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Material: Tin
19th Century Oil on Tin / Retablo Set in Hand Made Frame
Located in Ross, CA
Antique oil paint on tin, know as a retablo. The painting is of Mary, Mother of Jesus and is framed in a hand made shadow box frame.
Category

19th Century Mexican Neoclassical Revival Antique Tin Paintings

Materials

Tin

18th Century Spanish Colonial School, Cuzco, Angel
Located in Bradenton, FL
18th century Spanish Colonial School, Cuzco: Angel, oil on tin. Framed, in good condition. Rich colors of red, blue and white. Inscribed in upp...
Category

18th Century Spanish Spanish Colonial Antique Tin Paintings

Materials

Tin

19th c. Mexican Retablo "Veronica's Veil" c.1880
Located in San Francisco, CA
ABOUT An original 19th century Mexican folk retablo "Veronica's Veil" or "El Divono Rostro" in Spain . Oil paint on tin. The Veil of Veronica, known in Italian as the Volto Santo or Holy Face, is a Roman Catholic Relic which, according to legend, bears the likeness of the Face of Jesus that was imprinted on it prior to Jesus' crucifixion. According to Roman Catholicism, Saint Veronica encountered Jesus in Jeruselum on the way to Calvary. When she paused to wipe the sweat (Latin, suda) off his face with her veil, his image was left on the veil. In the small village of Osa de la Vega in Spain, there lived a couple who led a very pious life. They were Gregorio de la Torre and Isabel Corral. From their father, Juan Montilla, they inherited a picture of the Face of Jesus or the Divino Rostro. A story that is told one day, to the amazement of many who confirmed its veracity, the picture began to perspire with living blood. News of this extraordinary event spread swiftly and widely throughout the land. CREATOR Unknown. DATE OF MANUFACTURE c.1880. MATERIALS AND TECHNIQUES Oil Paint on Tin. CONDITION Good. Wear consistent with age and use. DIMENSIONS H 14 in. W 10 in. HISTORY Retablos, better known as 'laminas' in Mexico, are small oil paintings on tin, wood and sometimes copper which were used in home altars to venerate the almost infinite number of Catholic saints. The literal translation for 'retablo' is 'behind the altar.' This unique genre of art, deeply rooted in European history, was brought to Mexico with the arrival of the Spanish and then ultimately adopted by New World mestizo natives to become what is known today as the Mexican folk retablo. The retablo was an art form that flourished in post conquest Mexico and then ultimately, with the introduction of inexpensive mediums such as tin, reached its pinnacle of popularity in the last quarter of the 19th century. With some exceptions, mostly untrained artists from the provinces worked to produce and reproduce these sacred images; some subjects painted more prolifically than others. A typical "retablero" may have reproduced the same image hundreds, if not thousands of times in his or her career. These oil paintings were sold to devout believers who displayed them in home altars to honor their patron saints. There are virtually hundreds of saints, each invoked to remedy a different situation. "San Ysidro Labrador," the patron saint of farmers, is venerated for good weather...
Category

19th Century Mexican Folk Art Antique Tin Paintings

Materials

Tin

18th Century Eastern Orthodox Tempera Icon
Located in Dekalb, IL
Antique tempera Icon depicting St. John the Baptist holding his own head, a reference to his execution by beheading. This came as a result of John publicl...
Category

17th Century Greek Renaissance Antique Tin Paintings

Materials

Tin

19th Century Swiss Oil Painting of the Legend of William Tell
Located in Stamford, CT
19th century miniature Swiss oil painting on tin depicting the Legend of William Tell. Showing William Tell on bent knee aiming the crossbow at hi...
Category

Early 19th Century Swiss Romantic Antique Tin Paintings

Materials

Tin

Debauched Monkeys Brawling and Boozing in a Dingy Tavern Painting
Located in New York, NY
This rare and exceptionally well-preserved oil on copper painting presents a raucous and theatrically detailed tavern scene, in which a cast of monkeys—standing in for mankind—engage...
Category

Late 19th Century Unknown Antique Tin Paintings

Materials

Tin

19th Century Large Hand-Painted and Gilded Tole Tin Tray
Located in LA CIOTAT, FR
An exceptional oval-shaped toleware tray from the 19th century, beautifully hand-painted with a serene riverside scene featuring animated figures in a pastoral setting. The vibrant c...
Category

19th Century French Antique Tin Paintings

Materials

Metal, Other, Tin

Collection of Mexican Prayer Plaques "Retablos Ex-Votos" from 1950s and 1960s
Located in North Miami, FL
This is an amazing and important collection of 8 plaques (7 tin metal and one in wood) that have been hand painted by Catholic religious devotees in gratitude to either Christ, Virgi...
Category

