Carved Paintings

Modern art. Oil and gesso on canvas with thin wood frame. Mr. Di Vincente studied at the San Francisco Art Institute. He lives and works in Los Angeles. Great for decor and or colle...

Charles Levier born of a French Father and American mother. He was was active/lived in New York, California / United Kingdom, France and is known for landscape, still life and figura...

Charles Levier born of a French Father and American mother. He was was active/lived in New York, California / United Kingdom, France and is known for landscape, still life and figura...

Charles Levier born of a French Father and American mother. He was was active/lived in New York, California / United Kingdom, France and is known for landscape, still life and figura...

Charles Levier born of a French Father and American mother. He was was active/lived in New York, California / United Kingdom, France and is known for landscape, still life and figura...

A stunning monumental - mural scale carved and painted wood panel titled "The Procession". This impressive modern painting is dated 1987 and signed by the artist. Frank Hyder (b. 1951) is a well-known and accomplished artist. He is in many modern art collections and museums. This is a great investment piece of art. It would look great in any interior. Ready to place! "Collections: The Library of Congress, Philadelphia Museum of Art, Pennsylvania Convention Center, Grand Rapids Museum of Art, Woodmere Museum, La Salle Museum, James Michener Museum of Art, Museum of Modern Art, Caracas, Museum Jacobo Borges...

Franco Ruggiero (1910-1996), Mother Hen, 1940's. Vintage Italian farmhouse painting of hen in original gold frame with label on reverse from exhibition in Milan in 1945. Italy circa ...

Our captivating and large oil painting in a giltwood frame (49.5 inches) is a snapshot of life in France during the 1800s. The artist (St Aubin, signed in the...

Émile Renard (French, 1850-1930) A Fine and Charming Oil on Canvas "A Good Poker Hand", depicting a joyous seated man, smoking a pipe, showing his Poker h...

Oil on canvas depicting a still life with a teapot, fruit, vase with flowers on a rustic wooden table with a draped cloth. Signed lower right Tess Bernstein and dated indistinctly. P...

 Early C20th still life oil painting on canvas of a collection of exotic fruits, some partially sliced and watermelon displayed in a bowl, with red printed table...

An English oil on board horse painting from the 20th century by K.M Nadler, in carved giltwood frame. Immerse yourself in a captivating depiction of equine grace with this mesmerizing 20th-century oil on board horse painting by the artist K.M. Nadler, born in 1928. This elegant artwork, framed in a luxurious carved giltwood frame, beckons the viewer into a tranquil stable setting. Nadler’s exquisite brushwork breathes life into the magnificent horse that stands poised and serene, portrayed in profile. The finesse in capturing the horse’s anatomy and the subtle sheen on its coat reveals a mastery of realism. The depth in the horse’s eye whispers tales of its unwavering spirit. Adding a dramatic element, an ethereal light source from the upper right casts an emphatic shadow on the stable wall, enveloping the scene in an enigmatic aura. The ambiance is further enriched with red terracotta floor tiles...

Esoteric modern art. Controlled torn canvas on canvas with black gesso and thin wood frame. Mr. Di Vincente studied at the San Francisco Art Institute. He lives and works in Los Ange...

Attributed to the renowned French Romantic painter, Eugène Isabey, this seaside painting (dated 1864) effectively uses dark and evocative tones of brown, gray, and beige to depict a ...

This antique oil on canvas pastoral cow painting is signed and dated (1889) by the artist, “J. Bergmann ‘89”. Because Bergmann used an vertically oriente...

Decorate an office or study with this elegant pair of antique paintings. Crafted in France circa 1870, the artworks hand painted on board, are set inside the original beautiful carve...

Antiqued Massive Ornate Gold Gilded Framed "The Dinner Party" Oil on Canvas Circa 1940 Dimensions: with frame H 64" W 87" D 5" Introducing Elegant "The Banquet Scene" Artwork i...

A Belgian framed oil on canvas painting by Charles Van den Eycken (1859 – 1923), depicting two dogs in an interior. Created in Belgium during th...

Hans Zatzka (Austrian, 1859-1945) a superb quality oil on canvas titled "Flowers of the Alps" ("Blumen der Alpen") Depicting young standing and posing young maiden holding a wicker b...

An Italian oil on canvas still life painting from the 19th century depicting fruits in front of a column and an open sky, in giltwood frame. Created in Italy during the 19th century,...

Cow and Calf, oil painting, 19th century. Lovely oil rendering on board of a cow and newborn calf in a verdant landscape, in a restored gilt carved late 18th century Louis XVI frame ...

A light-green, grey vintage Art Deco French still life oil on cardboard painting depicting a working table with a green vase with flowers, pain...

