Adja Yunkers "Requiem for a Virgin King", Abstract Lithograph, Yellow, Signed

Friedel Dzubas Lithograph, Abstract, Blue, Orange, Green, Signed. Large color lithograph printed on heavy Authenticated brand wove paper and floating inside a period 1970's plexibox....

Ito Takashi Landscape Woodblock: Mt. Fuji from Susono. Beautiful Japanese woodblock with good colors; under glass with 1960s era matting and framing. The b...

Bitossi for Raymor Lion, Ceramic, Yellow, Signed. Chunky medium scale animal sculpture with whimsical detail and glazed in fun Pop Art yellow. Retai...

Berndt Friberg for Gustavsberg Vase, Stoneware, Yellow, Signed. Large chunky vase, glazed in yellow haresfur, with a slightly elongated neck, rounded body, and footed base. Signed wi...

Framed Lithograph by Adja Yunkers, circa 1960s.

Adja Yunkers (1900-1983) was an abstract painter and printmaker. Born in Latvia Yunkers lived and studied extensively in Leningrad, Berlin, Paris, and London. He lived in Paris for 1...

Untitled abstract painting by Adja Yunkers. Collage with acrylic, signed and dated 1969.

Gouache and ink on mat board by Adja Yunkers, signed and dated 1958 on verso. An early work from Yunkers's Abstract Expressionist period, when he was married to art critic Dore Ashton and was part of the circle that congregated at Cedar Tavern. Born in Riga, Russia, Yunkers led a highly cosmopolitan life, studying and working in Leningrad, Berlin, Paris, London, and Stockholm (where he edited and published two art magazines) before settling down in the U.S., primarily in New York City in 1947. A teacher at the New School for Social Research, Yunkers was internationally renowned for his woodblock prints and lithographs, turning to painting--first Expressionist, later Minimalist color fields--in the late 1950's. His work is in the permanent collections of numerous museums, including the Brooklyn Museum, MoMA, the Corcoran Gallery, MFA Boston...