Italian Paintings

Italian painting from the mid-20th century. Artwork oil on masonite depicting an elegant still life, vase with flowers, of good pictorial quality. Painting of good size and pleasant ...

Antique Italian painting from the 17th century. Oil on canvas artwork depicting a wonderful Holy Family. Painting of remarkable pictorial quality, particularly evident in the masterf...

This six panel Italian screen is from the Baroque period, circa 1700. The four central panels have been affixed to a foldable frame, while the two outer panels are detached. When all...

Y. Gianni (Italian) The Gulf of Naples, 19th Century. A beautiful signed "Y. Gianni" gouche on paper, framed and matted with description & name on matti...

Italian painting from 20th century. Framework oil on canvas depicting particular still life with ceramic objects and tomatoes in impressionist style. Painting of good size and impact...

A monumental 18th century Oil On Canvas Painting from Lucca, Italy. Delightful soft color and hues with handsome cracquelure. The painting will be the statement of its surrounding.

One of six fun vintage study for an Italian Classic Garden Fountain. Probably some scenographic preparation. Really pleasant scenery and nice vivid color on the blue and white scale,...

Early 20th century Italian oil on canvas by M Zampella, "Cows by Stream", gilded frame, signed: lower right, M. Zampella.  

Pair of Italian School Paintings from the 18th Century. " Allegory of Summer and Autumn" Oils on canvas. In simplistic black frames with slight gilding.

Beautiful and important painting attributed to the great 19th-century artist Ippolito Caffi. Tempera on canvas pasted on panel. Depicts the Bay of Naples in all its resplendent beaut...

Two paintings, sold as a pair, from Italy circa 1880. Curved tops. Measurements: 39.75'' W x 71'' H x 3'' D.

An exceptionally executed oil on canvas Baroque painting depicting "lovebirds" Paolo Malatesta and Francesca Da Rimini whispering to one another. At the feet of Paoio there is a dog symbol...

Inspired by the poetry of Charles Baudelaire, this digital painting is based off a photograph of a famous German dancer from the early 20th century. In the foreground, poppy buds evoke a drug-induced state of altered consciousness, amplified by the dreamlike atmosphere of the background. A robin emerges from the woman's chest, symbolizing her obsession. Signed, numbered Limited Edition. Year of Creation: 2015 Edition Number: 1/300 Artist’s Signature: Printed on the Canvas + original signature on Limited Edition Certificate...

Architectural Capriccio of Roman Ancient Ruins with Figures. Italian, 18th century large painting in oil on canvas is from the school of Giovan...

Traditional oil on canvas by Giuseppe Pitto depicting a beautiful young woman in a street market; she stands out from the scene since the background, the buildings, villagers, and st...

Gino Gregori was born in Milan, Italy, in 1906, the grandson of the painter Martin Kroller. He won several awards including the Antonio Award in 1931, the Arte Sacra prize in 1932 an...

Italian harbor scene by Giuseppe Salvati (1900-1968) in oil on canvas. Beautiful warm colors and an original 1960's frame. Signed in the lower left. Overall 41 1/2 x 30 1/2. Image si...

Lovely copy of the original painting, The Spring, by the German master, Ludwig Knaus (German, 1829-1910), mounted in its original and truly magnificent ornate giltwood frame measurin...

This lovely and decorative painting of peasants in a bucolic setting with numerous farm animals is typical of the period and is designed to illustrate happier moments and a getting b...

17th century Virgin of the Assumption Oil on canvas, 93 x 81 cm Frame, 110 x 97 cm The present Assumption of the Virgin welcomes an innova...