Step back in time with our Late 19th Century painting, a treasure in good condition and a testament to the artistry of the past. Signed in the bottom corner, this piece carries the a...

Miniature Portrait Painting of Napoleon signed by Prévost from the nineteenth century. The frame is in solid mahogany and is dished and...

Pair of 18th century French Aubusson cartoon green floral mirrors. The french mirrors are Aubusson tapestry cartoon mirrors painted in gouache on pap...

Silvio Bicchi (1874 Livorno-1948 Florence) La Mucca, The Cow. Pupil of G. Fattori. Charming pastel of a young cow in a gilt gesso and wood carved frame. Italy, first quarter twentie...

Pair of eighteenth-century paintings -"Saint Joseph with child" oil on canvas of the Roman school 18th century, from 1700 Measurements: 85 x 70 cm -"The Madonna with Child" oil on c...

18th century French Aubusson floral painting framed with an 18th century French fragment. The oil painting original comes from France and is painted with a Aubusson-tapestry floral ...

Signed in the lower right corner (by Belgian artist “J. L. Van Leemputten”), this antique pastoral sheep painting is from the late 1800s. The peaceful...

Decorate a dining room or a living room with this signed C.F. Baker antique sculpted alabaster plaque. Created in Belgium, circa 1890 and set in a carved frame with gilt accents, the...

Heinz Pinggera (Italian, b 1900) "A Recital for the Cardinal" oil on canvas within a gilt-wood and gesso frame. The interior 18th century rococo scene depicting a seated Cardinal or ...

Dimensions: (FRAME)-H: 7 3/4in W: 9 1/8in D: 1 3/4in (PAINTING)- H: 4 1/2in W: 5 7/8in D: 1 3/4in This Miniature Antique Neoclassical Grand Tour Style Oil Painting On Board of A ...

French 19th century oil on canvas with carved wood frame.

A white-green, vintage French still life oil on canvas painting by Michel De Saint-Alban in a hand crafted, original gilded wood frame, i...

framed late 18th century English hunt scene, oil on canvas, two men take a rest while hunting large hares / rabbits with a pack of hounds (lower left) while another pair of hunters ...

Decorate a study, living room or den with this beautiful and colorful antique landscape painting! Painted in France circa 1890, the artwork painted on canvas is set in a carved gilt ...

Italian Renaissance-style (19th century) oil painting on canvas depicting a white peacock in a garden surrounded by other birds in an ornately carved giltwood frame.

Decorate a study, bedroom, or living space with this colorful antique pastel painting. Created circa 1880 and set in the original carved giltwo...

Signed and dated 1971 lower left. A lush blooming pink rhododendron bush in a garden in Roches Point, Ontario Canada in August. Its flowers and shiny leaves are illuminated by sunlig...

This 19th century impressionist painting was crafted in France, circa 1890. Set in a carved giltwood frame, the artwork painted on canvas, illustrates a picturesque, countryside landscape scene with people, chickens, a village and its road in the foreground. The oil on canvas is signed on the back in the lower left corner, Eugene Galien-Laloue (see last picture). There is also a printed version of the artist name in the top left corner, printed Galien-Laloue (see second to last picture). The artwork is in excellent condition with rich, sensational colors; it would make a lovely addition to a library, den, or living room. Canvas relined. We thank Mr. Noé Willer for confirming the authenticity of this work, which appears in his archives of the artist. Eugène Galien-Laloue (1854-1941) was a French artist of French-Italian parents. He was a popularizer of landscape and street scenes, usually those illustrating autumn or winter settings. His paintings of the early 1900s accurately represent the era in which he lived: a happy, bustling Paris during la Belle Époque. His paintings regularly include horse-drawn carriages, trolley cars and its first omnibuses. Galien-Laloue's works are valued not only for their contribution to 20th century art, but for the actual historical content which they document. His work can be seen at the Musée des Beaux-Arts, Louvier, Musée des Beaux-Arts, La Rochelle, Mulhouse, France. A typical Galien Laloue...

American School Oil Painting - Fishing Landscape with Seated Old Man, Dog, and Fishing Pole at the Pond, Signed 'Baldwin' Artist Board 10.5 x 13.5 I...

These charming antique paintings were created in France, circa 1870. Set in the original gilt frames, both artworks are painted on board and depicts indoor scenes; a dinner setting w...

This quaint oil on board painting of a shepherd and his flock was painted in the 1800’s by the Belgian artist, Henri de Beul. The painting is signed “H. De Beul” and dated 1885 in the lower left corner of the painting. A shepherd in a green cap...