1950s Mexican Folk Art Vintage Tin Paintings

Materials

Tin

19th C. Mexican Retablo "Veronica's Veil", c.1880
Located in San Francisco, CA
About An original 19th century Mexican folk retablo "Veronica's Veil" or "El Divono Rostro" in Spain . Oil paint on tin. The Veil of Veronica, known in Italian as the Volto Santo or Holy Face, is a Roman Catholic Relic which, according to legend, bears the likeness of the Face of Jesus that was imprinted on it prior to Jesus' crucifixion. According to Roman Catholicism, Saint Veronica encountered Jesus in Jeruselum on the way to Calvary. When she paused to wipe the sweat (Latin, suda) off his face with her veil, his image was left on the veil. In the small village of Osa de la Vega in Spain, there lived a couple who led a very pious life. They were Gregorio de la Torre and Isabel Corral. From their father, Juan Montilla, they inherited a picture of the Face of Jesus or the Divino Rostro. A story that is told one day, to the amazement of many who confirmed its veracity, the picture began to perspire with living blood. News of this extraordinary event spread swiftly and widely throughout the land. CREATOR Unknown. DATE OF MANUFACTURE c.1880. MATERIALS AND TECHNIQUES Oil Paint on Tin. CONDITION Good. Wear consistent with age and use. DIMENSIONS H 14 in. W 10 in. HISTORY Retablos, better known as 'laminas' in Mexico, are small oil paintings on tin, wood and sometimes copper which were used in home altars to venerate the almost infinite number of Catholic saints. The literal translation for 'retablo' is 'behind the altar.' This unique genre of art, deeply rooted in European history, was brought to Mexico with the arrival of the Spanish and then ultimately adopted by New World mestizo natives to become what is known today as the Mexican folk retablo. The retablo was an art form that flourished in post conquest Mexico and then ultimately, with the introduction of inexpensive mediums such as tin, reached its pinnacle of popularity in the last quarter of the 19th century. With some exceptions, mostly untrained artists from the provinces worked to produce and reproduce these sacred images; some subjects painted more prolifically than others. A typical "retablero" may have reproduced the same image hundreds, if not thousands of times in his or her career. These oil paintings were sold to devout believers who displayed them in home altars to honor their patron saints. There are virtually hundreds of saints, each invoked to remedy a different situation. "San Ysidro Labrador," the patron saint of farmers, is venerated for good weather...
Category

19th Century Mexican Folk Art Antique Tin Paintings

Materials

Tin

Pair of Antique Portraits on Tin, Man & Woman, C1860
Located in Big Flats, NY
Pair of Antique Portraits on Tin, Man & Woman, C1860 Measure - 10"h x 7.5"w
Category

Mid-19th Century Antique Tin Paintings

Materials

Tin

Avant le Bal Woman with Mirror Portrait Oil Painting on Tin Gilded Georgian Era
Located in Hyattsville, MD
A masterful painting on tin in possibly original gilded frame, by an unknown artist. We unfortunately have no provenance or further information. Unrestored with soiling and mostly t...
Category

Late 18th Century Italian Georgian Antique Tin Paintings

Materials

Tin

Vintage Tole Jockey on Horse Painting
Located in Queens, NY
Vintage (20th Century) unframed tole painting depicting a lone jockey, his horse, and a background with a red barn and golden fields beneath a cloudy sky...
Category

20th Century American Mid-Century Modern Tin Paintings

Materials

Metal, Tin

Hand-Painted Antique Tin Panel of Castle Along a River by Mladen Novak
Located in New York, NY
Original acrylic portrait painting on recovered antique ceiling tin by European artist Mladen Novak. Tin panel may have a few chips in the paint h...
Category

2010s American Tin Paintings

Materials

Tin

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Located in San Francisco, CA
About An original 19th century Mexican folk retablo of Saint Francis. Oil paint on tin. St. Francis of Assisi, Italian San Francesco d’Assisi was born 1181-1182 in Assisi, duchy of Spoleto, Italy and died October 3, 1226. He was canonized July 16, 1228. He founded the Franciscan orders of the Friars Minor and the lay Third Order. He was also a leader of the movement of evangelical poverty in the early 13th century. His evangelical zeal, consecration to poverty, charity, and personal charisma drew thousands of followers. Francis’s devotion to the human Jesus and his desire to follow Jesus’ example reflected and reinforced important developments in medieval spirituality. Cretor Unknown. Date of manufacture c.1880. Materials and techniques Oil Paint on Tin. Condition Good. Wear consistent with age and use. Dimensions H 14 in. W 10 in. History Retablos, better known as 'laminas' in Mexico, are small oil paintings on tin, wood and sometimes copper which were used in home altars to venerate the almost infinite number of Catholic saints. The literal translation for 'retablo' is 'behind the altar.' This unique genre of art, deeply rooted in European history, was brought to Mexico with the arrival of the Spanish and then ultimately adopted by New World mestizo natives to become what is known today as the Mexican folk retablo. The retablo was an art form that flourished in post conquest Mexico and then ultimately, with the introduction of inexpensive mediums such as tin, reached its pinnacle of popularity in the last quarter of the 19th century. With some exceptions, mostly untrained artists from the provinces worked to produce and reproduce these sacred images; some subjects painted more prolifically than others. A typical "retablero" may have reproduced the same image hundreds, if not thousands of times in his or her career. These oil paintings were sold to devout believers who displayed them in home altars to honor their patron saints. There are virtually hundreds of saints, each invoked to remedy a different situation. "San Ysidro Labrador," the patron saint of farmers, is venerated for good weather...
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