Prints

A Wonderful Set Of Eight Plates from Charles Paillasson's L'Art d'Ecrire all individually framed c1763 with Frenchman Aubin engraver. Charles Paillasson's celebrated handwriting man...

Presented is a photogravure by James Michael Brown entitled "Hoylake-Punch Bowl Hole." The print depicts a 1910 foursomes match on the course, annotated in the bottom border "Mr. John Graham, Jnr., Mr. C.E. Dick, Mr. John Ball Amateur Champion, 1910, Mr. H.H. Hilton." The photogravure was published in the Life Association of Scotland calendar for that year. James Michael Brown (1853-1947) was an accomplished Scottish water-colorist, famous for his golfing scenes of British and Scottish courses, competitions, and players. Brown often had famous golfers of the time sit for him during competitions and he used these studies to help him later reproduce accurate likenesses of the players in his paintings. A keen golfer himself, Brown was a founder member of Mortonhall Golf Club in Edinburgh, where he was introduced to fellow member Dr. J. Turnbull Smith, the manager of the Life Association of Scotland. The Life Association of Scotland was established in Edinburgh, in 1838. It later formed the Insurance and Banking Golf Club, which then became the Duddingston Golf Club. In 1898, to mark the opening of the extended Club House, Smith commissioned Brown to paint a scene from an exhibition golf match at the Club. Brown's painting was then printed as the centerpiece of the 1899 Life Association of Scotland calendar. Although expensive to commission and publish, The Life Association of Scotland board justified the expense of the calendar by stating, “it must surely be the aim and desire of a Life Assurance Association to prolong the lives of those who take out policies with them and what sport is there that can compare with golf as a cure for all the ills that flesh is heir to…” The calendar was a great marketing and advertising success. As a result, Brown was then commissioned to paint an annual golfing picture for the club. Prints were made of the originals and issued in the calendar for each year. Brown painted 26 paintings for the Life Association and these all adorned the walls of the Edinburgh head office for many years. The paintings portray not only Lloyd George, the former Prime Minister at Walton Heath, but also a host of famous golfing personalities like Old Tom Morris, Harry Vardon, James Braid...

Hand-colored French map, Carte de la Partie Nord, des Etats Unis, de l'Amérique Septentrionale, late 18th century. A French map of New England published at the end of the Revolutionary War...

A rare lithograph of a portrait of Queen Victoria in her later years, entitled “Her Majesty the Queen" in nice lemon gold period frame. Sight: 17 ½ by 21 ½ Frame: 23 ½ by 27 ¾

Hand colored in delicate detail, framed and matted original late 18th century engravings, two with labels visible: “Phalarope de Siberie” and “Pie varié de la Caroline.” Martinet (17...

Late 19th century "Bluebellied Roller" chromolithograph by John Gerrard Keulemans, published London. Coracias cynogaster. Keulemans, Dutch, 1842-1912. Published by M&N Hanhart, Londo...

Presented is a handsome photogravure of "A Difficult Bunker" by sporting artist Douglas Adams. "A Difficult Bunker" is one in a famous trio of three paintings depicting the links at ...

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. The ...

Antique Print of Nantucket Daydreams, by Henry S. Wyer, Nantucket, circa 1900, a period print depicting a gentleman in overstuffed wing chair by the hearth, a copy of Nantucket's "Inquirer and Mirror" open on lap, smoking a cigar and leaning back lost in thought: in the curls of smoke are simple sketches of many iconic Nantucket landmarks and views. Flanking the fireplace in place of tiles are a series of miniature copies of eight of H.S. Wyer's photographs. This is one of the rarest of antique Nantucket prints...

[English Gentlemen], from Vanity Fair twelve chromolithographs, on wove papers. Printed by Vincent Brooks Day & Son., with various dates from 1875 to 1897. Eight are by Spy, two are by Ape, one by "T" and one by Lib. Professionally framed with black and gilt frames and beige silk mats, with margins, apparently in excellent condition, not examined out of the frames. Titles comprise: "Accrington", June 11, 1892, "Newcastle Upon Tyne" July 18, 1893, "A New Peer", October 5, 1878, "South Bucks", June 4, 1896, "South Kensington", September 2, 1897, "Lord Salisbury's Manners", July 13, 1893, "The Blister", August 4, 1888, "A Postmaster General", April 30, 1892, "Sir James Miller", September 6, 1890, "Sol", October 28, 1897, "A Young Man" September 11, 1875, and "A Naturalist", September 9, 1882. Vanity Fair was a weekly magazine published in London, founded & edited by Thomas Gibson Bowles. His aim was to expose to contemporary vanities of Victorian society. From 1868 to 1914, full page colour lithographs appeared in most weekly issues, frequently lampooning or lauding their subjects which included artists, athletes, royalty, politicians, scientists, authors, actors, sportsmen, lawyers, diplomats, soldiers, clergy, scholars and other celebrities of the day - mostly British, but also many other internationally significant personalities. Over 2,300 of these colour cartoons were printed, and they are considered the chief cultural legacy of the magazine, forming a pictorial record of many of the most significant public figures of the period. They are renowned throughout the world and highly collectible and recognisable. Famous artists contributed to Vanity Fair, typically under pen names. The best remembered today is Leslie Ward (1851-1922), who signed his works as "Spy", and whose caricatures account for well over half of those featured in Vanity Fair. So famous have these fabulous prints become, Vanity Fair caricatures today often are referred to simply as "Spy Cartoons...