An important painting by one of the most representative Italian artists of the 19th century, Enrico Coleman. It depicts a village most probably from Lazio, perhaps a glimpse of Anticoli Corrado, the town famous for the attractiveness of its models, or rather Subiaco, his mother's birthplace. The atmosphere here is typical of the XXVs of the Roman Campagna of which Enrico Coleman was probably the most important exponent. The reason for this can also be seen in this small masterpiece that captures the washerwomen in their occupation immersed in a poetically bucolic atmosphere; a sky of unparalleled blue stands out in the background. Signed below on the right This painting, never before on the market, comes from an important Italian private collection and is beautified by an impressive antique frame in gilded wood, in almost perfect condition. Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. Oil painting on paper Enrico Coleman (21 or 25 June 1846 – 14 February 1911) was an Italian painter of British nationality. He was the son of the English painter Charles Coleman and brother of the less well-known Italian painter Francesco Coleman. He painted, in oils and in watercolours, the landscapes of the Campagna Romana and the Agro Pontino; he was a collector, grower and painter of orchids. Because of his supposedly Oriental air, he was known to his friends as "Il Birmano", the Burmese. Enrico Coleman was born in Rome in June 1846. He was the fourth child of the English painter Charles Coleman, who had come to Rome in 1831 and settled there permanently in 1835, and of a famous artist's model from Subiaco, Fortunata Segadori (or Segatori), whom he had married in 1836. Coleman was initially taught by his father, did study at the Accademia di San Luca in Rome. Following the mocking reception of Una mandria di bufali nelle paludi pontine, a naturalistic painting of a herd of buffaloes in the Pontine marshes, at the International Artist's Club in 1872,he reportedly began to paint genre subjects in the manner of the then-fashionable Mariano Fortuny, although no works showing the influence of the Spanish painter are known. At the instigation of Nino Costa, he soon returned to the depiction of the people, animals and landscapes of the Campagna Romana and the Agro Pontino. Coleman was lover of orchids, which he painted, collected and cultivated. An 1894 watercolour of orchids is in the Galleria Comunale d'Arte Moderna e Contemporanea in Rome. Coleman had a remarkable collection of indigenous orchids, which he cultivated himself in his house at 6 via Valenziana and the botanist Fabrizio Cortesi named the hybrid Orchis x colemanii Cortesi in his honour. In 1875, Coleman was among the founding members of the Società degli Acquarellisti, the Roman society of watercolourists; he participated in the society's first exhibition in 1876, and continued to exhibit with them until 1907. In 1878 he was elected an honorary member of the Société Royale Belge des Aquarellistes, the Belgian royal society of watercolourists, with which he participated in the Salon de Paris in 1879 and to the 4th Esposizione Nazionale di Belle Arti, or national fine art show, of Turin in 1880, and to that of Milan in the following year; he showed works in London in 1882 and in Rome in 1883. In 1885, Coleman was among the founding members of the group In Arte Libertas, of which Nino Costa was the leading force and the other founding members were Vincenzo Cabianca...

A set of three hand painted wooden plaques, each featuring a religious portrait within a decorative frame. The center panel is a portrait of a man with shoulder length hair and a be...

Period Italian Signed Grand Tour Watercolor Beautiful watercolour depicting the ancient Roman colony Timgad Signed, dated and located in the l...

19th Century Italian Watercolor of Fishing Boats in the Bay of Naples. Charming antique watercolor depicting the Bay of Naples with fishermen and their boats at their daily chores. ...

Splendid neoclassical representation painted in tempera on canvas, depicting the goddess Venus while bathing. The goddess is seated, half naked, with her breasts exposed and surround...

An original pencil architectural sketch on paper realised in 1928 by the Italian architects Michele Busiri Vici and Clemente Busiri Vici for the large vill...

Gustavo Simoni (Italian, 1845-1926) A Watercolor of An “Orientalist Dancer” Signed and dated G. Simoni, Roma 1890. Watercolor on paperboard. Gustavo Sim...

Abstract painting by the noted Italian artist Mario Titi. From a prominent Palm Springs estate. We have an associated smaller painting that is signed on the verso in script, with the artist’s full name. This painting is signed Titi on front. It is framed in a metal period frame that is quite elaborate with an inner metal part. The frame has some scratches on it and could be polished. The liners are not perfect but it is period so we left it as is. From Wikipedia the following; Mario Titi (1921-1982) was a painter of the Roman and Castelli Romani artistic scene of the 20th century; his works are shown in churches and museums of the Lazio, and all over the world. The artist frequented from a young age the academy of Belle Arti of Rome, sticking to the futurist movement. He was a follower of Tato (Guglielmo Sansoni...

Orientalist Moorish gravure scene of Turkish women dancing in the harem. After Luigi Crosio (Italian, 1835-1916), Moorish Scene, "The Dancer" Luigi Crosio...

Italian 18th Century Miniature Capriccio with Ruins and Figures attr. to Giovanni Panini. Beautifully executed Gouache miniature painting of Roman ruins and figures. It is attribute...

17th century Italian old master painting Madonna and Child with St. Anne and St. John the Baptist. Important Tuscan School Old Master painting in oil on a hand shaved wood panel. ...

