"Magnetic Lands" Silkscreen AP#17 by Walter Darby Bannard, 1979

Original Screen Print By Betsey Bates, circa 1979 Philadelphia Artist overall size: 18.75" x 30" Image size: 15" x 26" "not signed" "great color" "some minor soiling on the border ...

Portrait of Abraham Lincoln by William E. Marshall Engraving / Lithograph, 1866 image 15" x 19" frame 24.5" x 28.5 x .75" nice pressed wood frame - no glass "One of the best after-death portraits of Lincoln." "William Edgar Marshall 1837-1906, New York born painter and engraver. Marshall started his career as an engraver of pocket watch cases. In 1856, encouraged by his mentor, Cyrus Durand, who with his brother, Asher B. Durand, were important early banknote engravers, Marshall made his first engraved portraits - images of the Presidential candidates, James Buchanan and John Charles Fremont. The quality of these two images led to Marshall's appointment as the chief engraver at the American Bank Note Company in 1858. In 1862 he engraved a portrait of George Washington after a painting by Gilbert Stuart...

"Girl with Flowers" pencil signature and title by Hilde Weingarten (1920–1993) American Images Size 6 3/4" W x 9 1/2" H Frame / Overall Size 17" W x 21" H "new frame will bring to ...

Vintage Lithograph Johnny Friedlaender: 1912 - 1992 circa 1968 Very nicely framed with gold frame and linen mat. Ready to hang. Frame Size: 21" W x 23 3/4" H Visible Image Size: 14" W x 17" H "Johnny Gotthard Friedlaender (1912-1992), printmaker and painter, was born in Pless, Prussian Silesia (Germany) on June 21, 1912, the son of a pharmacist. He moved to Breslau in 1921 and, in 1928, he enrolled at the Breslau Art Academy where he attended master classes taught by Otto Mueller, a member of Die Brücke. During his academy years Friedlaender worked in lithography and etching. In 1930, he moved to Dresden, where his work was included in group exhibitions at Galerie J. Sandel and, in 1936, he traveled to Czechoslovakia, Switzerland, Austria, France, and Belgium. Friedlaender and his young wife fled the Nazi regime in 1937 settling in Paris as political refugees. In 1938 and 1939, Friedlaender worked at the literary weekly magazine Marianne on Paul Chadourne's recommendation. From 1939 to 1943 he was interned in a series of concentration camps. After the war, the Friedlaenders returned to Paris in 1945, in 1947 he became a member of the Salon de Mai, and in 1950 he became a French citizen. "Friedlaender worked for various journals and focused on etching as his main medium of expression. He became one of the great innovators in color printmaking and a school formed in Paris around his work as a painter and printmaker. From his Paris atelier Friedlaender instructed younger artists who themselves went on to become noteworthy, among them Arthur Luiz Piza, Brigitte Coudrain...

Rare 7-color silkscreen print made by Armando Testa and printed by Silk-Graf Torino in 1979 Print on canvas Signs of time, blooms Label at the back

Variation silkscreen by Kumi Sugaï 1978. Printed by Ryoichi Ishida printing company who also printed for Andy Warhol. Signed and numbered 237/250 in pencil by the artist. This print was sold by Satani Gallery in Tokyo in 1978 or 1979.  Colors may slightly vary due to photographic lighting sources or your monitor settings. The Art measures 18.0 x 18.0 cm. With frame 43 x 35.5 x 2.5 cm. Price includes frame. The Art will be shipped insured overseas in a custom made wooden case. Transport to the US, Euro 275, is case included. Kumi Sugaï, one of the most internationally acclaimed Japanese painters of the twentieth century. Colors may slightly vary due to photographic lighting sources or your monitor settings. KUMI SUGAÏ, JAPAN (1919 - 1996) Kumi Sugaï was a painter, sculptor and print maker born in 1919 in Kobe, Japan. Sugaï first experimented with oil painting at age nine and became a student at the Osaka School of Fine Arts in 1933 when he was fourteen. He met with the Gutai Art Association founder, Jiro Yoshihara which had a huge impact on his further artistic development and experimentalism. He was part of the first generation of 20th-century Japanese artists to become acquainted with Western painting techniques (under the instructions of Yoshihara), but he also explored both typography and Japanese calligraphy, important in his subsequent work. Sugaï left art school prematurely to work in commercial advertising for Hankyu electric rail company from 1937 to 1945. These formative years of practicing Western and traditional Japanese mediums gave a dual foundation to his future work. He dedicated himself to painting and moved to Paris in 1952, enrolling at the Académie de la grand chaumière, being one of the first generation of the post-war Japanese artists to join the international avant-garde art scene. Sugai was immediately noticed in Paris for his delicate touch and use of abstract gestures resembling primitive forms. He had his first solo show at Galerie Craven in 1954. In 1955 he made his first work in edition (Diable Rouge, a lithograph) and decided that from now on print work (lithographs, etchings and later silkscreens) was going to be an important part of his oeuvre. One of the reasons was to make his work more accessible. Between 1955 and 1996 Sugaï produced a little under 400 works in edition. Considered part of the École de Paris (School of Paris) and the Nouveau Réalisme (New Realism) movements, in 1962 he began to move from calligraphic, mainly monochromatic, organic motifs to more hard-edge geometric forms painted with clear colors. This aesthetic was more often than not influenced by speeding the curves of the freeways surrounding Paris in his beloved Porsche. He was possessed with speed and in a lot of his work we find abstracted roads (The S shape) details of roadsigns, parkings and in general an abstract visual language inspired by what he would see through his window moving at great speed. City and rural Landscapes transformed into simple colored compositions. Sugaï found great joy in the act of repetition and some iconic shapes have been appearing in his work throughout his whole career, first loosely and soft in his early etchings, paintings and lithographs, later hard edged and straight in his silkscreens. Sugai died in Kobe in 1996. His artworks were shown in numerous exhibitions around the world and most of his paintings are in the collections of well-known museums (Such as MOMA, the Guggenheim and Centre Pompidou) and important collectors. Vintage Objects...

“Abstract Fables,” silkscreen by Henry Mark, American, 1953. Edition of 22, stamped with initials, and signed on verso.

A signed silkscreen print named Silhouette by Denise Duplock. On the left it's signed with the name of the piece and on the right the artist's signature - D. Duplock. The piece show...