Prints

Fine art print on special high-resolution, archival museum-quality paper. Acid-free 250gsm / 110lb paper. Designer's digital signature located at the bottom right corner, within the ...

Fine art print on special high-resolution, archival museum-quality paper. Acid-free 250gsm / 110lb paper. Designer's digital signature located at the bottom right corner, within the ...

Fine art print on special high-resolution, archival museum-quality paper. Acid-free 250gsm / 110lb paper. Designer's digital signature located at the bottom right corner, within the ...

Suite Of 4 Engravings, 19th Century Reprint, Very Beautiful Napoleon III Frames

Wonderful image after Rembrandt Fine Steel engraving. Published by Blackie & Sons London. C.1850 Unframed.

A wonderful trio of etchings of gentlewomen by Wenceslau Hollar, who was born in Prague in 1607 and died in London in 1677. The largest, A Woman of Holland, is inscribed on the upper...

Wonderful image after Rembrandt Fine Steel engraving. Published by Fisher, London, Dated 1842 Unframed.

Set of Four Antique Basilius Besler Botanical Prints With Custom Parchment Mats, sold as a set of four only. Basilius Besler (1561-1629) This c...

Wonderful image after Domenichino Fine Steel engraving. Published C.1850 Unframed.

The hand-colored botanical print, Corona Imperialis Polyanthos or Crown Imperial Lily, was originally by Basil Besler (1561-1629) a Nuremberg, Germany pharmacist, and published in t...

Limited edition three color letterpress print signed, titled and numbered by Betty Guy. The debossed print is titled "San Francisco Opera Opening Night 1979", it is numbered 8/50. Th...

Set of 3 antique 1698 bird's-eye view etchings of Baroque Swedish estates and gardens by Johannes van den Aveelen, 1698. Includes Noor, Roserberg and Malma. From a large series of e...

Set of 3 antique circa 1702 architectural etchings by Johannes van den Aveelen. Includes the Tessin Palace in Stockholm, Swedish Bank and Schellnora estate. From a large series of ...

Set of 3 Architectural ornament engravings from the folio by James Gibbs. Published by Bowyer, London, 1728. Unframed, age toning, edge wear, small edge loss.

This is an engraving,black color. Representing Soldiers. It has been made in France in the 19th Century. With the collection stamp.

This is an engravings set of 12, with black color. Representing Soldiers. It has been made in Holland in the 17th Century.

This is an engravings set of 3, with black color. Representing Soldiers. It has been made in Holland in the 17th Century.

This is an engraving, with blue, Red colors. Representing Soldiers in place Vendôme, and Place du Chatelet in Paris.. It has been made in France in the 19th Century. With the collect...

This is an engraving, with blue, Red colors. Representing Soldiers in place Vendôme, and Place du Chatelet in Paris.. It has been made in France in the 19th Century. With the collect...

French Engraving Hand Colored Galerie des Modes Costumes Francais, 1779 Rare antique French fashion print hand colored published first i...

French Engraving Hand Colored Galerie des Modes Costumes Francais, 1779. Rare antique French fashion print hand colored published first ...

Armeria is a genus of flowering plants. These plants are sometimes known as "lady's cushion", "thrift", or "sea pink" (the latter because as they are often found on coastlines). Thi...

Wonderful image of Job Photogravure Published C.1900 Unframed

Pair of Francois Boucher Mezzotint Engravings from the first half of the 20th century. The colored engravings have a classical design with a Poetry theme. Matted and framed in gol...

Carlo Lasinio (1759-1838) Four hand-colored engravings from Lasinio's Ritratti Originali de Pittori Esistenti Nella Reale Galleria de Firenze, published from 1791-96. The entire pu...

Wonderful image of a Doge of Venice, Leonardo Loredan Photogravure Published C.1900 Unframed

Wonderful image after Michelangelo Fine Steel engraving. Published by Jones & Co. C.1850 Unframed.

Wonderful print Chromolithograph Published by Connoisseur circa 1900 Unframed.

Carlo Antonini (Italian, 1740-1821). Twelve antique engravings of architectural rosettes from throughout historic Italian buildings. Each depicts the profile and face view of the ros...

Large framed engraving entitled Jews before Solomon's Wall (translated into Hebrew and German): Jewish believers are presented in prayer in front of the wall, standing or kneeling. The artist Alexandre Bida paid a lot of attention to clothing details and facial expressions; the importance of the moment is reinforced by the deliberate choice of using black and white Engraving framed in a gilded frame (wear and losses) and glazed (cracked window in the lower left corner), foxing on the paper It bears the words " Drawn by Bida", "Alphonse Masson Aqua forti" and "Pollet sculpsit" Alexandre Bida (1813-1895) is a painter and engraver from Toulouse, who was a student of Eugène Delacroix. A traveling painter, at the age of 30 he embarked on a long trip to Greece, Turkey and Syria. With his proposals for orientalist drawings...

