Painted Paintings

Vintage seascape acrylic painting in giltwood frame. Signed and dated at lower left: Eriaine 1981; Inscribed in Danish at the back. A loose translation of the title: "The Sea is Migh...

Original Abstract Acrylic on Canvas by Nedra Hawks Purchased directly from Nedra Noted Texas Artist 36 x 48

Heinz Pinggera (Italian, b 1900) "A Recital for the Cardinal" oil on canvas within a gilt-wood and gesso frame. The interior 18th century rococo scene depicting a seated Cardinal or ...

This is a magnificent and finely painted porcelain plaque, probably Berlin, finely painted with a portrait of Abraham expelling Hagar and her son,  in a stunning giltwood frame. The...

Set in carved gilt wood frames and signed in the lower right and left corner by american artist Robert Lebron, each mid-century art work is painted on canvas and depicts a typical Parisian scene in the style of Edouard Cortes or Galien Laloue. One scene depicts the Place de la Madeleine and the other Place de la Paix with the Opera in the background. Both paintings are in excellent condition with rich and vivid colors. Robert Lebron (1928-2013) was an American impressionist artist. He was born in New York City, where he attended New York City's High School of Music and Arts. He also went on to study at the Art's Students' League for five years. Lebron developed his own personal technique after several extensive stays in Europe, relying on the use of a palette knife rather than brushes. Lebron has painted in Europe, particularly London and Paris, in Italy and Spain, in Canada and Mexico. He won such awards as the Forbes Magazine Award (travel grant), and he has had one-man shows at the Galeria Studio in Madrid and in New Jersey, Connecticut, Illinois and in his home city ( NYC). Most of his paintings feature favorite characters from his childhood including a tiny dog present in most of his paintings, inspired by the comic strip Dickie Dare. His paintings of the Donner Party are exhibited at the Emigrant...

A THANGKA DEPICTING AMITAYUS, 18TH CENTURY Tibet. Distemper on cloth, with a silk brocade frame, mounted as a hanging scroll with wood handles. Finely painted with Amitayus seated i...

Gino Gregori was born in Milan, Italy, in 1906, the grandson of the painter Martin Kroller. He won several awards including the Antonio Award in 1931, the Arte Sacra prize in 1932 an...

1962 Large Mid-century Abstract Oil Painting, Stanley Landsman "Raven" Offered for sale is a large original abstract painting by the listed American Artist Stanley Landsman ( 1934-...

Large original painting by Robert Loughlin on a yellow metal door. Great abstract painting of 'the Brute." Signed Robert Loughlin 98' on the back. Titled "Joe." Excellent condition. ...

Large acrylic three figure abstract painting on canvas by Cyrstofer Shoemaker.

Untitled Portrait - I Peter Keil, Berlin, 1970s. Oil on board, unframed Measures: artist board 39" x 27". This striking untitled portrait, titled "Untitled Portrait - I," was creat...

Dutch visual artist Han Sterk, owner of gallery studio "Han Sterk," is an artist whose creative output consists of both paintings and sculptures, at times figurative but more often a...

1990s Oil Painting on Canvas of Bali Woman Faces Signed: Awan Bali ‘96 Carved Wood Frame Some corners of frame need to be reattached as shown in pi...

A hand painted Chinoiserie design in oil on rice paper, mounted on board. Depicting village figures in a scene with buildings, mountains, and greenery. The design is based on an exam...

This pair has retained excellent color and the canvases are in Good condition without tears or restorations. They are after The famous artist Francois Boucher who was known for his ...

A very large oil on canvas painting, Impressionism technique, of a charming coastal view. The frame is custom made of gilded gold and bla...

French oil on canvas from the end of the 19th century, young dark-haired man with a mustache looking to the side. Delicately worked academic painting.

1950s Oil Painting on Canvas Of Abstract Cityscape Wood frame under stretched canvas Skyscrapers against cloudy sky

Set deep in the heart of the Asian countryside, this scene is reminiscent of the long-standing Oriental villages that existed in synchronicity with nature. The brilliant shades of brown and green evoke feelings of being at one with the Earth. Place this entrancing Thai painting...