A set of six of exceptional quality 18th century hand-colored engravings Buchoz, Pierre Joseph. Collection précieuse et enluminée des fleurs les plus belles et les plus curieuses, q...

Lithograph by Italian artist Salvatore Tresca (1750–1815) after an original painting by French artist Louis-Léopold Boilly (1761–1845) of a work entitled 'La Douce...

Hand-colored copperplate engraving depicting an interesting old view of Copenhagen seen from Frederiksberg Castle Gardens, approximate. 1790-1800. Framed in a mahogany frame from sam...

set 18 Century Hand colored Strawberry Engraving by Elisabeth Haussard 1700- 1804 Author: Henri-Louis Duhamel du Monceau (1700–1782) "Traite des Arbres et Arbustes"" Very famous ...

Beautiful set of 5 engravings by Jacques Renaud Bernard representing the parade hall and the apartments of the Duchess of Orleans at the Royal Palace in Paris, architectural ensemble designed by the architect of Louis XV Pierre Contant D'Ivry. The engravings represent the architectural details of the different rooms (moldings, sculptures, furniture etc.) This set of engravings...

Large framed French Etching of Versailles – Vue Particulière de la Chapelle du Château de Versailles Pair available on the Versailles Theme. From Mis en Demeure, Paris.

A set of six of exceptional quality 18th century hand-colored engravings Buchoz, Pierre Joseph. Collection précieuse et enluminée des fleurs les plus belles et les plus curieuses, q...

Antique Louis XVI mahogany trumeau wall mirror topped with a 1774 hand colored engraving titled “Le Lever” by Antoine Louis Romanet (1742-1810, French engraver and miniaturist) after Sigmund Freudenberger. “Sigmund Freudenberger (16 June 1745 – 15 November 1801) was a Swiss painter. Freudenberger was the son of a lawyer, and studied as a portraitist. He lived from 1765 to 1773 in Paris, where he worked with François Boucher. He then founded in a private art school in Bern and was known as "Little Master...

This antique print in its original frame was copyrighted by George Henry Patnoe & Henry Brown of Canada in 1909 in a Victorian style. The print depicts the symbolism of the Lodge and...

A lovely print featuring a French "Salle de Bain", matted and finished in a gilt wood frame.

Large Framed French Etching of Versailles – Le Bassin d’Encelade Pair of Versailles themed prints available. From Mis en Demeure, Paris.

Victorian "Bird" Spider print mounted on a lovely faux marble paper ground showing large spider attacking a trapped bird. Black painted wood frame. Some p...

A late 18th century French engraving titled “Marche tout doux, parlez tout bas” (Walk very softly, speak very low) by Pierre Philippe Cho...

A Folio of Maison Quantin, Paris, 1891 first edition text and plates. Chromomo- lithographed plates by Gillot, colored and decorated in raised gold by hand. The sevres porcelain fa...

A beautifully rendered etching with hand coloring depicting the skeleton of an elephant on a pedestal. A live elephant, foliage and huts in the background. French, 18th century by Georges Le Clerc...

"Les Francais En Garrison" is an original hand colored lithograph. The notation on the print indicates that the copper plate was etched by Charon and reproduces the work of the arti...

"The Monument" W H Toms, scup (engraver) Plate size; 13.75 X 8.25 Frame size: 23.5 X 18 The print is hand colored, and framed with museum grade mat and carved frame.

Mid-late 19th century hand-colored lithograph of the "Magpie". It is from the Rev. F.O. Morris' "History of British Birds" published by Groombridge and Sons in London Sight: 7" x 4.3...

A set of 6 antique botanical fruit lithographs by Walter Muller. "Lith Ansi v Walter Muller Gera" lower right. "Nach der Natur van Muller Gera lowe...

These are small, gem-like, individual bird scenes. They are beautifully drawn, detailed prints of hand-colored copperplate engravings from one of the most important ornithological works of the 18th century. These hand-colored engravings were printed in Germany on original 18th-century rag paper taken from the Histoire Naturelle des Oiseaux by Georges Louis Leclerc, le Comte de Buffon (1708-1788), with engravings by Francois Nicholas Martinet (1731-1804), published in Paris 1770-1786. Dimensions: 6 inches x 3.5 inches (8 inches x 10 inches including the matte) Condition: Excellent. Price: $185 for a pair BACKGROUND: of Georges Louis Leclerc, le Comte de Buffon and Francois Nicholas Martinet: The Comte de Buffon was a mathematician and scientist often thought of as the founding father of ornithology. His lifetime goal was to create images of most of the world's birds in their natural environment. His work prefigured the works of John James Audubon. Under Louis XV, he was the head of the Royal...