Suite of 5 Framed Engravings, Antique Scenes, 19th Century. Suite of 5 framed antique engravings from the 19th century, depicting scenes in ...

Diego Rodríguez de Silva y Velázquez (baptized June 6, 1599 – August 6, 1660) was a Spanish painter, the leading artist in the court of King Philip IV ...

Wonderful image after Carracci Fine Steel engraving. Published by Jones & Co. C.1850 Unframed.

Wonderful image after Rembrandt Fine Steel engraving. Published by Jones & Co., London. C.1850 Unframed.

Wonderful image after Ruthart Fine Steel engraving. Published by Payne C.1850 Unframed.

Boat of Nymphs by Hermann Clementz. Clementz was a German genre and portrait painter (1852-1930). In 2012, the original oil painted of this lithograph "Boat of Nymphs" was found in...

Wonderful image after Garofalo Fine Steel engraving. Published by Jones C.1840 Unframed.

AN UNUSUALLY LARGE 16TH CENTURY ITALIAN ETCHING OF THE VISION OF ST. PETER AFTER JACOPO TINTORETTO Anonymous, after Jacopo Tintoretto Italy; 16th century Printed on laid paper with ...

Wonderful image after Raphael Fine Steel engraving. Published C.1850 Unframed.

Sandrart Joachim, von (1606-1688) Effigies antiquae Romae. redacta a Pyrrho Ligorio Romano, per XIIII Regiones, in quas Urbem divisit Imp. Caesar August. Nuremberg, Germany, pu...

Pair of beautifully framed 20th century crackled paper prints depicting entrances to the Schloss Belvedere Palace in Vienna. One print is of the Main ...

Beautiful etching representing the classic religious subject of the "Adoration of the Magi" by the Baroque painter and engraver Pietro Testa known as il Lucchesino. The print derives from an oil on canvas of the same name now in Montpelier. Identified by the TPL monogram on the right and the dedication signature. Paolo Bellini in the book "L'opera incisa di Pietro Testa" (The engraving work of Pietro Testa) ,published in 1976 by Neri Pozza in Vicenza, identifies this work as an example of the third state of three since, respect to the second state, the address of Gio Giacomo Rossi is added . In the lower margin there is the dedication in Latin to: Most illustrious and most reverend (cardinal) Gerolamo Bonvisi, Cleric of the Apostolic Chamber, D.D. The star on the left often blushes with the light of evil / Kings live here so that they recognize the Lord, / happy face good star shines benignly./ Petrus Testa Pietro Testa (1611–1650) was an Italian High Baroque artist active in Rome. He is best known as a printmaker and draftsman. He was born in Lucca, and thus is sometimes called il Lucchesino. He moved to Rome early in life. One source states he was ejected from the Cortona studio in 1631, soon after joining the workshop. Others state Testa trained under Pietro Paolini or under Domenichino, for whom he worked under the patronage of Cassiano dal Pozzo. He was friends with Nicolas Poussin and Francesco Mola. Some of his etchings, which often include work in drypoint, have a fantastic quality reminiscent of Jacques Callot, or embellishments of his Genoese contemporary Giovanni Benedetto Castiglione and even presciently suggest William Blake. His Sacrifice of Iphigenia appears to have influenced Tiepolo's rendition at Villa Valmarana Ai Nani in Vicenza. His early prints, from the 1630s, were often religious and were influenced by Federico Barocci...

Aconitum lycoctonum Aconitum lycoctonum (wolf's-bane or northern wolf's-bane) is a species of flowering plant in the genus Aconitum, of the family Ranunculaceae, native to much of Europe and northern Asia. It is found in lowlands to the subalpine zone, mainly in forests and shaded habitats. Along with A. napellus, A. lycoctonum is of the most common European species of the Aconitum genus. They are also grown ornamentally in gardens, thriving well in ordinary garden soil. As such, A. lycoctonum can be found in North America, especially in eastern Canada, often in old gardens or as garden escapees. Engraved and drawn by Nicholas Robert...

Represents the element of water depicting Neptune and Thetis on a chariot drawn by sea horses. Etching with engraving made by Sébastien Leclerc in 1679, after tapestries by Charle...