1930s Painting on Wood Board of Knights in Sword Battle Carving on top with stippled holes in the wood Wood display stand not included

Charles Rain Oil on Panel "Italian Garden" 1960 Biography Charles Whedon Rain was born in 1911 in Knoxville, Tennessee.[2] He grew up in Lincoln, Nebraska...

A Chinese Qing Dynasty period painting from the 19th century of an ancestor group portrait in custom frame. Created in China during the Qing Dynasty, this vertical painting features ...

Late 19th Century Oil on Canvas of Two dogs, Good scale, relined and restored (late 20th Century). Later Frame France Circa 1880.

This listing features an Impressionist-style landscape presumably signed and titled "Chalk Wash" by the artist Matthew Broussard. This painting features lush green colors that have b...

Antique Canadian school 'winter landscape with stream' oil painting on artist's board/panel - original pine frame with gilt and painted finish - unsigned/untitled (pencil note on fra...

Beautiful antique mandala thangka. Thangkas are Tibetan scroll paintings. This thangka is painted on fabric and depicts a mandala and associated deitie...

Eugene J. Quinn Jr. (American, 20th/21st c.). A plein air oil on Masonite titled, "Snow at Pigeon Cove". Signed and dated "Eugene J. Quinn, Jr., '03" at lower right. Painted at Pigeon Cove in Rockport...

Vintage original mixed media artwork depicts a pair of exotic birds with colorful plumage and feathers; the vibrant abstract background suggests sunrize on the beach. The graphic, el...

Vintage French oil on canvas painting of dahlias, signed and dated by the artist. In expressive brushstrokes and bold use of color–lavender, maroon, and peach–the artist has captured...

Dramatic and bold, this painting of a shirtless man restraining a bull -- his skin dark as night, and the bull's hide as pale as moonlight -- is a classic example of Art Deco design....

An English oil on board painting by J. Langlois from the 19th century depicting a terrier chasing a mouse. This captivating 19th-century English oil on board painting by J. Langlois ...

Evocative color-field abstract composition by contemporary American artist, Benjamin Casiano. Casiano is a lover of color and uses dramatic brushstrokes to bring color alive on his c...

