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Jane Freilicher — Untitled from Self-Portrait in a Convex Mirror
$850
£644.04
€738.98
CA$1,196.09
A$1,314.83
CHF 691.01
MX$15,966.81
NOK 8,620.22
SEK 8,167.06
DKK 5,515.20
About the Item
This work by celebrated American painter Jane Freilicher (1924–2014) represents the poetic sensibility and painterly refinement that defined her career. Closely associated with the New York School and admired for her lyrical depictions of interiors, still lifes, and landscapes, Freilicher’s work bridges postwar abstraction and representational painting with quiet elegance.
Untitled, from the portfolio Self-Portrait in a Convex Mirror, reveals her nuanced approach to color, light, and form.
The piece captures her ability to transform the everyday into something timeless, evoking intimacy while reflecting the intellectual and artistic dialogue of her circle, which included poets and painters such as John Ashbery, Frank O’Hara, and Fairfield Porter.
As part of a rare edition, this work offers collectors an opportunity to acquire a piece tied to one of the most significant cross-disciplinary collaborations of the late 20th century.
Both historically resonant and visually compelling, it is a refined addition to any serious collection of postwar American art.
Lithograph: sheet diameter, circa 45.5 cm
Edition of 175, signed and numbered
Published in January 1984 by The Arion Press, San Francisco
From the portfolio "Self-portrait in a convex mirror" by John Ashbery.
Immaculate condition, never framed.
Another example of this print is part of the collection of MOMA, New York.
- Creator:Jane Freilicher (Artist)
- Dimensions:Height: 0.04 in (1 mm)Diameter: 17.92 in (45.5 cm)
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1984
- Condition:
- Seller Location:Dronten, NL
- Reference Number:1stDibs: LU931446633742
Jane Freilicher
Jane Freilicher (1924–2014) was an influential American painter known for her lyrical landscapes, still lifes, and interior scenes. Associated with the New York School, she maintained close ties with leading poets and painters of her time, including Frank O’Hara, John Ashbery, and Willem de Kooning. Freilicher’s work balanced figurative tradition with modernist sensibilities, often depicting views from her Manhattan and Long Island studios in soft, atmospheric tones. Her paintings are celebrated for their quiet intimacy, painterly elegance, and subtle interplay between observation and abstraction.
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