Jaws II Wool and Cotton Wall Hanging by Alicia Scardetta

SIN, is a handwoven textile wall piece, named after the ancient Mesopotamian Goddess of the Moon. It is handwoven in Turkey, by the women weavers of Anatolia. The 50% of the income ...

De Ente Et Essentia VI, 2022, Ela Fidalgo Acrylic, wool and cotton embroidery and patchwork on canvas. Ela Fidalgo has developed her technique using embroidery, acrylic, fabrics, o...

Large soft painting woven wool rug / wall art-tapestry "Essence of Absurd #2" by Argentinian-Israeli artist Calman Shemi, circa 1984. This a vibrant and expressive tapestry that sho...

A vintage velvet wall hanging or bed cover from Uzbekistan, circa 1980. This wall hanging is in good condition, sturdy and clean as a brand...

Elie Grekoff printed Cotton and Wool Tapestry and signed, figured zodiac symbol LIBRA. Made in France, circa 1950 Mid-Century Modern Era.

Orderliness wool Tapestry by Faina Design: Victoriya Yakusha Material: Wool. Dimensions: D 100 x H 4 cm Color: Beige. In search of new-old design messages, Victoria Yakusha conducted a study of the daily traditions of our ancestors. The times of Trypillia and the Scythian civilization, Slavs household habits, designer studied the forms, materials and craft techniques of those times and brought modern perusal to the traditional things. Awards Industart 2015 Award for PECHYVO cabinet Archiproducts Awards — SHCHEDRYY table nominated AZ Awards Canada nominated SOLOD cabinet The Interior of the Year Award for ZTISTA chair Exhibitions Solo 2017 Stockholm Furniture Fair: The collection had an individual Stand 2018 Milan Design Week: presented novelties at Superdesign Show 2018 London Design Fair: has presented full collection. Group 2015 Bologna Design Week: first exhibition for the new Collection. 2017 Dutch Design Week: SOLOD ?abinet, HRYB coffee-table — participants of the exhibition. 2018 Paris Design Week: Bandura vase...

A Yei Navajo Figural double-sided flat woven wall hanging - circa 1930. Displaying five standing figures on an deep speckled grey ground, framed by a red border. The Yei iconography is related to Navajo religious sandpaintings. Navajo religion has a reverence for nature and is based on maintaining a balance in the universe. It was believed that there was a sense of harmony needed to maintain a healthy life. Should an individual do something to upset this balance, then it was believed that an illness might befall them. Much like in the modern-day, a medicine man was hired to help regain this harmony. The remedy involved a combination of chanting, herbal medicines and a sandpainting ritual. Various coloured sands were sprinkled on the ground until they formed a specific Yei (holy person), based on the god he was trying to summon. When the sandpainting was completed, it was sanctified by spreading corn pollen over it. Once the sacred sandpainting had served its purpose, it was erased. To save it or reproduce its imagery was dangerous and could bring serious grief to anyone who retained the image. During the 1890s, the Navajos phased out blanket weaving in favour of rugs. There was strong demand from the vast migration of settlers, building homes by the thousands, who needed something to cover their floors. The first Navajo rug depicting holy people...

Wonderful and very rare Japanese tapestry made in the 1900s, made of woven silk and cotton, of absolute fineness. The tapestry is developed in length ...

Contemporary tapestry by FAINA Material: Wool Dimensions: diameter 100 x 4 cm In search of new-old design messages, Victoria Yakusha conducted a study of the daily traditions of...

Contemporary Tapestry by FAINA Design: Victoriya Yakusha Material: Wool Dimensions: diameter 100 x 4 cm In search of new-old design messages, Victoria Yakusha conducted a study...