Francesco Aviani (Italy - Venice, 25-11-1662 / 1715) att. Couple of paintings depicting Capricci Oil on canvas, 135 x 183 cm, without frame The two large and fine paintings depict two illusionistic architectural renderings, with views of colonnades and arched buildings, animated by figures. The compositions are characterized by the harmony with which the painter introduces the sumptuous architectural monuments, the mirrors of water, the buildings in the distance and the views of the landscape. Dominates with a color on the tones of brown and ochre that stands out on the blue sky, marked by some cloud of steam. The insertion of the figures to enliven the architectural views also balances with the set. The Capriccio, an artistic genre that has made its way into Italian painting since the 17th Century, is characterized by the representation of fantastic architectures or prospective inventions, sometimes combined with elements drawn freely from reality. The two paintings are an example of this type and they are a very interesting and Fine artwork. The remarkable pictorial quality emerges both from the composition of the ensemble and from the way in which the artist describes the views with great attention to detail, highlights and refined, perfectly realistic, chiaroscuro. The same must be recognized for the figures: these are described with a wise brushstroke, quick and quick touches give the dynamism of the moment that is captured, as if time had stopped to show and narrate what is happening. The painting on the right represents a large Baroque building in stone and paved with marbles, two floors, with moving façade, large columns with corinthian columns, a large portal with a staircase with large footsteps, a balustrade with string, from which some figures appear, and two equestrian monuments in bronze. The sumptuous building overlooks a large POOL of water, with a gushing fountain, around which some characters sit. In the second floor is described a white palace from which rises a tower crowned by a structure with wrought iron loggia. In addition there is a bridge and some architectural ruins behind which some mountainous reliefs fade towards the horizon. On the staircase is described a particular scene. The people seem to be part of a very precise story. A woman, in the shadow of a parasol supported by a servant, would seem to drive out of the palace a man, who, taken under his arm by two maidens with a determined attitude, is led to a boat. The scene could be identified with the biblical episode of the parable of the prodigal son (Luke 15,11-32), at the moment when the prodigal son is robbed and driven away by the harlots. The episode tells of a man with two children. The youngest said to his father: “Father, give me the part of my inheritance”. And the father divided the substances. After not many days, the youngest son, collected his things, left for a far country and there he lost his substances with prostitutes and living as a debaucher. When he had spent everything, there came a great famine in that country and he began to find himself in need. Reduced to hunger, he was forced to be a pig herder to survive. He therefore meditated in his heart to go to his father and ask for his forgiveness and to be welcomed anew, even as a servant. While still on the road, however, the father saw him and ran towards him, receiving him with open arms. He then ordered his servants to prepare a great feast for the occasion, killing for the purpose the "fatty calf". The firstborn did not understand why his brother was given such treatment, and reminded the parent that he, who had always obeyed him, had never received a single kid to celebrate with his friends. The father answered him: «Son, you are always with me and everything that is mine is yours; but it was necessary to celebrate and rejoice, because this brother of yours was dead and came back to life, was lost and was found». The parable of the prodigal son was often portrayed in painting and the scene he finds most is certainly that of returning home in his father’s arms. Among the many is a canvas by the famous painter Giovanni Paolo Pannini (or Panini) (Italy – Piacenza, 1691– Rome, 1765) kept at the Hallsborough Gallery in London. Rather rare, however, is the scene of the prodigal son driven and robbed by harlots. There is an engraving by Hans Collaert II (1561-1620) in which this moment is described in the background compared to the moment, narratively later, in which he is penitent among the pigs. The second painting, certainly pendant of the first, represents a similar palace, with some characters overlooking the balustrade marcapiano and other figures around the large bathtub quadrilobata. In the foreground is described a monument with two large stone sculptures. In the distance some architectural elements and, beyond, the mountains are lost on the horizon. The studies related to the numerous painters of architectural views and caprices, active in Italy, and the archival documents found, which could better clarify commissions, biographies and certain works, are scarce and sporadic. Therefore there are still many difficulties in reconstructing a catalogue of autograph works for each author. Through paintings in private collections, in museums and paintings passed on the antique market it is however possible to advance some attributions in order to better delineate the various artistic figures. The style of the works studied here leads to a dating that runs between the 17th and 18th Centuries, with obvious influences dictated by the perspectives of the brothers Galli Bibiena. The analysis of the architectures and the chromatic palette suggests that we are in the presence of a northern Italian and Venetian author. Observing the decorations and the volutes, the brightness and the perspective disposition in fact, we find several analogies with those used by the Vicenza painter Francesco Aviani, excellent in pictorial perspective and architectural views. The biographical profile of Francesco Aviani (Italy - Vicenza, 1662-1715) was essentially traced in 1956 by Andreina Ballarin, then re-visited by Federica Spadotto in 2014 and Giancarlo Sestieri in 2015. Certain documents about his life are scarce, as are the documented works. He was born in Venice, probably on 25 November 1662, to Bernardo and a Magdalene whose surname is unknown, and was baptized on 3 December 1662. Between 1701 and 1703 he worked, together with his brother MarCo, sculptor, for the fresco decoration (now illegible) of the church villa in Soella (Vicenza). On October 16, 1703 he married Isabella Carcano. On March 26, 1715 he made a will and died on April 3 of the same year, in Vicenza. The frescoes in the refectory of the sanctuary of Monte Berico in Vicenza are considered authentic works by Aviani, probably made in 1708; the paintings preserved in the Civic Museum of Vicenza: “Landscape with Lazzaro and the rich Epulone”; “Christ among the doctors”; “The miraculous fishing”, works not datable but with attribution corroborated by style. In addition, the frescoes in the east and west corridors of the Villa La Rotonda, near Vicenza; the fresco in the apse basin of the chapel of the church S. Croce, Vicenza, now destroyed; the frescoes of the central hall of Villa Camerini a Montruglio (1714) and a painting of a “Porto Regio”, of which we have a print engraved by Dall'Acqua. From his works emerges the artistic background that animated the Venetian culture in the early eighteenth century. The scenic grandeur with which Aviani treats the architecture also suggests a stay in Emilia of the painter, in which he could have come into contact with the environment of the Bibiena. These contacts would be confirmed by the press of Cristoforo Dall'Acqua (Vicenza 1734-1787), “Il porto regio”, after a painting of Aviani. The press was part of a group of engravings, representing royal buildings, reproducing paintings of the Bibiena. In the eyes of Dall’Acqua, therefore, Aviani’s work was not foreign among those of the Emilians. Inside the sumptuous architectural whims, Aviani often depicts biblical scenes, in which the characters share the space and the narrative rhythm, along with figures drawn from everyday scenes, memories of the Veronese and Bassano heritage. Also in the works covered by this study the author does not seem to want to give up a biblical subject, though the purpose of the paintings appears to be clearly a staging scenography-architectural within which the characters are relegated to the role of extras. From the examination of the architectural Capriccio gathered under the name of Aviani then emerge common elements. The comparison between these works and the works in question highlights the proximity of the compositions. The imposing and scenic architectures are in fact equally characterized by the perspective-scenographic ability diffused in emilian “quadraturisti” and in Bibiena work. In fact, you can see the spectacular slender architecture in the lower part, the loggias that create chiaroscuro games with arches and binate columns placed on massive bases and overhung by projecting cornices. Significant also the comparison with two paintings with architectural whims in a night vision attributed to Francesco Aviani. In Aviani’s works it is possible to find a certain knowledge of the Roman Codazzi paint nd its early development of the eighteenth century, developed with the Locatelli, the Pannini and the less known Domenico Roberti. To Roberti have been recently attributed two works that have some compositional affinity with the canvases in question. The same can be done for a work on the antique market, attributed to Pietro Francesco...

