"Delphinium" by Eyvind Earle Serigraph on Paper, Signed and Numbered, Framed

Extraordinary lithographic print on paper of two Porsche automobiles, a 944 and a 356 by famed automotive and aviation artist David Lord. Signed and dated, 1985. Image dimensions: 16.75” x 20.75”. Chromed frame dimensions: 24.25” x 27.25”. About David Lord Inspiration for David Lord to draw and paint came from hours spent as a child at a drawing board set next to his talented grandmother’s easel. “She painted flowers and landscapes . . . I drew cars, boats, airplanes and army tanks.” In addition, a beloved, dedicated, high school teacher, who “instilled the love of art history, taught me art skills and techniques, and the ability to ‘know what to keep . . . and what to leave out’ of my art.” A New Englander by birth, David attended high school in Connecticut. Art was his favorite class and he kept his eighth grade dream of going to art school alive with hundreds of hours spent drawing cars and planes. After high school, he began two years of art studies at the University of Hartford in Connecticut and then began training at Art center College of Design in Los Angeles, California. After two semesters there, general Motors granted him a full scholarship. He graduated in 1965 as a Bachelor of professional Arts in Industrial Design. Upon graduation, Lord was hired by UniRoyal in South bend, Indiana, to design consumer products and eventually products for military application in Vietnam. “I also had the honor and privilege of working with Gordon Buehrig on the preliminary design, drawings, and clay for the 8/10 scale Cord, built of vacuum-formable, color impregnated plastic. After three years with a South Bend industrial design firm, Lord started his own company. During this period he spent many late evenings at the easel in his own studio, painting and drawing automobiles. The direction of his artwork, philosophy and goals began to form. “I decided to focus my love of all things automotive with my talent for painting and drawing. I had been to many events over the years; councours, car and air shows, had an extensive automotive reference collection and four major influences and mentors. These were men whose talent I was in awe over the years; Peter Helck, Walter Gotschke...

A rare birch dining or desk chair by Ernest Farmer of George Nelson and Associates for Herman Miller. Professional reupholstery available at pass-thro...

Limited edition serigraph on paper entitled "Three Noble Horses" by artist Eyvind Earle (1916-2000). Produced in 1993 and printed by Clearwater Studios. Eyvind Earle is famous for ...

Chryssa, 'Electric Sky', 1980, Serigraph, signed and numbered in pencil from an edition of 75. This print is part of a portfolio of 8 original serigraphs, executed under the supervision of the artist at Atelier Arcay in Paris. Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture, known for her neon, steel, aluminium and acrylic glass installations, she always used the mononym Chryssa professionally. After studying at the Académie de la Grande Chaumière in Paris in 1953-1954 (where she met André Breton, Edgar Varèse, and Max Ernst) and at the California School of Fine Arts in San Francisco in 1954-1955, she settled in New York, where she lived and worked until 1992, before returning to Greece. She became a pioneering artist on the New York art scene, alongside Jasper Johns and Robert Rauschenberg, within the “new realist...