Ancient Italian painting from the first half of the 18th century. Oil on canvas framework depicting a religious subject Saint Francis of good pictorial quality. Wooden frame not coev...

Giuseppe Pitto (Italian 1857 - 1928) is often known for his paintings depicting pretty women in Italian street markets. This exuberantly painted scene i...

Beautiful oil painting on canvas depicting the Roman Forum, in particular the Temple of Jupiter Stator. An important example of Grand Tour painting, this wonderful painting evocatively illustrates the unparalleled beauty of the Roman ruins, which have inspired generations of poets and artists throughout the world. Unidentified signature at lower right, but most likely attributable to the great Italian artist Pietro Sassi. This painting, never before on the market, comes from a private collection Pietro Sassi (18 July 1834 – 30 December 1905) was an Italian painter who specialized in large scale vedute of Rome and the Roman Campagna. He was born in Alessandria and resident in Rome, where he painted genre and both urban and rural vedute paintings. Le Sponde del Lago di Garda in Tirolo was exhibited at the 1880 Exhibition of Fine Arts in Turin, while two landscapes where exhibited in the next year in Milan. In 1883 he found great success in Rome where he exhibited three large scale views of ‘La Campaña Romana’, 'Il Temporale in Mare’, and ‘Il Mare del Nord’ in addition to twelve other paintings including Un Bosco di Querce negli Appennini Romani and The Arch of Septimus...

This 19th-century oil painting captures a vibrant Venetian landscape, depicting the iconic Venice Canal with boats drifting along the waterway. The bright colors and dynamic brushst...

A beautiful Italian 19th century oil on canvas painting. The painting depicts a beautiful Italian scene of personages going about their day with charming boats and a house on the wat...

Trompe L'oeil Hyperrealism oil painting abstract surrealist photo realist art of early country living. This charming vintage trompe l’oeil scene i...

18th century Giacomo Guardi old master painting of Venetian Lagoon. Provenance. Old master painting in oil on canvas by the artist Giacomo Guardi (1764...

Decorate a living room, library or study with this important antique painting. Created in Italy circa 1850, and set in the original carved gilt wood frame, the hand painted canvas titled "Madonna of the Harpies", depicts the Virgin Mary holding her Child, our Lord, Jesus Christ; She is flanked by Saint John the Evangelist, and either Saint Francis or Saint Bonaventure. The large religious painting...

A beautiful oil on canvas painting by Guido Agostini, Italian, 1865-1898, late 19th century in date. The sensitively painted landscape shows a girl on a country road with the cit...

Attributable to HENRI PIERRE PICOU. (FRENCH !(1824-1895) Le Bain oil on canvas, with gold leaf frame, 1900. Big picture Now available Shipping with triple box. Any information cont...

Constructed from salvaged antique wood that has been reinforced with more recent boards, this large-scale coat of arms shield has an outward curve, reminiscent of the bend of a real ...

Roman School, 17th century Madonna and Child Oil on copper, 15 x 11 cm Framed, 26 x 22 cm The small copper on display here depicts the Madonna and Child against a dark background...

19th century Italian School oil on canvas of Madonna and child. Gilt frame.

This artistic window was handmade in Italy in the 1960s. It's made from a ivory painted metal box, with plexiglass and golden aluminum passepartout. The religious representation is a...

Ancient Italian painting from the 18th century. Oil on canvas famework depicting a seascape with characters and architectures of good pictorial quality. Nice size painting and pleasa...

Hand-painted in Italy, this large, wooden wall panel features white and gray Neoclassical motifs over a black background. The images are surrounded by a thin white rectangular border...

A gorgeous Grand Tour style framed oil painting of an Italian Capriccio landscape with ruins Italy, Mid-20th Century Oil on canvas, gilt frame Measures: 9.5"W x 1"D x 9.5"H. Exce...

A very lovely pair of late 19th century painted decorative wall panels, Italian circa 1900. Charming romantic scenes painted on dense paper. These panels will be a delightful ornam...

XL Italo Valenti Mid Century Modern Abstract Mixed Media Sailboat Oil Painting on Canvas, Signed and Framed Magnificent Modernist Super Large Formatted Mixed Media Abstract Oil/C...