Beautiful antique painting of a young devout girl. A typical old European rural landscape can be seen in the background. The painting is paint...

Chinese School landscape ink painting on gilded silk by Yukimatsu Shunpo, signed and dated 1924. Yukimatsu Shunpo was born in Oita in 1897 and studied under Himejima Chikugai in Osak...

Oswald Grill, a native of Vienna, was a freelance artist active in Dachau since 1906 after studying painting under Karl Karger at the Vienna School of Arts and Crafts, as well as Car...

Oil on canvas laid down on masonite depicting s homestead in a woody landscape in the snow. The structure with red roofs and illuminated barely visible with the falling snow. Signed ...

19th century oil painting of yorkshire flither pickers by robert farren circa 1890. Painted by robert b. Farren (1832-1912) This is a a skilfully executed and coloured oil painting...

19th century fine portrait miniature of a young man with curly red hair Dimensions 3" x 2.5". The velvet lined mat measures 3.75" x 5". The portrait is in very good condition. ...

An early rare watercolor on paper depicting a bird by Mexican artist Francisco Toledo. The paper work is signed 59 on the lower right. The work is framed. Painting's dimensions: 42....

A signed and dated French oil on canvas painting of a churchyard in a pastoral landscape by Lucien Quenard, 1942. The tableau depicts a few members of the congregation engaged in con...

Old Master John Linnell Landscape Collector Painting Oil on Canvas Museum Art. “The Barley Field” By John Linnell 1874 / Oil on Canvas / 1792-1882 / English . SIGNED and DATED at the...

This early and ambitious watercolor painting by John B. Lear shows the growing scale and detail of his best work, here incorporating three nude and semi-nude male figures in a surrea...

This must be one of Hans Osswald best works. We have several in our collection. This black one is made of different materials and creates an interesting relief. oil painted black wit...