An English oil on canvas hunting dog painting from the late 18th century in carved giltwood frame. Elevate your art collection with this captivating English oil on canvas painting from the late 18th century. Depicting a scene of two hunting dogs gracefully running through the rolling hills, this artwork exudes a sense of energy and movement. The overcast sky adds a touch of drama, enhancing the overall atmosphere of the painting. Presented in a carved giltwood frame, this piece showcases a horizontal format that perfectly complements the composition. The carved details of the frame further enhance the visual appeal of the artwork, adding an element of elegance and sophistication. The painting is wired in the back, making it conveniently ready to be hung in your preferred space. Whether displayed in a living room, study, or gallery, this English hunting dog...

Decorate a study, living room or den with this beautiful and colorful antique painting! Painted in France circa 1890, the artwork painted on canvas is set in a carved gilt wood frame...

Decorate a study, living room or den with this beautiful pair of antique paintings! Painted in France circa 1890, each artwork on canvas is set in a carved gilt wood frame, and illus...

A lovely and large floral painting from France. Signed by the Artist C. Olivier-Merson. Framed in a large solid oak frame. Make sure to view all of the images for a closer look at th...

A fine Italian 19th century oil painting on canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520) The circular canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame (all high quality gilt is original) which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting, circa 1890-1900. Subject: Religious painting Measures: Canvas height: 29 1/4 inches (74.3 cm) Canvas width: 29 1/4 inches (74.3 cm) Painting diameter: 28 1/4 inches (71.8 cm) Frame height: 57 7/8 inches (147 cm) Frame width: 45 1/2 inches (115.6 cm) Frame depth: 5 1/8 inches (13 cm).   Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Beautiful 17th century Tooled Leather Oil Painting mounted on board and our best hypothesis is that it is probably Spanish, with a second guess possibly being Dutch. What we do know from a local expert, is that the Putti or Cherub is close to 400-years old. The correct word I believe is actually Putto which is singular for Putti and depicts a chubby small child, typically male. The Putti painting...

Decorate a study, bedroom, or living space with this beautiful antique pastel masterpiece. Created in France circa 1880, the artwork depicts a young blonde girl seemingly gazing off ...

Lovely original framed portrait of a woman, acrylic on canvas with ornate frame. Artist and provenance unknown. Beautifully adorns a wall either on its...

This 19th century impressionist painting was crafted in France, circa 1890. Set in a carved giltwood frame, the artwork painted on canvas, illustrates a picturesque, countryside landscape scene with a forest, barn, chickens, ducks, and a pond in the foreground. The oil on canvas is signed on the back in the lower left corner by the artist, Eugene Galien-Laloue (see last picture). The artwork is in excellent condition with rich, realistic colors; it would make a lovely addition to a study, den, or living room. We thank Mr. Noé Willer for confirming the authenticity of this work, which appears in his archives of the artist. Eugène Galien-Laloue (1854-1941) was a French artist of French-Italian parents. He was a popularizer of landscape and street scenes, usually those illustrating autumn or winter settings. His paintings of the early 1900s accurately represent the era in which he lived: a happy, bustling Paris during la Belle Époque. His paintings regularly include horse-drawn carriages, trolley cars and its first omnibuses. Galien-Laloue's works are valued not only for their contribution to 20th century art, but for the actual historical content which they document. His work can be seen at the Musée des Beaux-Arts, Louvier, Musée des Beaux-Arts, La Rochelle, Mulhouse, France. A typical Galien Laloue...

This French winter landscape painting from the 1800’s sits securely in the original giltwood frame. The hand-carved frame has several long ribbons, with sinuous fabric curls encompassing a repeating border of two distinct flowers. A slender cavetto molding can be seen inside of the carvings, with a repeating scalloped leaf motif that immediately borders the canvas. The French School painting depicts an overcast winter day with a small patch of blue sky in the middle of gray clouds above snowcapped mountains. Most likely the French Alps, there are a few evergreen trees...

A green-brown, vintage Art Deco French oil on canvas painting of a slightly cloudy, sunny day at the Longchamp horse racing track, painted by Eugène Pechaubes in the original wooden ...

A French oil on canvas painting from the 19th century, signed by the artist Léon Bertan, capturing a bucolic farm scene steeped in tranquility and nostalgia. The painting is envelope...

French Oil On Canvas Painting of Paris Impressionist Street Scene by Artist Fairfax. A large original oil painting on canvas artwork depicting a charming Parisian street scene in th...

Decorate an office or study with this large watercolor painting. Created in Paris, France circa 1930, and set in a gilt carved frame preserved with protective glass, the artwork titled “Paris Les Boulevards”, depicts an iconic Paris...

A fine Italian 19th century oil painting on canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Ma...