"Wild Horses La Camargue" Rare etching by Leon Kelly, 1936

Depicting a complex interplay of lithe nude figures in struggle, the upper male figure holding a large sword aloft, this rare print was made by the famed artist and illustrator, Will...

Beautifully capturing a lovely scene of rollings hills, planted fields, rail fences and an old elm tree in the foreground, this is one of Luigi Lucioni's finest prints. Lucioni is best known as a realist, producing still lifes, landscapes and portraits with beautiful, fine detail, as is evident here. Lucioni was also friends with a circle of gay artists...

Extremely rare, perhaps unique, this 1920s print of Orpheus charming the animals with his lyre and song was made by David Osborne Hamilton, the esteemed ...

This rare, velvety mezzotint entitled "Allegory of Life" by Robert Charles Peter, a British artist, depicts three nude figures -- two male figures to the left, clasping hands, and fe...

Wild horses in Roman Countryside with the carriage is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate. The ra...

Polo picture, Drypoint Etching by Pierre-Georges Jeaniott. A rare Polo match etching by the artist by Pierre-Georges Jeaniott (French, 1848-1934). The drama of the match has been we...

This monoprint signed Eduard Franz, titled "Tumblers and White Horse," is a 1973 artist's proof. The print is signed and titled in pencil by the artist at the bottom. The artwork showcases a semi-abstract composition featuring a black-outlined horse and a red rider...

Vintage dry point etching "Going to the Wagon, No. 1" with original pencil doodle by noted western artist, Edward Borein, circa early 1900s. The piece is hand signed in pencil by the artist in the lower right and contains a small original pencil doodle in the lower left of a cowboy on a horse. The image (plate mark) is 9.875" x 7.875 and the piece is presented in a custom oak frame measuring 19" x 15.25" with a double cut cream mat. Overall, the etching is in very good vintage condition. This outstanding work is also titled "The Texans" and is extremely rare with the small doodle sketch by Borein. #4452 Born in San Leandro, California, Edward Borein became one of the most popular artists of western scene painting, equally adept at ink drawing, watercolor, and etching. He was raised in San Leandro, a western cow town, in a family where his father was a county politician. Edward had many childhood memories of herded cattle and their cowboys, which he began sketching at the age of five. He was educated in the Oakland, California schools, and at the age of 17 began working on a ranch near Oakland and then drifted and sketched as a working cowboy throughout the Southwest, Mexico, and Guatemala. It was said that he practiced his art on anything he could find from bunkhouse walls to scraps of paper. At age 19, he enrolled at the San Francisco Art School, his only formal art training, and there he met Jimmy Swinnerton and Maynard Dixon who encouraged him in his art career. The first person to purchase his work was Charles Lummis, editor of The Land and Sunshine magazine in California, and the two became life-long friends. Borein and Lucille Maxwell were married in the Lummis home. Borein, a typical westerner in dress and manner, also became close friends with Charles Russell, actor Will Rogers, and President Theodore Roosevelt. Borein often traveled north to visit Russell in Great Falls, Montana and to travel among Indian tribes. In 1899, Borein visited Arizona while returning from Mexico. By 1902, he was a successful illustrator in San Francisco for the San Francisco Call, and in 1907 to enhance his illustration skills, went to New York to learn etching techniques. There he enrolled in the Art Students League and was a student of Child Hassam. In the theatre district, he opened a studio that became a gathering place for 'lonesome' westerners such as Charles Russell, Will Rogers, Olaf Seltzer...