A fine mythological etching by the great Italian engraver Antonio Tempesta (Florence, 1555 – Rome, 5 August 1630) printed by François L'Anglois or Langlois (12 May 1589 (baptised) – 13 January 1647),also called F. L. D. Ciartres (" Francois Langlois from Chartres"). Beautiful sheet , very sharp . The dimensions below are inclusive of the frame, the print without the frame measures 27x19 cm Antonio Tempesta, also called il Tempestino (1555 – 5 August 1630), was an Italian painter and engraver, whose art acted as a point of connection between Baroque Rome and the culture of Antwerp. Much of his work depicts major battles and historical figures. He was born and trained in Florence and painted in a variety of styles, influenced to some degree by "Counter-Maniera" or Counter-Mannerism. He enrolled in the Florentine Accademia delle Arti del Disegno in 1576. He was a pupil of Santi di Tito, then of the Flemish painter Joannes Stradanus. He was part of the large team of artists working under Giorgio Vasari on the interior decoration of the Palazzo Vecchio in Florence. His favourite subjects were battles, cavalcades, and processions. He relocated to Rome, where he associated with artists from the Habsburg Netherlands, which may have led to his facility with landscape painting. Among his followers was Marzio di Colantonio. Tempesta and the Flemish painter Matthijs Bril were commissioned by Pope Gregory XIII to paint wide panoramas of the Procession to Transfer the Relics of St. Gregory of Nazianzus (1572) for the loggias on the third floor of the Vatican Palace. He completed frescoes in the Palazzina Gambara at the Villa Lante in Bagnaia (1578-1609). From 1579–83, Tempesta participated in the decoration of the Villa Farnese in Caprarola, notably of this villa's Scala Regia. He is also known to have collaborated on frescoes in the Villa d'Este at Tivoli and the Palazzina Gamara at Villa Lante, Bagnaia. He painted a series of turbulent and crowded battle scenes for the Medici. He also completed a series of engravings on outdoor courtly hunting scenes. Tempesta painted frescoes for the Palazzos Colonna, the Doria Pamphilj, and for the Marchese Giustiniani in his Roman palace, where Tempesta collaborated with Paul Bril, and at Bassano di Sutri. He painted a Massacre of the Innocents for the church of Santo Stefano Rotondo in Rome. Tempesta is now best known as a printmaker in etching and engraving. He also left numerous etchings, among them: Plates from the Old Testament; twenty-four plates from the Life of St. Anthony; a set of 150 prints from Ovid’s Metamorphoses; 13 plates on The Labours of Hercules and four plates on respectively The ages of man; The entry of Alexander into Babylon; Diana and Actaon, and The crucifixion (1612). In 1612 he engraved a series of plates under the title "Batavorum cum Romanis Bellum" after designs of the Netherlandish artist Otto van Veen, also known as Vaenius (1556-1629) and court painter to Alessandro Farnese. Van Veen was influenced by the Italian mannerists but had developed his own style anticipating the Flemish baroque of his pupil Peter Paul Rubens. The series consists of 36 numbered engraved plates and illustrates the armed struggle between the ancient Dutch tribes and their Roman oppressors as narrated in Tacitus' Histories. Each plate bears at the bottom an engraved legend in Flemish and in Latin while a detailed explanation is printed on the otherwise blank verso. Plate I, signed 'Ant.Tempesta f. Anno 1611', shows 'Roma' and 'Batavia' in battle dress with respective scenic backgrounds, symbolizing the two nations. Fifteen other plates bear Tempesta's monogram. The plates depict heroic events, sieges, and battle scenes. This historicist work was very popular in its time. Tempesta also drew many designs for tapestries. François L’Anglois or Langlois (12 May 1589 (baptised) – 13 January 1647), also called F. L. D. Ciartres ("François Langlois from Chartres"), was a French print publisher, print seller, engraver, bookseller, art dealer, and painter. He is widely considered to have been the first important print publisher in France and to have contributed significantly to spreading awareness of contemporary artists' work throughout Europe. François L’Anglois was born in Chartres and baptised there on 12 May 1589. He visited Italy on several occasions: Rome in 1613 and 1614 and Genoa, Florence, and Rome again in 1621. On these trips he met Anthony van Dyck and Claude Vignon, who both painted his portrait. He also became acquainted with the engravers Stefano della Bella and François Collignon. It was probably around this time that he acquired the nickname of Chartres (Ciartres in Italian). In 1624–1625 he was associated with Vignon as an art dealer (paintings) and acted as a print collector for Thomas Howard, 14th Earl of Arundel, and Charles I of England...

" Ceres and Phytalus" To left, Phytalus, kneeling, receives the fig tree from the goddess Ceres, standing to right, as a reward for his hospitality. Etching and drypoint, circa 1662...

Ranunculus luteus aconiti folio magno flore After Nicholas Robert (1610-1684), engraved by Abraham Bosse (c. 1604 – 14 February 1676). On fine water...