Mixed media on paper and wood behind aryl glass Mimmo Paladino, Italy 2009 (2/20) Mimmo Paladino found art inspired by his uncle, a painter who introduced him to traditional techniques at an early age. After attending the 1964 Venice Biennale, he made the decision to become an artist. He studied painting at the Liceo Artistico in Benevento from 1964 to 1968 and, influenced by Max Ernst and Paul Klee, experimented with collages, frottages and non-objective paintings. In 1968 he finished his academic training with a diploma and began to paint freely. In the early to Mid-1970s, the artist dealt almost exclusively with mythological themes, such as the Icarus myth, which he translated into drawings. In the process, Paladino developed his own fresco-like technique, significant for his later work, in which he painted large-scale walls with pastel colors. Paladino had his first exhibition in 1977 at the "Galerie Lucio Amelio" in Naples. Several trips to Milan as well as contact with the art critic Tommaso Trini and the gallery owner Franco Toselli soon made Paladino known nationwide. In Toselli's gallery he presented his murals for the first time in 1978. That same year he traveled to New York, where he met Sandro Chia and Francesco Clemente. Several trips to Brazil followed. In 1980 Mimmo Paladino, together with the publisher Emilio Mazzoli, published a book with texts by Achille Bonito Oliva. The art critic Oliva had introduced the term Transavanguardia at the end of the 1970s for the style of the new movement, mainly characterized by young Italian artists such as Chia, Clemente, Enzo Cucchi and Paladino, who found parallels in Germany with the Neue Wilde. In the same year Paladino participated in the Aperto 80 Biennale in Venice and in 1982 in the Biennale of Sydney. In the following years Paladino had exhibitions at the Kunstmuseum in Basel and at the Galleria d'Arte Moderna di Bologna. In 1999 he had an extensive retrospective at the Lenbachhaus in Munich and in the same year he became an honorary member of the Royal Academy of Arts in London. The Centro per l'arte contemporanea Luigi Pecci in Prato dedicated an extensive retrospective to him in 2002/2003.[1] Works by Mimmo Paladino can be found in the collections of the Tate Gallery in London, the Irish Museum of Modern Art (IMMA) in Dublin, the Metropolitan Museum of Art and the Museum of Modern Art in New York. The artist lives and works in Milan and Benevento, Italy. PLANT Mimmo Paladino's works are often mixed media on paper or wood pre-sketched with drawing pencil, using all traditional means. His oeuvre includes watercolor, oil painting, and tempera, as well as collage, frottage, engraving, drypoint, or woodcut. Paladino's paintings are often untitled. Examples 1987: The Perfect Room 1992: hortus conclusus, horse sculpture in Benevento, Chiostro di San Domenico 1993: montagna bianca 2002: Le chien 2004: ciclismo 2008: Porta di Lampedusa - Porta d'Europa, iron sculpture covered with ceramic plates on the beach of Lampedusa in memory of the migrants who lost their lives at sea EXHIBITIONS 1979: Transavanguardia, Turin 1980: Venice Biennale, Venice 1982: documenta 7, Kassel 1982: Biennale of Sydney, Sydney 1984: Merianpark, Basel, sculpture in the 20th century...

Post Impressionist Grand Tour style Venetian oil painting on prepared Masonite panel - titled verso 'PALAZZO DUCALE, VENEZIA' - featuring the Doge's Palace on the Grand Canal with bo...

A gorgeous pair of Grand Tour style framed oil paintings of an Italian Capriccio landscape with ruins Italy, Mid-20th Century Oil on canvas, gilt frame Measures: 9.5"W x 1"D x 9.5...

An Italian oil on canvas still life painting from the 19th century depicting fruits in front of a column and an open sky, in giltwood frame. Created in Italy during the 19th century,...

A almost life size depiction of a human skeleton holding a length of chain, with a banner at the base. We believe the piece to be Italian from the language used within the banner, ...

Italian painting from the second half of the 20th century. Artwork oil on canvas depicting landscape, countryside view in impressionist style of good pictorial quality. Painting of g...

HERMANN DAVID SALOMON CORRODI Italian, 1844-1905 Bucolic Landscape of Shepherds Caring for an Injured Lamb (1868) Oil on canvas signed lower left "H. Corrodi Roma 68" Item # C104...

18Th Century, Pair of Italian Allegorical Paintings By Vittorio Amedeo Rapous Pair of paintings depicting the Allegory of Spring with putti and the Allegory of Autumn with putti, Vi...