The artist behind this striking and original Art Deco portrait -- Agnes Tait -- is clearly emphasizing the parallels between a female figure and her Siamese cat, both shown with heavily-shadowed blue eyes and short, dark hair, the feline crouching familiarly on the shoulder of her companion. Because Tait painted a series of portraits for Florenz Ziegfeld of the young women who performed in the Ziegfeld Follies in 1932, it's possible that the figure here was one of her subjects. The woman is wearing an elegant black gown that bares her upper chest, and the background is a lovely shade of reddish purple. Tait was a native New Yorker, studying in her youth at the National Academy of Design under Leon Kroll and others, before becoming a WPA painter in the 1930s. She painted a series of tropical scenes for the United Fruit Company...

A lovely painting depicting a nude female figure, with arms upright, caressing a sheet about her face. The work is done with thick, pastel colored paints and invokes a sense of seren...

An abstract painting by Venezuelan artist Alejandro Rios. Rios is known for creating largely abstract landscapes that disappear through the texture a...

19th century French painting oil/canvas attributed Pierre Puvis de Chavannes. Large preparatory study for a mural. It is painted in oil on canvas and it depicts a theatrical scene. De Chavannes’ greatest artistic contribution was the medium of mural painting. His biography states, “De Chavannes’ work proved a vital catalyst, as early modern art...

Diminutive and striking, this Mannerist male nude by Raoul Pène du Bois, the great Broadway designer, depicts a confident figure in the full bloom of youth, with golden hair and blus...

JOHN R. WATTS (Unknown/Unidentified Artist) - Folk art watercolor and gouache landscape painting on paper - unframed - twice signed and dated lower right (one with applied paper stam...

A vintage French oil on canvas painting of Napoleon Bonaparte as Emperor in a hand carved original gilded wooden frame, painted by S. Chapin in good condition. The wall décor art pie...

Peter Robert Keil was born to an artist blacksmith father whom he lost very early in his childhood during the Second World War. During the end phase of the war, Keil's mother, also a...

19th Century Italian Watercolor of Fishing Boats in the Bay of Naples. Charming antique watercolor depicting the Bay of Naples with fishermen and their boats at their daily chores. ...

Hand-painted in Florence, Italy, this fantastic oval wooden wall panel features a large urn with a scrolled handle. The urn is adorned with a fluted...

Large Oval Berlin 'K.P.M.' Porcelain Plaque of a Harem Dancer Germany, circa 1890 This exceptional Berlin (K.P.M.) porcelain plaque showcases an exquisitely detailed painting of a veiled, exotically dressed...

Amaranth and Rooster Artist unknown Hanging scroll, ink, mineral pigment and gofun on silk. Painting inscription: Tojo ?? Painting seal: Tojo ?? circa 1930 Dimensions: Scroll:...

This French vintage oil on board painting illustrates a peaceful moment at a modest homestead in rustic landscape. The vintage carved wood frame emphasizes the architectural and deco...

This artistic window was handmade in Italy in the 1960s. It's made from a ivory painted metal box, with plexiglass and golden aluminum passepartout. The religious representation is a...

Framed watercolor on paper depicting a 4-mast schooner titled Marguerite. The schooner on choppy white capped waters with American and other flags flying against the dark grey sky. T...

Still Life painting, with origins dating back to the 16th century, often depicts simple everyday objects. Conklin sets his composition with both antiquities and modern elements to bring the Still Life genre into the contemporary. Yet when a closer look is taken, his modern elements are already obsolete by today's standards. The ancient bust of Alexander is placed next to an iBook begging to ask the question - what will stand the test of time?? The piece is framed in a simple walnut frame measuring 26 x 26 inches. Andrew S. Conklin Square still life with Alexander Bust and ibook oil on linen Measures: 25 H x 25 W in 63.50 H x 63.50 W cm ACK038 Andrew S. Conklin Andrew S. Conklin is a figurative painter. He holds an MFA from the Academy of Art University, and studied painting at the National Academy of Design in New York City with Harvey Dinnerstein...