Signed Frederic Tellander...

Architectural Capriccio of Roman Ancient Ruins with Figures. Italian, 18th century large painting in oil on canvas is from the school of Giovan...

Adam and Eve Oil on canvas signed below left «E.R. Ménard 1923» Labels on the back, including one from the Carnegie Institute in Pittsburgh, Pennsylvania in 1925. Titled in a cartou...

From the series e·the·re·al, this monochromatic composition offers a haunting serenity, unfolding in smoky layers of grey and soft black. Created with ink and resin on canvas, its or...

This is an Oil on Canvas Portrait of Jesus Christ by Oscar Colón Delgado (1889 - 1968 ). It depicts a profiled face of the Son of God with his large and expressive eyes looking up sh...

A Marvelous 19th Century Italian Oil on Canvas titled "The Cardinal's Present" by Arturo Ricci. This oil on canvas is truly incredible and one of Ricci's best works of art. The sce...

19th century oversized oil on canvas landscape depicting a home in the forest with a mountain range and a body of water with a boat. Mounted o...

From the series e·the·re·al, this piece unfurls in deep, earthen hues that seem to pulse from within. A sepia core radiates outwards, dissolving into muted creams and soft shadows, l...

A romantic painting depicting two women sitting on the shore of a lake, looking at the sailboats. It is painted with oil on canvas. The painting is signed with E.L. Garrido. However,...

An oil-on-canvas full-scale portrait of a standing man in costume typical of the Baroque era of c. 1720, France. Purchased from a dealer in Geneva, Switzerland. The canvas is in good...