Victor Pasmore - Two Images (Blue)

Giclee print in colours with screenprint varnish, 2011, on Somerset 330gsm paper, signed in pencil, inscribed ‘A/P’ within the artist’s blindstamp (an artist’s proof aside from the e...

Screenprint in colours, 2011, on Somerset 300gsm paper, signed in pencil, inscribed ‘A/P’ (an artist’s proof aside from the edition of 125), from the portfolio Ghosts of Gone Birds, ...

Giclee print in colours with screenprinted varnish, 2011, on Somerset 330gsm paper, initialled in green pencil, inscribed ‘AP’ (an artist’s proof aside from the edition of 125), from...

Screenprint in black and white, 2011, on Somerset 300gsm paper, signed in pencil, inscribed ‘A/P’ (an artist’s proof aside from the edition of 125), from the portfolio Ghosts of Gon...

An etching and aquatint by Victor Pasmore from his portfolio titled "The Dance of Man in Modern Times". Victor Pasmore was one of the leading members of the English school of Abstract Expressionism. Please note this is one print from a larger portfolio. Other prints from this portfolio are available. A bit about Pasmore- Beginning in 1947, he developed a purely abstract style under the influence of Ben Nicholson and other artists associated with Circle, becoming a pioneering figure of the revival of interest in Constructivism in Britain following the War. [6] Pasmore's abstract work, often in collage and construction of reliefs, pioneered the use of new materials and was sometimes on a large architectural scale. Herbert Read described Pasmore's new style as "The most revolutionary event in post-war British art".[7] In 1950, he was commissioned to design an abstract mural for a bus depot in Kingston upon Thames[8] and the following year Pasmore contributed a mural to the Festival of Britain that promoted a number of the British Constructivists. Pasmore was a supporter of fellow artist Richard Hamilton, giving him a teaching job in Newcastle and contributing a constructivist structure to the exhibition "This Is Tomorrow" in collaboration with Erno Goldfinger and Helen Phillips...

Antique print titled 'Le Lion - La Lionne'. Steel engraving of a lion and lioness. This print originates from: ‘Oeuvres completes de Buffon, avec des extraits de Daubenton et la classification de Cuvier.’ Published in Paris by Au Bureau des Publications Illustrees, 59 Rue de la Harpe, 1839.Artists and Engravers: Author: Georges-Louis Le Clerc, Comte de Buffon (September 7, 1707 – April 16, 1788). French naturalist, mathematician, biologist, cosmologist and author. Buffon’s views influenced the next two generations of naturalists, including Jean-Baptiste Lamarck and Charles Darwin...

Screenprint in colors, on wove paper, signed in pencil, dated and numbered 24/70, published by Marlborough Graphics, Ltd., London, with the blind stamp of the printer Kelpra Studio, ...

Description: Two images on one sheet depicting a distillery. This print originates from 'Neuer Orbis pictus für die Jugend: oder Schauplatz der Natur, der Kunst (..)' by Jacob Eb...