Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 16

18th C Hand Colored Engraving of The Rotunda at Ranleagh Gardens After Canaletto

About the Item

An inside View of the Rotundo in Ranelagh Gardens, after Antonio Canaletto (1697 - 1768). Engraved by by Thomas Bowles, 1754. Hand colored engraving, in original ebonized frame with carved gilt wood sanded slips. Original glass. Amazing it has survived intact. 19.5 inches wide 13.5 high 1 deep Provenance: Collection of Ralph E. Carpenter. Ranelagh Gardens was one of several pleasure gardens in London, and opened in 1741. Its principal attraction was an heated rotunda designed by William Jones, modelled on the Hagia Sophia in Constantinople with a diameter of 150 feet. The print shows the central fireplace with revellers eating their breakfast around it, and the dais holding musicians to the left with a large organ. The rotunda helped make Ranelagh more popular than its rival in Vauxhall, which had no indoor concert area. Ranelagh also had a better reputation, because the entry fee was higher at two shillings and sixpence, attracting a smarter clientele. Ranelagh Gardens often hosted famous visiting musicians, including the young Wolfgang Amadeus Mozart in 1764. The print was made after a painting by Canaletto, commissioned by his patron Thomas Hollis, a political philosopher, who had met the painter while making the Grand Tour. Canaletto visited Britain repeatedly from 1746, building on contacts he had made in Italy and painting many scenes of British urban life. Ranelagh Gardens was built on a site east of the Royal Hospital Chelsea, the location of a house built for Lord Ranelagh in the 1690s. It was heated by a central fireplace with an orchestra, an organ and 52 candle lit boxes around the walls where guests could take refreshments. Once admitted crowds could promenade around the central fireplace. The gardens opened on 22 April 1742 for concerts and public breakfasts for three days per week, admission was 12 pence. Although initially popular, they were soon seen as monotonous and rather staid and new features were added to make the venue more interesting, including a canal and Chinese House. There were masquerades, gaming tables, dancing, and later lotteries and balloon ascents. Entertainments included the young Mozart, performing in 1764. In 1803, the rotunda was used for the final time and Ranelagh Gardens was demolished two years later.
  • Similar to:
    Giovanni Antonio Canal (Canaletto) (Artist)
  • Dimensions:
    Height: 13.5 in (34.29 cm)Width: 19.5 in (49.53 cm)Depth: 1 in (2.54 cm)
  • Style:
    George II (Of the Period)
  • Materials and Techniques:
    Paper,Engraved
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    1750
  • Condition:
    Wear consistent with age and use. Minor fading. Wear consistent with age and use. Minor fading. Foxing and fading to the print, expected with age. Minor chips and losses to the frame.
  • Seller Location:
    Stamford, CT
  • Reference Number:
    1stDibs: LU803038904652

More From This Seller

View All
18th C. Colored Engraving, The Chinese House at Ranelagh Gardens After Canaletto
Located in Stamford, CT
A view of the floating Chinese House at Ranelagh Gardens with a masquerade, the Rotunda in the background, after Antonio Canaletto (1697 - 1768). Engraved by by Thomas Bowles, 1754....
Category

Antique Mid-18th Century English George II Prints

Materials

Paper

Pair French 18th Century Hand Colored Engravings of Pipe Smokers
By Jacques Grasset de Saint-Sauveur
Located in Stamford, CT
Pair of hand colored engravings by Jacques Grasset de Sainte-Sauveur, 1797 Paris publication, 'Costumes de Different Pays', (Costumes of Different Countries). This pair depicting two...
Category

Antique Late 18th Century French Neoclassical Prints

Materials

Paper

Pair 18th Century Hand Colored Engravings of Brussels by Frederic Leizel
Located in Stamford, CT
Pair of hand colored engravings of the Royal Palace and Brussels Park by Balthasar Friedrich Leizelt (also spelled Leizel, active 1750–1800) a German artist and copperplate engraver working from Augsburg. These are beautiful and evocative renderings of architecture, open space and perspective. 1- Place Royal A Bruxelles 2- Vue Du Parc A Bruxelles 22 inches wide 18 high Leizelt produced a series of European and American scenic views at a time when pictures of foreign countries and people were popular and designed for use in optical viewers. As is normal for these prints the series title is a mirror image because optical viewers made use of mirrors which reversed the image. The Age of Enlightenment sparked a great interest in science, so that optical toys...
Category

Antique Late 18th Century German Neoclassical Prints

Materials

Paper

18th Century French Hand Colored Engraving of a Dutch Mother and Child
By Jacques Grasset de Saint-Sauveur
Located in Stamford, CT
From: 'Costumes of Various Countries' by Jacques Grasset de Saint-Sauveur, circa 1797. Hand colored engravings on paper. 'Hollandie', showing a mother and child in native costume fro...
Category

Antique Late 18th Century French Neoclassical Prints

Pair of 18th French Hand Colored Engravings of a Frisian Man, Woman and Child
By Jacques Grasset de Saint-Sauveur
Located in Stamford, CT
Pair of depicting 'Homme and Femme de la Frise' or 'Frisian Man and Woman', people of the Frisian Islands off the coast of the Netherlands. The first showing the man in a wonderful n...
Category

Antique Early 18th Century French Neoclassical Prints

Materials

Paper

18th Century French Hand Colored Etching of an Elephant Skeleton
By Georges-Louis Leclerc, Comte de Buffon
Located in Stamford, CT
A beautifully rendered etching with hand coloring depicting the skeleton of an elephant on a pedestal. A live elephant, foliage and huts in the background. French, 18th century by Georges Le Clerc...
Category

Antique 18th Century French Louis XVI Decorative Art

Materials

Paper

You May Also Like

Pair Hand-Colored Venetian Engravings after Canaletto
Located in New York, NY
Pair hand-colored Venetian engravings after Canaletto. 18th century hand-colored Venetian engravings in period gilt frames after Canaletto (1697-1768) with view of the Grand Canal t...
Category

Antique 18th Century Italian Prints

Materials

Gesso, Giltwood, Paper

Knight of the Order of Calatrava – 18th-Century Hand-Colored Engraving
Located in Langweer, NL
Knight of the Order of Calatrava – 18th-Century Hand-Colored Engraving This exquisite hand-colored engraving depicts a Knight of the Order of Calatrava, a distinguished Spanish mili...
Category

Antique 1790s Prints

Materials

Paper

Romantic 18th Century Italian Hand Colored Engraving
Located in Hopewell, NJ
A beautiful early hand colored engraving of an ethereal female face adorned in head wreath.
Category

Antique 18th Century Italian Prints

Materials

Paper

18th Century Hand-Colored Engraving of a Serene Navigator: The Harbor Porpoise
Located in Langweer, NL
This engraving features "Delphinus Phocaena Linn.," referring to what we now call the harbor porpoise (*Phocoena phocoena*). This depiction forms part of a broader collection from th...
Category

Antique 1770s Prints

Materials

Paper

18th Century Hand-Colored Engraving of the American Bittern by Seligmann
Located in Langweer, NL
Title: Amerikanische Rohrdommel - 18th Century Hand-Colored Engraving of the American Bittern by Johann Michael Seligmann This captivating hand-colored engraving, titled *Amerikanis...
Category

Antique 1770s Prints

Materials

Paper

Late 18th-century Hand-Colored Copperplate Engraving of the Yellow Finch, 1794
Located in Langweer, NL
Title: "Sunlit Melody: The Yellow Finch" Description: Featured in this late 18th-century hand-colored copperplate engraving is the Yellow Finch, a charming depiction from the series...
Category

Antique 1790s Prints

Materials

Paper

Recently Viewed

View All