"Arch dedicated to Hercules" and "Arch dedicated to Bellerophon" Splendid and very rare etchings belonging to a suite of subjects executed for the preparations of the "Celebrations for the entry into Antwerp of the Cardinal-Infante Ferdinando of Habsburg-Spain on 17 April 1635". The sketches for the decorations were all drawn by Sir Peter Paul Rubens and the execution of the etchings was entrusted to Van Thulden. Bottom left: P.P. Rubens. Bottom right: G. Gervatius (who was commissioned to bring together the illustrations of the arches in a special volume) and Van Thulden. Laid paper with watermark - copper imprint - margins - excellent condition. At the end of 1634 Peter Paul Rubens (1577-1640) was invited to make a series of drawings to decorate the city of Antwerp on the occasion of the solemn entry of the infant cardinal Ferdinand of Habsburg (1609-1641) who, after his death of Archduchess Isabella Clara Eugenia (1633), Spanish governor of the southern Netherlands, had been elected as his successor. Generally in these circumstances, the itinerary was articulated through a series of stations and the city - in its main urban hubs - was adorned with decorations and ephemeral apparatuses which, without solution of continuity, covered the facades of the palaces, churches and convents facing the parade axis of the celebratory itinerary, testifying to the participatory role of the various public and private institutions that took part in the feast1. As had happened for the entrances of Charles V in 1520, of Philip II in 1549 and of the archdukes Albert and Isabella in 1599, also in this case, on 17 April 1635, the most important streets and squares of Antwerp were enriched with arrangements: temporary altars, four scenarios, a portico and large triumphal arches built in wood, over twenty meters height, decorated with paintings, sculptures and allegorical scenes. The references to the ancient alluded in this case to the greatness of the Habsburgs and to the merits of Ferdinand for the victory obtained over the Protestant armies of Sweden and their German allies. The choice to use the triumphal arch has its roots in the "city of the popes" and must be read as a connection with the triumphal and modern arches, with Rome and with the "possession" ceremony, placing the emphasis on its centuries-old use . In the elaboration of the drawings and sketches Rubens proved to be a true connoisseur of architecture, but what is most surprising about the artist is the casual use of architectural language and fidelity to sixteenth-century Roman models. In order for the memory of these works to be perpetuated over time, some artists were commissioned to etch the ephemeral apparatuses and, under the guidance of the painter Theodor van Thulden...

A beautiful pair of burin engravings depicting "Saint Bernardo degli Uberti" and "Saint Hilary of Poitiers" two of the patron saints of the city included in the base of the cupola ( dome ) of Parma cathedral frescoed by Antonio Allegri known as Correggio (Correggio, August 1489-Correggio 5 March 1534) between 1524 and 1530. Admirable work by the great master in which his genius as a forerunner of the Baroque is fully seen. In 1642 Giovanni Battista Vanni etched a series of fifteen plates from Correggio's frescoes. Giovanni Battista Vanni was born in Pisa around 1599; he studied successively under Jacopo da Empoli, Aurelio Lomi, and Matteo Rosselli, and then became a disciple of Cristofano Allori. He is better known as an engraver than as a painter. From 1624 to 1632, he lived in Rome, then returning to Florence after visiting Venice. In addition to the series of prints...

Wonderful print of Sir Thomas Fairfax Copper-plate engraving by Engleheart after Bowers Published by Edward Jeffrey. Dated 1808 Unframed. .

Wonderful image after Rembrandt. Fine steel engraving. Published by Fisher, London. circa 1840 Unframed.

37.5 x 22.5 cm SUPERB ORIGINAL COPPER ENGRAVING!! Matthäus Merian der Ältere (or "Matthew", "the Elder", or "Sr."; 22 September 1593 - 19 June 1650) was a Swiss-born engraver who worked in Frankfurt for most of his career, where he also ran a publishing house. Born in Basel, Merian learned the art of copperplate engraving in Zürich. He next worked and studied in Strasbourg, Nancy, and Paris, before returning to Basel in 1615. The following year he moved to Frankfurt, Germany where he worked for the publisher Johann Theodor de Bry, who was the son of renowned engraver and traveler Theodor de Bry. Early in his life, he had created detailed town plans...

Folio Leaf: 37 x 23 cms. Hand colored copper engraving. Matthäus Merian der Ältere (or "Matthew", "the Elder", or "Sr."; 22 September 1593 - 19 June 1650) was a Swiss-born engr...

Wonderful image after Rembrandt Fine Steel engraving. Published by Jones & Co., London. C.1850 Unframed.

Wonderful image after Rembrandt Fine Steel engraving. Published by Jones & Co., London. C.1850 Unframed.

BLOME, Richard (d. 1705). A set of 5 framed plates from the first part of The gentlemans recreation in two parts : the first being an encyclopedy of the arts and sciences ... the s...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Parti...

Hand framed and encased Florentine Fine Art depicting 3 Dogs, Angel and a Nude Woman. Backing supports a secure way of hanging it. Art Size measures: 5 x 12 inches.